LIST OF DIGNITIES AND HONOURS CONFERRED ON FREDERIC LEIGHTONToC


Knighted, 1878; created a Baronet, 1886; created Baron Leighton of Stretton, 1896; elected Associate of the Royal Academy, 1864; Royal Academician, 1869; President of the Royal Academy, 1878; Hon. Member, Royal Scottish Academy, and Royal Hibernian Academy, Associate of the Institute of France, President of the International Jury of Painting, Paris Exhibition, 1878; Hon. Member, Berlin Academy, 1886; also Member of the Royal Academy of Vienna, 1888; Belgium, 1886; of the Academy of St. Luke, Rome, and the Academies of Florence (1882), Turin, Genoa, Perugia, and Antwerp (1885); Hon. D.C.L., Oxford, 1879; Hon. LL.D., Cambridge, 1879; Hon. LL.D., Edinburgh, 1884; Hon. D. Lit., Dublin, 1892; Hon. D.C.L., Durham, 1894; Hon. Fellow of Trinity College, London, 1876; Lieut.-Colonel of the 20th Middlesex (Artist's) Rifle Volunteers, 1876 to 1883 (resigned); then Hon. Colonel and Holder of the Volunteer Decoration; Commander of the Legion of Honour, 1889; Commander of the Order of Leopold; Knight of the Prussian Order "pour le Mérite," and of the Coburg Order Dem Verdienste.






LIST OF PRINCIPAL WORKSToC

With Date and Place of Exhibition.[93] Corrected and amplified from "Frederic, Lord Leighton, His Life and Work," by Ernest Rhys.


1850 (circa).    *Cimabue finding Giotto in the fields of Florence. (49½ × 37 inches.) Steinle Institute (Frankfort).

1850.    The Duel between Romeo and Tybalt. (37 × 50 inches.)

1851 (circa).    The Death of Brunelleschi. Steinle Institute.

1851.    [Early Portrait of Leighton by Himself.]

1852.    *A Persian Pedlar.

1852.    [Buffalmacco, the Painter. A humorous subject, from Vasari, was undertaken about this date.] See Sketch in water-colour, Leighton House Collection.

1853.    Portrait of Miss Laing (Lady Nias).

1855.    Cimabue's celebrated Madonna is carried in procession through the streets of Florence. In front of the Madonna, and crowned with laurels, walks Cimabue himself, with his pupil Giotto; behind it, Arnolfo di Lappo, Taddeo Gaddi, Andrea Tafi, Niccola Pisano, Buffalmacco, and Simone Memmi; in the corner, Dante. (87½ × 205 inches.) R.A.[94] Purchased by H.M. Queen Victoria, Buckingham Palace. See Sketches, Leighton House Collection.

1855.    The Reconciliation of the Montagues and Capulets over the dead bodies of Romeo and Juliet. Paris International Exhibition.[95]

1856.    The Triumph of Music. (80 × 110 inches.) R.A. Painted in Paris.

"Orpheus, by the power of his art, redeems his wife from Hades."

1856.    Pan. [A subject from Keats' Hymn to Pan, in the first book of "Endymion."] Painted in Paris. A figure of Pan under a fig-tree, with this inscription:—

"O thou, to whom
 Broad-leaved fig-trees even now foredoom
 Their ripen'd fruitage."

1856.    Venus. [A pendant to the Pan.] The figure of a nude nymph about to bathe, with a little Cupid loosening her sandal. Exhibited at the Manchester Exhibition and sent to America after. Painted in Paris.

1857.    *Salome, the daughter of Herodias. (44½ × 25 inches.) See Sketch, Leighton House Collection.

1858.    *The Mermaid (the fisherman and the syren). (From a ballad by Goethe.) (26½ × 18½ inches.) R.A.

"Half drew she him,
 Half sunk he in,
 And never more was seen."

1858.    "Count Paris, accompanied by Friar Lawrence and a band of musicians, comes to the house of the Capulets to claim his bride: he finds Juliet stretched apparently lifeless on the bed."—Romeo and Juliet, Act iv. sc. 5. (26½ × 18½ inches.) R.A.

1858.    Reminiscence of Algiers: A Negro Dance. (Water-colour.) Suffolk Street Gallery.

1859.    Sunny Hours. R.A.

1859.    *Roman Lady (La Nanna). R.A.

1859.    *Nanna (Pavonia). R.A.

1859.    Samson and Delilah. S.S. See Sketches, Leighton House Collection.

1860.    Capri—Sunrise. R.A.

1861.    *Portrait of Mrs. Sutherland Orr [Mrs. S.O., a Portrait]. (28 × 18 inches.) R.A.

1861.    *Portrait of John Hanson Walker, Esq. (23 × 17 inches.) Owner, H.M. The King. R.A.

1861.    Paolo e Francesca. See Sketch, Leighton House Collection.

"Ma solo un punto fu quel che ci vinse
 Quando legemmo il disiato riso
 Esser baciato da cotanto amante,
 Questi, che mai da me non fia diviso,
 La bocca mi baciò tutto tremante:
 Galeotto fu 'l libro e chi lo scrisse:
 Quel giorno più non vi legemmo avante."

1861.    A Dream.

"...Not yet—not yet—
 Still there is trial for thee, still the lot
 To bear (the Father wills it) strife and care;
 With this sweet consciousness in balance set
 Against the world, to soothe thy suffering there
 The Lord rejects thee not.
 Such tender words awoke me hopeful, shriven
 To life on earth again from dream of heaven."

1861.    Lieder ohne Worte. R.A. See Sketches, Leighton House Collection.

1861.    J.A. A Study. R.A.

1861.    Capri—Paganos. R.A.

1862.    Odalisque. R.A.

1862.    *The Star of Bethlehem. (60 × 23½ inches.) One of the Magi, from the terrace of his house, stands looking at the star in the East; the lower part of the picture indicates a road, which he may be supposed just to have left. R.A. See Sketches, Leighton House Collection.

1862.    Sisters. R.A.

1862.    *Michael Angelo Nursing his Dying Servant. (43 × 36 inches.) R.A. See Sketches, Leighton House Collection.

1862.    Duett. R.A.

1862.    Sea Echoes. R.A.

1862.    Rustic Music. R.A.

1863.    Jezebel and Ahab, having caused Naboth to be put to death, go down to take possession of his vineyard; they are met at the entrance by Elijah the Tishbite. R.A. See Sketches, Leighton House Collection.

"Hast thou killed, and also taken possession?"

1863.    *Eucharis. (A Girl with a Basket of Fruit.) (32½ × 22 inches.) R.A.

1863.    A Girl Feeding Peacocks. R.A. See Sketch, Leighton House Collection.

1863.    An Italian Crossbowman. (51 × 24½ inches.) R.A.

1864.    Dante at Verona. R.A. See Sketches, Leighton House Collection.

1864.    *Orpheus and Eurydice. (49 × 42 inches.) R.A. See Sketches, Leighton House Collection.

"But give them—the mouth, the eyes,—the brow—
 Let them once more absorb me! One look now
 Will lap me round for ever, not to pass
 Out of its light, though darkness lie beyond!
 Hold me but safe again within the bond
 Of one immortal look! All woe that was,
 Forgotten, and all terror that may be,
 Defied—no past is mine, no future! look at me!"
 —Robert Browning: A Fragment.

1864.    *Golden Hours. (36 × 48 inches.) R.A. See Sketches in oil and chalk, Leighton House Collection.

1864.    *Portrait of the late Miss Lavinia I'Anson. (Circular, 12½ inches.)

1865.    *David. (37 × 47 inches.) R.A. See Sketches, Leighton House Collection.

"Oh that I had wings like a dove! for then would I fly away, and be at rest."—Psalm lv.

1865.    Mother and Child. R.A.

1865.    Widow's Prayer. R.A.

1865.    Helen of Troy. R.A.

"Thus as she spoke, in Helen's breast arose
 Fond recollections of her former lord,
 Her home, and parents; o'er her head she threw
 A snowy veil; and shedding tender tears
 She issued forth not unaccompanied;
 For with her went fair Æthra, Pittheus' child,
 And stag-eyed Clymene, her maidens twain.
 They quickly at the Scæan gate arrived."

1865.    In St. Mark's. R.A.

1866.    Painter's Honeymoon. R.A. See Sketch, Leighton House Collection.

1866.    Portrait of Mrs. James Guthrie. R.A.

1866.    Syracusan Bride leading wild beasts in procession to the Temple of Diana. (Suggested by a passage in the second Idyll of Theocritus.) R.A. See Sketches, Leighton House Collection.

"And for her, then, many other wild beasts were going in procession round about, and among them a lioness."

1866.    A Noble Lady of Venice. (Not exhibited till 1897.)

1866.    The Wise and Foolish Virgins. (Fresco in Lyndhurst Church, finished 1864.) See Sketches, Leighton House Collection.

1867.    *Pastoral. (51½ × 26 inches.) R.A. See Sketch, Leighton House Collection.

1867.    *Greek Girl Dancing. (Spanish Dancing Girl; Cadiz in the old times.) (34 × 45 inches.) R.A.

1867.    Knuckle-Bone Player. R.A.

1867.    *Roman Mother. (24 × 19 inches.) R.A.

1867.    *Venus disrobing for the Bath. (79 × 35½ inches.) R.A.

1867.    *Portrait of Mrs. John Hanson Walker. (18 × 16 inches.)

1868.    Jonathan's Token to David. R.A.

"And it came to pass in the morning, that Jonathan went out into the field at the time appointed by David, and a little lad with him."

1868.    *Portrait of Mrs. Frederick P. Cockerell. (23½ × 19½ inches.) R.A.

1868.    *Portrait of John Martineau, Esq. (23½ × 19½ inches.) R.A.

1868.    *Ariadne abandoned by Theseus; Ariadne watches for his return; Artemis releases her by death. (45 × 62 inches.) R.A. See Sketches, Leighton House Collection.

1868.    *Acme and Septimius. (Circular, 37½ inches.) R.A.

"Then bending gently back her head
 With that sweet mouth, so rosy red,
 Upon his eyes she dropped a kiss,
 Intoxicating him with bliss."
 —Catullus (Theodore Martin's translation).

1868.    *Actæa, the Nymph of the Shore. (22 × 40 inches.) R.A. See Sketches, Leighton House Collection.

1869.    *S. Jerome. (Diploma work, deposited in the Academy on his election as an Academician.) (72 × 55 inches.) R.A.

1869.    *Dædalus and Icarus. (53½ × 40½ inches.) R.A. See Sketches, Leighton House Collection.

1869.    *Electra at the Tomb of Agamemnon. (59½ × 29 inches.) R.A.

1869.    *Helios and Rhodos. (65½ × 42 inches) R.A. See Sketches, Leighton House Collection.

1870.    A Nile Woman. (21½ × 11½ inches.) R.A.

1870.    Study. S.S.

1871.    *Hercules Wrestling with Death for the Body of Alcestis. (54 × 104½ inches.) R.A. See Sketches, Leighton House Collection.

1871.    Greek Girls picking up Pebbles by the shore of the Sea. R.A. See Sketch, Leighton House Collection.

1871.    *Cleoboulos instructing his daughter Cleobouline. (24 × 37½ inches.) R.A.

1871.    View of Assiout (?). (A sketch.) S.S.

1871.    Sunrise at Lougsor. (A sketch.) S.S.

1871.    View of the Red Mountains near Cairo. (A sketch) S.S.

1872.    *After Vespers. (43 × 27½ inches.) R.A. See Sketch, Leighton House Collection.

1872.    *Summer Moon. (Guildhall, 1890.) (39½ × 50½ inches.) R.A. See Sketches, Leighton House Collection.

1872.    Portrait of the Right Hon. Edward Ryan, Secretary of the Dilettante Society, for which the picture was painted. (S.P.P., 1893.) R.A.

1872.    A Condottiere. R.A. See Sketch, Leighton House Collection.

1872.    *The Industrial Arts of War, at the International Exhibition at South Kensington. (Monochrome, 76 × 177 inches.) Carried out in fresco on the wall of the Victoria and Albert Museum. R.A. See Sketches, Leighton House Collection.

1872.    The Captive. S.S.

1872.    An Arab Café, Algiers. S.S.

1873.    *Weaving the Wreath. (Guildhall, 1895.) R.A.

1873.    Moretta. (Guildhall, 1894.) (20½ × 14½ inches.) R.A.

1873.    The Industrial Arts of Peace. (Monochrome, 76 × 177 inches.) Carried out in fresco on the wall of the Victoria and Albert Museum. R.A. See Sketches, Leighton House Collection.

1873.    A Roman. S.S.

1873.    Vittoria. S.S.

1874.    *Moorish Garden: A Dream of Granada. (Guildhall 1895.) (41 × 40 inches.) R.A.

1874.    Old Damascus: Jews' Quarter. R.A.

1874.    *Antique Juggling Girl. (Guildhall, 1892.) (41½ × 24 inches.) R.A. See Sketch, Leighton House Collection.

1874.    Clytemnestra from the battlements of Argos watches for the Beacon Fires which are to announce the return of Agamemnon. R.A. Leighton House Collection. See also Sketches, Leighton House Collection.

1874.    Annarella, Ana Capri. D.G.

1874.    Rubinella, Capri. D.G.

1874.    Lemon Tree, Capri. D.G.

1874.    West Court of Palazzo, Venice. D.G.

1875.    *Portion of the Interior of the Grand Mosque of Damascus. (62 × 47 inches.) R.A.

1875.    *Portrait of Mrs. H.E. Gordon. (35½ × 37 inches.) R.A.

1875.    *Little Fatima. (15½ × 9¼ inches.) R.A.

1875.    Venetian Girl. R.A.

1875.    *Egyptian Slinger. (Eastern slinger scaring birds in harvest time: Moonrise.) (Guildhall, 1890.) R.A. See Sketches, Leighton House Collection.

1875.    Florentine Youth. S.S.

1875.    Ruined Mosque in Damascus. S.S.

1876.    *Portrait of Sir Richard Francis Burton, K.C.M.G. (Portrait of Captain Richard Burton, H.M. Consul at Trieste.) (23½ × 19½ inches.) (Paris, 1878; Melbourne, 1888; S.P.P., 1892.) R.A. National Portrait Gallery.

1876.    *The Daphnephoria. (89 × 204 inches.) A triumphal procession held every ninth year at Thebes, in honour of Apollo and to commemorate a victory of the Thebans over the Æolians of Arne. (See Proclus, "Chrestomath," p. 11.) R.A. See Sketches, Leighton House Collection.

1876.    Teresina. R.A.

1876.    Paolo. R.A.

1877.    *Music Lesson. (36½ × 37-1/8 inches.) (Paris, 1878.) R.A.

1877.    *Portrait of Miss Mabel Mills (The Hon. Mrs. Grenfell). (23 × 19 inches.) R.A.

1877.    *An Athlete Strangling a Python.[96] Bronze. (Paris, 1878.) R.A. See Sketch in plaster, Leighton House Collection, presented by G.F. Watts, O.M.

1877.    *Portrait of H.E. Gordon. (23½ × 19 inches.) G.G.

1877.    An Italian Girl. G.G.

1877.    *Study. (A little girl with fair hair, in a pink robe.) (24 × 28 inches.) R.A.

1877.    A Study. G.G.

1878.    *Nausicaa. (57½ × 26½ inches.) (Guildhall, 1896.) R.A. See Sketches, Leighton House Collection.

1878.    Serafina. R.A.

1878.    *Winding the Skein. (39½ × 63½ inches.) R.A. See Sketch, Leighton House Collection.

1878.    A Study. R.A.

1878.    *Portrait of Miss Ruth Stewart Hodgson. (50½ × 35½ inches.) G.G.

1878.    Study of a Girl's Head. G.G.

1878.    Sierra: Elviza in the distance, Granada. S.S.

1878.    The Sierra Alhama, Granada. S.S.

1879.    Biondina. R.A.

1879.    Catarina. R.A.

1879.    *Elijah in the Wilderness. (91 × 81½ inches.) R.A. (Paris, 1878.) Corporation of Liverpool. See Sketches, Leighton House Collection.

1879.    Portrait of Signor G. Costa. R.A.

1879.    Amarilla. R.A.

1879.    A Study. R.A.

1879.    Portrait of the Countess Brownlow. R.A.

1879.    *Neruccia. (19 × 16 inches.) R.A.

1879.    A Study. S.S.

1879.    The Carrara Hills. S.S.

1879.    A Street in Lerici. S.S.

1879.    Via Bianca, Capri. G.G.

1879.    Archway in Algiers. G.G.

1879.    Ruins of a Mosque, Damascus. G.G.

1879.    Study of a Donkey. G.G.

1879.    On the Terrace, Capri. G.G.

1879.    Sketch near Damascus. G.G.

1879.    View in Granada. G.G.

1879.    Study of a Donkey, Egypt. G.G.

1879.    Study of a Head. G.G.

1879.    Nicandra. G.G.

1880.    *Sister's Kiss. (48 × 21½ inches.) R.A. See Sketch, Leighton House Collection.

1880.    *Iostephane. (37 × 19 inches.) R.A.

1880.    The Light of the Harem. (60 × 33 inches.) R.A.

1880.    Psamathe. (36 × 24 inches.) R.A.

1880.    *The Nymph of the Dargle (Crenaia). (29½ × 10 inches.) R.A.

1880.    Rubinella. G.G.

1880.    The Pozzo Corner, Venice. Winter Exhibition. G.G.

1880.    Jack and his Cider Can. Winter Exhibition. G.G.

1880.    The Painter's Honeymoon. Winter Exhibition. G.G.

1880.    Winding of the Skein (with sketch). Winter Exhibition. G.G.

1880.    Head of Urbino. Winter Exhibition. G.G.

1880.    Steps of the Bargello, Florence. Winter Exhibition. G.G.

1880.    A Contrast. Winter Exhibition. G.G.

1880.    Garden at Capri. Winter Exhibition. G.G.

1880.    Twenty-nine Studies of Heads, Flowers, and Draperies. Winter Exhibition. G.G.

1881.    Elisha raising the son of the Shunammite. (32 × 54 inches.) (Guildhall, 1895.) R.A. See Sketches, Leighton House Collection.

1881.    Portrait of the Painter.[97] R.A.

1881.    *Idyll. (41½ × 84 inches.) R.A. See Sketches in oil and chalk, Leighton House Collection.

1881.    *Portrait of Mrs. Stephen Ralli. (48 × 33 inches.) R.A.

1881.    *Whispers. (48 × 30 inches.) R.A. See Sketch, Leighton House Collection.

1881.    Viola. R.A.

1881.    *Bianca. (18 × 12½ inches.) R.A.

1881.    Portrait of Mrs. Algernon Sartoris. G.G.

1882.    *Day-Dreams. (47½ × 35½ inches.) R.A.

1882.    Wedded. R.A. See Sketches, Leighton House Collection.

1882.    Phryne at Eleusis. (86 × 48 inches.) (Melbourne, 1888.) R.A. See Sketches, Leighton House Collection.

1882.    Antigone. R.A.

1882.    "And the sea gave up the dead which were in it"—Rev. xx. 13. (Design for a portion of a decoration in St. Paul's.) R.A. The Tate Gallery. See Sketches, Leighton House Collection.

1882.    Melittion. R.A.

1882.    *Portrait of Mrs. Mocatta. (23½ × 19½ inches.)

1882.    Zeyra. G.G.

1883.    The Dance: decorative frieze for a drawing-room in a private house. R.A. See Sketches, Leighton House Collection.

1883.    *Vestal. (24½ × 17 inches.) R.A.

1883.    *Kittens. (48 × 31½ inches.) R.A.

1883.    Memories. R.A.

1883.    Portrait of Miss Nina Joachim. (16 × 13 inches.)

1884.    *Letty. (18 × 15½ inches.) R.A.

1884.    *Cymon and Iphigenia. (64 × 129 inches.) (Berlin, 1885.) R.A. See Sketches, Leighton House Collection.

1884.    A Nap. R.A.

1884.    Sun Gleams. R.A.

1885.    ..."Serenely wandering in a trance of sober thought." ... (46 × 27 inches.) R.A.

1885.    Portrait of the Lady Sybil Primrose. R.A.

1885.    *Portrait of Mrs. A. Hichens. (26½ × 20½ inches.) R.A.

1885.    Music: a frieze. R.A. See Sketches, Leighton House Collection.

1885.    Phœbe. (Manchester, 1887.) R.A.

1885.    A Study. G.G.

1885.    Tombs of Muslim Saints. S.S.

1885.    Mountains near Ronda Puerta de los Vientos. S.S.

1886.    Painted decoration for the ceiling of a music-room.[98] (7 × 20 feet.) R.A. See Sketches, Leighton House Collection.

1886.    Gulnihal. R.A.

1886.    *The Sluggard. Statue, bronze. R.A. Presented to the Tate Gallery by Sir Henry Tate. See Statuette, Leighton House Collection.

1886.    *Needless Alarms. Statuette. R.A. See Bronze, Leighton House Collection.

1887.    *The Jealousy of Simœtha, the Sorceress. (35 × 55½ inches.) R.A. See Sketch, Leighton House Collection.

1887.    *The Last Watch of Hero. (62½ × 35½ inches, with predella 12½ × 29½ inches.) R.A. Corporation of Manchester. See Sketch, Leighton House Collection.

"With aching heart she scanned the sea-face dim.
      .     .     .     .     .     .     .     .     .
 Lo! at the turret's foot his body lay,
 Rolled on the stones, and washed with breaking spray."
 —Hero and Leander: Musæus (translated by Edwin Arnold).

1887.    [Picture of a little girl with golden hair, and pale blue eyes.]

"Yellow and pale as ripened corn
 Which Autumn's kiss frees—grain from sheath—
 Such was her hair, while her eyes beneath,
 Showed Spring's faint violets freshly born."
 —Robert Browning.

1887.    *Design for the reverse of the Jubilee Medallion. (Executed for Her Majesty Queen Victoria's Government.) R.A. See Sketches, Leighton House Collection.

Empire, enthroned in the centre, rests her right hand on the sword of Justice, and holds in her left the symbol of victorious rule. At her feet, on one side, Commerce proffers wealth; on the other, a winged figure holds emblems of Electricity and Steam-power. Flanking the throne to the right of the spectator are Agriculture and Industry; on the opposite side, Science, Literature, and the Arts. Above, interlocking wreaths, held by winged genii representing respectively the years 1837 and 1887, inclose the initials V.R.I.

1888.    *Captive Andromache. (77 × 160 inches.) R.A. Corporation of Manchester. See Sketches, Leighton House Collection.

..."Some standing by,
 Marking thy tears fall, shall say, 'This is she,
 The wife of that same Hector that fought best
 Of all the Trojans, when all fought for Troy.'"
 —Iliad, vi. (E.B. Browning's translation).

1888.    *Portrait of Amy, Lady Coleridge. (42 × 39½ inches.) (S.P.P., 1891.) R.A.

1888.    *Portraits of the Misses Stewart Hodgson. (47 × 39½ inches.)

1888.    Four Studies. R.W.S.

1888.    Five Studies. S.S.

1889.    *Sibyl. (59 × 34 inches.) R.A. See Sketches, Leighton House Collection.

1889.    *Invocation. (54 × 33½ inches.) R.A.

1889.    Elegy. R.A.

1889.    Greek Girls playing at Ball. (45 × 78 inches.) R.A. See Sketches, Leighton House Collection.

1889.    *Portrait of Mrs. Francis A. Lucas. (23½ × 19½ inches.) R.A.

1890.    Solitude. R.A.

1890.    *The Bath of Psyche.[99] (75 × 24½ inches.) R.A. See Sketches, Leighton House Collection.

1890.    *Tragic Poetess. (63 × 34 inches.) R.A. See Sketches, Leighton House Collection.

1890.    *The Arab Hall. (33 × 16 inches.) (Guildhall, 1890.) R.A.

1891.    *Perseus and Andromeda. (91½ × 50 inches.) R.A. See Sketches, Leighton House Collection.

1891.    *Portrait of A.B. Freeman-Mitford, Esq., C.B. (46¼ × 38½ inches.) R.A.

1891.    *Return of Persephone. (79 × 59½ inches.) R.A. Corporation of Leeds. See Sketches, Leighton House Collection.

1891.    Athlete Struggling with a Python. Group, marble. R.A.

1892.    *"And the sea gave up the dead which were in it." (Circular, 93 inches.) R.A. See Sketches, Leighton House Collection.

1892.    At the Fountain. (49 × 37 inches.) R.A.

1891.    *The Garden of the Hesperides. (Circular, 66 inches.) (Chicago, 1893; Guildhall, 1895.) R.A. See Sketches, Leighton House Collection.

1892.    Bacchante. R.A. See Sketches, Leighton House Collection.

1892.    *Clytie. (32½ × 53½ inches.) R.A.

1892.    Phryne at the Bath. (24 × 12 inches.) S.S. See Sketches, Leighton House Collection.

1892.    Malin Head, Donegal. S.S.

1892.    St. Mark's, Venice. S.S.

1892.    Interior of St. Mark's, Venice. S.S.

1892.    The Doorway, North Aisle, Venice. S.S.

1892.    Rizpah (the small study in oils). (7 × 7 inches.) S.S.

1893.    *Farewell! (63 × 26½ inches.) R.A.

1893.    *Hit! (29 × 22 inches.) R.A. See Sketches, Leighton House Collection.

1893.    Atalanta. (26½ × 19 inches.) R.A.

1893.    Rizpah. (36 × 52 inches.) R.A. See Sketches, Leighton House Collection.

1893.    Corinna of Tanagra. (47½ × 21 inches.) R.A.

1894.    *The Spirit of the Summit. (77½ × 39½ inches.) R.A. See Sketches, Leighton House Collection.

1894.    *The Bracelet. (59½ × 23 inches.) R.A. See Sketches, Leighton House Collection.

1894.    *Fatidica. (59½ × 43 inches.) R.A. See Sketches, Leighton House Collection.

1894.    *Summer Slumber. (45½ × 62 inches.) R.A. See Sketches, Leighton House Collection, one presented by H.M. The King.

1894.    At the Window. R.A.

1894.    Wide, Wondering Eyes. (20 × 15½ inches.) Manchester.

1894.    The Roman Campagna, Monte Soracte in the distance. S.S.

1894.    The Acropolis of Lindos. S.S.

1894.    Fiume Morto, Gombo, Pisa. S.S.

1894.    Gibraltar from San Rocque. S.S.

1895.    Lachrymæ. (60 × 24 inches.) R.A. See Sketches, Leighton House Collection.

1895.    The Maid with the Yellow Hair. R.A.

1895.    *'Twixt Hope and Fear. (43½ × 38½ inches.) R.A.

1895.    *Flaming June. (46 × 46 inches.) R.A. See Sketches, Leighton House Collection.

1895.    Listener. R.A.

1895.    A Study. R.A.

1895.    Phœnicians bartering with Britons. Presented to the Royal Exchange by Lord Leighton. See Sketches, Leighton House Collection.

1895.    Boy with Pomegranate. Grafton Gallery.

1895.    Miss Dene.

1895.    Aqua Certosa, Rome. S.S.

1895.    Chain of Hills seen from Ronda. S.S.

1895.    Rocks, Malin Head, Donegal. S.S.

1895.    Tlemcen, Algeria. S.S.

1896.    *Clytie. (61½ × 53½ inches.) R.A. See Sketches, Leighton House Collection.

1896.    Candida. (21 × 41½ inches.) Antwerp, 1896.

1896.    *The Vestal. (27 × 20½ inches.) Unfinished.

1896.    *A Bacchante. (26½ × 21 inches.)

1896.    *The Fair Persian. (25½ × 19½ inches.) Unfinished.



FOOTNOTES:

[93] The asterisk denotes works exhibited at the Winter Exhibition of the Royal Academy of Arts, 1897.

[94] R.A., Royal Academy; G.G., Grosvenor Gallery; R.W.S., Royal Society of Painters in Water-Colours; S.S., Royal Society of British Artists, Suffolk Street; D.G., Dudley Gallery; S.P.P., Society of Portrait Painters.

[95] Exhibited in the Roman section by some blunder of the Committee, the picture having been painted in Rome.

[96] Purchased for £2000 by the President and Council of the Royal Academy, under the terms of the Chantrey Bequest.

[97] Painted by invitation for the collection of Portraits of Artists painted by themselves, in the Uffizi Gallery, Florence.

[98] Painted for the house of Mr. Marquand, New York.

[99] Purchased for 1000 guineas by the President and Council of the Royal Academy, under the terms of the Chantrey Bequest.






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