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The Popular Religion and Folk-Lore of Northern India, Vol. 2 (of 2) cover

The Popular Religion and Folk-Lore of Northern India, Vol. 2 (of 2)

Chapter 99: The Devak.
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About This Book

The work presents a systematic ethnographic survey of northern Indian popular religion and folk-lore, recording beliefs, rituals, and everyday preventative practices. It examines the evil eye and its remedies, tree and serpent cults, totemic and fetish practices, animal worship, witchcraft and black art, and seasonal rural festivals, drawing on local testimony and observed customs. The account describes naming taboos, protective marks and charms, sacrificial and ceremonial forms, and the social logic that underpins ritual responses to misfortune. Chapters conclude with bibliographic references and an index to aid further study.

The Devak.

One of the best illustrations of this form of totemism is that of the Devak or family guardian gods of Berâr and Bombay. Before concluding an alliance, the Kunbi and other Berâr tribes look to the Devak, which literally means the deity worshipped at marriage ceremonies; the fact being that certain families hold in honour particular trees and plants, and at the marriage ceremony branches of these trees are set up in the house. It is said that a betrothal, in every other respect irreproachable, will be broken off if the two houses are discovered to pay honour to the same tree, in other words if they worship the same family totem and hence must belong to one and the same endogamous group.29

The same custom prevails in Bombay. “The usual Devaks are some animals, like the elephant, stag, deer, or cock, or some tree, as the Jambul, Ber, Mango, or Banyan. The Devak is the ancestor or the head of the house, and so families which have the same guardian do not intermarry. If the Devak be an animal, its flesh is not eaten; but if it be a fruit tree, the use of the fruit generally is not forbidden, though some families abstain from eating the fruit of the tree which forms their Devak or badge.”30 Mr. Campbell gives numerous examples of these family totems, such as wheat bread, a shell, an earthen pot, an axe, a Banyan tree, an elephant. Oil-makers have as their totem an iron bar, or an oil-mill; scent-makers use five piles, each of five earthen pots, with a lighted lamp in the middle. The Bangars’ Devak is a conch-shell, that of the Pardesi Râjputs an earthen pot filled with wheat, and so on. Many of these are probably tribal or occupational fetishes, of which instances will be given in another place.