BOSWELL'S

LIFE OF JOHNSON

CONTENTS OF VOL. IV.

THE LIFE OF SAMUEL JOHNSON, LL.D.

Being disappointed in my hopes of meeting Johnson this year, so that I could hear none of his admirable sayings, I shall compensate for this want[1] by inserting a collection of them, for which I am indebted to my worthy friend Mr. Langton, whose kind communications have been separately interwoven in many parts of this work. Very few articles of this collection were committed to writing by himself, he not having that habit; which he regrets, and which those who know the numerous opportunities he had of gathering the rich fruits of Johnsonian wit and wisdom, must ever regret. I however found, in conversations with him, that a good store of Johnsoniana treasured in his mind[2]; and I compared it to Herculaneum, or some old Roman field, which when dug, fully rewards the labour employed. The authenticity of every article is unquestionable. For the expression, I, who wrote them down in his presence, am partly answerable.

'Theocritus is not deserving of very high respect as a writer; as to the pastoral part, Virgil is very evidently superiour. He wrote when there had been a larger influx of knowledge into the world than when Theocritus lived. Theocritus does not abound in description, though living in a beautiful country: the manners painted are coarse and gross. Virgil has much more description, more sentiment, more of Nature, and more of art. Some of the most excellent parts of Theocritus are, where Castor and Pollux, going with the other Argonauts, land on the Bebrycian coast, and there fall into a dispute with Amycus, the King of that country; which is as well conducted as Euripides could have done it; and the battle is well related. Afterwards they carry off a woman, whose two brothers come to recover her, and expostulate with Castor and Pollux on their injustice; but they pay no regard to the brothers, and a battle ensues, where Castor and his brother are triumphant. Theocritus seems not to have seen that the brothers have the advantage in their argument over his Argonaut heroes. The Sicilian Gossips is a piece of merit.'

'Callimachus is a writer of little excellence. The chief thing to be learned from him is his account of Rites and Mythology; which, though desirable to be known for the sake of understanding other parts of ancient authours, is the least pleasing or valuable part of their writings.'

'Mattaire's account of the Stephani[3] is a heavy book. He seems to have been a puzzle-headed man, with a large share of scholarship, but with little geometry or logick in his head, without method, and possessed of little genius. He wrote Latin verses from time to time, and published a set in his old age, which he called 'Senilia;' in which he shews so little learning or taste in writing, as to make Carteret a dactyl[4]. In matters of genealogy it is necessary to give the bare names as they are; but in poetry, and in prose of any elegance in the writing, they require to have inflection given to them. His book of the Dialects[5] is a sad heap of confusion; the only way to write on them is to tabulate them with Notes, added at the bottom of the page, and references.'

'It may be questioned, whether there is not some mistake as to the methods of employing the poor, seemingly on a supposition that there is a certain portion of work left undone for want of persons to do it; but if that is otherwise, and all the materials we have are actually worked up, or all the manufactures we can use or dispose of are already executed, then what is given to the poor, who are to be set at work, must be taken from some who now have it; as time must be taken for learning, according to Sir William Petty's observation, a certain part of those very materials that, as it is, are properly worked up, must be spoiled by the unskilfulness of novices. We may apply to well-meaning, but misjudging persons in particulars of this nature, what Giannone[6] said to a monk, who wanted what he called to convert him: "Tu sei santo, ma tu non sei filosofo"—It is an unhappy circumstance that one might give away five hundred pounds in a year to those that importune in the streets, and not do any good[7].'

'There is nothing more likely to betray a man into absurdity than condescension; when he seems to suppose his understanding too powerful for his company[8].'

'Having asked Mr. Langton if his father and mother had sat for their pictures, which he thought it right for each generation of a family to do, and being told they had opposed it, he said, "Sir, among the anfractuosities[9] of the human mind, I know not if it may not be one, that there is a superstitious reluctance to sit for a picture."'

'John Gilbert Cooper[10] related, that soon after the publication of his Dictionary, Garrick being asked by Johnson what people said of it, told him, that among other animadversions, it was objected that he cited authorities which were beneath the dignity of such a work, and mentioned Richardson. "Nay, (said Johnson,) I have done worse than that: I have cited thee, David[11]."'

'Talking of expence, he observed, with what munificence a great merchant will spend his money, both from his having it at command, and from his enlarged views by calculation of a good effect upon the whole. "Whereas (said he) you will hardly ever find a country gentleman who is not a good deal disconcerted at an unexpected occasion for his being obliged to lay out ten pounds[12]."'

'When in good humour he would talk of his own writings with a wonderful frankness and candour, and would even criticise them with the closest severity. One day, having read over one of his Ramblers, Mr. Langton asked him, how he liked that paper; he shook his head, and answered, "too wordy." At another time, when one was reading his tragedy of Irene to a company at a house in the country, he left the room; and somebody having asked him the reason of this, he replied, Sir, I thought it had been better[13].'

'Talking of a point of delicate scrupulosity[14] of moral conduct, he said to Mr. Langton, "Men of harder minds than ours will do many things from which you and I would shrink; yet, Sir, they will perhaps do more good in life than we. But let us try to help one another. If there be a wrong twist it may be set right. It is not probable that two people can be wrong the same way."'

'Of the Preface to Capel's Shakspeare, he said, "If the man would have come to me, I would have endeavoured to endow his purposes with words; for as it is, he doth gabble monstrously[15]."'

'He related, that he had once in a dream a contest of wit with some other person, and that he was very much mortified by imagining that his opponent had the better of him. "Now, (said he,) one may mark here the effect of sleep in weakening the power of reflection; for had not my judgement failed me, I should have seen, that the wit of this supposed antagonist, by whose superiority I felt myself depressed, was as much furnished by me, as that which I thought I had been uttering in my own character."'

'One evening in company, an ingenious and learned gentleman read to him a letter of compliment which he had received from one of the Professors of a foreign University. Johnson, in an irritable fit, thinking there was too much ostentation, said, "I never receive any of these tributes of applause from abroad. One instance I recollect of a foreign publication, in which mention is made of l'illustre Lockman[16]."'

'Of Sir Joshua Reynolds, he said, "Sir, I know no man who has passed through life with more observation than Reynolds."'

'He repeated to Mr. Langton, with great energy, in the Greek, our SAVIOUR'S gracious expression concerning the forgiveness of Mary Magdalen, "[Greek: Ae pistis sou sesoke se poreuou eis eiraeuaeu.] Thy faith hath saved thee; go in peace[17]." He said, "the manner of this dismission is exceedingly affecting."'

'He thus defined the difference between physical and moral truth; "Physical truth, is, when you tell a thing as it actually is. Moral truth, is, when you tell a thing sincerely and precisely as it appears to you. I say such a one walked across the street; if he really did so, I told a physical truth. If I thought so, though I should have been mistaken, I told a moral truth."'

'Huggins, the translator of Ariosto, and Mr. Thomas Warton, in the early part of his literary life, had a dispute concerning that poet, of whom Mr. Warton in his Observations on Spenser's Fairy Queen, gave some account, which Huggins attempted to answer with violence, and said, "I will militate no longer against his nescience." Huggins was master of the subject, but wanted expression. Mr. Warton's knowledge of it was then imperfect, but his manner lively and elegant[18]. Johnson said, "It appears to me, that Huggins has ball without powder, and Warton powder without ball."'

'Talking of the Farce of High Life below Stairs[19], he said, "Here is a Farce, which is really very diverting when you see it acted; and yet one may read it, and not know that one has been reading any thing at all."'

'He used at one time to go occasionally to the green room of Drury-lane Theatre[20], where he was much regarded by the players, and was very easy and facetious with them. He had a very high opinion of Mrs. Clive's comick powers, and conversed more with her than with any of them. He said, "Clive, Sir, is a good thing to sit by; she always understands what you say[21]." And she said of him, "I love to sit by Dr. Johnson; he always entertains me." One night, when The Recruiting Officer was acted, he said to Mr. Holland[22], who had been expressing an apprehension that Dr. Johnson would disdain the works of Farquhar; "No, Sir, I think Farquhar a man whose writings have considerable merit."'

'His friend Garrick was so busy in conducting the drama, that they could not have so much intercourse as Mr. Garrick used to profess an anxious wish that there should be[23]. There might, indeed, be something in the contemptuous severity as to the merit of acting, which his old preceptor nourished in himself, that would mortify Garrick after the great applause which he received from the audience. For though Johnson said of him, "Sir, a man who has a nation to admire him every night, may well be expected to be somewhat elated[24];" yet he would treat theatrical matters with a ludicrous slight. He mentioned one evening, "I met David coming off the stage, drest in a woman's riding-hood, when he acted in The Wonder[25]; I came full upon him, and I believe he was not pleased."'

'Once he asked Tom Davies, whom he saw drest in a fine suit of clothes, "And what art thou to-night?" Tom answered, "The Thane of Ross[26];" (which it will be recollected is a very inconsiderable character.) "O brave!" said Johnson.'

'Of Mr. Longley, at Rochester, a gentleman of very considerable learning, whom Dr. Johnson met there, he said, "My heart warms towards him. I was surprised to find in him such a nice acquaintance with the metre in the learned languages; though I was somewhat mortified that I had it not so much to myself, as I should have thought[27]."'

'Talking of the minuteness with which people will record the sayings of eminent persons, a story was told, that when Pope was on a visit to Spence[28] at Oxford, as they looked from the window they saw a Gentleman Commoner, who was just come in from riding, amusing himself with whipping at a post. Pope took occasion to say, "That young gentleman seems to have little to do." Mr. Beauclerk observed, "Then, to be sure, Spence turned round and wrote that down;" and went on to say to Dr. Johnson, "Pope, Sir, would have said the same of you, if he had seen you distilling[29]." JOHNSON. "Sir, if Pope had told me of my distilling, I would have told him of his grotto[30]."'

'He would allow no settled indulgence of idleness upon principle, and always repelled every attempt to urge excuses for it, A friend one day suggested, that it was not wholesome to study soon after dinner. JOHNSON. "Ah, Sir, don't give way to such a fancy. At one time of my life I had taken it into my head that it was not wholesome to study between breakfast and dinner[31]."'

'Mr. Beauclerk one day repeated to Dr. Johnson Pope's lines,

Then asked the Doctor, "Why did Pope say this?" JOHNSON. 'Sir, he hoped it would vex somebody.'

'Dr. Goldsmith, upon occasion of Mrs. Lennox's bringing out a play[33], said to Dr. Johnson at the CLUB, that a person had advised him to go and hiss it, because she had attacked Shakspeare in her book called Shakspeare Illustrated[34]. JOHNSON. "And did not you tell him he was a rascal[35]?" GOLDSMITH. "No, Sir, I did not. Perhaps he might not mean what he said." JOHNSON. "Nay, Sir, if he lied, it is a different thing." Colman slily said, (but it is believed Dr. Johnson did not hear him,) "Then the proper expression should have been,—Sir, if you don't lie, you're a rascal."'

'His affection for Topham Beauclerk was so great, that when Beauclerk was labouring under that severe illness which at last occasioned his death, Johnson said, (with a voice faultering with emotion,) "Sir, I would walk to the extent of the diameter of the earth to save Beauclerk[36]."'

'One night at the CLUB he produced a translation of an Epitaph which Lord Elibank had written in English, for his Lady, and requested of Johnson to turn into Latin for him. Having read Domina de North et Gray, he said to Dyer, "You see, Sir, what barbarisms we are compelled to make use of, when modern titles are to be specifically mentioned in Latin inscriptions." When he had read it once aloud, and there had been a general approbation expressed by the company, he addressed himself to Mr. Dyer in particular, and said, "Sir, I beg to have your judgement, for I know your nicety[37]." Dyer then very properly desired to read it over again; which having done, he pointed out an incongruity in one of the sentences. Johnson immediately assented to the observation, and said, "Sir, this is owing to an alteration of a part of the sentence, from the form in which I had first written it; and I believe, Sir, you may have remarked, that the making a partial change, without a due regard to the general structure of the sentence, is a very frequent cause of errour in composition."'

'Johnson was well acquainted with Mr. Dossie, authour of a treatise on Agriculture[38]; and said of him, "Sir, of the objects which the Society of Arts have chiefly in view, the chymical effects of bodies operating upon other bodies, he knows more than almost any man." Johnson, in order to give Mr. Dossie his vote to be a member of this Society, paid up an arrear which had run on for two years. On this occasion he mentioned a circumstance as characteristick of the Scotch. One of that nation, (said he,) who had been a candidate, against whom I had voted, came up to me with a civil salutation. Now, Sir, this is their way. An Englishman would have stomached it, and been sulky, and never have taken further notice of you; but a Scotchman, Sir, though you vote nineteen times against him, will accost you with equal complaisance after each time, and the twentieth time, Sir, he will get your vote.'

'Talking on the subject of toleration, one day when some friends were with him in his study, he made his usual remark, that the State has a right to regulate the religion of the people, who are the children of the State[39]. A clergyman having readily acquiesced in this, Johnson, who loved discussion, observed, "But, Sir, you must go round to other States than our own. You do not know what a Bramin has to say for himself[40]. In short, Sir, I have got no further than this: Every man has a right to utter what he thinks truth, and every other man has a right to knock him down for it. Martyrdom is the test[41]."'

'A man, he observed, should begin to write soon; for, if he waits till his judgement is matured, his inability, through want of practice to express his conceptions, will make the disproportion so great between what he sees, and what he can attain, that he will probably be discouraged from writing at all[42]. As a proof of the justness of this remark, we may instance what is related of the great Lord Granville[43]; that after he had written his letter, giving an account of the battle of Dettingen, he said, "Here is a letter, expressed in terms not good enough for a tallow-chandler to have used.'"

'Talking of a Court-martial that was sitting upon a very momentous publick occasion, he expressed much doubt of an enlightened decision; and said, that perhaps there was not a member of it, who in the whole course of his life, had ever spent an hour by himself in balancing probabilities[44].'

'Goldsmith one day brought to the CLUB a printed Ode, which he, with others, had been hearing read by its authour in a publick room at the rate of five shillings each for admission[45]. One of the company having read it aloud, Dr. Johnson said, "Bolder words and more timorous meaning, I think never were brought together."'

'Talking of Gray's Odes, he said, "They are forced plants raised in a hot-bed[46]; and they are poor plants; they are but cucumbers after all." A gentleman present, who had been running down Ode-writing in general, as a bad species of poetry, unluckily said, "Had they been literally cucumbers, they had been better things than Odes."—"Yes, Sir, (said Johnson,) for a hog."'

'His distinction of the different degrees of attainment of learning was thus marked upon two occasions. Of Queen Elizabeth he said, "She had learning enough to have given dignity to a bishop;" and of Mr. Thomas Davies he said, "Sir, Davies has learning enough to give credit to a clergyman[47]."'

'He used to quote, with great warmth, the saying of Aristotle recorded by Diogenes Laertius[48]; that there was the same difference between one learned and unlearned, as between the living and the dead.'

'It is very remarkable, that he retained in his memory very slight and trivial, as well as important things[49]. As an instance of this, it seems that an inferiour domestick of the Duke of Leeds had attempted to celebrate his Grace's marriage in such homely rhimes as he could make; and this curious composition having been sung to Dr. Johnson he got it by heart, and used to repeat it in a very pleasant manner. Two of the stanzas were these:—

To hear a man, of the weight and dignity of Johnson, repeating such humble attempts at poetry, had a very amusing effect. He, however, seriously observed of the last stanza repeated by him, that it nearly comprized all the advantages that wealth can give.'

'An eminent foreigner, when he was shewn the British Museum, was very troublesome with many absurd inquiries. "Now there, Sir, (said he,) is the difference between an Englishman and a Frenchman. A Frenchman must be always talking, whether he knows any thing of the matter or not; an Englishman is content to say nothing, when he has nothing to say."'

'His unjust contempt for foreigners was, indeed, extreme. One evening, at old Slaughter's coffee-house[51], when a number of them were talking loud about little matters, he said, "Does not this confirm old Meynell's[52] observation—For any thing I see, foreigners are fools[53]."'

'He said, that once, when he had a violent tooth-ach, a Frenchman accosted him thus:—Ah, Monsieur vous etudiez trop[54].'

'Having spent an evening at Mr. Langton's with the Reverend Dr. Parr, he was much pleased with the conversation of that learned gentleman; and after he was gone, said to Mr. Langton, "Sir, I am obliged to you for having asked me this evening. Parr is a fair man. I do not know when I have had an occasion of such free controversy. It is remarkable how much of a man's life may pass without meeting with any instance of this kind of open discussion[55]."'

'We may fairly institute a criticism between Shakspeare and Corneille[56], as they both had, though in a different degree, the lights of a latter age. It is not so just between the Greek dramatick writers and Shakspeare. It may be replied to what is said by one of the remarkers on Shakspeare, that though Darius's shade[57] had prescience, it does not necessarily follow that he had all past particulars revealed to him.'

'Spanish plays, being wildly and improbably farcical, would please children here, as children are entertained with stories full of prodigies; their experience not being sufficient to cause them to be so readily startled at deviations from the natural course of life[58]. The machinery of the Pagans is uninteresting to us[59]: when a Goddess appears in Homer or Virgil, we grow weary; still more so in the Grecian tragedies, as in that kind of composition a nearer approach to Nature is intended. Yet there are good reasons for reading romances; as—the fertility of invention, the beauty of style and expression, the curiosity of seeing with what kind of performances the age and country in which they were written was delighted: for it is to be apprehended, that at the time when very wild improbable tales were well received, the people were in a barbarous state, and so on the footing of children, as has been explained.'

'It is evident enough that no one who writes now can use the Pagan deities and mythology; the only machinery, therefore, seems that of ministering spirits, the ghosts of the departed, witches[60], and fairies, though these latter, as the vulgar superstition concerning them (which, while in its force, infected at least the imagination of those that had more advantage in education, though their reason set them free from it,) is every day wearing out, seem likely to be of little further assistance in the machinery of poetry. As I recollect, Hammond introduces a hag or witch into one of his love elegies, where the effect is unmeaning and disgusting[61].'

'The man who uses his talent of ridicule in creating or grossly exaggerating the instances he gives, who imputes absurdities that did not happen, or when a man was a little ridiculous describes him as having been very much so, abuses his talents greatly. The great use of delineating absurdities is, that we may know how far human folly can go; the account, therefore, ought of absolute necessity to be faithful. A certain character (naming the person) as to the general cast of it, is well described by Garrick, but a great deal of the phraseology he uses in it, is quite his own, particularly in the proverbial comparisons, "obstinate as a pig," &c., but I don't know whether it might not be true of Lord ———[62], that from a too great eagerness of praise and popularity, and a politeness carried to a ridiculous excess, he was likely, after asserting a thing in general, to give it up again in parts. For instance, if he had said Reynolds was the first of painters, he was capable enough of giving up, as objections might happen to be severally made, first his outline,—then the grace in form,—then the colouring,—and lastly, to have owned that he was such a mannerist, that the disposition of his pictures was all alike.'

'For hospitality, as formerly practised, there is no longer the same reason; heretofore the poorer people were more numerous, and from want of commerce, their means of getting a livelihood more difficult; therefore the supporting them was an act of great benevolence; now that the poor can find maintenance for themselves, and their labour is wanted, a general undiscerning hospitality tends to ill, by withdrawing them from their work to idleness and drunkenness. Then, formerly rents were received in kind, so that there was a great abundance of provisions in possession of the owners of the lands, which, since the plenty of money afforded by commerce, is no longer the case.'

'Hospitality to strangers and foreigners in our country is now almost at an end, since, from the increase of them that come to us, there have been a sufficient number of people that have found an interest in providing inns and proper accommodations, which is in general a more expedient method for the entertainment of travellers. Where the travellers and strangers are few, more of that hospitality subsists, as it has not been worth while to provide places of accommodation. In Ireland there is still hospitality to strangers, in some degree; in Hungary and Poland probably more.'

'Colman, in a note on his translation of Terence, talking of Shakspeare's learning, asks, "What says Farmer to this? What says Johnson[63]?" Upon this he observed, "Sir, let Farmer answer for himself: I never engaged in this controversy. I always said, Shakspeare had Latin enough to grammaticise his English[64]."'

'A clergyman, whom he characterised as one who loved to say little oddities, was affecting one day, at a Bishop's table, a sort of slyness and freedom not in character, and repeated, as if part of The Old Mans Wish, a song by Dr. Walter Pope, a verse bordering on licentiousness. Johnson rebuked him in the finest manner, by first shewing him that he did not know the passage he was aiming at, and thus humbling him: "Sir, that is not the song: it is thus." And he gave it right. Then looking stedfastly on him, "Sir, there is a part of that song which I should wish to exemplify in my own life:—

"May I govern my passions with absolute sway[65]!"'

'Being asked if Barnes knew a good deal of Greek, he answered, "I doubt, Sir, he was unoculus inter caecos[66]."'

'He used frequently to observe, that men might be very eminent in a profession, without our perceiving any particular power of mind in them in conversation. "It seems strange (said he) that a man should see so far to the right, who sees so short a way to the left. Burke is the only man whose common conversation corresponds with the general fame which he has in the world. Take up whatever topick you please, he is ready to meet you[67]."'

'A gentleman, by no means deficient in literature, having discovered less acquaintance with one of the Classicks than Johnson expected, when the gentleman left the room, he observed, "You see, now, how little any body reads." Mr. Langton happening to mention his having read a good deal in Clenardus's Greek Grammar, "Why, Sir, (said he,) who is there in this town who knows any thing of Clenardus but you and I?" And upon Mr. Langton's mentioning that he had taken the pains to learn by heart the Epistle of St. Basil, which is given in that Grammar as a praxis, "Sir, (said he,) I never made such an effort to attain Greek[68]."'

'Of Dodsley's Publick Virtue, a Poem, he said, "It was fine blank (meaning to express his usual contempt for blank verse[69]); however, this miserable poem did not sell, and my poor friend Doddy said, Publick Virtue was not a subject to interest the age."'

'Mr. Langton, when a very young man, read Dodsley's Cleone a Tragedy[70], to him, not aware of his extreme impatience to be read to. As it went on he turned his face to the back of his chair, and put himself into various attitudes, which marked his uneasiness. At the end of an act, however, he said, "Come let's have some more, let's go into the slaughter-house again, Lanky. But I am afraid there is more blood than brains." Yet he afterwards said, "When I heard you read it, I thought higher of its power of language: when I read it myself, I was more sensible of its pathetick effect;" and then he paid it a compliment which many will think very extravagant. "Sir, (said he,) if Otway had written this play, no other of his pieces would have been remembered." Dodsley himself, upon this being repeated to him, said, "It was too much:" it must be remembered, that Johnson always appeared not to be sufficiently sensible of the merit of Otway[71].'

'Snatches of reading (said he) will not make a Bentley or a Clarke. They are, however, in a certain degree advantageous. I would put a child into a library (where no unfit books are) and let him read at his choice. A child should not be discouraged from reading any thing that he takes a liking to, from a notion that it is above his reach. If that be the case, the child will soon find it out and desist; if not, he of course gains the instruction; which is so much the more likely to come, from the inclination with which he takes up the study[72].'

'Though he used to censure carelessness with great vehemence, he owned, that he once, to avoid the trouble of locking up five guineas, hid them, he forgot where, so that he could not find them.'

'A gentleman who introduced his brother to Dr. Johnson was earnest to recommend him to the Doctor's notice, which he did by saying, "When we have sat together some time, you'll find my brother grow very entertaining."—"Sir, (said Johnson,) I can wait."'

'When the rumour was strong that we should have a war, because the French would assist the Americans, he rebuked a friend with some asperity for supposing it, saying, "No, Sir, national faith is not yet sunk so low."'

'In the latter part of his life, in order to satisfy himself whether his mental faculties were impaired, he resolved that he would try to learn a new language, and fixed upon the Low Dutch, for that purpose, and this he continued till he had read about one half of Thomas à Kempis; and finding that there appeared no abatement of his power of acquisition, he then desisted, as thinking the experiment had been duly tried[73]. Mr. Burke justly observed, that this was not the most vigorous trial, Low Dutch being a language so near to our own; had it been one of the languages entirely different, he might have been very soon satisfied.'

'Mr. Langton and he having gone to see a Freemason's funeral procession, when they were at Rochester[74], and some solemn musick being played on French horns, he said, "This is the first time that I have ever been affected by musical sounds;" adding, "that the impression made upon him was of a melancholy kind." Mr. Langton saying, that this effect was a fine one,—JOHNSON. "Yes, if it softens the mind, so as to prepare it for the reception of salutary feelings, it may be good: but inasmuch as it is melancholy per se, it is bad[75]."'

'Goldsmith had long a visionary project, that some time or other when his circumstances should be easier, he would go to Aleppo, in order to acquire a knowledge as far as might be of any arts peculiar to the East, and introduce them into Britain. When this was talked of in Dr. Johnson's company, he said, "Of all men Goldsmith is the most unfit to go out upon such an inquiry; for he is utterly ignorant of such arts as we already possess, and consequently could not know what would be accessions to our present stock of mechanical knowledge. Sir, he would bring home a grinding barrow, which you see in every street in London, and think that he had furnished a wonderful improvement[76]."'

'Greek, Sir, (said he,) is like lace; every man gets as much of it as he can[77].'

'When Lord Charles Hay[78], after his return from America, was preparing his defence to be offered to the Court-Martial which he had demanded, having heard Mr. Langton as high in expressions of admiration of Johnson, as he usually was, he requested that Dr. Johnson might be introduced to him; and Mr. Langton having mentioned it to Johnson, he very kindly and readily agreed; and being presented by Mr. Langton to his Lordship, while under arrest, he saw him several times; upon one of which occasions Lord Charles read to him what he had prepared, which Johnson signified his approbation of, saying, "It is a very good soldierly defence." Johnson said, that he had advised his Lordship, that as it was in vain to contend with those who were in possession of power, if they would offer him the rank of Lieutenant-General, and a government, it would be better judged to desist from urging his complaints. It is well known that his Lordship died before the sentence was made known.'

'Johnson one day gave high praise to Dr. Bentley's verses[79] in Dodsley's Collection, which he recited with his usual energy. Dr. Adam Smith, who was present, observed in his decisive professorial manner, "Very well—Very well." Johnson however added, "Yes, they are very well, Sir; but you may observe in what manner they are well. They are the forcible verses of a man of a strong mind, but not accustomed to write verse[80]; for there is some uncouthness in the expression[81]."'

'Drinking tea one day at Garrick's with Mr. Langton, he was questioned if he was not somewhat of a heretick as to Shakspeare; said Garrick, "I doubt he is a little of an infidel[82]."—"Sir, (said Johnson) I will stand by the lines I have written on Shakspeare in my Prologue at the opening of your Theatre[83]." Mr. Langton suggested, that in the line