W.
- Waals, Godfrey, a German, scholar of Tassi. Soprani. v. 394.
- Wael, Cornelius, of Antwerp, painted at Genoa in 1665. Soprani.
v. 394.
- Wallint, Francesco, called Monsieur Studio. MS. ii. 330.
- —— Juniore, his son. ib.
Z.
- Zaccagna, Turpino, a Cortonese, living in 1537. Bottari.
i. 99.
- Zacchetti, Bernardino, a Modenese, living in 1523. Tiraboschi.
iv. 51.
- Zacchia, Paolo, called Il Vecchio, of Lucca, painted in 1527.
MS. i. 102.
- —— il Giovane, the younger; he is called Lorenzo di Ferro
Zacchia. MS. Lived in the
sixteenth century. ib.
- Zaccolini, P. Matteo, a Theatine monk of Cesena, d. 1630, aged about
40. Baglione. ii. 260, v. 95. See the Second Index for his Manuscript
Treatises. ii. 260.
- Zaganelli, see Da Cotignola.
- Zagnani, Anton Maria, a Bolognese, living in 1689. Crespi.
v. 205.
- Zago, Santo, a Venetian, scholar of Titian. Ridolfi. iii. 162.
- Zais, Giuseppe, a Venetian, d. old about 1784. MS. iii. 385.
- Zaist, Gio. Batista, a Cremonese, b. 1700, d. 1757. Panni.
iv. 205.
- Zamboni, Matteo, a Bolognese, scholar of Cignani, d. young.
Crespi. v. 254.
- Zambono, Michele, a Venetian mosaic worker, flourished about 1505.
Zanetti. iii. 251.
- Zampezzo, Gio. Batista, da Cittadella, in the Paduan district, d. 1700,
aged 80. Melchiori. iii. 210.
- Zampieri, Domenichino, a Bolognese, d. 1641, aged 60. Bellori.
Preface, xxxiv. ii. 207, 398.
v. 127.
- Zanata, Gioseffo, a Milanese, living in 1718. Orlandi.
iv. 315.
- Zanchi, Antonio, da Este, b. 1639. Zanetti. d. 1722.
Melchiori. iii. 350.
- —— Filippo and Francesco, of Bergamo. Their notices from
1544 to 1567. Tassi. iii.
182.
- Zanella, Francesco, a Paduan. His notices until 1717. Guida di Padova. iii.
308.
- Zanetti, Co. Antonio Maria, quondam Girolamo, a
Venetian, thus called to distinguish him from Antonio Maria Zanetti,
quondam Alessandro, mentioned in
the Index that follows:—the first was eminent for engraving on
various sorts of wood, in 1728. Lett. Pitt., tom ii. p. 152. He was in advanced age in 1765. Lett. Pitt.,
tom. v. p.
304. Pref. x. The other d. 3rd November,
1778, aged 62.
- Zanimberti, or Zaniberti, Filippo, a Brescian, b. 1585, d. 1636.
Ridolfi. iii. 326, 267.
- Zanna, Gio. a Roman, called Il Pizzica, painted with Tarquinio da
Viterbo. Baglione. ii. 170.
- Zannichelli, Prospero, of Reggio, b. 1698, d. 1772. Tiraboschi.
iv. 70.
- Zanobrio, di Ca, see Carlevaris.
- Zanotti Cavazzoni, Gio. Pietro, a Bolognese, b. 1674, d. 1765.
Crespi. v. 235.
- Zappi, another surname of Lavinia Fontana, v. 65.
- Zarato, see Luzzo.
- Zei, b. at Città S. Sepolcro, a supposed
scholar of Cortona. MS. i. 352.
- Zelotti, Batista, a Veronese, d. aged 60. Ridolfi. About
1592. Pozzo. iii. 171, 239.
- Zenale, see Da Trevilio.
- Zevio, da, in the Veronese, Alticherio, or Altichieri; in a MS. Document of the noble house of Dondi
Orologio, Aldighieri; living in 1382. iii.
12.
- —— Stefano, see Da Verona.
- Zifrondi, or Cifrondi, Antonio, b. in the territory of Bergamo, 1657,
d. 1730. Tassi. iii. 369.
- Zinani, Francesco, of Reggio, flourished in 1755.
Tiraboschi. iv. 70.
- Zingaro, lo, see Solario.
- Zoboli, Jacopo, a Modenese, d. 1767. Tiraboschi. iv. 66.
- Zocchi, Giuseppe, of the Florentine territory, d. 1767, aged 56.
MS. i. 351.
- Zola, or Zolla, Giuseppe, di Brescia, d. 1743, aged 68. Crespi nelle Giunte al Baruffaldi. v. 349.
- Zompini, Gaetano, a Venetian, d. 1778, aged 76. MS. iii. 354.
- Zoppo, Marco, da Bologna. His work of 1471. MS. And of 1498, in the Colonna Façade.
Oretti, Memor. iii. 36, 73, v. 23.
- Zoppo, Paolo, a Brescian, d. about 1515. Ridolfi. Or 1530.
MS. iii. 83.
- —— Rocco, a Florentine, scholar of Pietro Perugino.
Vasari. i. 101.
- —— lo, di Gangi, living in the eighteenth century.
MS. ii. 420.
- —— di Genova, see Micone.
- —— di Lugano, see Discepoli.
- —— di Vicenza, see De'Pieri.
- Zuannino, see Da Capugnano.
- Zuccari, Federigo, flourished in the sixteenth century, iv. 297.
- Zuccaro, (so named in his epitaph, and the books of Federigo,) in
Vasari and elsewhere, Zuccheri, or Zuccari, Taddeo. He was born at
S. Angelo in Vado, 1529, d. 1566. Vasari.
ii. 126, 129, 133.
- —— Federigo, his brother, painted about 1560.
Vasari. aged 18. Bottari in his Addenda to the
Notes. d. 1609, Bellori, in his Life of Caravaggio.
ii. 136, iii. 245,
v. 466.
- —— Ottaviano, their father. ii.
133.
- Zuccati, Sebastiano, di Trevigi, living about 1490. Zanetti.
Father Federici assigns to this family a different country, namely,
Ponte, a place in the Valteline. iii. 136,
251.
- —— Valerio and Francesco, his sons, lived in 1573.
Zanetti. iii. 137.
- —— Arminio, son of Valerio, flourished about 1585.
Zanetti. iii. 137.
- Zuccherelli, Francesco, b. in the Florentine state about 1702, d. 1788.
MS. i. 364, iii. 385.
- Zucchi, or Della Zucca, Jacopo, a Florentine, b. about 1541.
Vasari. d. in the pontificate of Sixtus V. Baglione. i.
237.
- —— Francesco, his brother. Baglione. ib.
- Zucco, Francesco, a Bergamese, d. 1627. Tassi. iii. 334.
- Zugni, Francesco, a Brescian, d. 1636, aged 62. Ridolfi.
More correctly d. 1621. Zamboni, p.
15. iii. 327.
- Zupelli, or Cappellini, Gio. Batista, of Cremona, flourished at the
close of the fifteenth century. Zaist. iv. 160.
SECOND INDEX.
Historical and Critical Publications cited in this
Work.
A.
- Abbecedari—Historical Dictionaries—their authors, editions,
and opinion on them, Preface, xx.
- Affò, P. Ireneo, M. O., Il Parmigiano Servitore di
Piazza, or Account of the Paintings of Parma. Parma,
1794, 8vo. iv. 75, et seq. (throughout the whole school of
Parma).
- —— The same. Life of Francesco Mazzola, called Il Parmigianino. Parma, 1784, 4to. iv. 75, 123.
- —— The same. Treatise upon a Chamber painted by
Coreggio in the Monastery of Benedictine Nuns at S. Paolo in Parma. Parma, 1794, 8vo. iv. 96, et seq.
- Albani, Francesco. His Opinions upon Painting. See Malvasia.
Felsina Pittrice, vol.
ii. p. 244; and Bellori, in his
Lives, p. 44, second edition,
i. 176. iv. 126. v. 113, 135.
- Alberti, Romano. Origin and Progress of the Academy of
Design. Pavia, 1604, 4to. ii. 143.
- Algarotti, Count Francesco. Essay on Painting. Leghorn,
1764, 8vo. It is cited in the Preface,
pp. ii. and xxxii.; and in vol. iii. 139, 386. iv. 46, 103, 124. v. 127,
and other places.
- —— The same. Letters. Leghorn, 1784, 8vo. iv. 46, 48. v. 167, 276, 277.
- Allegranza, P. M. Giuseppe. D. O. D. P. Explanation of, and
Reflections upon, some sacred Monuments at Milan. Milan, 1757, 4to. iv. 208.
- —— The same. Opusc. Eruditi.
Cremona, 1781. ib.
- Altan, Count Federigo. Memoirs of the Life of Pomponio
Amalteo. They are inserted in vol.
xlviii. of the Opuscoli Calogeriani. iii. 129.
- Altan. The same. Treatise on the Vicissitudes of Painting in
Friuli. It is inserted in the New Collection of the
Opuscoli Scientifici e Filologici. Venice, vol. xxiii. iii. 5.
- Amoretti. Observations on the Designs of Lionardo da
Vinci. Milan, 1784. iv. 247.
- —— Carlo. Historical Account of the Life, Studies,
and Works of Lionardo da Vinci. Milan, 1804, 8vo. iv. 253.
- Anecdotes des Beaux Arts. Paris, 1776, 1780, 3 vols. 8vo. ii. 11.
- Argensville, (d') Ant. Joseph. Abridg. of the Lives of the most
celebrated Painters. Paris, 1762, 4 vols.
8vo. Pref. v. and xxvi.; and vol. i. 142, 146, iii. 45, iv. 164.
- Armenini, Gio. Batista. On the true Precepts of Painting, in
three books. Ravenna, 1587, 4to. iv. 246, v. 94, 379.
- Art of Vision, according to the Principles of Sulzer and of
Mengs, applied to the Fine Arts. Venice, 1781, 8vo. Pref. xxxvi.
- Averoldi. See Guida di Brescia.
- Azara (d') Cav. Giuseppe Niccola.
Memoirs of Mengs; and Observations on the
treatise of Mengs, bearing title, Reflections on the
Beautiful. ii. 75, 91, 315.
- Azzolini, Ugurgieri, P. Isidoro. Le Pompe
Sanesi. Pistoia, 1649, 4to. i. 374, 444, iv. 118.
B.
- Baglione, Cav. Giovanni. Lives of
the Painters, Sculptors, and Architects, from the pontificate of Gregory
XIII. in 1573, to the time of Pope Urban
VIII. in 1642. Naples, 1733, 4to. ii. 228. It is cited in the Roman school, the
Florentine, andothers.
- Corrected, i. 287.
- Opinion on the work, ii. 228.
- Baldeschi, Ab. State of the Lateran Church in the year
1723. Rome, 1723, 4to. There is annexed
a View of the remarkable objects in the said Church by
Crescimbeni.
- Baldinucci, Filippo. Account of the Professors of Design, from
the time of Cimabue. Six volumes, 4to.
printed at Florence between 1681 and 1688, and after the author's death,
from 1702 to 1728:
- his posthumous works completed by his son. i. 283. Cited throughout the work.
- Accusations by various foreigners, i. 29,
378, v. 9.
- Exculpated, i. 37, 51.
- His mistakes, i. 32, 33, 34, 42, 61, 280,
382, 387, ii. 12, 19, 269, 270, iv. 159, 176, v. 9, 360.
- Baldinucci. The same, with various dissertations, notes, and
additions, by Giuseppe Piacenza, an architect of Turin. Turin, 2 vols. 4to. 1768 and
1770. i. 31, 151, ii.
9, v. 19, 452.
- —— The same, with notes by Manni, 20 vols. 8vo. Florence, from the
year 1767 to 1774. Corrected, i. 126.
- —— The same. Opuscoli contained in
vol. 21 of the before-mentioned edition.
Preface, xxviii. i. 19, 51.
- Barbaro, Monsig. Daniello. The
Practice of Perspective. Venice, 1669, fol.
iii. 49.
- Bardon, Dandre. Traité de Peinture, &c. Paris, 1765, 2 vols. 12mo. ii. 149.
- Barocci, Giacomo, see Danti.
- Barri, Giacomo. Picturesque Tour in Italy. Venice, 1671.
iii. 294, iv.
92.
- Bartoli, Francesco. Account of the Paintings, Sculpture, and
Architecture of Italy. 2 vols. Venice,
8vo, 1776, 1777, cited in vol. iv. p. 210,
- in the Milanese school and that of Piedmont. Corrected, v. 478.
- —— The same. See Guida di Rovigo.
- Bartolini, Cav. and Cortinovis, P.
- Baruffaldi, Girolamo. Lives of the most celebrated Painters and
Sculptors of Ferrara. They are cited by Guarienti as already edited
at Ferrara; but there only exist MSS.
with the additions of the Can. Luigi Crespi, respecting the
Professors of Ferrara and Lower Romagna, in the hands of the Cav. Jacopo Morelli and the Cav. Lazara. v. 282, et
seq.
- Bellori, Giampietro. Lives of the modern Painters, Sculptors, and
Architects. Rome, 1672 and 1728, 4to.
with the addition of the life of the Cav.
Luca Giordano. Cited in the Preface, xxxviii. i. 176, ii. 131, 427, and other
places throughout the work and index.
- Opinion upon this author, ii. 6.
- —— The same. Other MS.
lives, supposed to be lost, but by some asserted to exist.
See De Murr, Bibliothèque de Peinture, vol. i. p. 28. v. 124.
- —— The same. Life of the Cav. Carlo Maratta. Rome, 1731, 4to. ii. 281.
- —— The same. Description of the figures painted by
Raffaello d'Urbino in the Vatican palace; where it is inquired also
whether Raffaello enlarged and improved his manner by viewing the works
of Michelangiolo. Edit. 2. Rome, 1751, folio. ii. 73, 121, 278.
- Bertoli, Canon. Giandomenico. Sacred and Profane Antiquities of
Aquileia. Venice, 1739, folio. The 2d
vol. of this work is in MS.
tom. i. p. 1. iv. 207.
- Bettinelli, Ab. Saverio. Revival in Italy of Studies, Arts, and
Manners, after the year 1000, 2 vols.
8vo. Bassano, 1775, 1786. i. 14.
- —— The same. Of Mantuan Letters and Arts, in
two discourses. Mantua, 1774, 4to. iv. 31, 85.
- Bevilacqua, Ippolito. Memoirs of the Life of the Painter Gio.
Bettino Cignaroli. Verona, 1771, 8vo.
iii. 380.
- Bianconi. See Guida of Milan and of Bologna.
- —— The same. Letter on a Miniature of Simon da
Siena, in second vol. of Sienese
Letters, by P. della Valle, i. 392.
- Bibiena, da, Ferdinando Galli. Directions for young Students of
Civil Architecture. Bologna, 1725, 8vo.
The same, with new additions, 1731, 8vo. 2
vols. Ed. of Parma was in 1711. v. 272.
- Boni, Ab. Mauro. On the painting of a Banner of the Fraternity of
S. Maria di Castello, and on other works executed
in Friuli by Gio. da Udine. Udine, 1797, 8vo. iii. 249.
- —— Cav. Onofrio.
Eulogy on the Cav. Pompeo
Batoni. Rome, 1787, 8vo. ii. 320.
- Borghini, Raffaello. Il Riposo. Florence, 1584,
8vo.; and again with annotations, 1730, 4to. Cited, Preface, xxxii. i. 231, et seq.
- Borsieri, Girolamo. See Morigia. Milan, 1619, 8vo.
- Boschini, Marco. La Carta del Navegar
Pittoresco. Venice, 1660, 4to. Cited
often in book i. of volume iii. Noticed, p. 52.
- The plan of this work, iii. 260.
- His verses, v. 427.
- Boschini. See Guida of Venice and of Vicenza.
- Bottari, Monsig. Gio. Notes to
the Lives of Vasari. The edition made use of is that commenced at
Leghorn, and continued at Florence in seven volumes, 8vo. from 1767 to 1772. Cited in Pref. xxxiii. and often throughout the work.
- Its scope and merit, i. 242.
- Not approved, i. 17, 165, 179, 181, 183,
264, 410, ii. 40, 363, iv. 101, 153, 215,
224, 234, v. 35.
- —— The same. Notes to the Letters on Painting.
Pref. xx.
i. 240, 432.
- —— The same. Dialogues on the Fine Arts.
Lucca, 1754, 8vo. ii. 7.
- Brandolese, Pietro. Testimonianze intorno alla Patavinità di
Andrea Mantegna. Padua, 1805, 8vo.
iii. 70.
- —— Doubts as to the Existence of the Painter Giovanni
Vivarino da Murano, newly confirmed, and refutation of a pretended
authority to support it. Padua, 1807, 8vo.
iii. 22.
- Bugati, Dottor Gaetano. Historical and critical Notices of the
Reliques and Worship of S. Celso Martire.
Milan, 1782, 4to. iv.
208.
- Bure, Guillaume François de, Bibliographie
Instructive, vol. viii. 8vo. Paris, 1763, 1782. i.
141.
C.
- Cambrucci. History MS. of
Feltre. iii. 78.
- Campi, Cav. Ant. Le
Cronache di Cremona, 1575, fol.; and
again at Milan, 1645, 4to. iv. 155, 159, 173, 184.
- Carducci, Vincenzio. De las Excelencias de la
Pintura. Baldinucci; or a Dialogue on Painting, its
definition, origin, and essence. Madrid, 1633, 4to. i. 267.
- Carrari, Vincenzo. Oration and Verses by several hands on the
Death of Luca Longhi. Ravenna, 1681, 4to.
iv. 103.
- Castiglione, Fr. Sabba. Recollections,
or Directions. Venice, 1555, 4to.
iv. 248.
- Catalogue of the existing Pictures and Paintings in the Casa
Colonna. Rome, 1783, 8vo. ii. 268, and in the Index.
- Catalogue of the Pictures, Drawings, and Books, which treat of
the Art of Design, from the Gallery of the late Count Algarotti, in Venice,
drawn up by the Architect Antonio Selva, 8vo. iii. 315, v. 260.
- —— Ercolani. Verses and Prose written on a Series of
excellent Paintings in possession of Signor Marco Filippo Ercolani, Prince
of the Empire. A work of the painter Jacopo Alessandro Calvi.
Bologna, 1780, 4to. iii. 16, and often in vol.
v.
- —— of Pictures now in possession of D. Gio. Dottor
Vianelli, Canon of the Cathedral of Chioggia. Venice, 1790, 4to. v. 193, 415, and in
the Index I.
- Diary of the years 1720 and 1721, written by Rosalba Carriera;
illustrated and published by the same Vianelli. Venice, 1793, 4to. v. 255.
- Cavazzone, Francesco. Corona di grazie, favori, o
miracoli della gloriosa Vergine Maria, fatti in Bologna, dove si tratta
delle sue sante e miracolose immagini cavate dal suo naturale.
MS. with date 1606.
- Example of the noble Art of Design, &c. MS. with date of 1612. They are recorded by
Crespi in his Felsina, p. 18.
v. 27, 196.
- Caylus, Bachiliere, Cochin the younger, writers upon painting in
caustic, v. 353.
- Cellini, Benvenuto. Two Treatises: one respecting the eight
principal parts of the Goldsmith's Art; the other on matters connected with
that of Sculpture, &c. Florence,
1731, 4to. i. 110,
126, iv. 227, 240.
- —— The same. Life of Benvenuto Cellini, written by
himself. Cologne, without date (which is Naples, 1728. See Note on
the works of Cocchi, who wrote the preface). i.
93, 168.
- Cennini, Andrea. Treatise on Painting. MS. i. 89.
- Christ, Jo. Frederic. Dictionnaire des
Monogrammes, Lettres Initiales, &c.
translated from the German, with additions. Paris, 1750,
8vo. i. 128.
- Cignaroli, Giambettino, a Veronese. Series of Veronese Painters
inserted in vol. iii. of the Cronaca dello
Zagata; and MS. notes to the work of Pozzo
on the Veronese Painters. iii. 4.
- Cittadella, Cesare. Historical Catalogue of the Painters and
Sculptors of Ferrara. Ferrara, 1782, vol.
iv. 8vo. v.
283, et seq.
- Civalli, P. Provincial of the Conventuali Visita Triennale,
inserted in vol. xxv. of the Antichità
Picene. iii. 29, v. 34.
- Cochin, Charles Nicholas. Voyage d'Italie, &c. Paris, 1758, 3 vols. 8vo. Lausanne, 1773, 3
vols. 12mo.
Opinion on this work, pref. xxxvi. Cited,
v. 305, and elsewhere.
- Colucci, Ab. Giuseppe. Antichità Picene. Fermo,
21 vols. fol.
1792. ii. 8, 313, and elsewhere.
- Combe, la, Mr. Portable Dictionary of the Fine Arts.
Paris, 1752, 1754, 8vo. vols. ii. Pref. xxi.
Corrected, iii. 113.
- Comolli, Ab. Inedited Life of Raffaello d'Urbino, illustrated
with notes. Rome, 1791, 4to. 2d ed. ii. 51,
52.
- Conca, D. Antonio. Descrizione Odeporica della Spagna,
&c. 4 vols. Parma, 1793, et seq. 8vo. i. 178, and in the
Index.
- Condivi, Ascanio. Life of Michelangiolo Bonarruoti. Rome,
1553, 4to. i. 150,
et seq.
- —— The same book, with annotations by Antonfrancesco
Gori and by Mariette. Folio, Florence, 1746. i. 64, 177.
- Cortona, da, see Ottonelli.
- Cozzando, Lionardo. Abstract of the History of Brescia.
Brescia, 1694, 4to. iii. 327.
- Crespi, Can. Luigi. Felsina Pittrice; or
Lives of the Bolognese Painters, not described by Malvasia. Rome,
1769, 4to. v. 5,
and often in that book. Clamours against that work, v. 252.
- —— Dialogues in defence of the same work, v. 251.
- —— The same. Notes and Additions to the Lives of
Baruffaldi. Opera, MS. v. 283. Cited often in the Ferrarese school.
Corrected, v. 39.
- —— The same. Letters on Painting. Pref. xxix. ii. 74, 76, v. 173, 249.
- —— The same. Anticritical Dissertation upon two
Readings by Manni, as to the Opinion that St. Luke practised
Painting. Faenza, 1776, 8vo. ii. 9.
- —— The same. The Certosa of Bologna described, with
its Paintings. Bologna, 1772, 8vo.
ii. 403, v. 133.
- Crispolti, Ciatti, Alessi, writers on matters appertaining to Perugia,
ii. 28.
- Cumberland, Richard. Anecdotes of eminent Painters in Spain,
&c. ii. 84, 318.
D.
- Danti, P. Ignazio, a Dominican. Rules of practical Perspective,
by Giacomo Barocci, called Il Vignola, with the Commentaries of the
preceding. Rome, 1583, folio. v. 51.
- Dati, Carlo. Lives of the Ancient Painters. Florence,
1667, 4to. Pref.
xxxviii. i. 178, iv. 103.
- Description, Historical, of the Monastery of Monte Casino.
Naples, 1751, 4to. ii. 441.
- —— of the Certosa di Bologna. See
Crespi.
- —— of the royal Temple and Monastery of S. M. Nuova di Monreale, folio. i. 4.
- —— of Cartoons designed by Carlo Cignani, and of
Pictures painted by Sebastian Ricci, with a Compendium of the Lives of two
Professors. Venice, 1749, 4to. In the
Index.
- —— of Monte Oliveto Maggiore: o sia Lettera sopra l'Archicenobio di M. D. M., by Giulio
Perini. Florence, 1788, 8vo. i. 411, 414.
- —— of the Convent of Assisi. Angeli Francisci Mariæ
Conventus Assisiensis Historia. Montefalisc., 1704, folio.
i. 11, ii. 8.
- Dictionaries of Painting, their authors, editions, and opinions on
them. Pref. xx.
- Dictionary, New Historical,
&c., 22 vols. 8vo. Bassano, 1796. In my citations from this very
laborious work, I might always give the name of the Ab. Francesco Carrara,
who, to the illustrious names before mentioned in several Dictionaries,
added in this work more than five thousand, for the most part of Italian
literati or professors of the fine arts. He having also adduced many
anecdotes respecting them, I have availed myself of several in this
edition. See Index I.
- Dolce, Lodovico, Dialogue on Painting. Venice, 1557, 8vo. i. 176, ii. 124.
- Dominici, de', Bernardo. Lives of the Neapolitan Painters,
Sculptors, and Architects. Naples, 1742, 1743, 1745, 3 vols. 4to. Writers from whom
he collected them, ii. 384. Cited in the last
mentioned volume, through the whole fourth book, iv. 150. Opinion on the work, ii.
384.
- Durando, di Villa, Count Felice. A Discourse read on the 4th of
April, 1778, with Notes. It is annexed to the Rules of the R.
Academy of Turin, ib. 1778, folio. v. 492, and other places in the last book.
E.
- Eulogies of Illustrious Tuscans. 4 vols. 8vo. Lucca, 1771, et
seq. i. 150.
F.
- Faccioli. Museum Lapid. Vicentinum. Vicentiæ,
1776, 3 vols. 4to.
iii. 77, and in the Index.
- Facius, Barthol. De Viris Illustribus; a work
written in 1456, published by Mehus, at Florence, 1745, 4to. iii. 44.
- Fantuzzi, Count Marco. Monuments of the Middle Ages at
Ravenna. Venice, 1801, et seq., 6 vols. 4to. v. 37, 40.
- —— Accounts of the Canon Gio. Andrea Cazzarini of
Pesaro, a distinguished Painter and Man of Letters. Venice, 1804,
8vo. See Index I.
- Federici, F. Domenico Maria, de' Predicatori. Account of Works of
Design at Trevigi. Venice, 1803, 2 vols.
4to. ii.
113, iii. 5, 353, and often in the Venetian
school. Cited, iii. 107.
- Felibien, J. F. Entretiens sur les Vies et les Ouvrages
des plus excellens Peintres, anciens et modernes. Paris, 1685 and
1688, 2 vols. 4to.
Pref. xxxvii. i. 173, v. 58.
- Francesconi. Conjecture that a Letter attributed to Baldassar
Castiglione belongs to Raffaello d'Urbino. Florence, 1799, 8vo. ii. 66.
- Franchi, Antonio. The Theory of Painting, &c. Lucca, 1739, 8vo.
i. 303.
- Fresnoy, Caroli Alphonsi. De Arte Graphica Liber. Paris,
1637, 8vo. Translated into several languages,
and explained with notes by Mr. De Piles, and by other writers. See
De Murr, p. 156. Preface, xxxii. iii. 140, and other places.
G.
- Gallery, Electoral, of Dresden. Catalogue des Tableaux
de la Galerie Electorate à Dresde. Dresden, 1765, 8vo. iv. 44, 87, and elsewhere
in vol. iii. and iv.
- —— Imperial. Catalogue des Tableaux
de la Galerie Imper. et Roy. de Vienne, &c., by Chretien de Mechel. Basle, 1784, 8vo. ii. 356, and other
parts of the work.
- —— Royal Florentine. Sometimes indicated in the
first index, by the initial letters R. G. Various Descriptions of it
are pointed out in vol. i. p. 368. Use made of the French work of 1791, 8vo., printed at Arezzo, which contains the dates
also of the more recent painters, in the manner observed in the Florentine
Museum, i. 148. Or they are added to their
portraits in the two chambers dedicated to the painters. This ed. is cited
through the whole work; corrected, i. 63, v. 415.
- —— of Modena, see Guida di
Modena.
- —— Royal, of Paris. Reissant. Explication
des Tableaux de la Galerie et des Salons de Versailles. Paris, 1753,
8vo. The descriptions of Fontainebleau, of the
Louvre, and of other places mentioned through the work, are contained in
De Murr Bibliothèque de Peinture, p. 683, i. 209, ii. 84, 270, iii. 369, iv. 244, v. 57, 352.
- Gallerati, Francesco. Account of the Works of Painters, both
native and foreign, publicly exhibited in the City of Milan, with some
notice of the Sculptors and Architects. First Part. Milan, 1777,
8vo. See Index I.
- Galletti, Aloiysii. Inscriptions Venetæ Romæ
Extantes. Romæ, 1757, 4to. See
Index I.
- —— Inscriptiones Romanæ. Romæ, 1760,
4to. 3 vols.
See Index I.
- Gallo. Annals of Messina, ii.
356.
- Gamba, Bartolommeo. Observations on the Edition of Ptolemy's
Geography, executed at Bologna, with date of M.CCCC.LXII. 8vo.
Bassano, 1796. i. 141.
- Garcia, dell'Huerta, Ab. Pietro. Commentari della
Pittura Encaustica del Pennello. Madrid, 1795. ii. 344.
- Gemalde, &c. Collection of
the R. Imperial Gallery. Italian School. Vienna, 1796. It is the
work of Sig. Giuseppe Rosa, Director of the
same, written in German. 8vo. i. 196, ii. 257, 258.
- Gigli, and other writers on the painters of Siena, i. 374, 436.
- Girupeno, see Scaramuccia.
- Giulini, Count Giorgio. Memoirs relating to the History,
Government, and Description of the City of Milan, &c. Milan, 1765, 4to.
9 vols. i.
7.
- Goltzius, Ubertus. Vita Lamberti Lombardi Pictoris
celeberrimi. Brugis, Fland. 1565, 8vo.
iii. 163.
- Gori, Ant. Francisci. Thesaurus Veterum
Dypticorum, &c.
Florentiæ, 1759, folio, 3 vols. It is cited
for the age of Finiguerra. i. 114.
- ——see Condivi.
- Guides of various Cities, or Districts,
cited under this general term, which here follow under their respective
titles.
- Arezzo. Guida, MS.,
written in 1803, and pointed out to me by the learned Ansaldi. i. 99.
- Ascoli. Description of the Paintings, Sculpture, and
Architecture of the famous City of Ascoli, by Baldassare Orsini;
concluding with Historical Notices of the Professors of
Ascoli. Perugia, 1790, 8vo. ii. 7, and often in the third book.
- ——in Perspective, by Tullio Lazzari. Ascoli,
1724, 8vo. i.
451.
- Bassano. Its Guida is inserted in the work of
Verci.
- Bergamo. The remarkable Paintings of Bergamo, collected by the
Dott. Andrea Pasta. Bergamo, 1775, 4to.
iii. 4, 175.
- Bologna. Bologna Perlustrata di Ant. Masini. ib. 1666, 4to. v. 16, 77, et seq.
- ——Pictures, Sculpture, and Architecture of the City
of Bologna and its Suburbs, with mention of their Authors, accompanied by
Historical Notes of each. Corrected and improved by Ab. Carlo Bianconi.
ib. 1782, 12mo. v. 4, and often under
the name of Guida di Bologna.
- Brescia. Select Paintings of Brescia, by Gio. Ant. Averoldo.
ib. 1700, 4to. v. 362, et
seq.
- —— The Pictures and Sculpture of Brescia,
(by Gio. Batista Carboni. Guida di Rovigo,
p. 321.) ib.
1760, 8vo. iii. 4.
- Cento. The Pictures of Cento, and the abridged Lives of various
Engravers and Painters of the City, by Orazio Camillo Righetti
Dandini. Ferrara, 1768, 8vo. v. 165.
- Cremona. Exact Account of the Paintings, &c. Compiled by Anton Maria Panni. Cremona,
1762, 8vo. v.
53.
- Fabriano. Paintings of the Churches of Fabriano,
transcribed from a MS. of
the archives at St. Niccolo, the famous collegiate church of that city.
ii. 17, 19, 190, iii. 29.
- Fano. Catalogue of the Pictures preserved in the Church of the
Padri dell'Oratorio of Fano, under title of S. Pietro in Valle. ib. 1781, 12mo.
ii. 8.
- Ferrara. Paintings and Sculpture of the City of Ferrara, by
Cesare Barotti. ib. 1770, 8vo. v. 317, 322.
- —— Guide for Strangers through the City of Ferrara,
by the Dott. Antonio Frizzi. Ferrara, 1787, 8vo. v. 284, and wherever[13] Guida di Ferrara is
mentioned.
- Florence. Beauties of the City of Florence, by Francesco Bocchi,
augmented by Gio. Cinelli. ib.
1677, 8vo. i.
59.
- —— Guide for Strangers, containing a methodical
account of rare and beautiful paintings in the city of Florence.
ib. 12mo.
i. 149.
- Genoa. Account of the most beautiful Specimens of Painting,
Sculpture, and Architecture, belonging to Genoa, by the Cav. Giuseppe Ratti. ib.
1780, 8vo. vol. iii. et seq.
- —— Territories of the Genoese Coasts. Description of
the Paintings, Sculpture, and Architecture, round the Coasts of
Genoa, by the same, 1780, 8vo. v. 364.
- Lendinara. On the Genius of the Lendinarese for Painting, and on
some valuable Pictures of Lendinara. Letter of Pietro Brandolese.
Padua, 1795, 8vo. Cited in the Index.
- Leghorn. Cav. Pandolfo Titi.
Description of the most rare Objects at present to be met with in
the City of Leghorn. It is inserted in the Guide of
Pisa, written by the same author. i.
285.
- Loreto. Account of the S. Casa, &c. Ancona, 1775, 8vo. ii. 8.
- Lucca. The Stranger's Companion in Lucca, by Vincenzio
Marchio. ib. 1721, 8vo. i. 149.
- —— Sacred Diary of the Churches of Lucca; augmented
by Monsig. Domenico Mansi, Archbishop of
that City. i. 149, v. 454.
- Mantua. Description of the Paintings, Sculpture, and
Architecture, contained in the City of Mantua and its Vicinity, by Gio.
Cadioli. ib. 1763, 8vo. iv. 22, 29. In pointing
out the pictures I have not invariably adhered to it.
- Milan. Immortality and Honour of the Pencil; or a Description of
the Paintings of Milan, by Agostino Santagostini. (1671). iv. 313, v. 185.
- —— Torre Carlo. Portrait of Milan. ib. 1674, 4to.
i. 7, iii. 183,
iv. 210.
- —— New Guide, &c.;
with the Description of the Certosa of Pavia and of S. Gio. Batista di Monza. Milan, 1783, 12mo. iv. 282. It is always
cited with the date of the year; where this is wanting the following
Guide has been made use of.
- —— New Guide of Milan, for the Lovers of the Fine
Arts, by the Ab. Carlo Bianconi. ib.
1787, 12mo. i. 7, iv. 140, 210, and often
throughout the Milanese school.
- —— The same, with manuscript corrections and additions, by
the same author. iii. 186, and in Index
I.
- Modena. The Paintings and Sculpture of Modena, drawn up by the
Dott. Gian Filiberto Pagani. ib.
1770, 8vo. There is inserted the
Description of the Ducal Gallery; printed also separately in
1792, 8vo. iv.
39.
- Montalboddo. Description of the Paintings and Sculpture of the
City of Montalboddo, in the March of Ancona; and Historical Notices of the
same City, by Agostino Rossi. See Colucci. Antichità Picene, tom.
xxxviii.
- Murano, see Moschini, &c.
- Napoli. Strangers' Guide for the R. City of Naples, by the Ab.
Pompeo Sarnelli. ib. 1685, 8vo. iv. 150.
- Napoli. Account of the Beautiful, the Antique, and the Curious,
&c., by the Cav. Celano. iv.
150.
- —— New Guide for Strangers, &c., by Antonio Parrino, augmented by his Son
Niccolo. Naples, 1725, 12mo. ii. 382.
- —— Brief Description of Naples and its Vicinity, by
the Advocate Giuseppe Galanti. ib.
1792, 8vo. and in Index I.
- Padua. Description of the Paintings, Sculpture, and Architecture
of Padua, with some Observations, &c.,
by Gio. Batista Rossetti. ib.
1780, 12mo. iii.
4, 26, 308, 368.
- —— The same, newly described, by Pietro Brandolese,
with brief Notices respecting the Artists mentioned in the Work.
1795, 8vo. iii.
4, and wherever Guida di Padova is mentioned.
- Parma. Guide and exact Notice for Foreigners of the most
valuable Paintings in many Churches of the City, formerly drawn up by
Clementi Ruta, revised, &c.
Milan, 1780. iv. 140.
- —— Il Parmigiano Servitor di
Piazza, &c. See
Affò.
- Perugia. Paintings and Sculpture of the City of Perugia, by Gio.
Francesco Morelli. ib., 1683,
16mo. ii. 379.
- —— Guide for the Stranger through the noble City of
Perugia, by Baldassare Orsini. ib.
1784, 8vo. ii. 7, 46.
- —— Description of the Church of S. Francesco, of the P. P. Minori Conventuali of
Perugia. ib. 1787, 8vo. ii. 8.
- Pesaro. Catalogue of the Paintings preserved in the Churches of
Pesaro, by Antonio Becci. ib.
1783, 8vo. There is annexed an account of the
Pesarese professors, written about 1670. ii. 7,
v. 5, 161.
- Pescia. Description of the Paintings, Sculpture, and
Architecture of the City and Suburbs of Pescia, in Tuscany, by Innocenzio
Ansaldi. Bologna, 1772, 8vo. It was
published by the Canon Crespi; but the author assured me that the
typography was extremely incorrect. ii.
277.
- —— Catalogue of the best Paintings, &c., of the Valdinievole. It is inserted in the
History of Pescia of P. O. B. It was drawn up by the same author. ib.
- Piacenza. The public Paintings of Piacenza, by Count Proposto
Carlo Carasi. ib. 1780, 8vo. Some very useful annotations are annexed.
iv. 144.
- Pisa. Guide for the dilettante Tourist, in Painting, Sculpture,
and Architecture, for the City of Pisa; drawn up by the Cav. Pandolfo Titi, &c.
Lucca, 1751, 8vo. i. 149.
- —— Pisa Illustrata, &c., see Da Morrona.
- Ravenna. Researches in Ravenna, by Girolamo Fabri.
Bologna, 1678, 8vo. v. 88.
- —— The Stranger directed through the City of Ravenna
and its Suburbs, by the Ab. Francesco Beltrami. ib. 1783, 8vo. v. 5, and other parts of the same book.
- Rimino. Paintings of the Churches of Rimino, described by Sig. Carlo Francesco Marcheselli, with new
additions by Gio. Batista Costa. ib.
1754, 8vo. v. 5.
- Rome. Description of the Paintings, Sculpture, and Architecture,
publicly exhibited in Rome; a work commenced by the Ab. Filippo Titi of
Città di Castello, with the addition of whatever new has since been done,
up to the present year. Rome, 1763, 8vo.
i. 117, and throughout the Roman school.
Corrected, i. 382.
- Rovigo. The Paintings, Sculpture, and Architecture of the City
of Rovigo, with indexes and illustrations, by Francesco Bartoli.
Venice, 1793, 8vo. iii. 4, and other parts of the work.
- Siena. Abstract of the most remarkable objects in the City of
Siena, for the Use of Foreigners, revised and augmented by Cav. Gio. Antonio Pecci. Siena, 1759 and 1761,
12mo. i. 149,
394, 448.
- Trevigi. Description of the most celebrated Paintings of the
City, published by D. Ambrogio Rigamonti. ib. 1776. iii. 4.
- Turin. New Guide through the City, by Onorato Derossi.
ib. 1781, 12mo.
v. 449.
- Venice. The rich Mines of Painting; compendious Information
respecting the Paintings of Venice, by Boschini. ib. 1664, 12mo.
iii. 2, 24.
- Description of the public Paintings of the City of Venice and
the adjacent Islands; or Revival of the rich Mines of Marco
Boschini. Venice, 1733, 8vo. I have
made use of this edition, now very rare, in pointing out the pictures of
Venice. It was written by Antonio Zannetti, quondam
Alessandro.
- Verona Illustrated, an Abridgment for the Use of
Foreigners. 1771, 2 vols. 8vo. iii. 4.
- Vicenza. Picturesque Jewels of the City of Vicenza, by Marco
Boschini. Venice, 1676, 12mo.
iii. 314.
- Description of the Architecture, Paintings, and Sculpture of
Vicenza, with some observations, edited by Francesco Vendramini Mosca,
with the learned reflections of a person of quality, namely Count
Eneas Arnaldi. Vicenza, 1779, 2 vols. 8vo. iii. 4, 34.
- Vienna. Freddy. Description of the City, Suburbs, and Vicinity
of Vienna, in three parts, with annotations, classical and
historical. Vienna, 1800, 3 vols.
8vo. Cited in Index I.
- Volterra. Ab. Antonfilippo Giachi. Historical Essay on the
ancient and modern State of Volterra. Siena, 2 vols. 1786, 1796, 4to.
See tom. 2, p. 194. Altar-pieces of the Churches,
i. 149, 188, 304, v. and in Index I.
- Urbino. Pictures exhibited in public, a MS. work displaying great industry, by Arcangeli;
there communicated to me by the worthy author; with many anecdotes of the
school of Barocci. It is cited in the first Index.
- Guidalotti, Franchini Gioseffo. Life of Domenico M. Viani, a
painter. Bologna, 1716, 8vo. v. 238.
H.
- Hakert, Filippo. Memoirs of the Messinese Painters, written by
Sig. Gaetano Grano. Naples, 1792,
4to. ii. 440.
- —— The same. Letter on the Use of the various kinds
of Varnish; and Answers to it. iv.
247.
- Harms, Antoine Frederic. Tables historiques et
chronologiques des plus fameux Peintres, anciens et modernes.
Brunswick, 1742, fol. with additions.
See De Murr, Bibliothèque de Peinture, p. 34. iii. 62, and
in Index I.
- Heinecken, d', Baron. Idée générale d'une collection
complète d'Estampes. Vienna, 1771, 8vo.
i. 100.
- Huber, M. and C. C. H. Rost. Manuel des Amateurs de
l'Art. Zurich, 1797, et seq., 8 vols.
8vo., iv.
55.
- Hugford, Ignazio. Life of Anton Domenico Gabbiani.
Florence, 1762, folio. i. 343.
J.
- Junius Franciscus, de Picturâ Veterum.
Roterodami, 1594, 2 vols. fol. Preface, xxxvii.
L.
- Lami, Gio. Dissertation on the Italian Painters and Sculptors who
flourished between 1000 and 1300. It is inserted in the treatise of
Vinci. See the letter V. i. 15.
- —— The same. Deliciæ Eruditorum.
Florentiæ, 1736 and 1744, 13 vols. 8vo. Cited in tom.
ii. 10.
- —— The same. Interpretations of Tuscan Antiquities,
particularly of the City of Florence. ib.
1766, 8vo. in Index I.
- Lamo, Alessandro. Discourse respecting Sculpture and Painting, in
which are considered the Life and Works of Bernardino Campo.
Cremona, 1584, 4to. iv. 156, 162, 166, 180, 288.
- —— Pietro, author of a MS. upon the Paintings of Bologna, cited in the
Guide of the city, and of which a copy is in possession of the
Cav. Lazara. v.
14.
- Lancilotto. Cronaca Modenese, MS.
iv. 40.
- Lastri, Ab. L'Etruria Pittrice. Florence, 1791
and 1795, 2 vols. fol. i. 13, 31, 149.
- Latuada, Serviliano. Description of Milan. ib. 1737 and 1738, 5 vols.
8vo. i. 7,
iv. 210.
- Lazzari, Arcip. D. Andrea. Historical Dictionary of Illustrious
Professors of the Fine Arts in the City of Urbino. See
Colucci. Tom. xxxi. ii. 189.
- Lazzarini, Canon. Gio. Andrea. Dissertation on Painting, and
notes, inserted in the Guida of Pesaro.
Preface, xxxii. v. 120, 259, 260.
- Leist, Lessing, Bar. di Budberg Raspe, Dott. Aglietti, writers on
painting in oil, i. 84, et seq.
- Lettere Pittoriche; or a Collection of
Letters on Painting, Sculpture, and Architecture. Rome, 7 vols. 4to. from 1574
to 1773. They are cited in the Preface, x. and through the
work.
- Lioni, Ottavio. Lives of the most celebrated Painters of the
seventeenth century, with their portraits; to which is added the life of
Carlo Maratti. Rome, 1731, 4to. ii. 241.
- Lomazzo, Gio. Paolo. Treatise on the Art of Painting, &c. Milan, 1584, 4to. Merit of the work, i. 137,
138, iv. 271. Often cited in the Milanese
school, and throughout the work. Noticed, iv.
220, 267.
- —— The same. Idea of the Temple of Painting, &c. Milan, 1590, 4to. In Bologna, without date of year, in 8vo. Why it is also called Theatre of
Painting, iv. 210. Cited, i. 170, 246, and in several books of the work.
- —— The same. Grotteschi, or Verses divided into seven
books. Milan, 1587, 4to. iv. 273.
- Longhi, Alessandro. Compendium of the Lives of the most
celebrated Venetian Historical Painters in the present century, with their
portraits taken from the life. Venice, 1762, folio. iii. 363, et seq.
- Lorgna, Cav., Torri Cav. Astorri Gio. Maria, Fabro Giovanni. Treatises
respecting the Punic Wax, and upon painting in caustic. v. 357.
M.
- Maffei, March. Scipione. Verona illustrata. ib. 1732, 2 vols. fol. i. 110, 312, and
elsewhere.
- —— Extract from this work. See Guida
di Verona.
- Malvasia, Co. Canon. Cesare. Felsina Pittrice.
Bologna, 2 vols. 4to.
1678. Merit of this work, v. 4. Cited,
i. 37, v. 10, and
often in the Bolognese school, and throughout the Index. Corrected by the
author in some rather severe remarks, v. 68. Not
approved in some points, iv. 289, v. 14, 35, 56, 58.
- Manni, Domenico Maria. Concerning the true Painter Luca Santo,
and the period when he flourished. Florence, 1764, 4to. ii. 9.
- Manni. The same. On the Error still persisted in of attributing
Pictures to the holy Evangelist. Florence, 1766, 4to. ii. 9.
- —— The same. Lives of some Artists inserted in the
Collection of the Calogerà, tom. 38
and 45; and in the Opuscoli Milanesi. i. 91. See also article Baldinucci.
- Mariette, Mr. Letters on Painting. i. 154, 167, 431, iv. 144, and in
other parts. See also Condivi.
- —— The same. Description of Prints engraved after the
pictures in the collection of Mr. Boyer d'Aguilles, with an abridged
Character of each Painter. Paris, fol.
In Index I.
- Marino. Gallery of the Cav.
Marino. The edition cited is that without date of place or year, in
12mo. ii. 227,
v. 468.
- —— The same. Letters. Venice, 1628, 12mo. iv. 58, v. 468.
- Mariotti, Annibale. Lettere Pittoriche Perugine.
Perugia, 1788, 8vo. ii. 7, and other parts of the Roman school.
- Mazzolari, D. Ilario. Le Reali Grandezze dell'Escuriale
di Spagna. Bologna, 1648, 4to. v. 62, 63*[9],
383.
- Mecatti, Giuseppe Maria. Historical Notices respecting the
Chapter-house of S. Maria Novella, belonging to
the Dominican monks, commonly called Il Cappellone degli
Spagnuoli. Florence, 1737, 4to.
i. 59.
- Meerman, Gerardi. Origines Typographicæ. Hagæ
Commitum, 1765, 2 tom. 4to. Cited, i. 128, and other
parts of the same §.
- Melchiori, Natale. Lives of the Venetian Painters,
MS. iii. 5, 267, and other places in the last epochs of the
school. The autograph is in the possession of the Signori Burchielati at
Trevigi, and a copy in that of the Cav.
Lazara.
- Memoirs for the Fine Arts. Rome, from the year 1785 to
1788, 4 vols. 4to.
ii. 344, and in other parts of the Roman
school. See De Rossi.
- Mengs, Cav. Anton Raffaello. Opere diverse, 2 vols. Two
editions are cited: that of Parma, 1780, 2 vols.
4to. commonly that of Bassano, 1783,
2 vols. 8vo. Of
the Roman, in 4to. and in 8vo. Merit of these works, ii.
313. Cited, Preface, ix. and vol.
i. 73, 95, 147, iii.
139, 144, iv. 87, v.
115, 125, 247, and other parts of the work.
- Milizia. Memoirs of Ancient and Modern Architects. Parma,
1781, 2 vols. 8vo.;
and with new additions at Bassano, 1785, 2 vols. 8vo. i. 426. See also Art of Vision.
- Montani, Gioseffo. His MS.
Lives. v. 161.
- Morelli, Cav. D. Jacopo, Keeper of the
R. Library at S. Mark's in Venice. Account
of works of Design during the first half of the sixteenth century, then
existing at Padua, Cremona, Milan, Pavia, Bergamo, Crema, and
Venice. Anonymous. Bassano, 1800, 8vo.
iii. 3, and often in the cities pointed
out.
- Moreni, Ab. Domenico. Historical Notices of places adjacent to
Florence, 6 tom. 8vo. Florence, 1790, 1792, 1793, 4, 5, 6. i. 52, and in Index I.
- Morigia, Paolo. On the Milanese Nobility, with the additions of
Borsieri. Milan, 1619, 8vo. iv. 234, and in Index I.
- Morrona, da, Alessandro. Pisa Illustrata nelle Arti del
Disegno, from 1787 to 1793, 3 vols.
8vo. i. 8, 9, and
often in the first book of the same volume.
- Moschini, P. G. A. Somasco. Account of the Island of
Murano. Venice, 1807, 8vo. iii. 22.
N.
- Niceronus, Jo. Franc. Thaumaturgus Opticus
perfectissimæ Prospectivæ. Romæ, 1643, fol. ii. 260.
O.
- Orations in praise of the Fine Arts; by Cav. Puccini. Florence, 1794, 8vo. and ed. 1804, 8vo. i. 371. By Ab Magnani. Parma, 1794, 4to. v. 117. By Tagliazucchi,
Turin, 1730, 8vo. v.
485. By Monsig. Carrara. Rome, 1758, 4to. i. 1.
- Oretti, Marcello. He was a Bolognese, who travelled through Italy, and
collected materials for a history of painting—consulted archives,
sepulchral monuments, oral traditions, national annals, and the age of the
artists. His 53 volumes were placed in the library of Prince Filippo
Ercolani, who purchased them from his successors, and very kindly gave me
the use of them for this work. The Cav.
Gio. de Lazara, of Padua, assisted by Sig.
Pietro Brandolese, of Lendinara, drew several inedited notices from these
volumes, in addition to the number before extracted. They are added to this
edition under two different heads, namely, Oretti
Carteggio and Oretti Memorie, or the initials
of these words. Under the first are comprehended notices of different
artists, communicated in letters to Sig.
Oretti, or to others, which he procured. Under the second are the notices
collected by himself from the places he passed through, in particular at
Bologna, from authentic documents and registers, monuments, &c. He is frequently noticed throughout Index
I.
- Orlandi, P. Pellegrino. Dictionary of Painting. Bologna,
1719, 4to. The author's letter preceding the
work is dated 1718, to which period we refer the artists he therein
mentions as living. Opinion of this work, pref.
xiv. xx. Cited throughout
the work. Its errors, i. 264, 286, iii. 160, 291, 293, 309, 332, iv.
229, 271, 227, v. 33, 35, 156, 291, 300, 325,
397, 410.
- —— The same. Corrected and enlarged by Pietro
Guarienti. Venice, 4to. 1753. Estimate
of this book, pref. xiv. xx. Cited throughout the work, and in the
Index of artists. Corrected, i. 252, iv. 210, 213, 310, v. 253, 257,
267, and in Index I.
- —— The same, at Florence, 1776, 2 vols. 4to. Wanting in the
Addenda of Guarienti, but with others by modern artists, pref. xx. Cited in Index
I.
- Orsini, Baldassare. Reply to the Letters on Painting, by Annibal
Mariotti. Perugia, 1791, 8vo. ii. 7.
- —— The same. See Guida di
Ascoli.
- Ottonelli, P. Giandomenico, and Pietro da Cortona. Trattato della Pittura e Scultura, uso e abuso loro, composto da un
Teologo e da un Pittore. Florence, 1652, 4to. i. 337.
P.
- Pagave, D. Venanzio. Notes and additions inserted in the Sienese
edition of Vasari, vols. 3, 5, and 8.
Cited, iv. 210, and elsewhere in the Milanese
school, iv. 211.
- Paggi, Gio. Batista. Observations on the Dignity of
Painting. See Lett. Pittor., tom.
vii. p. 148. v. 373.
- Paggi. The same. Definition, or Division of the Art of
Painting. Fol. edited in 1607. v.
396.
- Palomino, Velasco, D. Antonio. Las Vidas de los
Pintores e Statuarios eminentes Españoles. Londres, 1742, 8vo. Praised, and sometimes corrected, i. 180, ii. 123, 432, iii. 238, v. 458.
- —— His great work. Madrid, 1715, 3 vols. 4to. ii. 431.
- Panni, see Zaist.
- Panzer, Giorgii Wolfangii. Annales Typographici ab
Artis inventæ Origine ad annum MD.
Nuremburgh, 1793, et seq. 10 vols.
4to. i. 139.
- Papillon, Jean Bapt. Traité historique et pratique de
la Gravure en Bois. Paris, 1766, 3 vols.
8vo. i.
106.
- Pascoli, Lione. Lives of modern Painters, Sculptors, and
Architects. Rome, 1730, 1736. 2 vols.
4to. Opinions on this author, pref. iii. Corrected,
ii. 6, 28, v. 410.
Cited, i. 71, ii. 23,
270, et seq.
- —— The same. Lives of the Painters, Sculptors, and
Architects of Perugia. Rome, 1732, 4to.
ii. 6, and other parts of the Roman school.
- Passeri, Gio. Batista. Lives of the Painters, Sculptors, and
Architects who were employed at Rome, now deceased, from the year 1641 to
1673. Rome, 1772, 4to. Merit of this
book, ii. 210. Cited, ii. 255, 390, and elsewhere in the same volume.
- —— Advocate, Gio. Batista. History of Paintings on
earthenware executed at Pesaro and the adjacent places. It is
inserted in the Opuscoli del Calogerà. New
Collection of P. Mandelli, 4 tom. Cited,
ii. 172, and in the Index.
- Patina. Caroli Patini Filia Icones celebrium Pictorum,
earumque Descriptio. Patavii, 1691, fol.
iii. 203.
- Pelli, Bencivenni Giuseppe. Historical Essay on the R. Gallery of Florence. Florence, 1779, 2 vols. 8vo. i. 356, 367.
- Piacenza, see Baldinucci.
- Piles, de, Roger. Idée de Peintre parfait.
Paris, 1699, 8vo. ii.
98. See also Fresnoy.
- Pino, Paolo. Dialogue on Venetian Painting. Venice, 1548,
12mo. iii. 160.
- Pio, Niccolo. Lives of Painters. MS.
i. 438.
- Plinii Historiæ Naturalis libri xxxvii. à Joanne
Harduino illustr. Parisiis, 1723, 3 vols.
fol. The thirty-fifth book is cited,
which describes the ancient painters. Preface, xxxvi. i. 18, ii. 95, 337, iv. 107, 243, v. 353, and
elsewhere.
- Pozzo, P. Andrea, a Jesuit. On Perspective. Rome, 1693 and
1702, 2 vols. fol.
ii. 337.
- —— dal, Commendator, Bartolommeo. The Lives of the
Painters, Sculptors, and Architects of Verona. Verona, 1718, 4to. i. 312, iii. 4, 32, and other places in the Venetian School.
- Publications, periodical. Roman Anthology. i. 85, 87, ii, 39, and in Index I.
- Memoirs of the Fine Arts. See De Rossi.
- Pisan Journal. i. 87, 368,
v. 449.
- Venetian Journal. i. 55,
84.
- Journal of Trevoux. v.
352.
- Novelle Letterarie of Florence. i. 52, 76, et seq.
- Esprit des Journaux. i.
85.
- Zibaldone Cremasco del Ronna. iv. 223, and in Index I.
- Puccini, Cav. Tommaso. Critical
Examination of a work on Painting by Daniel Webb. Florence, 1707,
8vo. v. 130.