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Vidyāpati: Bangīya padābali; songs of the love of Rādhā and Krishna

Chapter 172: NOTE
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About This Book

A sequence of lyrical songs depicts the courtship and devotional bond between beloved figures through alternating voices of lovers and their companions. The poems trace stages of attraction, maidenly shyness, clandestine meetings, springtime dalliance, quarrel, separation and reunion, using intimate bodily detail alongside nature imagery of flowers, birds and seasons. Short dramatic scenes and refrains create a conversational, performative rhythm while the language mixes folk idiom with devotional sentiment. Arranged as numbered songs with explanatory notes and illustrative material, the collection balances sensual urgency, tenderness, playful counsel from friends, and sustained longing that frames erotic love as spiritual experience.

TEXTS.

X

Āju majhu śubha dina bhelā!
Kaminī pekhalu sinānaka belā,
Cikura galaye jala dhāra,—
Meha barikhe janu motima hāra!

Badana mochala paracura,
Maji dhayala janu kanaka mukura,—
Teṅgi udāsala kucajora,
Pālaṭi baiṭhāyala kanaka kaṭhaura,

Nībibandha karala udesa,—
Vidyāpati kaha: manoratha śesha.

XXIV

Ki kahaba re sakhi iha duhkha ora?
Baṅśī niśāsa garale tanu bhora:
Haṭha saṅge paiṭhaye śrabanaka mājha,
Taikhane bigalita tanu mana lāja.

Bipula pulake paripùraye deha,
Nayane nā heri heraye jani keha:
Gurujana samukha-i bhāvataraṅga,
Jatanahiṅ basane jhāmpi saba aṅga.

Lahu lahu caraṇe caliye gṛha mājha—
Dhaire se bihi āju rākhala lāja—
Tanu mana bibaśa, hasaye nībibandha!
Ki kahaba Vidyāpati? rahu dhanda.

XCVII

Katihuṅ Madana tanu dahasi hāmāri?
Hāma naha Śaṅkara, ha-u baranāri:
Nahi jaṭa iha, beṇi bibhaṅga:
Mālatī māla śire, naha Gaṅga:

Motima baddha moli, naha indu:
Bhāle nayana naha, sindūra bindu:
Kaṇṭhe garala naha, mṛgamada sāra:
Naha phanirāja ure maṇi hāra:

Nīla paṭāmbara, naha bāgha chāla
Kelika kamala iha, nā ha-ī kapāla.
Vidyāpati kaha: e hena suchanda:
Aṅge bhasama naha, malayaja paṅka.

CXXXV

Hātaka darapana, māthaka phula,
Nayanaka añjana, mukhaka tāmbula,
Hṛdayaka mṛgamada, gīmaka hāra,
Dehaka sarabasa, gehaka sāra,

Pākhīka pākha, mīnaka pāni,
Jīvaka jīvana, hāma tuhu jāni,—
Tuhu kaiche Mādhava? kahabi mo-ī.
Vidyāpati kaha: duho dohā ho-ī.

CXXXVI

Sakhī ki puchasi anubhava mo-i—
So-i pīriti anurāga bakhānite
Tile tile nūtana ho-ī?

Janama abadhi hāma rūpa nehāranu,
Nayana nā tirapita bhela:
So-i madhura bola śrabaṇahi śunanu,
Śruti-pathe paraśa nā gela.

Kata madhu-jāminī rabase goṅvāyanu,
Nā bujhanu kaichana keli:
Lākha lākha juga hiye hiye rākhanu,
Tabu hiya jurana na geli.

Kata bidagadha jana rase anumagana
Anubhava--kāhu nā pekha.
Vidyāpati kaha: prāṇa juṛā-ite
Lākhe nā milala eka.

CORRIGENDA.

(Transcriber's note: The corrections listed below have been made in the text).

XV, 13, for 'man' read 'maid.'
XXI, for 'beauty?' read 'beauty, my dear?'
XXXVIII, 6, read 'So fierce he was to fall on me.'
LI, 13, for 'cymbals twain' read 'twin palmyra fruits.'
LXVIII, 2, for 'sidelong glances' read 'curving eyes.'

Throughout text for Vidhyāpati read Vidyāpati.

NOTE

Of this edition of VIDYĀPATI three hundred fifty and copies have been printed, and three on handmade paper.

(Transcriber's note: The original page images this book was made from were provided by the Internet Archive).