LIST OF DIGNITIES AND HONOURS CONFERRED ON FREDERIC LEIGHTONToC
Knighted, 1878; created a Baronet, 1886; created Baron Leighton of Stretton, 1896; elected Associate of the Royal Academy, 1864; Royal Academician, 1869; President of the Royal Academy, 1878; Hon. Member, Royal Scottish Academy, and Royal Hibernian Academy, Associate of the Institute of France, President of the International Jury of Painting, Paris Exhibition, 1878; Hon. Member, Berlin Academy, 1886; also Member of the Royal Academy of Vienna, 1888; Belgium, 1886; of the Academy of St. Luke, Rome, and the Academies of Florence (1882), Turin, Genoa, Perugia, and Antwerp (1885); Hon. D.C.L., Oxford, 1879; Hon. LL.D., Cambridge, 1879; Hon. LL.D., Edinburgh, 1884; Hon. D. Lit., Dublin, 1892; Hon. D.C.L., Durham, 1894; Hon. Fellow of Trinity College, London, 1876; Lieut.-Colonel of the 20th Middlesex (Artist's) Rifle Volunteers, 1876 to 1883 (resigned); then Hon. Colonel and Holder of the Volunteer Decoration; Commander of the Legion of Honour, 1889; Commander of the Order of Leopold; Knight of the Prussian Order "pour le Mérite," and of the Coburg Order Dem Verdienste.
LIST OF PRINCIPAL WORKSToC
With Date and Place of Exhibition.[93] Corrected and amplified from "Frederic, Lord Leighton, His Life and Work," by Ernest Rhys.
1850 (circa). *Cimabue finding Giotto in the fields of Florence. (49½ × 37 inches.) Steinle Institute (Frankfort).
1850. The Duel between Romeo and Tybalt. (37 × 50 inches.)
1851 (circa). The Death of Brunelleschi. Steinle Institute.
1851. [Early Portrait of Leighton by Himself.]
1852. *A Persian Pedlar.
1852. [Buffalmacco, the Painter. A humorous subject, from Vasari, was undertaken about this date.] See Sketch in water-colour, Leighton House Collection.
1853. Portrait of Miss Laing (Lady Nias).
1855. Cimabue's celebrated Madonna is carried in procession through the streets of Florence. In front of the Madonna, and crowned with laurels, walks Cimabue himself, with his pupil Giotto; behind it, Arnolfo di Lappo, Taddeo Gaddi, Andrea Tafi, Niccola Pisano, Buffalmacco, and Simone Memmi; in the corner, Dante. (87½ × 205 inches.) R.A.[94] Purchased by H.M. Queen Victoria, Buckingham Palace. See Sketches, Leighton House Collection.
1855. The Reconciliation of the Montagues and Capulets over the dead bodies of Romeo and Juliet. Paris International Exhibition.[95]
1856. The Triumph of Music. (80 × 110 inches.) R.A. Painted in Paris.
"Orpheus, by the power of his art, redeems his wife from Hades."
1856. Pan. [A subject from Keats' Hymn to Pan, in the first book of "Endymion."] Painted in Paris. A figure of Pan under a fig-tree, with this inscription:—
Broad-leaved fig-trees even now foredoom
Their ripen'd fruitage."
1856. Venus. [A pendant to the Pan.] The figure of a nude nymph about to bathe, with a little Cupid loosening her sandal. Exhibited at the Manchester Exhibition and sent to America after. Painted in Paris.
1857. *Salome, the daughter of Herodias. (44½ × 25 inches.) See Sketch, Leighton House Collection.
1858. *The Mermaid (the fisherman and the syren). (From a ballad by Goethe.) (26½ × 18½ inches.) R.A.
Half sunk he in,
And never more was seen."
1858. "Count Paris, accompanied by Friar Lawrence and a band of musicians, comes to the house of the Capulets to claim his bride: he finds Juliet stretched apparently lifeless on the bed."—Romeo and Juliet, Act iv. sc. 5. (26½ × 18½ inches.) R.A.
1858. Reminiscence of Algiers: A Negro Dance. (Water-colour.) Suffolk Street Gallery.
1859. Sunny Hours. R.A.
1859. *Roman Lady (La Nanna). R.A.
1859. *Nanna (Pavonia). R.A.
1859. Samson and Delilah. S.S. See Sketches, Leighton House Collection.
1860. Capri—Sunrise. R.A.
1861. *Portrait of Mrs. Sutherland Orr [Mrs. S.O., a Portrait]. (28 × 18 inches.) R.A.
1861. *Portrait of John Hanson Walker, Esq. (23 × 17 inches.) Owner, H.M. The King. R.A.
1861. Paolo e Francesca. See Sketch, Leighton House Collection.
Quando legemmo il disiato riso
Esser baciato da cotanto amante,
Questi, che mai da me non fia diviso,
La bocca mi baciò tutto tremante:
Galeotto fu 'l libro e chi lo scrisse:
Quel giorno più non vi legemmo avante."
Still there is trial for thee, still the lot
To bear (the Father wills it) strife and care;
With this sweet consciousness in balance set
Against the world, to soothe thy suffering there
The Lord rejects thee not.
Such tender words awoke me hopeful, shriven
To life on earth again from dream of heaven."
1861. Lieder ohne Worte. R.A. See Sketches, Leighton House Collection.
1861. J.A. A Study. R.A.
1861. Capri—Paganos. R.A.
1862. Odalisque. R.A.
1862. *The Star of Bethlehem. (60 × 23½ inches.) One of the Magi, from the terrace of his house, stands looking at the star in the East; the lower part of the picture indicates a road, which he may be supposed just to have left. R.A. See Sketches, Leighton House Collection.
1862. Sisters. R.A.
1862. *Michael Angelo Nursing his Dying Servant. (43 × 36 inches.) R.A. See Sketches, Leighton House Collection.
1862. Duett. R.A.
1862. Sea Echoes. R.A.
1862. Rustic Music. R.A.
1863. Jezebel and Ahab, having caused Naboth to be put to death, go down to take possession of his vineyard; they are met at the entrance by Elijah the Tishbite. R.A. See Sketches, Leighton House Collection.
"Hast thou killed, and also taken possession?"
1863. *Eucharis. (A Girl with a Basket of Fruit.) (32½ × 22 inches.) R.A.
1863. A Girl Feeding Peacocks. R.A. See Sketch, Leighton House Collection.
1863. An Italian Crossbowman. (51 × 24½ inches.) R.A.
1864. Dante at Verona. R.A. See Sketches, Leighton House Collection.
1864. *Orpheus and Eurydice. (49 × 42 inches.) R.A. See Sketches, Leighton House Collection.
Let them once more absorb me! One look now
Will lap me round for ever, not to pass
Out of its light, though darkness lie beyond!
Hold me but safe again within the bond
Of one immortal look! All woe that was,
Forgotten, and all terror that may be,
Defied—no past is mine, no future! look at me!"
—Robert Browning: A Fragment.
1864. *Golden Hours. (36 × 48 inches.) R.A. See Sketches in oil and chalk, Leighton House Collection.
1864. *Portrait of the late Miss Lavinia I'Anson. (Circular, 12½ inches.)
1865. *David. (37 × 47 inches.) R.A. See Sketches, Leighton House Collection.
"Oh that I had wings like a dove! for then would I fly away, and be at rest."—Psalm lv.
1865. Mother and Child. R.A.
1865. Widow's Prayer. R.A.
1865. Helen of Troy. R.A.
Fond recollections of her former lord,
Her home, and parents; o'er her head she threw
A snowy veil; and shedding tender tears
She issued forth not unaccompanied;
For with her went fair Æthra, Pittheus' child,
And stag-eyed Clymene, her maidens twain.
They quickly at the Scæan gate arrived."
1865. In St. Mark's. R.A.
1866. Painter's Honeymoon. R.A. See Sketch, Leighton House Collection.
1866. Portrait of Mrs. James Guthrie. R.A.
1866. Syracusan Bride leading wild beasts in procession to the Temple of Diana. (Suggested by a passage in the second Idyll of Theocritus.) R.A. See Sketches, Leighton House Collection.
"And for her, then, many other wild beasts were going in procession round about, and among them a lioness."
1866. A Noble Lady of Venice. (Not exhibited till 1897.)
1866. The Wise and Foolish Virgins. (Fresco in Lyndhurst Church, finished 1864.) See Sketches, Leighton House Collection.
1867. *Pastoral. (51½ × 26 inches.) R.A. See Sketch, Leighton House Collection.
1867. *Greek Girl Dancing. (Spanish Dancing Girl; Cadiz in the old times.) (34 × 45 inches.) R.A.
1867. Knuckle-Bone Player. R.A.
1867. *Roman Mother. (24 × 19 inches.) R.A.
1867. *Venus disrobing for the Bath. (79 × 35½ inches.) R.A.
1867. *Portrait of Mrs. John Hanson Walker. (18 × 16 inches.)
1868. Jonathan's Token to David. R.A.
"And it came to pass in the morning, that Jonathan went out into the field at the time appointed by David, and a little lad with him."
1868. *Portrait of Mrs. Frederick P. Cockerell. (23½ × 19½ inches.) R.A.
1868. *Portrait of John Martineau, Esq. (23½ × 19½ inches.) R.A.
1868. *Ariadne abandoned by Theseus; Ariadne watches for his return; Artemis releases her by death. (45 × 62 inches.) R.A. See Sketches, Leighton House Collection.
1868. *Acme and Septimius. (Circular, 37½ inches.) R.A.
With that sweet mouth, so rosy red,
Upon his eyes she dropped a kiss,
Intoxicating him with bliss."
—Catullus (Theodore Martin's translation).
1868. *Actæa, the Nymph of the Shore. (22 × 40 inches.) R.A. See Sketches, Leighton House Collection.
1869. *S. Jerome. (Diploma work, deposited in the Academy on his election as an Academician.) (72 × 55 inches.) R.A.
1869. *Dædalus and Icarus. (53½ × 40½ inches.) R.A. See Sketches, Leighton House Collection.
1869. *Electra at the Tomb of Agamemnon. (59½ × 29 inches.) R.A.
1869. *Helios and Rhodos. (65½ × 42 inches) R.A. See Sketches, Leighton House Collection.
1870. A Nile Woman. (21½ × 11½ inches.) R.A.
1870. Study. S.S.
1871. *Hercules Wrestling with Death for the Body of Alcestis. (54 × 104½ inches.) R.A. See Sketches, Leighton House Collection.
1871. Greek Girls picking up Pebbles by the shore of the Sea. R.A. See Sketch, Leighton House Collection.
1871. *Cleoboulos instructing his daughter Cleobouline. (24 × 37½ inches.) R.A.
1871. View of Assiout (?). (A sketch.) S.S.
1871. Sunrise at Lougsor. (A sketch.) S.S.
1871. View of the Red Mountains near Cairo. (A sketch) S.S.
1872. *After Vespers. (43 × 27½ inches.) R.A. See Sketch, Leighton House Collection.
1872. *Summer Moon. (Guildhall, 1890.) (39½ × 50½ inches.) R.A. See Sketches, Leighton House Collection.
1872. Portrait of the Right Hon. Edward Ryan, Secretary of the Dilettante Society, for which the picture was painted. (S.P.P., 1893.) R.A.
1872. A Condottiere. R.A. See Sketch, Leighton House Collection.
1872. *The Industrial Arts of War, at the International Exhibition at South Kensington. (Monochrome, 76 × 177 inches.) Carried out in fresco on the wall of the Victoria and Albert Museum. R.A. See Sketches, Leighton House Collection.
1872. The Captive. S.S.
1872. An Arab Café, Algiers. S.S.
1873. *Weaving the Wreath. (Guildhall, 1895.) R.A.
1873. Moretta. (Guildhall, 1894.) (20½ × 14½ inches.) R.A.
1873. The Industrial Arts of Peace. (Monochrome, 76 × 177 inches.) Carried out in fresco on the wall of the Victoria and Albert Museum. R.A. See Sketches, Leighton House Collection.
1873. A Roman. S.S.
1873. Vittoria. S.S.
1874. *Moorish Garden: A Dream of Granada. (Guildhall 1895.) (41 × 40 inches.) R.A.
1874. Old Damascus: Jews' Quarter. R.A.
1874. *Antique Juggling Girl. (Guildhall, 1892.) (41½ × 24 inches.) R.A. See Sketch, Leighton House Collection.
1874. Clytemnestra from the battlements of Argos watches for the Beacon Fires which are to announce the return of Agamemnon. R.A. Leighton House Collection. See also Sketches, Leighton House Collection.
1874. Annarella, Ana Capri. D.G.
1874. Rubinella, Capri. D.G.
1874. Lemon Tree, Capri. D.G.
1874. West Court of Palazzo, Venice. D.G.
1875. *Portion of the Interior of the Grand Mosque of Damascus. (62 × 47 inches.) R.A.
1875. *Portrait of Mrs. H.E. Gordon. (35½ × 37 inches.) R.A.
1875. *Little Fatima. (15½ × 9¼ inches.) R.A.
1875. Venetian Girl. R.A.
1875. *Egyptian Slinger. (Eastern slinger scaring birds in harvest time: Moonrise.) (Guildhall, 1890.) R.A. See Sketches, Leighton House Collection.
1875. Florentine Youth. S.S.
1875. Ruined Mosque in Damascus. S.S.
1876. *Portrait of Sir Richard Francis Burton, K.C.M.G. (Portrait of Captain Richard Burton, H.M. Consul at Trieste.) (23½ × 19½ inches.) (Paris, 1878; Melbourne, 1888; S.P.P., 1892.) R.A. National Portrait Gallery.
1876. *The Daphnephoria. (89 × 204 inches.) A triumphal procession held every ninth year at Thebes, in honour of Apollo and to commemorate a victory of the Thebans over the Æolians of Arne. (See Proclus, "Chrestomath," p. 11.) R.A. See Sketches, Leighton House Collection.
1876. Teresina. R.A.
1876. Paolo. R.A.
1877. *Music Lesson. (36½ × 37-1/8 inches.) (Paris, 1878.) R.A.
1877. *Portrait of Miss Mabel Mills (The Hon. Mrs. Grenfell). (23 × 19 inches.) R.A.
1877. *An Athlete Strangling a Python.[96] Bronze. (Paris, 1878.) R.A. See Sketch in plaster, Leighton House Collection, presented by G.F. Watts, O.M.
1877. *Portrait of H.E. Gordon. (23½ × 19 inches.) G.G.
1877. An Italian Girl. G.G.
1877. *Study. (A little girl with fair hair, in a pink robe.) (24 × 28 inches.) R.A.
1877. A Study. G.G.
1878. *Nausicaa. (57½ × 26½ inches.) (Guildhall, 1896.) R.A. See Sketches, Leighton House Collection.
1878. Serafina. R.A.
1878. *Winding the Skein. (39½ × 63½ inches.) R.A. See Sketch, Leighton House Collection.
1878. A Study. R.A.
1878. *Portrait of Miss Ruth Stewart Hodgson. (50½ × 35½ inches.) G.G.
1878. Study of a Girl's Head. G.G.
1878. Sierra: Elviza in the distance, Granada. S.S.
1878. The Sierra Alhama, Granada. S.S.
1879. Biondina. R.A.
1879. Catarina. R.A.
1879. *Elijah in the Wilderness. (91 × 81½ inches.) R.A. (Paris, 1878.) Corporation of Liverpool. See Sketches, Leighton House Collection.
1879. Portrait of Signor G. Costa. R.A.
1879. Amarilla. R.A.
1879. A Study. R.A.
1879. Portrait of the Countess Brownlow. R.A.
1879. *Neruccia. (19 × 16 inches.) R.A.
1879. A Study. S.S.
1879. The Carrara Hills. S.S.
1879. A Street in Lerici. S.S.
1879. Via Bianca, Capri. G.G.
1879. Archway in Algiers. G.G.
1879. Ruins of a Mosque, Damascus. G.G.
1879. Study of a Donkey. G.G.
1879. On the Terrace, Capri. G.G.
1879. Sketch near Damascus. G.G.
1879. View in Granada. G.G.
1879. Study of a Donkey, Egypt. G.G.
1879. Study of a Head. G.G.
1879. Nicandra. G.G.
1880. *Sister's Kiss. (48 × 21½ inches.) R.A. See Sketch, Leighton House Collection.
1880. *Iostephane. (37 × 19 inches.) R.A.
1880. The Light of the Harem. (60 × 33 inches.) R.A.
1880. Psamathe. (36 × 24 inches.) R.A.
1880. *The Nymph of the Dargle (Crenaia). (29½ × 10 inches.) R.A.
1880. Rubinella. G.G.
1880. The Pozzo Corner, Venice. Winter Exhibition. G.G.
1880. Jack and his Cider Can. Winter Exhibition. G.G.
1880. The Painter's Honeymoon. Winter Exhibition. G.G.
1880. Winding of the Skein (with sketch). Winter Exhibition. G.G.
1880. Head of Urbino. Winter Exhibition. G.G.
1880. Steps of the Bargello, Florence. Winter Exhibition. G.G.
1880. A Contrast. Winter Exhibition. G.G.
1880. Garden at Capri. Winter Exhibition. G.G.
1880. Twenty-nine Studies of Heads, Flowers, and Draperies. Winter Exhibition. G.G.
1881. Elisha raising the son of the Shunammite. (32 × 54 inches.) (Guildhall, 1895.) R.A. See Sketches, Leighton House Collection.
1881. Portrait of the Painter.[97] R.A.
1881. *Idyll. (41½ × 84 inches.) R.A. See Sketches in oil and chalk, Leighton House Collection.
1881. *Portrait of Mrs. Stephen Ralli. (48 × 33 inches.) R.A.
1881. *Whispers. (48 × 30 inches.) R.A. See Sketch, Leighton House Collection.
1881. Viola. R.A.
1881. *Bianca. (18 × 12½ inches.) R.A.
1881. Portrait of Mrs. Algernon Sartoris. G.G.
1882. *Day-Dreams. (47½ × 35½ inches.) R.A.
1882. Wedded. R.A. See Sketches, Leighton House Collection.
1882. Phryne at Eleusis. (86 × 48 inches.) (Melbourne, 1888.) R.A. See Sketches, Leighton House Collection.
1882. Antigone. R.A.
1882. "And the sea gave up the dead which were in it"—Rev. xx. 13. (Design for a portion of a decoration in St. Paul's.) R.A. The Tate Gallery. See Sketches, Leighton House Collection.
1882. *Portrait of Mrs. Mocatta. (23½ × 19½ inches.)
1882. Zeyra. G.G.
1883. The Dance: decorative frieze for a drawing-room in a private house. R.A. See Sketches, Leighton House Collection.
1883. *Vestal. (24½ × 17 inches.) R.A.
1883. *Kittens. (48 × 31½ inches.) R.A.
1883. Memories. R.A.
1883. Portrait of Miss Nina Joachim. (16 × 13 inches.)
1884. *Letty. (18 × 15½ inches.) R.A.
1884. *Cymon and Iphigenia. (64 × 129 inches.) (Berlin, 1885.) R.A. See Sketches, Leighton House Collection.
1884. A Nap. R.A.
1884. Sun Gleams. R.A.
1885. ..."Serenely wandering in a trance of sober thought." ... (46 × 27 inches.) R.A.
1885. Portrait of the Lady Sybil Primrose. R.A.
1885. *Portrait of Mrs. A. Hichens. (26½ × 20½ inches.) R.A.
1885. Music: a frieze. R.A. See Sketches, Leighton House Collection.
1885. Phœbe. (Manchester, 1887.) R.A.
1885. A Study. G.G.
1885. Tombs of Muslim Saints. S.S.
1885. Mountains near Ronda Puerta de los Vientos. S.S.
1886. Painted decoration for the ceiling of a music-room.[98] (7 × 20 feet.) R.A. See Sketches, Leighton House Collection.
1886. Gulnihal. R.A.
1886. *The Sluggard. Statue, bronze. R.A. Presented to the Tate Gallery by Sir Henry Tate. See Statuette, Leighton House Collection.
1886. *Needless Alarms. Statuette. R.A. See Bronze, Leighton House Collection.
1887. *The Jealousy of Simœtha, the Sorceress. (35 × 55½ inches.) R.A. See Sketch, Leighton House Collection.
1887. *The Last Watch of Hero. (62½ × 35½ inches, with predella 12½ × 29½ inches.) R.A. Corporation of Manchester. See Sketch, Leighton House Collection.
. . . . . . . . .
Lo! at the turret's foot his body lay,
Rolled on the stones, and washed with breaking spray."
—Hero and Leander: Musæus (translated by Edwin Arnold).
1887. [Picture of a little girl with golden hair, and pale blue eyes.]
Which Autumn's kiss frees—grain from sheath—
Such was her hair, while her eyes beneath,
Showed Spring's faint violets freshly born."
—Robert Browning.
1887. *Design for the reverse of the Jubilee Medallion. (Executed for Her Majesty Queen Victoria's Government.) R.A. See Sketches, Leighton House Collection.
Empire, enthroned in the centre, rests her right hand on the sword of Justice, and holds in her left the symbol of victorious rule. At her feet, on one side, Commerce proffers wealth; on the other, a winged figure holds emblems of Electricity and Steam-power. Flanking the throne to the right of the spectator are Agriculture and Industry; on the opposite side, Science, Literature, and the Arts. Above, interlocking wreaths, held by winged genii representing respectively the years 1837 and 1887, inclose the initials V.R.I.
1888. *Captive Andromache. (77 × 160 inches.) R.A. Corporation of Manchester. See Sketches, Leighton House Collection.
Marking thy tears fall, shall say, 'This is she,
The wife of that same Hector that fought best
Of all the Trojans, when all fought for Troy.'"
—Iliad, vi. (E.B. Browning's translation).
1888. *Portrait of Amy, Lady Coleridge. (42 × 39½ inches.) (S.P.P., 1891.) R.A.
1888. *Portraits of the Misses Stewart Hodgson. (47 × 39½ inches.)
1888. Four Studies. R.W.S.
1888. Five Studies. S.S.
1889. *Sibyl. (59 × 34 inches.) R.A. See Sketches, Leighton House Collection.
1889. *Invocation. (54 × 33½ inches.) R.A.
1889. Elegy. R.A.
1889. Greek Girls playing at Ball. (45 × 78 inches.) R.A. See Sketches, Leighton House Collection.
1889. *Portrait of Mrs. Francis A. Lucas. (23½ × 19½ inches.) R.A.
1890. Solitude. R.A.
1890. *The Bath of Psyche.[99] (75 × 24½ inches.) R.A. See Sketches, Leighton House Collection.
1890. *Tragic Poetess. (63 × 34 inches.) R.A. See Sketches, Leighton House Collection.
1890. *The Arab Hall. (33 × 16 inches.) (Guildhall, 1890.) R.A.
1891. *Perseus and Andromeda. (91½ × 50 inches.) R.A. See Sketches, Leighton House Collection.
1891. *Portrait of A.B. Freeman-Mitford, Esq., C.B. (46¼ × 38½ inches.) R.A.
1891. *Return of Persephone. (79 × 59½ inches.) R.A. Corporation of Leeds. See Sketches, Leighton House Collection.
1891. Athlete Struggling with a Python. Group, marble. R.A.
1892. *"And the sea gave up the dead which were in it." (Circular, 93 inches.) R.A. See Sketches, Leighton House Collection.
1892. At the Fountain. (49 × 37 inches.) R.A.
1891. *The Garden of the Hesperides. (Circular, 66 inches.) (Chicago, 1893; Guildhall, 1895.) R.A. See Sketches, Leighton House Collection.
1892. Bacchante. R.A. See Sketches, Leighton House Collection.
1892. *Clytie. (32½ × 53½ inches.) R.A.
1892. Phryne at the Bath. (24 × 12 inches.) S.S. See Sketches, Leighton House Collection.
1892. Malin Head, Donegal. S.S.
1892. St. Mark's, Venice. S.S.
1892. Interior of St. Mark's, Venice. S.S.
1892. The Doorway, North Aisle, Venice. S.S.
1892. Rizpah (the small study in oils). (7 × 7 inches.) S.S.
1893. *Farewell! (63 × 26½ inches.) R.A.
1893. *Hit! (29 × 22 inches.) R.A. See Sketches, Leighton House Collection.
1893. Atalanta. (26½ × 19 inches.) R.A.
1893. Rizpah. (36 × 52 inches.) R.A. See Sketches, Leighton House Collection.
1893. Corinna of Tanagra. (47½ × 21 inches.) R.A.
1894. *The Spirit of the Summit. (77½ × 39½ inches.) R.A. See Sketches, Leighton House Collection.
1894. *The Bracelet. (59½ × 23 inches.) R.A. See Sketches, Leighton House Collection.
1894. *Fatidica. (59½ × 43 inches.) R.A. See Sketches, Leighton House Collection.
1894. *Summer Slumber. (45½ × 62 inches.) R.A. See Sketches, Leighton House Collection, one presented by H.M. The King.
1894. At the Window. R.A.
1894. Wide, Wondering Eyes. (20 × 15½ inches.) Manchester.
1894. The Roman Campagna, Monte Soracte in the distance. S.S.
1894. The Acropolis of Lindos. S.S.
1894. Fiume Morto, Gombo, Pisa. S.S.
1894. Gibraltar from San Rocque. S.S.
1895. Lachrymæ. (60 × 24 inches.) R.A. See Sketches, Leighton House Collection.
1895. The Maid with the Yellow Hair. R.A.
1895. *'Twixt Hope and Fear. (43½ × 38½ inches.) R.A.
1895. *Flaming June. (46 × 46 inches.) R.A. See Sketches, Leighton House Collection.
1895. Listener. R.A.
1895. A Study. R.A.
1895. Phœnicians bartering with Britons. Presented to the Royal Exchange by Lord Leighton. See Sketches, Leighton House Collection.
1895. Boy with Pomegranate. Grafton Gallery.
1895. Miss Dene.
1895. Aqua Certosa, Rome. S.S.
1895. Chain of Hills seen from Ronda. S.S.
1895. Rocks, Malin Head, Donegal. S.S.
1895. Tlemcen, Algeria. S.S.
1896. *Clytie. (61½ × 53½ inches.) R.A. See Sketches, Leighton House Collection.
1896. Candida. (21 × 41½ inches.) Antwerp, 1896.
1896. *The Vestal. (27 × 20½ inches.) Unfinished.
1896. *A Bacchante. (26½ × 21 inches.)
1896. *The Fair Persian. (25½ × 19½ inches.) Unfinished.
FOOTNOTES:
[93] The asterisk denotes works exhibited at the Winter Exhibition of the Royal Academy of Arts, 1897.
[94] R.A., Royal Academy; G.G., Grosvenor Gallery; R.W.S., Royal Society of Painters in Water-Colours; S.S., Royal Society of British Artists, Suffolk Street; D.G., Dudley Gallery; S.P.P., Society of Portrait Painters.
[95] Exhibited in the Roman section by some blunder of the Committee, the picture having been painted in Rome.
[96] Purchased for £2000 by the President and Council of the Royal Academy, under the terms of the Chantrey Bequest.
[97] Painted by invitation for the collection of Portraits of Artists painted by themselves, in the Uffizi Gallery, Florence.
[98] Painted for the house of Mr. Marquand, New York.
[99] Purchased for 1000 guineas by the President and Council of the Royal Academy, under the terms of the Chantrey Bequest.
INDEXToC
- Abercorn, Lady, i. 256; ii. 338
- Aberdeen, Lord, i. 256
- Abydos, ii. 180
- Academy, see Royal Academy
- Acland, Sir Henry, ii. 364, 373
- Acton, Lord, quoted, ii. 33-34
- Æsthetics, i. 103-104
- Afreet, ii. 168
- Agnew, ii. 286
- Aïdé, Hamilton, i. 195; ii. 60, 105, 110, 111;
- letter from, ii. 126 note [40];
- quoted, i. 154 note [28]
- Aitchison, George, i. 164; ii. 7, 116, 117, 221, 363;
- letter from, to Prof. Church, ii. 222 note [57];
- quoted, ii. 118-119, 217 note [55], 365, 372
- Albert, Prince Consort, i. 1, 261, 262; ii. 202;
- death of, ii. 85
- Alexandra, Queen (Princess of Wales), lines by, on Leighton, i. 33; ii. 336
- Algiers (1857), i. 18, 293-294, 297-304;
- Allen, Robin, letters from, ii. 59 note [18], 102, 230;
- poem by, 102
- America—
- Ampère, Mr., i. 146
- Arab Hall, ii. 7-8, 217-222 and notes [55-57], 365
- Arabic, ii. 154
- Architecture—
- Armstrong, T., ii. 287
- Arnold, Matthew, letters from, ii. 226, 231
- Art—
- Academic, i. 209; ii. 5
- "Barbarians'" view as to, i. 41
- Breadth-of-treatment school, i. 70-71
- Catholicity in, ii. 264-265
- Classification in, ii. 16
- Detail, scrupulous care in, i. 202
- Florentine, ii. 117-118
- Form, importance of, i. 293; ii. 11, 263
- Foundation-laying in, i. 155-156
- Function of, i. 25-26; ii. 23, 278, 282, 283
- Greek, i. 228
- Impressionist, ii. 33
- Industry, need for, i. 206-208
- Influence of, Leighton's views as to, ii. 33-35
- Inspiration, moments of, ii. 4
- Inward source of, i. 92, 188, 212 note [45]; ii. 15
- Italian, Leighton's love for, ii. 5
- Nature-study in, i. 174-175, 191, 199, 213; ii. 17-18
- Practical nature of, i. 238
- Protestant inconsistency as to, i. 74
- Roman Catholic influence on, i. 66, 73
- Roman influence on, i. 147, 188, 191
- Spontaneity of, in the young, i. 217-218
- Suggestion v. definition, ii. 26-28
- White, painting of, ii. 367
- Art of Painting in the Queen's Reign, The, cited, ii. 366
- Artist Benevolent Fund, ii. 213
- Artist Volunteer Corps, Leighton's membership of, i. 11-14; ii. 107, 111;
- Ashburton, Lord, portrait of, ii. 123 and note [37]
- Assouan, ii. 148-150, 152
- Athens, ii. 128, 130-131, 229 note [60]
- Austin, Mrs., ii. 86
- Avignon, i. 298
- Ballater, ii. 309
- Barrington, Mrs. Russell, letters to, ii. 328, 332, 333
- Bayreuth, ii. 316, 326
- Beards, i. 170
- Beauty—
- Becker, i. 56, 89
- Beechey, Sir William, i. 269
- Benedetto Bonfiglio, ii. 19
- Beni Hassan, ii. 185-187
- Benson, Ralph A., ii. 206-207;
- letter from, 58 note [18]
- Bentinck, Count, i. 49, 52
- Bentinck, Gen., i. 63
- Bentinck, Penelope, i. 255, 262
- Bergheim, i. 49-53
- Berlin, i. 158-160
- Bettino, i. 39
- Bezzuoli, i. 38, 39
- Bideford, ii. 66-67
- Bileith, Mr., ii. 129
- Birrell, Augustine, ii. 304-305
- Boehm, Sir Edgar, letter from, ii. 200
- Boughton, George H., letters from, ii. 199
- Boxall, ii. 119, 227
- Brackley, Lord, i. 264, 284
- Brandes, Miss, ii. 217
- British Institution, ii. 39, 44
- British Museum, Leighton a trustee of, ii. 256
- Brock, Mr., ii. 241, 259-260 and note [73]
- Brown, Madox, ii. 299
- Browning, Mrs., ii. 51-52, 64, 374 note [91];
- letter from, 93
- Browning, Robert, estimate of Leighton by, ii. 29 note [6];
- Bruce, Col. and Mrs., ii. 39
- Bruckmann, Herr, ii. 113
- Brunton, Sir Lauder, ii. 316, 323, 329-330
- Buckner, i. 171
- Bull-fights, ii. 210
- Bulteel, Lady E., ii. 66
- Burne-Jones, Sir E., ii. 3, 8, 199, 288, 368;
- inaccuracies of, i. 219 note-220 [47];
- estimate of, ii. 25
- Burton, Sir Richard, portrait of, ii. 195-196;
- letters from, 218-219
- Calderon, ii. 196-197, 255
- Cambridge, H.R.H. Duke of, ii. 262
- Cameron, Mrs., cited, ii. 269 note [76]
- Campagna, Roman, i. 22 and notes [8 and 9], 162, 164
- Capri, ii. 18, 41
- Carlisle, Earl of, ii. 6
- Cartwright, W.C., politics of, i. 307-308;
- Casts, gallery of, ii. 287-288 and note [79]
- Chamberlayne, Kate, i. 126
- Change of scene, importance of, i. 92-95
- Chantrey Bequest, terms of, ii. 249-253
- Chemistry of Paints and Painting (Church), cited, ii. 290 notes [80]
- Choisy, M., quoted, ii. 221, 362-363
- Chorley, Henry J., ii. 43 and note [13];
- letter from, 127 note [40]
- Church, Prof., cited, ii. 290 notes [80 and 81];
- letters to, 290-302
- Churche, ii. 70
- Cimabue, i. 227
- Clarke, Sir C.P., ii. 365;
- quoted, 218 note [55]
- Cleopatra, ii. 163, 172
- Cleopatra's Needle, ii. 284
- Cleveland, Duke of, ii. 286
- Cliquiness, i. 192
- Cockerell, F. Pepys, i. 285; ii. 58 note [18], 87, 325 note [86];
- Cole, Sir Henry, ii. 212;
- Coleridge, Lord, letter from, ii. 227
- Colfax, Mr., ii. 165
- Colnaghi, i. 252, 254; ii. 364;
- cited 246
- Colonna, i. 229 note [50]
- Colour, Leighton's feeling for, ii. 188, 189, 366, 367
- Colours, &c., letters to Prof. Church regarding, ii. 290-302
- Commissioned subjects, Leighton's views on, ii. 277-278
- Conture, i. 154, 296
- Copies, Leighton's views on, ii. 277
- Cornelius, i. 56, 66, 141, 149, 151, 173;
- Cornhill Magazine, Leighton's illustrations for, ii. 91, 92, 95, 103
- Corot, i. 241
- Correggio, ii. 41, 256
- Costa, Prof. Giovanni, Leighton's first meeting with, i. 162-164;
- portrait of, ii. 256;
- estimate of Leighton by, ii. 379;
- letter from, on Leighton, ii. 285 note [78];
- quoted—
- on Leighton in Florence, i. 39; ii. 371;
- on Leighton in Siena, ii. 242 note [64];
- on Leighton's methods, ii. 256;
- on Leighton's last visit, ii. 327-328;
- otherwise mentioned, ii. 7, 223, 297, 314
- Cowley, Lady, i. 240, 309; ii. 88;
- letter from, i. 48
- Cowley, Lord, letters from, i. 53-54;
- portrait of, ii. 88
- Cowper, Lady, ii. 66
- Cowper, Lord, portrait of, ii. 88
- Crane, Walter, ii. 365;
- estimate of Leighton by, 6-9
- Craven, Augustus, ii. 41
- Crawford, Lord, quoted, ii. 364
- Criticism—
- Currie, Sir Donald, i. 4
- Dalou, i. 241;
- letter from, ii. 198
- Dalziel's Bible, Leighton's illustrations for, ii. 94-95
- Damascus, ii. 206-209
- Davey, Lord, ii. 364
- De l'Aigle, Madame, ii. 191
- De l'Aigle, Marquis, ii. 103
- De Morgan, Wm., ii. 364 and note [90]
- De Savelege, Emile, ii. 214
- Delaroche, Paul, i. 249, 290
- Denderah, ii. 172
- Dene, Dorothy (Miss Pullen), ii. 267-274
- Detail, perfection of, i. 202
- Dickens, Charles, letters from, ii. 89;
- Leighton compared with, 330-331 and note [87]
- Dilettanti, Society of, ii. 212-213
- Disneh, ii. 141
- Dixon, Messrs., ii. 364
- Dolby, Miss, ii. 43-44
- Domestic decoration, ii. 220
- Doyle, Richard, letter from, ii. 124 note [38]
- Drawings by Leighton—
- "Cervara," i. 163 note [32]
- Comparison of, with finished paintings, ii. 93
- "Drifting," ii. 103
- Estimate of, i. 197, 205; ii. 368, 376
- "Evening in a French Country House, An," ii. 103
- Florentine fresco, copy of, ii. 374-375
- "Lemon Tree," i. 201 and note [42]-202; ii. 41 and note [11]
- "Monk Dividing Enemies, A," i. 65 note [18]; ii. 371
- Moorish subjects, of, ii. 372
- "Plague in Florence in 1850," ii. 93
- "Samson Wrestling with the Lion," ii. 94
- "Vincenzo's Head," i. 151-152, 154-155
- "Well-Head, The," i. 110 note [24]
- Du Maurier, i. 20 note [7]
- Duccio, i. 227
- Dudley, Lord, ii. 53 note [14]
- Duff, Sir M. Grant, quoted, ii. 33
- Dürer, Albert, i. 220; ii. 239-240
- Dyer, Sir W. Thistelton, estimate of Leighton by, i. 219-221 note [47]
- East, Alfred, estimate of Leighton by, ii. 266
- Eastlake, Sir Ch., i. 48, 94, 265
- Edfou, ii. 162
- Edis, Col., ii. 244-245
- Edward VII., King (Prince of Wales), "Cimabue's Madonna" lent by, for exhibition, i. 185;
- Egypt, Leighton's visit to, ii. 131-187
- Egyptian tombs, ii. 144-145
- Elephantina, ii. 150
- Elgin Cathedral, ii. 262
- Eliot, George, see Lewes
- Ellesmere, Earl of, i. 252, 257, 265
- Ellesmere, Lady, i. 268
- Ellis, Maj.-Gen., ii. 338
- Elmore, ii. 118
- Ely, Lady, ii. 178
- Erskine, Mr., ii. 130
- Esne, ii. 147-148
- Etty, i. 216
- Farquhar, Miss, i. 152
- Farrer, Lady (Miss Wedgwood), ii. 217
- Fatma, ii. 167
- Fenzi, M., i. 100, 285
- Ferronay, Pauline la (Mrs. A. Craven), ii. 41 note [10]
- Ffrench, i. 260, 262
- Findhorn River, ii. 261-262
- Finlay, Mr., ii. 130, 131
- FitzGerald, Percy, quoted, ii. 330 note [87]
- Flatz, i. 133
- Fleury, Robert, i. 27, 154, 245, 248, 249, 290; ii. 214, 294;
- Florence—
- Florentine art, ii. 117-118
- Flowers, Leighton's feeling for, i. 69, 75, 198;
- Form and matter, divergence between, ii. 184
- Forres, ii. 261-262
- Frankfort, Leighton at school at, i. 42
- Frederick, Empress, ii. 337
- French, i. 243
- Fresco, Gambier Parry's medium for, ii. 105-106, 108-110, 301
- Fresco v. oils, i. 296-297, 305; ii. 20
- Freshfield, Mrs. Douglas, ii. 217
- Frith, W.P., letter from, ii. 119 note [35]
- Führich, i. 174
- Fuller-Maitland, J.A., ii. 328, 372
- Gamba, Count, i. 75, 85, 87, 90, 96, 98, 116-118, 120, 122, 123, 125, 132, 149, 151, 152, 164, 174, 188, 189, 191, 237; ii. 371
- Gambart, ii. 114, 123
- Garcia, Señor, ii. 239 note [62]
- Gebel Silsily, ii. 161
- Genius, i. 206
- German æsthetics, i. 103-104
- Germany, Leighton's journey through (1852), i. 63-68
- Gérôme, ii. 147, 155
- Gibson, i. 181, 261; ii. 39, 56;
- Leighton's estimate of, i. 114
- Gilbert, Alfred, quoted, i. 7
- Gilbert, Sir J., ii. 286
- Gilchrist, Connie, ii. 268
- Giotto, i. 128, 226 note [49], 228; ii. 374
- Gladstone, W.E., ii. 57;
- Glyn, Mrs., ii. 269, 270
- Goethe's Sprüche, Leighton's criticism of, ii. 305-306
- Gondolas, i. 78
- Goodall, J., i. 48;
- quoted, ii. 284
- Gooderson, T., i. 171
- Gordon, Lady Duff, ii. 132, 177, 181
- Gortschakoff, Prince, i. 56
- Gozze, Count, i. 169
- Graefe, i. 157
- Granada, ii. 210
- Grant, Gen., ii. 165
- Greek language, ii. 130-131
- Greene, i. 258, 259
- Greg, W.R., ii. 269 note [76]
- Grenfell, Hon. Mrs. (Miss Mabel Mills), portrait of, ii. 197
- Greville, Charles, ii. 108
- Greville, Henry, Leighton's friendship with, i. 28, 164, 251 and note [56], 282;
- Grey, Countess, i. 270
- Grove, Sir George, letter from, ii. 243 note [65]
- Grueber, H.A., quoted, ii. 255-256
- Guaita, Mr., i. 281
- Guthrie, Mrs. James, portrait of, ii. 10 note [1], 114
- Habit, deadening effect of, i. 93, 95
- Hague, The, i. 54-55
- Hale, Mr., ii. 163, 165
- Hallé, i. 234
- Handel Festival (1859), ii. 43-44
- Hardy, Thomas, ii. 320
- Harrison, Mr., i. 260, 267, 282; ii. 46
- Hassan Effendi, ii. 143
- Haydon, i. 143-144
- Hébert, i. 236, 237
- Heidelberg, i. 63-64
- Heilbronn, i. 64
- Henderson, A., ii. 364
- Hendschel, i. 150
- Herkomer, Hubert, letter from, ii. 226
- Hickey, Miss Emily, sonnet by, ii. 261 note [74]
- Hildesheim, ii. 315
- Hills, Mr., ii. 291
- Hoare, Lady, ii. 38, 40, 48
- Hodgson, J.G., i. 275;
- letter from, ii. 205 note [53]
- Holland, Leighton's visit to (1852), i. 54-55
- Holland, Lord and Lady, i. 309; ii. 41, 67, 92
- Hollyer, Fred, ii. 364, 370;
- quoted, 288-289
- Hommel, i. 150
- Hooker, Sir Joseph, cited, i. 220
- Hope, J.K. Kempton, letter from, ii. 213
- Horsfall, T.C., correspondence with, ii. 274, 276-283
- Horsley, Mr., ii. 223
- Hosmer, Miss Harriet, i. 146, 181, 195; ii. 72, 76
- Hosseyn, ii. 137-138, 140-142, 144, 146, 148, 153, 157, 158, 160, 165, 167, 170, 172, 174, 176-180, 187
- Hughes, Mrs. Watts, ii. 332;
- letter from, 217
- Human form, Leighton's treatment of, ii. 29
- Hunt, Holman, i. 187 note [34], 220, 278; ii. 118, 148, 219
- Hunter, Colin, i. 4
- I'Anson, Mr. (great-uncle), i. 45-46
- Impressionists, ii. 33
- Ingres, i. 245
- Innsbruck statues, i. 69-70, 88-89
- Irish scenery, ii. 311
- Irving, Sir H., ii. 270 note [77];
- Leighton compared with, 330-331 and note [87]
- Italian art, ii. 5, 19, 117
- Italy (for districts, towns, &c., see their names)—
- Leighton's affection for, i. 19-24, 56, 62, 67-68, 72, 135, 137, 158, 302-303; ii. 51
- Music of, i. 167
- Street cries in, i. 72-73
- Jameson, Mrs., i. 280
- Janauschek, i. 55
- Janotha, Miss, ii. 228
- Joachim, Dr. Joseph, ii. 216, 223, 228, 316;
- Leighton's speech at jubilee presentation to, ii. 245-247
- Kalergi, Madame, i. 242
- Karnak, ii. 165-167
- Kaye, Miss, i. 264
- Kemble, Adelaide, see Sartoris
- Kemble, Mrs. (Fanny), on "Pan" and "Venus," ii. 45;
- Kew gardens, i. 219-221 note [47]
- Kimberley, S.A., art exhibition at, i. 4
- Kom Ombo, ii. 160, 161
- Koorveh, ii. 145
- Kuppelwieser, i. 174
- Kyrle Society, ii. 274-275
- Laing, Isabel (Lady Nias), i. 108, 122 note [25], 125;
- Land, W.C., ii. 225
- Landseer, Sir Edwin, ii. 59, 61
- Lang, Mrs. Andrew, quoted, ii. 372
- Lansdowne, Lord, ii. 41, 43
- Lantéri, Edouard, ii. 288
- Lascelles, E., ii. 92
- Lawrence, Sir Thos., i. 269
- Lecky, Prof., ii. 338
- Leech, John, ii. 68
- Lehmann, ii. 287
- Leighton, Dr. (father), career of, i. 36-37;
- attitude towards art as a profession, 16-17;
- severity towards his son, 37;
- anatomy studies, 38;
- move to Bath, 56;
- illness, ii. 309-310;
- death, 314;
- letters to, i. 44, 110, 171, 177, 180, 212, 236, 237, 244, 248, 269, 283, 307; ii. 58, 62, 86, 95, 114-116, 129, 131, 206, 209, 211, 213, 238 note [62], 261, 313;
- letter from, i. 101;
- letter regarding, i. 135-136;
- otherwise mentioned, i. 76, 84
- Leighton, Lady (grandmother), i. 47, 56, 86
- Leighton, Mrs. (mother), delicate health of, i. 36-38;
- tenderness of, 37;
- death of, ii. 126;
- letters to, i. 18, 42, 46, 49, 51, 59, 84, 92, 104, 122, 137, 139, 142, 147, 166, 167, 176, 178, 212, 224, 234, 236, 240, 245, 247, 281, 287, 289, 290, 297, 308; ii. 14 note [2], 38, 43-48, 55, 57, 60, 64-68, 88, 91, 107, 108, 110, 111, 119, 122, 191;
- letters from, i. 57, 98, 133, 139, 144, 177, 226 note [49], 232;
- letter from, to younger daughter, ii. 56
- Leighton, Alexandra (sister), see Orr
- Leighton, Augusta (sister), see Matthews
- Leighton, Sir Baldwyn, letter from, i. 34
- Leighton, Frederic, Lord—
- Ancestry of, i. 34-36
- Career, chronological sequence of—
- birth, i. 36;
- early travels, 37, 38;
- education, 37-39, 41-42;
- under Steinle's influence, 40-42;
- first picture, 44;
- studies in Brussels, Paris and Frankfort, 44;
- visit to London, 45-48;
- portrait painting, 46, 48, 51-53;
- back to Frankfort, 48;
- at Bergheim, 49;
- in Holland, 54-55;
- Italy, 72-83;
- Rome, 95-96, 106 et seq., 161;
- at Bad Gleisweiler, 134;
- at Frankfort and Florence, 136;
- return to Rome, 139;
- at Lucca, 154 note [28];
- Frankfort, Venice, Florence and Rome, 154;
- consultation with Graefe, 157;
- success of "Cimabue's Madonna," 193;
- in London, 222, 233;
- in Paris, 235-237, 239 et seq.;
- to Frankfort and Italy, 281-285;
- back to Rome, 289;
- in Algiers, 18, 293-294, 297-304;
- in Rome (1858), ii. 37;
- in London, 43;
- at 2 Orme Square, 47, 49;
- volunteering activities, i. 11-14; ii. 55, 107, 111;
- in Devonshire, 66;
- visit to Mason, 89-90;
- at Compiègne, 103-104;
- the Lyndhurst fresco, 104-108, 110-112;
- building of Leighton House, 114-117;
- A.R.A., 118;
- visit to Spain (1866), 128;
- examiner at Victoria and Albert Museum (1866-1875), 212;
- at Vichy (1869), 218 note [56];
- up the Nile, 131-187;
- R.A. (1869), 123, 188;
- visit to Damascus (1873), 205-209;
- to Spain (1877), 209;
- P.R.A. (1878), 223;
- trustee of British Museum (1881), 256;
- resigns volunteer commission (1883), 243-245;
- made a baronet (1886), 289;
- waning health, 241, 313, 318, 323, 324, 328;
- visit to Spain (1889), ii. 238 note [62];
- foreign travel, 313-316;
- Algiers, 318;
- made a peer, 331;
- fatal illness, 333-334;
- death, 334
- Characteristics of—
- Actuality, sense of, i. 280; ii. 5, 26-27, 30
- Art, passionate attachment to, i. 2, 16, 17; ii. 338-339
- Beauty, love of, i. 59; ii. 2, 30, 328, 369
- Bonhomie, ii. 330
- Boyishness, ii. 317
- Children, love of, ii. 192, 328, 370
- Consistency, ii. 3, 21
- Courage, ii. 317
- Critical faculty, i. 217
- Criticism, attitude towards, i. 179
- Depression, liability to, i. 10
- Duty, sense of, i. 250; ii. 21
- Enthusiasm, i. 18, 41
- Fastidiousness, ii. 5
- Gratitude, ii. 266
- Greek-like combination of qualities, i. 24-25, 59; ii. 368, 377-378
- Impartiality, i. 5
- Industry and strenuousness, ii. 4, 207-208, 223, 369
- Insight, rapidity of, i. 24
- Intellectual brilliancy, i. 4, 23, 24, 210; ii. 2, 242
- Kindness, i. 269; ii. 7, 90, 104, 242 note [64]
- Loyalty, i. 19; ii. 3, 8
- Mastery of others, ii. 242-243 and note [64]
- Modesty, i. 8, 206, 280; ii. 16, 233, 265, 266
- Music, love of, i. 108, 126
- Oratorical powers, i. 5, 6, 29; ii. 233-234
- Originality, ii. 5, 16
- Selective faculty, predominant, i. 219 note [47]; ii. 2
- Sensitiveness, i. 31
- Simplicity, i. 9
- Sincerity, i. 8, 60, 92, 216
- Smell and hearing, keen senses of, i. 72
- Social charm, i. 8, 30
- Society, general, distaste for, i. 166, 168, 222-223
- Spontaneity, lack of, i. 246; ii. 1, 20, 233-234
- Sympathy, i. 4-6, 9 and note [4], 216
- Thoroughness, ii. 20, 31, 208, 233
- Unselfishness, ii. 266
- Vitality, exuberance of, i. 59, 224
- Will power, ii. 369
- Diary ("Pebbles"), extracts from, i. 61-87, 198
- Diary of Egyptian visit, ii. 133-187
- Dignities and honours conferred on, ii. 380
- Drawings by, see that title
- Estimates of, by—
- Anonymous, i. 60; ii. 29-30, 374
- Browning, Robert, ii. 29 note [6]
- Costa, Prof. G., ii. 379
- Crane, W., ii. 6-9
- Dyer, Sir W.T., i. 219-221 note [47]
- East, A., ii. 266
- Greville, H., i. 243
- Kemble, Mrs., i. 264
- Powers, Hiram, i. 39
- Poynter, Sir E., ii. 242 note [64]
- Richmond, Sir W., i. 209; ii. 1-6
- Rivière, Briton, i. 5, 129, 207, 250; ii. 21-22
- Ruskin, J., i. 212
- Thornycroft, H., i. 5-6, 13-14
- Watts, G.F., i. 4, 7, 210; ii. 22
- Frescoes by, ii. 104-108, 110-112, 203-204
- Funeral of, i. 31-33; ii. 335-338
- Health difficulties, i. 42, 59, 130, 169, 240, 241; ii. 22, 68;
- Limitations in his art, i. 211-215
- Methods of, ii. 12-15, 256, 293
- Pictures by, see that title
- Portrait of, ii. 259;
- bust by Brock, 260 and note [73], 364
- Portraits by, see that title
- Presidential addresses by, ii. 229-233, 235-241
- Sketches by, ii. 257-259 and note [71], 366-367, 371-372
- Speeches by, ii. 241-247
- Statuary by, ii. 198-200, 259-260
- Leighton, Sir James (grandfather), i. 36
- Leighton, Rev. Wm., i. 35
- Leighton House—
- Leitch, i. 181
- "Les Natchez," ii. 184
- Leslie, Lady Constance, ii. 92;
- quoted, i. 193
- Leslie, Sir John, i. 164, 261, 262
- Lewes, Mr., ii. 95, 100
- Lewes, Marian E. (George Eliot), ii. 95;
- letters from, 96-100
- Lewis, Arthur, ii. 55, 92
- Lindos, ii. 129, 148
- Lindsay, Sir Coutts, ii. 286
- Linton, ii. 286
- Lister, Sir Joseph, ii. 338
- Lister, Villers, i. 285
- Listowel, Lord, ii. 92
- Liszt, ii. 43 note [13]
- Liverpool, Leighton's speech at Art Congress at (1888), ii. 247, 341-361
- Loch, Lady, quoted, i. 3-4; ii. 334
- Lockhart, i. 176
- Lougsor, ii. 143, 174, 175
- Lucas, Charles, cited, ii. 362
- Lugano, Lake of, i. 283
- Lynn of Dee, ii. 261 and note [74], 309
- Lyon, Lord, ii. 76
- Lyons, Bickerton, i. 146, 243
- Mackail, ii. 333
- Mackenzie, Sir A., ii. 338
- MacWhirter, J., ii. 374
- Maeterlinck, ii. 25, 27
- Magazine of Art, reprint from, ii. 362 and note [89], 379
- Mahometans, ii. 146, 169-170
- Malet, Sir E., ii. 316
- Malinmore (Co. Donegal), ii. 311, 324-325 and note [85]
- Man, Isle of, art exhibition in, i. 3
- Manchester Art Museum and Galleries, ii. 274-281
- Manchester Courier, extract from, ii. 275-280
- Maquay, Mrs., i. 134, 285
- Mariani, ii. 294-295
- Mario, i. 309; ii. 43
- Marochetti, i. 176, 261
- Marquand, Mr., i. 277; ii. 259 note [72]
- Marriage, Leighton's views on, ii. 56
- Massarani, Sig. Tullio, ii. 214
- Mason, George, i. 32, 164, 286; ii. 66, 118;
- Matthews, Mrs. (Augusta N. Leighton), birth of, i. 36;
- Leighton's advice to, on musical studies, 91-92, 97-98;
- extracts from diary of, 233, 241;
- in Leighton's last illness, ii. 333-334;
- at the funeral, ii. 338;
- letters to, i. 97, 182; ii. 52, 64, 85, 90, 117, 216, 223, 309, 313, 315;
- letter from Mrs. Leighton to, ii. 56;
- otherwise mentioned, i. 76, 87, 99, 105, 145, 169, 181; ii. 65, 95, 304, 316, 326, 363
- May, Phil, ii. 32
- Medinet Haboo, ii. 164
- Meissonier, ii. 214
- Melbourne, art exhibition in, i. 3-4
- Meli, Signor, i. 37
- Mendelssohn, Frau, i. 56
- Meran, i. 71, 89, 282
- Meynell, Wilfrid, ii. 321, 364
- Middleburgh, i. 63
- Millais, Sir J., Leighton's estimate of, ii. 67, 68;
- Millet, Jean François, i. 241
- Mills, Sir Charles, i. 4
- Mills, Miss Mabel (Hon. Mrs. Grenfell), portrait of, ii. 197
- Minyeh, ii. 135-136
- Monbrison, George de, ii. 41
- Monson, Lady, i. 244
- Montfort, i. 243, 249; ii. 39;
- cited, 46
- Moor scenery, ii. 308-309, 311
- Moorish interior, i. 301;
- music, 303
- Morants, ii. 66
- Morlaix, ii. 324
- Morley, Rt. Hon. John, letter from, ii. 331
- Morny, i. 243
- Morris, William, ii. 220
- Mortlake, M.C., ii. 120 note [35]
- Music—
- Mustafa Aga, ii. 143-144, 165, 172
- Napier, Lord, ii. 325
- Naples, Leighton's visit to (1859), ii. 41
- Nash, Mr. and Mrs., i. 224
- Neville, Lady Dorothy, ii. 111, 114
- Nettleship, ii. 114
- Nias, Lady, see Laing, Isabel
- Nicholson, ii. 55
- Nordau, Leighton's estimate of, ii. 326-327
- North, Miss, i. 220
- Norton, Hon. Mrs., letter from, ii. 10 note [1]
- Novello, Clara, ii. 43
- Nubians, ii. 150
- Oakes, i. 96, 108
- Obiter Dicta (Birrell), ii. 304-305
- O'Conor, ii. 226
- Ogle, Miss, ii. 38
- Old Masters—
- Oppenheim, i. 56
- Orcagna, i. 225
- Ordway, Mr., ii. 69, 71, 74, 75, 83
- Orr, Col. Sutherland, i. 3 note [2], 300, 309
- Orr, Mrs. Sutherland (Alexandra Leighton), birth of, i. 36;
- marriage of, 3 note [2];
- in India, 300 and note [70], 306, 309;
- widowed, ii. 50;
- portrait of, 54, 57, 61;
- in Leighton's last illness, 333-334;
- at the funeral, 338;
- work on Browning by, 314 and note [83];
- letters to, i. 18, 19, 22 note [8], 302; ii. 240, 304, 307, 310, 311, 319, 322, 325, 326;
- otherwise mentioned, i. 42, 44, 46, 99, 126, 183; ii. 45, 211, 273, 315, 363
- "Orphée," ii. 52-53 and note [14]
- Ouless, W.W., i. 4
- Overbeck, i. 96, 116, 132-133, 189, 190, 192;
- Paestum, ii. 50
- Paget, Sir James, ii. 313
- Palmer, ii. 55
- Panshanger, ii. 92
- Pantaleone, Dr., i. 169; ii. 52
- Paris, Comtesse de, telegram from, ii. 321
- Parry, Gambier, ii. 105, 299-301;
- letter from, 108
- Pasta, i. 267-268
- Pasteur, W., letter from, ii. 244 note [66]
- Pattison, Mrs. Mark, letters to, i. 16, 27, 302; ii. 118, 128, 209, 303
- "Pebbles," see under Leighton—Diary
- Perry, Walter Copland, ii. 287-288 and note [79]
- Persian tiles, ii. 364-365
- Perugia, ii. 19
- Perugini, Carlo, i. 236, 237, 241; ii. 55
- Petre, i. 290
- Pheidias, i. 224
- Philipson, Mr., ii. 364
- Phipps, Hon. Col., i. 265, 267, 282, 290
- Phipps, Hon. Mrs., ii. 40
- Photography, i. 202-206;
- of masterpieces, ii. 277
- Phylæ, ii. 150-151, 154-155, 167
- Piatti, ii. 228
- Pictures by Leighton—
- "And the Sea gave up ...," ii. 193
- "Antique Juggling Girl, The," ii. 194-195, 205 note [53]
- "Ariadne abandoned by Theseus," ii. 370
- "Atalanta," ii. 262-263
- "Bath of Psyche, The," ii. 257
- "Byzantine Well," ii. 42 and note [12]
- "Captive Andromache," ii. 370
- "Cimabue finding Giotto in the Fields of Florence," i. 56
- "Cimabue's Madonna"—
- Description of, i. 173
- Estimate of, i. 185-186;
- by Richmond, 186;
- by Ruskin, 186 note [34]; ii. 367;
- by Rossetti, i. 187 note [34]
- Exhibition of, in Rome, i. 177, 180;
- at Leighton House (1900), i. 185
- Holes in, i. 260 and note [59], 282-283, 290
- Success of, i. 32, 193; ii. 367
- Work on, i. 128-130, 135-136, 141, 145, 148-151, 155, 175, 179, 184-186
- "Cleoboulos Instructing his Daughter Cleobouline," ii. 192
- "Clytemnestra Watching from the Battlements of Argos," ii. 195 and note [46], 205 note [53], 366
- "Clytie," ii. 96, 263, 327
- "Condottiere, A," ii. 193
- "Crossbowman, The," ii. 119
- "Cymon and Iphegenia," i. 25; ii. 258 and note [70], 259
- "Dædalus and Icarus," ii. 188, 189
- "Dante at Verona," ii. 114, 123 and note [38]
- "Daphnephoria, The," ii. 195-197
- "Death of Brunelleschi, The," i. 55-56
- "Duel between Romeo and Tybalt, The," i. 56
- "Duet" (small "Johnnie"), ii. 85 note [22], 88, 123
- "Eastern King, The," ii. 86-88, 107
- "Egyptian Slinger," ii. 370
- "Electra at the Tomb of Agamemnon," ii. 188, 189, 370
- "Elijah in the Wilderness," ii. 188, 256
- "Eucharis," ii. 9, 108, 119 and note [34]
- "Fisherman and the Syren, The," ii. 36 and note [8], 62
- "Flaming June," ii. 262-263
- "Francesca," ii. 57, 59 note [18]
- "Girl feeding Peacocks," ii. 119 and note [33]
- "Golden Hours," ii. 9, 114
- "Greek Girl Dancing," ii. 193
- "Greek Girls Picking up Pebbles," ii. 192
- "Helen of Troy," ii. 125 and note [39]
- "Helios and Rhodos," ii. 188
- "Heracles Wrestling with Death for the Body of Alcestis," ii. 189-191, 370
- "Honeymoon, The," ii. 114, 123
- Improvement in, by keeping, ii. 258 note [70]
- "In a Moorish Garden," ii. 194, 205 note [53]
- "Industrial Arts of Peace, The," ii. 193-194, 202
- "Industrial Arts of War, The," ii. 193-194, 224
- Landscapes in Oil, i. 208
- "Lieder ohne Worte," ii. 17 and note [3], 57, 58 note [16], 60 note [19], 61-63, 65, 367
- List of, ii. 381-392
- "Michael Angelo Nursing his Dying Servant," ii. 86-88, 93, 105-107, 370
- "Music Lesson," ii. 197
- "Nanna, La," ii. 39-41, 48
- "Nausicaa," ii. 200-201
- "Negro Festival, A," i. 302; ii. 44-47
- "Neruccia," ii. 256, 257
- "Nile Woman, A," ii. 189
- "Noble Lady of Venice, A," ii. 10
- "Plague in Florence," ii. 370
- "Psyche," ii. 368
- Number of, during Presidency, ii. 257
- "Odalisque," ii. 87, 88
- "Old Damascus," ii. 205 and note [53]
- "Orpheus," see subheading "Triumph of Music"
- "Othello and Desdemona," i. 44
- "Pan," i. 249, 258, 278;
- "Paolo and Francesca," ii. 63, 76-77
- "Persephone," i. 220
- "Perseus and Andromeda," ii. 198
- Perugini, Carlo, head of, i. 237
- Poetry in, i. 211; ii. 29 and note [6]
- "Reconciliation of the Montagues and Capulets"—
- "Romeo," see subheading "Reconciliation"
- "Romeo and Juliet," ii. 36 and note [8]
- "Rustic Music" (large "Johnnie"), ii. 85 note [22], 86, 88
- "S. Jerome," ii. 188
- "Salome, the Daughter of Herodias," i. 308; ii. 119 and note [35]
- "Samson and Delilah," ii. 39, 47, 74
- "Sea Echoes," ii. 87 and note [24], 88
- "Solitude," ii. 260-261 and note [74]
- "Spirit of the Summit, The," i. 10
- "Study," ii. 197
- "Summer Moon," ii. 192-193, 366
- "Sunrise—Capri," ii. 53
- "Syracusan Bride ..., A," ii. 10 and note [1], 124
- Texture of, ii. 93
- "Triumph of Music, The"—
- "Venus," i. 249, 258-259, 278, 287 note [68];
- "Venus disrobing for the Bath," ii. 368
- Vision of Mrs. Sandbach, ii. 54 and note [15], 56, 57, 58
- "Weaving the Wreath," ii. 194
- "Wedded," ii. 29 note [6]
- "Winding the Skein," ii. 201, 368
- Pisano, Nicolo, i. 227
- Pocock, ii. 87
- Pollington, Lady, i. 115;
- portrait of, 54
- Portraits by Leighton—
- Ashburton, Lord, ii. 123 and note [37]
- Bentinck, Count, family of, i. 49, 52
- Burton, Sir R., ii. 195, 196
- Costa, Giovanni, ii. 256
- Cowley, Lady, and family, i. 48-49, 53
- Cowper, Lord, ii. 88
- Guthrie, Mrs. James, ii. 10 note [1], 114
- I'Anson, Mr., i. 46
- Mills, Miss Mabel, ii. 197
- Pollington, Lady, i. 54
- Walker, Mrs. Hanson, i. 251 note [57]
- Powers, Hiram, i. 114;
- estimate of Leighton by, i. 39
- Poynter, Sir E., i. 164;
- estimate of Leighton by, ii. 242 note [64]
- Prange, Mr., i. 4
- Pre-Raphaelites—
- Pullen, Miss (Dorothy Dene), ii. 267-274
- Pullen, Lina, ii. 268
- Quilter, Sir Cuthbert, ii. 258 note [70]
- Rafaello, i. 162 and note [31], 163
- Ravaschieri, Duchessa, i. 167
- Rawnsley, Canon, ii. 372
- Redesdale, Lord, i. 121
- Reeves, Sims, ii. 44
- Reston, i. 268
- Rhapsodist performance, i. 303-304
- Rhoden, i. 133
- Rhodes Island, ii. 129-130, 148
- Rhys, Ernest, cited, ii. 232 note [61]
- Ricardo, Puliza, ii. 46
- Richmond, George, ii. 255;
- letter from, 312
- Richmond, Sir Wm. B., i. 186, 220; ii. 55;
- Ristori, i. 242-243
- Ritchie, Miss, ii. 217
- Ritchie, Mrs. Richard, quoted, i. 194 note [36]; ii. 43 note [13]
- Rivière, Briton, estimate of Leighton by, i. 5, 129, 207, 250; ii. 21-22;
- Roberts, Dr., ii. 241, 315, 316, 329
- Roman Catholic faith, i. 66
- Rome—
- Romola, Leighton's illustrations for, ii. 95-102, 121
- Rosebery, Lord, ii. 372
- Ross, Mr., ii. 132
- Ross, Mrs., ii. 8
- Rossetti, D.G., i. 278; ii. 118, 288;
- quoted, i. 187 note [34]; ii. 60 note [19], 191, 368
- Rossetti, Wm., ii. 45-46, 58
- Rossini, i. 166-167
- Royal Academy—
- Attacks on, ii. 8
- Chantry Bequest, terms of, ii. 251-253
- Codification Committee, ii. 254-255
- Constitution of, ii. 248-251 note [67]
- Exhibitions of—
- Leighton an Associate of, ii. 118;
- member, 123, 188;
- President, ii. 223;
- his speeches at banquets of, ii. 241-243 and notes [64 and 65];
- his bequest to, ii. 333
- Pension question, ii. 252-253, 255
- Presidency of, ii. 231 note [61]
- Treasurership of, ii. 249 note [67]
- Tresham case, ii. 248-250 note [67]
- Women, question of admission of, to membership, ii. 247-248 and note [67]
- Ruskin, John, estimate by, of "Cimabue's Madonna," i. 186 note [34]; ii. 367;
- Russell, Odo (Lord Ampthill), ii. 38, 40, 52
- Russell, Lady William, letters from, ii. 215, 216
- S. Francis of Assisi, quoted, i. 22 note [10]
- Salisbury, ii. 67
- Salisbury, Lord, ii. 338
- Samuelson, Right Hon. Sir Bernard, ii. 190 note [42]
- Sandbach, Mrs., ii. 54 and note [15], 56
- Sartoris, Hon. Mrs. Alfred, letter from, ii. 88 and note [25];
- quoted, 104
- Sartoris, Edward, Leighton's friendship with, i. 124, 126;
- Sartoris, Mrs. (Adelaide Kemble), Leighton's friendship with, i. 27-28, 124, 126-128, 149, 166, 168, 176, 181, 183, 194, 250, 289;
- estimates of, i. 126-128;
- portrait of, i. 172, 184, 232;
- intimates of, i. 183;
- personal appearance of, i. 183;
- Mrs. Ritchie's account of, i. 194 note [36];
- extract from early diary of, 195-196 note [36];
- Leighton's family's appreciation of, i. 232-233;
- "A Week in a French Country House" by, ii. 103;
- illness of, ii. 191-192;
- letter from, to Greville, i. 266;
- to Mrs. Leighton, ii. 61;
- otherwise mentioned, i. 146, 147, 182, 234, 240-245, 247, 251 note [56], 258, 260-265, 278; ii. 43 and note [13], 52, 57, 66, 68, 81, 217, 218, 239 note [62]
- Saunders, Mr. Bailey, letter to, ii. 305
- Scarborough Borough Council, messages from, ii. 225, 331
- Schäffer, i. 116
- Scheffer, Ary, i. 245 and note [55], 249; ii. 46
- Schlemmer, Dr., i. 56
- Schlosser, Frau Rath, i. 64, 190
- Schwind, i. 293
- Scottish rivers and scenery, ii. 261-262, 308-309
- Sculpture, Leighton's view on, i. 6, 69, 88-89;
- Selim, Sheykh, ii. 141-143, 179
- Sermoneta, Duke, i. 169
- Servolini, i. 38, 39
- Seville, ii. 210
- Shakespear, illustration of, ii. 113
- Shaw, Norman, letter from, ii. 239
- Sheik Boran Bukh, letter to, i. 306;
- letter from, 307
- Shelley, ii. 307
- Shields, Frederick, ii. 299
- Si Achmet, Syed, ii. 173, 174, 176, 177
- Siddons, Mrs., i. 268
- Siena, Leighton at the Duomo fire in, ii. 242 note [64]
- Simon, John, ii. 42
- Smith, George, ii. 364
- Society, i. 166, 222-223
- Sohag, ii. 140, 159
- Somers, Lord, ii. 213
- "Souls," the, ii. 25
- South London Fine Art Gallery, ii. 8
- Spain, Leighton's visit to (1866), ii. 128;
- (1887), ii. 209;
- (1889), 238 note [62]
- Spanish language, Leighton's mastery of, ii. 238 note [62]
- Speke, ii. 172
- Spencer, Lord and Lady, ii. 92
- Sphinx, ii. 146
- Spielmann, M., letter to, ii. 12
- Spottiswoode, Wm., letter from, ii. 216 note [54]
- Stanton, Col., ii. 131-132
- Statuary, see Sculpture
- Steinle, Eduard von, influence of, on Leighton, i. 27, 92, 215, 250; ii. 303;
- Leighton's tribute to, i. 61;
- list of Florentine paintings recommended by, for study, i. 225-226;
- with Leighton (1856), i. 281-282;
- water-colour by, i. 291 note [69];
- portrait of (Der Winter), ii. 303-304;
- estimate of, i. 40-42;
- death of, ii. 303;
- letters to, i. 22 note [9], 87, 118, 119, 130, 134, 150, 154, 157, 172, 187, 190, 193, 215, 233, 237, 238, 279, 284, 291-296, 304, 305; ii. 11, 49, 50, 53, 63, 64, 91, 105, 106, 112, 188, 201;
- letters from, i. 116, 120, 151, 189, 280; ii. 127, 224, 302;
- otherwise mentioned, i. 24, 56, 64-65, 86, 113, 129, 136
- Stephens, ii. 59, 87
- Sterlings, ii. 133, 135, 182
- Stevens, Alfred, Wellington monument by, ii. 286-287
- Storey, W.W., ii. 7
- Strafford, Alice, Countess of, i. 251 note [56]
- Strangford, Lady, ii. 222 note [57]
- Stratford de Redcliffe, Lady, ii. 40
- Strauch, i. 238
- Stretton, i. 34
- Style, ii. 4, 376
- Sunrise, i. 79
- Sunset, i. 170
- Swinburne, A.C., letter from, ii. 307;
- tribute of, ii. 339;
- quoted, ii. 218 note [56]
- Symons, Arthur, quoted, ii. 23-24
- Syoot, ii. 137-140
- Tadema, Alma, i. 220
- Talfourd, ii. 55
- Tangiers, ii. 209-210
- Tate, Sir Henry, ii. 259
- Tate Gallery, founding of, ii. 284-286
- Taylor, Tom, i. 300; ii. 58
- Temple, A.G., ii. 364;
- quoted, 366
- Tennyson, ii. 66
- Terry, Ellen, ii. 271 note [77]
- Thackeray, Miss, ii. 43, 92
- Thackeray, W.M., i. 176
- Thompson, Sir E., ii. 338
- Thorley, Mrs. Anne, quoted, i. 36
- Thornycroft, Hamo, ii. 376;
- Titian, i. 225; ii. 11
- Tintoretto, ii. 26
- Tree, Beerbohm, ii. 271
- Troyon, i. 245
- Turkish children, ii. 168
- Tunnicliffe, Dr., ii. 319
- Tupper, Martin F., letters from, ii. 125 note [39]
- Turner, ii. 121
- Tyrolese scenery and peasantry, i. 66-69, 71, 198
- Ulm, i. 65
- Underhill, Mr., quoted, ii. 231 note [61]
- Valletort, Lady Katharine, ii. 92
- Valletort, Lord, ii. 92
- Van Eycke, ii. 32
- Van Haanen, cited, ii. 301
- Vandyke, i. 54
- Vaughan, Kate, ii. 25
- Velasquez, ii. 235-238
- Venetians, i. 82-83
- Venice (1852), i. 77-82, 88;
- Verdi, i. 268
- Verona, i. 72, 73, 75
- Viardot, Madame, ii. 52-53 and note [14], 217
- Vibert, ii. 301, 302
- Vichy, ii. 218 note [56]
- Victoria, Queen, "Cimabue's Madonna" bought by, i. 187 note [34], 193, 195, 222;
- Victoria and Albert Museum—
- Volunteering, Leighton's activities in, i. 11-14; ii. 86, 107, 111;
- his retirement (1883), ii. 243-245
- Vyner, Mr. Clare, ii. 92
- Walker, John Hanson ("Johnny"), Leighton's friendship with, i. 251 and note [57];
- paintings from, ii. 85 and note [22];
- letters to, i. 269-277
- Walker, Mrs. J.H., portrait of, i. 251 note [57], 273 and note [66]
- Wall-painting, i. 296-297, 305
- Walpole, Mr. and Mrs. Henry, i. 115
- Walton, Frank, i. 4
- Wantage, Lady, ii. 18 note [4]
- Ward, J., cited, ii. 201 note [52]
- Waterhouse, A., ii. 366
- Watney, Mrs. James, ii. 364
- Watson, Wm., letters from, ii. 321
- Watts, G.F., estimate of Leighton by, i. 4, 7, 210; ii. 22;
- Leighton's estimate of, ii. 18;
- views on the province of art, 23-24;
- theory on rendering of truth, 31;
- Leighton's friendship with, i. 224 and note [48];
- compared with Leighton, 230-231;
- portraits of "Dorothy Dene," ii. 269 note [75];
- Hollyer's photographs from, 288;
- baronetcy declined by, 289;
- picture presented by, to Leighton House, 366;
- letter from, i. 231;
- quoted, 208; ii. 198 note [49], 259, 366;
- cited, ii. 192, 194 note [45];
- otherwise mentioned, i. 144, 258, 260-262; ii. 57, 119, 258-259, 264, 298
- Wellington, Duke of, i. 168-169;
- Stevens' monument of, ii. 286-287
- Wells, Henry, letters from, ii. 248 note [67], 250 note [67];
- Westbury, ii. 74
- Westminster, architecture in, i. 87
- Whistler, i. 241; ii. 32
- Wilkinson, Gardiner, cited, ii. 160
- Willig, i. 291
- Wilson, Herbert, i. 237, 240
- Wonista, Mrs., ii. 181
- Woolfe, Henry, ii. 114
- Wöredle, i. 295
- Wright, Dr. William, quoted, ii. 206
- Yeames' "Arthur and Hubert," ii. 283
- Zanetti, i. 39
- Zermatt, ii. 315