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The Popular Religion and Folk-Lore of Northern India, Vol. 2 (of 2) cover

The Popular Religion and Folk-Lore of Northern India, Vol. 2 (of 2)

Chapter 80: The Sinhas.
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About This Book

The work presents a systematic ethnographic survey of northern Indian popular religion and folk-lore, recording beliefs, rituals, and everyday preventative practices. It examines the evil eye and its remedies, tree and serpent cults, totemic and fetish practices, animal worship, witchcraft and black art, and seasonal rural festivals, drawing on local testimony and observed customs. The account describes naming taboos, protective marks and charms, sacrificial and ceremonial forms, and the social logic that underpins ritual responses to misfortune. Chapters conclude with bibliographic references and an index to aid further study.

The Sinhas.

Next come the Sinhas, or snake godlings of the Panjâb and the western parts of the North-Western Provinces. “They are males, and though they cause fever they are not very malevolent, often taking away pain. They have got great power over milch cattle, and the milk of the eleventh day after calving is sacred to them, and libations of milk (as in the case of the Sankisa dragon) are always acceptable. They are generally distinguished by some colour, the most commonly worshipped being Kâlî, ‘the black one,’ Hari, ‘green,’ Bhûra, ‘grey,’ Sinh. But the diviner will often declare a fever to be caused by some Sinh no one has ever heard of before, but to whom a shrine must be built. And so they multiply in a most perplexing manner. Dead men also have a way of becoming snakes—a fact which is revealed in a dream, when again a shrine must be built. If a peasant sees a snake he will salute it, and if it bite him, he or his heirs, as the case may be, will build a shrine on the spot to prevent the recurrence of such an occurrence. They are the servants of Vâsuki Nâga, King of Pâtâla, or Tartarus, and their worship is certainly connected with that of the Pitris or ancestors, though it is difficult to see exactly in what the connection lies.”115