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The Natural History of Pliny, Volume 6 (of 6) cover

The Natural History of Pliny, Volume 6 (of 6)

Chapter 205: CHAP. 33.—AT WHAT TIME COMBATS OF GLADIATORS WERE FIRST PAINTED AND PUBLICLY EXHIBITED.
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An encyclopedic survey that first catalogs marine animals, algae, and shellfish, describing habitats, curious behaviors, reported antipathies, and numerous folk remedies and practical uses attributed to specific species, organized by ailments and applications. The later portion treats metals and their ores—including gold, silver, mercury, copper, and brass—describing modes of occurrence, extraction, alloying, testing, gilding, and decorative and monetary uses, alongside technical observations and medicinal remedies derived from metallic substances, with systematic lists and practical instructions interwoven throughout.

CHAP. 33.—AT WHAT TIME COMBATS OF GLADIATORS WERE FIRST PAINTED AND PUBLICLY EXHIBITED.

One folly, too, of this age of ours, in reference to painting, I must not omit. The Emperor Nero ordered a painting of himself to be executed upon canvass, of colossal proportions, one hundred and twenty feet in height; a thing till then unknown.1940 This picture was just completed when it was burnt by lightning, with the greater part of the gardens of Maius, in which it was exhibited.

A freedman of the same prince, on the occasion of his exhibiting a show of gladiators at Antium, had the public porticos hung, as everybody knows, with paintings, in which were represented genuine portraits of the gladiators and all the other assistants. Indeed, at this place, there has been a very prevailing taste for paintings for many ages past. C. Terentius Lucanus was the first who had combats of gladiators painted for public exhibition: in honour of his grandfather, who had adopted him, he provided thirty pairs of gladiators in the Forum, for three consecutive days, and exhibited a painting of their combats in the Grove of Diana.1941