About This Book
An elderly survivor, Brian Van Anda lives alone in a partially flooded Museum of Human History, occupying the Hall of Music while sustaining himself by hunting, scavenging, and careful planning for a gradual decline. He uses factual memories as stabilizing props while deliberately suppressing warmer recollections, tending fragile collections and the building against water and time. His days alternate between pragmatic maintenance and private rituals centered on music, and he is repeatedly drawn to the yearning for human voices and other company as the world around him settles into new patterns.
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