. He has not indeed so many
Thoughts that are Low and Vulgar; but at the same time has not so many
Thoughts that are Sublime and Noble. The Truth of it is,
Virgil
seldom
rises into very astonishing Sentiments, where he is not fired by the
Iliad
. He every where charms and pleases us by the Force of his own
Genius; but seldom elevates and transports us where he does not fetch
his Hints from
Homer
.
Milton's
chief Talent, and indeed his distinguishing Excellence, lies
in the Sublimity of his Thoughts. There are others of the Moderns who
rival him in every other part of Poetry; but in the Greatness of his
Sentiments he triumphs over all the Poets both Modern and Ancient,
Homer
only excepted. It is impossible for the Imagination of Man to
distend itself with greater Ideas, than those which he has laid together
in his first,
second
, and sixth Book
s
. The seventh, which describes
the Creation of the World, is likewise wonderfully Sublime, tho' not so
apt to stir up Emotion in the Mind of the Reader, nor consequently so
perfect in the Epic Way of Writing, because it is filled with less
Action.
the judicious Reader compare what
Longinus
has observed
on several Passages in
Homer
, and he will find Parallels for most
of them in the
Paradise Lost
.
From what has been said we may infer, that as there are two kinds of
Sentiments, the Natural and the Sublime, which are always to be pursued
in an Heroic Poem, there are also two kinds of Thoughts which are
carefully to be avoided. The first are such as are affected and
unnatural; the second such as are mean and vulgar. As for the first kind
of Thoughts, we meet with little or nothing that is like them in
Virgil:
has none of those
trifling
Points and Puerilities
that are so often to be met with in
Ovid
, none of the Epigrammatick
Turns of
Lucan
, none of those swelling Sentiments which are so
frequent in
Statins
and
Claudian
, none of those mixed Embellishments
of
Tasso
. Every thing is just and natural.
Sentiments shew that he
had a perfect Insight into human Nature, and that he knew every thing
which was the most proper to
affect it
.
Mr.
Dryden
has in some Places, which I may hereafter take notice of,
misrepresented
Virgil's
way of thinking as to this Particular, in the
Translation he has given us of the
Æneid
. I do not remember that
Homer
any where falls into the Faults above-mentioned, which were
indeed the false Refinements of later Ages.
Milton
, it must be
confest, has sometimes erred in this Respect, as I shall shew more at
large in another Paper; tho' considering how all the Poets of the Age in
which he writ were infected with this wrong way of thinking, he is
rather to be admired that he did not give more into it, than that he did
sometimes comply with the vicious Taste which still prevails so much
among Modern Writers.
But
several Thoughts may be natural which are low and groveling,
an Epic Poet should not only avoid such Sentiments as are unnatural or
affected, but also such as are
mean
and vulgar.
Homer
has opened
a great Field of Raillery to Men of more Delicacy than Greatness of
Genius, by the Homeliness of some of his Sentiments. But, as I have
before said, these are rather to be imputed to the Simplicity of the Age
in which he lived, to which I may also add, of that which he described,
than to any Imperfection in that Divine Poet.
Zoilus
among the
Ancients, and Monsieur
Perrault
,
among the Moderns, pushed their
Ridicule very far upon him, on account of some such Sentiments. There is
no Blemish to be observed in
Virgil
under this Head, and but
a
very
few in Milton.
I
give but one Instance of this Impropriety of
Thought
in
Homer
, and at the same time compare it with an Instance of the same
Nature, both in
Virgil
and
Milton
. Sentiments which raise Laughter,
can very seldom be admitted with any Decency into an Heroic Poem, whose
Business it is to excite Passions of a much nobler Nature.
Homer
,
however, in his Characters of
Vulcan
and
Thersites
, in his
Story of
Mars
and
Venus
,
in his Behaviour of
Irus
and in
other Passages, has been observed to have lapsed into the Burlesque
Character, and to have departed from that serious Air which seems
essential to the Magnificence of an Epic Poem. I remember but one Laugh
in the whole Æneid, which rises in the fifth Book, upon
Monætes
, where
he is represented as thrown overboard, and drying himself upon a Rock.
But this Piece. of Mirth is so well timed, that the severest Critick can
have nothing to say against it; for it is in the Book of Games and
Diversions, where the Reader's Mind may be supposed to be sufficiently
relaxed for such an Entertainment. The only Piece of Pleasantry in
Paradise Lost
, is where the Evil Spirits are described as rallying the
Angels upon the Success of their new invented Artillery. This Passage I
look upon to be the most exceptionable in the whole Poem, as being
nothing else but a String of Punns, and those too very indifferent ones.
—
Satan beheld their Plight,
And to his Mates thus in Derision call'd.
O Friends, why come not on those Victors proud?
Ere-while they fierce were coming, and when we,
To entertain them fair with open Front,
And Breast, (what could we more?) propounded terms
Of Composition, straight they chang'd their Minds,*
Flew off,
and into strange Vagaries fell
As they would dance: yet for a Dance they seem'd
Somewhat extravagant, and wild; perhaps
For Joy of offer'd Peace; but I suppose
If our Proposals once again were heard,
We should compel them to a quick Result.
To whom thus Belial
in like gamesome Mood:
Leader, the Terms we sent were Terms of Weight,
Of hard Contents,
and full of force urg'd home;
Such as we might perceive amus'd them all,
And stumbled
many: who receives them right,
Had need, from Head to Foot, will understand;
Not understood,
this Gift they have besides,
They shew us when our Foes walk not upright.
Thus they among themselves in pleasant vein
Stood scoffing17——
I.
It is in Part II. of the
Poetics
, when treating of
Tragedy, that Aristotle lays down his main principles. Here after
treating of the Fable and the Manners, he proceeds to the Diction and
the Sentiments. By Fable, he says (§ 2),
'I mean the contexture of incidents, or the Plot. By Manners, I mean,
whatever marks the Character of the Persons. By Sentiments, whatever
they say, whether proving any thing, or delivering a general
sentiment, &c.'
In dividing Sentiments from Diction, he says (§22): The Sentiments
include whatever is the Object of speech, Diction (§ 23-25) the words
themselves. Concerning Sentiment, he refers his reader to the
rhetoricians.
argues or explains, magnifies or diminishes, raises
these
René le Bossu says in his treatise on the Epic, published
in 1675, Bk, vi. ch. 3:
'What is base and ignoble at one time and in one country, is not
always so in others. We are apt to smile at Homer's comparing Ajax to
an Ass in his Iliad. Such a comparison now-a-days would be indecent
and ridiculous; because it would be indecent and ridiculous for a
person of quality to ride upon such a steed. But heretofore this
Animal was in better repute: Kings and princes did not disdain the
best so much as mere tradesman do in our time. 'Tis just the same with
many other smiles which in Homer's time were allowable. We should now
pity a Poet that should be so silly and ridiculous as to compare a
Hero to a piece of Fat. Yet Homer does it in a comparison he makes of
Ulysses... The reason is that in these Primitive Times, wherein the
Sacrifices ... were living creatures, the Blood and the Fat were the
most noble, the most august, and the most holy things.'
such Beautiful
Longimus on the Sublime, I. § 9. of Discord, Homer says
(Pope's tr.):
While scarce the skies her horrid head can bound,
She stalks on earth.
(Iliad iv.)
Of horses of the gods:
Far as a shepherd from some spot on high
O'er the wide main extends his boundless eye,
Through such a space of air, with thund'ring sound,
At one long leap th' immortal coursers bound.
(Iliad v.)
Longinus quotes also from the
Iliad
xix., the combat of the Gods, the
description of Neptune,
Iliad
xi., and the Prayer of Ajax,
Iliad
xvii.
little
affect it. I remember but one line in him which has been
objected against, by the Criticks, as a point of Wit. It is in his ninth
Book, where Juno, speaking of the Trojans, how they survived the
Ruins of their City, expresses her self in the following words;
Num copti potuere copi, num incense cremorunt Pergama?
Were the Trojans taken even after they were Captives, or did Troy burn
even when it was in Flames?
low
Zoilus, who lived about 270 B. C., in the time of Ptolemy
Philadelphus, made himself famous for attacks upon Homer and on Plato
and Isocrates, taking pride in the title of Homeromastix. Circe's men
turned into swine Zoilus ridiculed as weeping porkers. When he asked
sustenance of Ptolemy he was told that Homer sustained many thousands,
and as he claimed to be a better man than Homer, he ought to be able to
sustain himself. The tradition is that he was at last crucified, stoned,
or burnt for his heresy.
Charles Perrault, brother of Claude Perrault the architect and ex-physician,
was himself Controller of Public Buildings under Colbert, and
after his retirement from that office, published in 1690 his Parallel between
the Ancients and Moderns, taking the side of the moderns in the controversy,
and dealing sometimes disrespectfully with Homer. Boileau replied to him
in
Critical Reflections on Longinus
.
Sentiments
Iliad
, Bk. i., near the close.
Iliad
, Bk. ii.
Bk. v., at close.
Odyssey
, Bk. xviii
Paradise Lost
, Bk. vi. 1. 609, &c. Milton meant that the
devils should be shown as scoffers, and their scoffs as mean.
Contents
|
Monday, January 21, 1712 |
Steele |
Principibus Placuisse viris non ultima I laus est.
Hor.
translation
The Desire of Pleasing makes a Man agreeable or unwelcome to those with
whom he converses, according to the Motive from which that Inclination
appears to flow. If your Concern for pleasing others arises from innate
Benevolence, it never fails of Success; if from a Vanity to excel, its
Disappointment is no less certain.
we call an agreeable Man, is he
who is endowed with
the
natural Bent to do acceptable things from
a Delight he takes in them meerly as such; and the Affectation of that
Character is what constitutes a Fop. Under these Leaders one may draw up
all those who make any Manner of Figure, except in dumb Show. A rational
and select Conversation is composed of Persons, who have the Talent of
Pleasing with Delicacy of Sentiments flowing from habitual Chastity of
Thought; but mixed Company is frequently made up of Pretenders to Mirth,
and is usually pestered with constrained, obscene, and painful
Witticisms. Now and then you meet with a Man so exactly formed for
Pleasing, that it is no matter what he is doing or saying, that is to
say, that there need no Manner of Importance in it, to make him gain
upon every Body who hears or beholds him. This Felicity is not the Gift
of Nature only, but must be attended with happy Circumstances, which add
a Dignity to the familiar Behaviour which distinguishes him whom we call
an agreeable Man. It is from this that every Body loves and esteems
Polycarpus
. He is in the Vigour of his Age and the Gayety of Life, but
has passed through very conspicuous Scenes in it; though no Soldier, he
has shared the Danger, and acted with great Gallantry and Generosity on
a decisive Day of Battle. To have those Qualities which only make other
Men conspicuous in the World as it were supernumerary to him, is a
Circumstance which gives Weight to his most indifferent Actions; for as
a known Credit is ready Cash to a Trader, so is acknowledged Merit
immediate Distinction, and serves in the Place of Equipage to a
Gentleman. This renders
Polycarpus
graceful in Mirth, important in
Business, and regarded with Love in every ordinary Occurrence. But not
to dwell upon Characters which have such particular Recommendations to
our Hearts, let us turn our Thoughts rather to the Methods of Pleasing
which must carry Men through the World who cannot pretend to such
Advantages. Falling in with the particular Humour or Manner of one above
you, abstracted from the general Rules of good Behaviour, is the Life of
a Slave. A Parasite differs in nothing from the meanest Servant, but
that the Footman hires himself for bodily Labour, subjected to go and
come at the Will of his Master, but the other gives up his very Soul: He
is prostituted to speak, and professes to think after the Mode of him
whom he courts. This Servitude to a Patron, in an honest Nature, would
be more grievous than that of wearing his Livery; therefore we will
speak of those Methods only which are worthy and ingenuous.
The happy Talent of Pleasing either those above you or below you, seems
to be wholly owing to the Opinion they have of your Sincerity. This
Quality is to attend the agreeable Man in all the Actions of his Life;
and I think there need no more be said in Honour of it, than that it is
what forces the Approbation even of your Opponents. The guilty Man has
an Honour for the Judge who with Justice pronounces against him the
Sentence of Death it self. The Author of the Sentence at the Head of
this Paper, was an excellent Judge of human Life, and passed his own in
Company the most agreeable that ever was in the World.
Augustus
lived
amongst his Friends as if he had his Fortune to make in his own Court:
Candour and Affability, accompanied with as much Power as ever Mortal
was vested with, were what made him in the utmost Manner agreeable among
a Set of admirable Men, who had Thoughts too high for Ambition, and
Views too large to be gratified by what he could give them in the
Disposal of an Empire, without the Pleasures of their mutual
Conversation. A certain Unanimity of Taste and Judgment, which is
natural to all of the same Order in the Species, was the Band of this
Society; and the Emperor assumed no Figure in it but what he thought was
his Due from his private Talents and Qualifications, as they contributed
to advance the Pleasures and Sentiments of the Company.
Cunning People, Hypocrites, all who are but half virtuous, or half wise,
are incapable of tasting the refined Pleasure of such an equal Company
as could wholly exclude the Regard of Fortune in their Conversations.
Horace
, in the Discourse from whence I take the Hint of the present
Speculation, lays down excellent Rules for Conduct in Conversation with
Men of Power; but he speaks it with an Air of one who had no Need of
such an Application for any thing which related to himself. It shews he
understood what it was to be a skilful Courtier, by just Admonitions
against Importunity, and shewing how forcible it was to speak Modestly
of your own Wants. There is indeed something so shameless in taking all
Opportunities to speak of your own Affairs, that he who is guilty of it
towards him upon whom he depends, fares like the Beggar who exposes his
Sores, which instead of moving Compassion makes the Man he begs of turn
away from the Object.
I cannot tell what is become of him, but I remember about sixteen Years
ago an honest Fellow, who so justly understood how disagreeable the
Mention or Appearance of his Wants would make him, that I have often
reflected upon him as a Counterpart of
Irus
, whom I have formerly
mentioned. This Man, whom I have missed for some Years in my Walks, and
have heard was someway employed about the Army, made it a Maxim, That
good Wigs, delicate Linen, and a chearful Air, were to a poor Dependent
the same that working Tools are to a poor Artificer. It was no small
Entertainment to me, who knew his Circumstances, to see him, who had
fasted two Days, attribute the Thinness they told him of to the Violence
of some Gallantries he had lately been guilty of. The skilful Dissembler
carried this on with the utmost Address; and if any suspected his
Affairs were narrow, it was attributed to indulging himself in some
fashionable Vice rather than an irreproachable Poverty, which saved his
Credit with those on whom he depended.
The main Art is to be as little troublesome as you can, and make all you
hope for come rather as a Favour from your Patron than Claim from you.
But I am here prating of what is the Method of Pleasing so as to succeed
in the World, when there are Crowds who have, in City, Town, Court, and
Country, arrived at considerable Acquisitions, and yet seem incapable of
acting in any constant Tenour of Life, but have gone on from one
successful Error to another: Therefore I think I may shorten this
Enquiry after the Method of Pleasing; and as the old Beau said to his
Son, once for all, Pray, Jack,
be a fine Gentleman
, so may I, to my
Reader, abridge my Instructions, and finish the Art of Pleasing in a
Word, Be rich.
T.
that
Contents
|
Tuesday, January 22, 1712 |
Addison |
Pectoribus inhians spirantia consulit exta.
Virg.
translation
Having already given an Account of the Dissection of a Beau's Head, with
the several Discoveries made on that Occasion; I shall here, according
to my Promise, enter upon the Dissection of a Coquet's Heart, and
communicate to the Public such Particularities as we observed in that
curious Piece of Anatomy.
I should perhaps have waved this Undertaking, had not I been put in mind
of my Promise by several of my unknown Correspondents, who are very
importunate with me to make an Example of the Coquet, as I have already
done of the Beau. It is therefore in Compliance with the Request of
Friends, that I have looked over the Minutes of my former Dream, in
order to give the Publick an exact Relation to it, which I shall enter
upon without further Preface.