To rule through these creatures of his own making taxed all the ingenuity of Cosimo; but his profound and subtle intellect was suited to the task, and he found unlimited pleasure in the exercise of his consummate craft. We have already seen to what extent he used his riches for the acquisition of political influence. Now that he had come to power, he continued the same method, packing the Signory and the Councils with men whom he could hold by debt between his thumb and finger. His command of the public moneys enabled him to wink at peculation in State offices; it was part of his system to bind magistrates and secretaries to his interest by their consciousness of guilt condoned but not forgotten. Not a few, moreover, owed their living to the appointments he procured for them. While he thus controlled the wheel-work of the commonwealth by means of organised corruption, he borrowed the arts of his old enemies to oppress dissentient citizens. If a man took an independent line in voting, and refused allegiance to the Medicean party, he was marked out for persecution. No violence was used; but he found himself hampered in his commerce—money, plentiful for others, became scarce for him; his competitors in trade were subsidised to undersell him. And while the avenues of industry were closed, his fortune was taxed above its value, until he had to sell at a loss in order to discharge his public obligations. In the first twenty years of the Medicean rule, seventy families had to pay 4,875,000 golden florins of extraordinary imposts, fixed by arbitrary assessment.
The more patriotic members of his party looked with dread and loathing on this system of corruption and exclusion. To their remonstrances Cosimo replied in four memorable sayings: 'Better the State spoiled than the State not ours.' 'Governments cannot be carried on with paternosters.' 'An ell of scarlet makes a burgher.' 'I aim at finite ends.' These maxims represent the whole man,—first, in his egotism, eager to gain Florence for his family, at any risk of her ruin; secondly, in his cynical acceptance of base means to selfish ends; thirdly, in his bourgeois belief that money makes a man, and fine clothes suffice for a citizen; fourthly, in his worldly ambition bent on positive success. It was, in fact, his policy to reduce Florence to the condition of a rotten borough: nor did this policy fail. One notable sign of the influence he exercised was the change which now came over the foreign relations of the republic. Up to the date of his dictatorship Florence had uniformly fought the battle of freedom in Italy. It was the chief merit of the Albizzi oligarchy that they continued the traditions of the mediæval State, and by their vigorous action checked the growth of the Visconti. Though they engrossed the government they never forgot that they were first of all things Florentines, and only in the second place men who owed their power and influence to office. In a word, they acted like patriotic Tories, like republican patricians. Therefore they would not ally themselves with tyrants or countenance the enslavement of free cities by armed despots. Their subjugation of the Tuscan burghs to Florence was itself part of a grand republican policy. Cosimo changed all this. When the Visconti dynasty ended by the death of Filippo Maria in 1447, there was a chance of restoring the independence of Lombardy. Milan in effect declared herself a republic, and by the aid of Florence she might at this moment have maintained her liberty. Cosimo, however, entered into treaty with Francesco Sforza, supplied him with money, guaranteed him against Florentine interference, and saw with satisfaction how he reduced the duchy to his military tyranny. The Medici were conscious that they, selfishly, had most to gain by supporting despots who in time of need might help them to confirm their own authority. With the same end in view, when the legitimate line of the Bentivogli was extinguished, Cosimo hunted out a bastard pretender of that family, presented him to the chiefs of the Bentivogli faction, and had him placed upon the seat of his supposed ancestors at Bologna. This young man, a certain Santi da Cascese, presumed to be the son of Ercole de' Bentivogli, was an artisan in a wool factory when Cosimo set eyes upon him. At first Santi refused the dangerous honour of governing a proud republic; but the intrigues of Cosimo prevailed, and the obscure craftsman ended his days a powerful prince.
By the arts I have attempted to describe, Cosimo in the course of his long life absorbed the forces of the republic into himself. While he shunned the external signs of despotic power he made himself the master of the State. His complexion was of a pale olive; his stature short; abstemious and simple in his habits, affable in conversation, sparing of speech, he knew how to combine that burgher-like civility for which the Romans praised Augustus, with the reality of a despotism all the more difficult to combat because it seemed nowhere and was everywhere. When he died, at the age of seventy-five, in 1464, the people whom he had enslaved, but whom he had neither injured nor insulted, honoured him with the title of Pater Patriæ. This was inscribed upon his tomb in S. Lorenzo. He left to posterity the fame of a great and generous patron,[14] the infamy of a cynical, self-seeking, bourgeois tyrant. Such combinations of contradictory qualities were common enough at the time of the Renaissance. Did not Machiavelli spend his days in tavern-brawls and low amours, his nights among the mighty spirits of the dead, with whom, when he had changed his country suit of homespun for the habit of the Court, he found himself an honoured equal?
XI
Cosimo had shown consummate skill by governing Florence through a party created and raised to influence by himself. The jealousy of these adherents formed the chief difficulty with which his son Piero had to contend. Unless the Medici could manage to kick down the ladder whereby they had risen, they ran the risk of losing all. As on a former occasion, so now they profited by the mistakes of their antagonists. Three chief men of their own party, Diotisalvi Neroni, Agnolo Acciaiuoli, and Luca Pitti, determined to shake off the yoke of their masters, and to repay the Medici for what they owed by leading them to ruin. Niccolo Soderini, a patriot, indignant at the slow enslavement of his country, joined them. At first they strove to undermine the credit of the Medici with the Florentines by inducing Piero to call in the moneys placed at interest by his father in the hands of private citizens. This act was unpopular; but it did not suffice to move a revolution. To proceed by constitutional measures against the Medici was judged impolitic. Therefore the conspirators decided to take, if possible, Piero's life. The plot failed, chiefly owing to the coolness and the cunning of the young Lorenzo, Piero's eldest son. Public sympathy was strongly excited against the aggressors. Neroni, Acciaiuoli, and Soderini were exiled. Pitti was allowed to stay, dishonoured, powerless, and penniless, in Florence. Meanwhile, the failure of their foes had only served to strengthen the position of the Medici. The ladder had saved them the trouble of kicking it down.
The congratulations addressed on this occasion to Piero and Lorenzo by the ruling powers of Italy show that the Medici were already regarded as princes outside Florence. Lorenzo and Giuliano, the two sons of Piero, travelled abroad to the Courts of Milan and Ferrara with the style and state of more than simple citizens. At home they occupied the first place on all occasions of public ceremony, receiving royal visitors on terms of equality, and performing the hospitalities of the republic like men who had been born to represent its dignities. Lorenzo's marriage to Clarice Orsini, of the noble Roman house, was another sign that the Medici were advancing on the way toward despotism. Cosimo had avoided foreign alliances for his children. His descendants now judged themselves firmly planted enough to risk the odium of a princely match for the sake of the support outside the city they might win.
XII
Piero de' Medici died in December 1469. His son Lorenzo was then barely twenty-two years of age. The chiefs of the Medicean party,
all-powerful in the State, held a council, in which they resolved to place him in the same position as his father and grandfather. This resolve seems to have been formed after mature deliberation, on the ground that the existing conditions of Italian politics rendered it impossible to conduct the government without a presidential head. Florence, though still a democracy, required a permanent chief to treat on an equality with the princes of the leading cities. Here we may note the prudence of Cosimo's foreign policy. When he helped to establish despots in Milan and Bologna he was rendering the presidency of his own family in Florence necessary.
Lorenzo, having received this invitation, called attention to his youth and inexperience. Yet he did not refuse it; and, after a graceful display of diffidence, he accepted the charge, entering thus upon that famous political career, in the course of which he not only established and maintained a balance of power in Italy, with Florence for the central city, but also contrived to remodel the government of the republic in the interest of his own family and to strengthen the Medici by relations with the Papal See.
The extraordinary versatility of this man's intellectual and social gifts, his participation in all the literary and philosophical interests of his century, his large and liberal patronage of art, and the gaiety with which he joined the people of Florence in their pastimes—Mayday games and Carnival festivities—strengthened his hold upon the city in an age devoted to culture and refined pleasure. Whatever was most brilliant in the spirit of the Italian Benaissance seemed to be incarnate in Lorenzo. Not merely as a patron and a dilettante, but as a poet and a critic, a philosopher and scholar, he proved himself adequate to the varied intellectual ambitions of his country. Penetrated with the passion for erudition which distinguished Florence in the fifteenth century, familiar with her painters and her sculptors, deeply read in the works of her great poets, he conceived the ideal of infusing the spirit of antique civility into modern life, and of effecting for society what the artists were performing in their own sphere. To preserve the native character of the Florentine genius, while he added the grace of classic form, was the aim to which his tastes and instincts led him. At the same time, while he made himself the master of Florentine revels and the Augustus of Renaissance literature, he took care that beneath his carnival masks and ball-dress should be concealed the chains which he was forging for the republic.
What he lacked, with so much mental brilliancy, was moral greatness. The age he lived in was an age of selfish despots, treacherous generals, godless priests. It was an age of intellectual vigour and artistic creativeness; but it was also an age of mean ambition, sordid policy, and vitiated principles. Lorenzo remained true in all respects to the genius of this age: true to its enthusiasm for antique culture, true to its passion for art, true to its refined love of pleasure; but true also to its petty political intrigues, to its cynical selfishness, to its lack of heroism. For Florence he looked no higher and saw no further than Cosimo had done. If culture was his pastime, the enslavement of the city by bribery and corruption was the hard work of his manhood. As is the case with much Renaissance art, his life was worth more for its decorative detail than for its constructive design. In richness, versatility, variety, and exquisiteness of execution, it left little to be desired; yet, viewed at a distance, and as a whole, it does not inspire us with a sense of architectonic majesty.
XIII
Lorenzo's chief difficulties arose from the necessity under which, like Cosimo, he laboured of governing the city through its old institutions by means of a party. To keep the members of this party in good temper, and to gain their approval for the alterations he effected in the State machinery of Florence, was the problem of his life. The successful solution of this problem was easier now, after two generations of the Medicean ascendency, than it had been at first. Meanwhile the people were maintained in good humour by public shows, ease, plenty, and a general laxity of discipline. The splendour of Lorenzo's foreign alliances and the consideration he received from all the Courts of Italy contributed in no small measure to his popularity and security at home. By using his authority over Florence to inspire respect abroad, and by using his foreign credit to impose upon the burghers, Lorenzo displayed the tact of a true Italian diplomatist. His genius for statecraft, as then understood, was indeed of a rare order, equally adapted to the conduct of a complicated foreign policy and to the control of a suspicious and variable Commonwealth. In one point alone he was inferior to his grandfather. He neglected commerce, and allowed his banking business to fall into disorder so hopeless that in course of time he ceased to be solvent. Meanwhile his personal expenses, both as a prince in his own palace, and as the representative of majesty in Florence, continually increased. The bankruptcy of the Medici, it had long been foreseen, would involve the public finances in serious confusion. And now, in order to retrieve his fortunes, Lorenzo was not only obliged to repudiate his debts to the exchequer, but had also to gain complete disposal of the State purse. It was this necessity that drove him to effect the constitutional revolution of 1480, by which he substituted a Privy Council of seventy members for the old Councils of the State, absorbing the chief functions of the commonwealth into this single body, whom he practically nominated at pleasure. The same want of money led to the great scandal of his reign—the plundering of the Monte delle Doti, or State Insurance Office Fund for securing dowers to the children of its creditors.
XIV
While tracing the salient points of Lorenzo de' Medici's administration I have omitted to mention the important events which followed shortly after his accession to power in 1469. What happened between that date and 1480 was not only decisive for the future fortunes of the Casa Medici, but it was also eminently characteristic of the perils and the difficulties which beset Italian despots. The year 1471 was signalised by a visit by the Duke Galeazzo Maria Sforza of Milan, and his wife Bona of Savoy, to the Medici in Florence. They came attended by their whole Court—body guards on horse and foot, ushers, pages, falconers, grooms, kennel-varlets, and huntsmen. Omitting the mere baggage service, their train counted two thousand horses. To mention this incident would be superfluous, had not so acute an observer as Machiavelli marked it out as a turning-point in Florentine history. Now, for the first time, the democratic commonwealth saw its streets filled with a mob of courtiers. Masques, balls, and tournaments succeeded each other with magnificent variety; and all the arts of Florence were pressed into the service of these festivals. Machiavelli says that the burghers lost the last remnant of their old austerity of manners, and became, like the degenerate Romans, ready to obey the masters who provided them with brilliant spectacles. They gazed with admiration on the pomp of Italian princes, their dissolute and godless living, their luxury and prodigal expenditure; and when the Medici affected similar habits in the next generation, the people had no courage to resist the invasion of their pleasant vices.
In the same year, 1471, Volterra was reconquered for the Florentines by Frederick of Urbino. The honours of this victory, disgraced by a brutal sack of the conquered city, in violation of its articles of capitulation, were reserved for Lorenzo, who returned in triumph to Florence. More than ever he assumed the prince, and in his person undertook to represent the State.
In the same year, 1471, Francesco della Rovere was raised to the Papacy with the memorable name of Sixtus IV. Sixtus was a man of violent temper and fierce passions, restless and impatiently ambitious, bent on the aggrandisement of the beautiful and wanton youths, his nephews. Of these the most aspiring was Girolamo Riario, for whom Sixtus bought the town of Imola from Taddeo Manfredi, in order that he might possess the title of count and the nucleus of a tyranny in the Romagna. This purchase thwarted the plans of Lorenzo, who wished to secure the same advantages for Florence. Smarting with the sense of disappointment, he forbade the Roman banker, Francesco Pazzi, to guarantee the purchase-money. By this act Lorenzo made two mortal foes—the Pope and Francesco Pazzi. Francesco was a thin, pale, atrabilious fanatic, all nerve and passion, with a monomaniac intensity of purpose, and a will inflamed and guided by imagination—a man formed by nature for conspiracy, such a man, in fact, as Shakspere drew in Cassius. Maddened by Lorenzo's prohibition, he conceived the notion of overthrowing the Medici in Florence by a violent blow. Girolamo Riario entered into his views. So did Francesco Salviati, Archbishop of Pisa, who had private reasons for hostility. These men found no difficulty in winning over Sixtus to their plot; nor is it possible to purge the Pope of participation in what followed. I need not describe by what means Francesco drew the other members of his family into the scheme, and how he secured the assistance of armed cut-throats. Suffice it to say that the chief conspirators, with the exception of the Count Girolamo, betook themselves to Florence, and there, after the failure of other attempts, decided to murder Lorenzo and his brother Giuliano in the cathedral on Sunday, April 26th, 1478. The moment when the priest at the high altar finished the mass, was fixed for the assassination. Everything was ready. The conspirators, by Judas kisses and embracements, had discovered that the young men wore no protective armour under their silken doublets. Pacing the aisle behind the choir, they feared no treason. And now the lives of both might easily have been secured, if at the last moment the courage of the hired assassins had not failed them. Murder, they said, was well enough; but they could not bring themselves to stab men before the newly consecrated body of Christ. In this extremity a priest was found who, 'being accustomed to churches,' had no scruples. He and another reprobate were told off to Lorenzo. Francesco de' Pazzi himself undertook Giuliano. The moment for attack arrived. Francesco plunged his dagger into the heart of Giuliano. Then, not satisfied with this death-blow, he struck again, and in his heat of passion wounded his own thigh. Lorenzo escaped with a flesh-wound from the poniard of the priest, and rushed into the sacristy, where his friend Poliziano shut and held the brazen door. The plot had failed; for Giuliano, of the two brothers, was the one whom the conspirators would the more willingly have spared. The whole church was in an uproar. The city rose in tumult. Rage and horror took possession of the people. They flew to the Palazzo Pubblico and to the houses of the Pazzi, hunted the conspirators from place to place, hung the archbishop by the neck from the palace windows, and, as they found fresh victims for their fury, strung them one by one in a ghastly row at his side above the Square. About one hundred in all were killed. None who had joined in the plot escaped; for Lorenzo had long arms, and one man, who fled to Constantinople, was delivered over to his agents by the Sultan. Out of the whole Pazzi family only Guglielmo, the husband of Bianca de' Medici, was spared. When the tumult was over, Andrea del Castagno painted the portraits of the traitors head-downwards upon the walls of the Bargello Palace, in order that all men might know what fate awaited the foes of the Medici and of the State of Florence.[15] Meanwhile a bastard son of Giuliano's was received into the Medicean household, to perpetuate his lineage. This child, named Giulio, was destined to be famous in the annals of Italy and Florence under the title of Pope Clement VII.
XV
As is usual when such plots miss their mark, the passions excited redounded to the profit of the injured party. The commonwealth felt that the blow struck at Lorenzo had been aimed at their majesty. Sixtus, on the other hand, could not contain his rage at the failure of so ably planned a coup de main. Ignoring that he had sanctioned the treason, that a priest had put his hand to the dagger, that the impious deed had been attempted in a church before the very Sacrament of Christ, whose vicar on earth he was, the Pope now excommunicated the republic. The reason he alleged was, that the Florentines had dared to hang an archbishop.
Thus began a war to the death between Sixtus and Florence. The Pope inflamed the whole of Italy, and carried on a ruinous campaign in Tuscany. It seemed as though the republic might lose her subject cities, always ready to revolt when danger threatened the sovereign State. Lorenzo's position became critical. Sixtus made no secret of the hatred he bore him personally, declaring that he fought less with Florence than with the Medici. To support the odium of this long war and this heavy interdict alone, was more than he could do. His allies forsook him. Naples was enlisted on the Pope's side. Milan and the other States of Lombardy were occupied with their own affairs, and held aloof. In this extremity he saw that nothing but a bold step could save him. The league formed by Sixtus must be broken up at any risk, and, if possible, by his own ability. On December 6th, 1479, Lorenzo left Florence, unarmed and unattended, took ship at Leghorn, and proceeded to the court of the enemy, King Ferdinand, at Naples. Ferdinand was a cruel and treacherous sovereign, who had murdered his guest, Jacopo Piccinino, at a banquet given in his honour. But Ferdinand was the son of Alfonso, who, by address and eloquence, had gained a kingdom from his foe and jailor, Filippo Maria Visconti. Lorenzo calculated that he too, following Alfonso's policy, might prove to Ferdinand how little there was to gain from an alliance with Rome, how much Naples and Florence, firmly united together for offence and defence, might effect in Italy.
Only a student of those perilous times can appreciate the courage and the genius, the audacity combined with diplomatic penetration, displayed by Lorenzo at this crisis. He calmly walked into the lion's den, trusting he could tame the lion and teach it, and all in a few days. Nor did his expectation fail. Though Lorenzo was rather ugly than handsome, with a dark skin, heavy brows, powerful jaws, and nose sharp in the bridge and broad at the nostrils, without grace of carriage or melody of voice, he possessed what makes up for personal defects—the winning charm of eloquence in conversation, a subtle wit, profound knowledge of men, and tact allied to sympathy, which placed him always at the centre of the situation. Ferdinand received him kindly. The Neapolitan nobles admired his courage and were fascinated by his social talents. On March 1st, 1480, he left Naples again, having won over the King by his arguments. When he reached Florence he was able to declare that he brought home a treaty of peace and alliance signed by the most powerful foe of the republic. The success of this bold enterprise endeared Lorenzo more than ever to his countrymen. In the same year they concluded a treaty with Sixtus, who was forced against his will to lay down arms by the capture of Otranto and the extreme peril of Turkish invasion. After the year 1480 Lorenzo remained sole master in Florence, the arbiter and peacemaker of the rest of Italy.
XVI
The conjuration of the Pazzi was only one in a long series of similar conspiracies. Italian despots gained their power by violence and wielded it with craft. Violence and craft were therefore used against them. When the study of the classics had penetrated the nation with antique ideas of heroism, tyrannicide became a virtue. Princes were murdered with frightful frequency. Thus Gian Maria Visconti was put to death at Milan in 1412; Galeazzo Maria Sforza in 1484; the Chiarelli of Fabriano were massacred in 1435; the Baglioni of Perugia in 1500; Girolamo Gentile planned the assassination of Galeazzo Sforza at Genoa in 1476; Niccolo d'Este conspired against his uncle Ercole in 1476; Stefano Porcari attempted the life of Nicholas V. at Rome in 1453; Lodovico Sforza narrowly escaped a violent death in 1453. I might multiply these instances beyond satiety. As it is, I have selected but a few examples falling, all but one, within the second half of the fifteenth century. Nearly all these attempts upon the lives of princes were made in church during the celebration of sacred offices. There was no superfluity of naughtiness, no wilful sacrilege, in this choice of an occasion. It only testified to the continual suspicion and guarded watchfulness maintained by tyrants. To strike at them except in church was almost impossible. Meanwhile the fate of the tyrannicides was uniform. Successful or not, they perished. Yet so grievous was the pressure of Italian despotism, so glorious was the ideal of Greek and Roman heroism, so passionate the temper of the people, that to kill a prince at any cost to self appeared the crown of manliness. This bloodshed exercised a delirious fascination: pure and base, personal and patriotic motives combined to add intensity of fixed and fiery purpose to the murderous impulse. Those then who, like the Medici, aspired to tyranny and sought to found a dynasty of princes, entered the arena against a host of unknown and unseen gladiators.
XVII
On his deathbed, in 1492, Lorenzo lay between two men—Angelo Poliziano and Girolamo Savonarola. Poliziano incarnated the genial, radiant, godless spirit of fifteenth-century humanism. Savonarola represented the conscience of Italy, self-convicted, amid all her greatness, of crimes that called for punishment. It is said that when Lorenzo asked the monk for absolution, Savonarola bade him first restore freedom to Florence. Lorenzo, turned his face to the wall and was silent. How indeed could he make this city in a moment free, after sixty years of slow and systematic corruption? Savonarola left him, and he died unshriven. This legend is doubtful, though it rests on excellent if somewhat partial authority. It has, at any rate, the value of a mythus, since it epitomises the attitude assumed by the great preacher to the prince. Florence enslaved, the soul of Lorenzo cannot lay its burden down, but must go with all its sins upon it to the throne of God.
The year 1492 was a memorable year for Italy. In this year Lorenzo's death removed the keystone of the arch that had sustained the fabric of Italian federation. In this year Roderigo Borgia was elected Pope. In this year Columbus discovered America; Vasco de Gama soon after opened a new way to the Indies, and thus the commerce of the world passed from Italy to other nations. In this year the conquest of Granada gave unity to the Spanish nation. In this year France, through the lifelong craft of Louis XI., was for the first time united under a young hot-headed sovereign. On every side of the political horizon storms threatened. It was clear that a new chapter of European history had been opened. Then Savonarola raised his voice, and cried that the crimes of Italy, the abominations of the Church, would speedily be punished. Events led rapidly to the fulfilment of this prophecy. Lorenzo's successor, Piero de' Medici, was a vain, irresolute, and hasty princeling, fond of display, proud of his skill in fencing and football-playing, with too much of the Orsini blood in his hot veins, with too little of the Medicean craft in his weak head. The Italian despots felt they could not trust Piero, and this want of confidence was probably the first motive that impelled Lodovico Sforza to call Charles VIII. into Italy in 1494.
It will not be necessary to dwell upon this invasion of the French, except in so far as it affected Florence. Charles passed rapidly through Lombardy, engaged his army in the passes of the Apennines, and debouched upon the coast where the Magra divided Tuscany from Liguria. Here the fortresses of Sarzana and Pietra Santa, between the marble bulwark of Carrara and the Tuscan sea, stopped his further progress. The keys were held by the Florentines. To force these strong positions and to pass beyond them seemed impossible. It might have been impossible if Piero de' Medici had possessed a firmer will. As it was, he rode off to the French camp, delivered up the forts to Charles, bound the King by no engagements, and returned not otherwise than proud of his folly to Florence. A terrible reception awaited him. The Florentines, in their fury, had risen and sacked the Medicean palace. It was as much as Piero, with his brothers, could do to escape beyond the hills to Venice. The despotism of the Medici, so carefully built up, so artfully sustained and strengthened, was overthrown in a single day.
XVIII
Before considering what happened in Florence after the expulsion of the Medici, it will be well to pause a moment and review the state in which Lorenzo had left his family. Piero, his eldest son, recognised as chief of the republic after his father's death, was married to Alfonsina Orsini, and was in his twenty-second year. Giovanni, his second son, a youth of seventeen, had just been made cardinal. This honour, of vast importance for the Casa Medici in the future, he owed to his sister Maddalena's marriage to Franceschetto Cybo, son of Innocent VIII. The third of Lorenzo's sons, named Giuliano, was a boy of thirteen. Giulio, the bastard son of the elder Giuliano, was fourteen. These four princes formed the efficient strength of the Medici, the hope of the house; and for each of them, with the exception of Piero, who died in exile, and of whom no more notice need be taken, a brilliant destiny was still in store. In the year 1495, however, they now wandered, homeless and helpless, through the cities of Italy, each of which was shaken to its foundations by the French invasion.
XIX
Florence, left without the Medici, deprived of Pisa and other subject cities by the passage of the French army, with no leader but the monk Savonarola, now sought to reconstitute her liberties. During the domination of the Albizzi and the Medici the old order of the commonwealth had been completely broken up. The Arti had lost their primitive importance. The distinctions between the Grandi and the Popolani had practically passed away. In a democracy that has submitted to a lengthened course of tyranny, such extinction of its old life is inevitable. Yet the passion for liberty was still powerful; and the busy brains of the Florentines were stored with experience gained from their previous vicissitudes, from \ the study of antique history, and from the observation of existing constitutions in the towns of Italy. They now determined to reorganise the State upon the model of the Venetian republic. The Signory was to remain, with its old institution of Priors, Gonfalonier, and College, elected for brief periods. These magistrates were to take the initiative in debate, to propose measures, and to consider plans of action. The real power of the State, for voting supplies and ratifying the measures of the Signory, was vested in a senate of one thousand members, called the Grand Council, from whom a smaller body of forty, acting as intermediates between the Council and the Signory, were elected. It is said that the plan of this constitution originated with Savonarola; nor is there any doubt that he used all his influence in the pulpit of the Duomo to render it acceptable to the people. Whoever may have been responsible for its formation, the new government was carried in 1495, and a large hall for the assembly of the Grand Council was opened in the Public Palace.
Savonarola, meanwhile, had become the ruling spirit of Florence. He gained his great power as a preacher: he used it like a monk. The motive principle of his action was the passion for reform. To bring the Church back to its pristine state of purity, without altering its doctrine or suggesting any new form of creed; to purge Italy of ungodly customs; to overthrow the tyrants who encouraged evil living, and to place the power of the State in the hands of sober citizens: these were his objects. Though he set himself in bold opposition to the reigning Pope, he had no desire to destroy the spiritual supremacy of S. Peter's see. Though he burned with an enthusiastic zeal for liberty, and displayed rare genius for administration, he had no ambition to rule Florence like a dictator. Savonarola was neither a reformer in the northern sense of the word, nor yet a political demagogue. His sole wish was to see purity of manners and freedom of self-government re-established. With this end in view he bade the Florentines elect Christ as their supreme chief; and they did so. For the same end he abstained from appearing in the State Councils, and left the Constitution to work by its own laws. His personal influence he reserved for the pulpit; and here he was omnipotent. The people believed in him as a prophet. They turned to him as the man who knew what he wanted—as the voice of liberty, the soul of the new régime, the genius who could breathe into the commonwealth a breath of fresh vitality. When, therefore, Savonarola preached a reform of manners, he was at once obeyed. Strict laws were passed enforcing sobriety, condemning trades of pleasure, reducing the gay customs of Florence to puritanical austerity.
Great stress has been laid upon this reaction of the monk-led populace against the vices of the past. Yet the historian is bound to pronounce that the reform effected by Savonarola was rather picturesque than vital. Like all violent revivals of pietism, it produced a no less violent reaction. The parties within the city who resented the interference of a preaching friar, joined with the Pope in Rome, who hated a contumacious schismatic in Savonarola. Assailed by these two forces at the same moment, and driven upon perilous ground by his own febrile enthusiasm, Savonarola succumbed. He was imprisoned, tortured, and burned upon the public square in 1498.
What Savonarola really achieved for Florence was not a permanent reform of morality, but a resuscitation of the spirit of freedom. His followers, called in contempt I Piagnoni, or the Weepers, formed the path of the commonwealth in future; and the memory of their martyr served as a common bond of sympathy to unite them in times of trial. It was a necessary consequence of the peculiar part he played that the city was henceforth divided into factions representing mutually antagonistic principles. These factions were not created by Savonarola; but his extraordinary influence accentuated, as it were, the humours that lay dormant in the State. Families favourable to the Medici took the name of Palleschi. Men who chafed against puritanical reform, and who were eager for any government that should secure them their old licence, were known as Compagnacci. Meanwhile the oligarchs, who disliked a democratic Constitution, and thought it possible to found an aristocracy without the intervention of the Medici, came to be known as Gli Ottimati. Florence held within itself, from this epoch forward to the final extinction of liberty, four great parties: the Piagnoni, passionate for political freedom and austerity of life; the Palleschi, favourable to the Medicean cause, and regretful of Lorenzo's pleasant rule; the Compagnacci, intolerant of the reformed republic, neither hostile nor loyal to the Medici, but desirous of personal licence; the Ottimati, astute and selfish, watching their own advantage, ever-mindful to form a narrow government of privileged families, disinclined to the Medici, except when they thought the Medici might be employed as instruments in their intrigues.
XX
During the short period of Savonarola's ascendency, Florence was in form at least a Theocracy, without any titular head but Christ; and as long as the enthusiasm inspired by the monk lasted, as long as his personal influence endured, the Constitution of the Grand Council worked well. After his death it was found that the machinery was too cumbrous. While adopting the Venetian form of government, the Florentines had omitted one essential element—the Doge. By referring measures of immediate necessity to the Grand Council, the republic lost precious time. Dangerous publicity, moreover, was incurred; and so large a body often came to no firm resolution. There was no permanent authority in the State; no security that what had been deliberated would be carried out with energy; no titular chief, who could transact affairs with foreign potentates and their ambassadors. Accordingly, in 1502, it was decreed that the Gonfalonier should hold office for life—should be in fact a Doge. To this important post of permanent president Piero Soderini was appointed; and in his hands were placed the chief affairs of the republic.
At this point Florence, after all her vicissitudes, had won her way to something really similar to the Venetian Constitution. Yet the similarity existed more in form than in fact. The government of burghers in a Grand Council, with a Senate of forty, and a Gonfalonier for life, had not grown up gradually and absorbed into itself the vital forces of the commonwealth. It was a creation of inventive intelligence, not of national development, in Florence. It had against it the jealousy of the Ottimati, who felt themselves overshadowed by the Gonfalonier; the hatred of the Palleschi, who yearned for the Medici; the discontent of the working classes, who thought the presence of a Court in Florence would improve trade; last, but not least, the disaffection of the Compagnacci, who felt they could not flourish to their heart's content in a free commonwealth. Moreover, though the name of liberty was on every lip, though the Florentines talked, wrote, and speculated more about constitutional independence than they had ever done, the true energy of free institutions had passed from the city. The corrupt government of Cosimo and Lorenzo bore its natural fruit now. Egotistic ambition and avarice supplanted patriotism and industry. It is necessary to comprehend these circumstances, in order that the next revolution may be clearly understood.
XXI
During the ten years which elapsed between 1502 and 1512, Piero Soderini administered Florence with an outward show of great prosperity. He regained Pisa, and maintained an honourable foreign policy in the midst of the wars stirred up by the League of Cambray. Meanwhile the young princes of the House of Medici had grown to manhood in exile. The Cardinal Giovanni was thirty-seven in 1512. His brother Giuliano was thirty-three. Both of these men were better fitted than their brother Piero to fight the battles of the family. Giovanni, in particular, had inherited no small portion of the Medicean craft. During the troubled reign of Julius II. he kept very quiet, cementing his connections with powerful men in Rome, but making no effort to regain his hold on Florence. Now the moment for striking a decisive blow had come. After the battle of Ravenna in 1512, the French were driven out of Italy, and the Sforzas returned to Milan; the Spanish troops, under the Viceroy Cardona, remained masters of the country. Following the camp of these Spaniards, Giovanni de' Medici entered Tuscany in August, and caused the restoration of the Medici to be announced in Florence. The people, assembled by Soderini, resolved to resist to the uttermost. No foreign army should force them to receive the masters whom they had expelled. Yet their courage failed on August 29th, when news reached them of the capture and the sack of Prato. Prato is a sunny little city a few miles distant from the walls of Florence, famous for the beauty of its women, the richness of its gardens, and the grace of its buildings. Into this gem of cities the savage soldiery of Spain marched in the bright autumnal weather, and turned the paradise into a hell. It is even now impossible to read of what they did in Prato without shuddering.[16] Cruelty and lust, sordid greed for gold, and cold delight in bloodshed, could go no further. Giovanni de' Medici, by nature mild and voluptuous, averse to violence of all kinds, had to smile approval, while the Spanish Viceroy knocked thus with mailed hand for him at the door of Florence. The Florentines were paralysed with terror. They deposed Soderini and received the Medici. Giovanni and Giuliano entered their devastated palace in the Via Larga, abolished the Grand Council, and dealt with the republic as they listed.
XXII
There was no longer any medium in Florence possible between either tyranny or some such government as the Medici had now destroyed. The State was too rotten to recover even the modified despotism of Lorenzo's days. Each transformation had impaired some portion of its framework, broken down some of its traditions, and sowed new seeds of egotism in citizens who saw all things round them change but self-advantage. Therefore Giovanni and Giuliano felt themselves secure in flattering the popular vanity by an empty parade of the old institutions. They restored the Signory and the Gonfalonier, elected for intervals of two months by officers appointed for this purpose by the Medici. Florence had the show of a free government. But the Medici managed all things; and soldiers, commanded by their creature, Paolo Vettori, held the Palace and the Public Square. The tyranny thus established was less secure, inasmuch as it openly rested upon violence, than Lorenzo's power had been; nor were there signs wanting that the burghers could ill brook their servitude. The conspiracy of Pietro Paolo Boscoli and Agostino Capponi proved that the Medicean brothers ran daily risk of life. Indeed, it is not likely that they would have succeeded in maintaining their authority—for they were poor and ill-supported by friends outside the city—except for one most lucky circumstance: that was the election of Giovanni de' Medici to the Papacy in 1513.
The creation of Leo X. spread satisfaction throughout Italy. Politicians trusted that he would display some portion of his father's ability, and restore peace to the nation. Men of arts and letters expected everything from a Medicean Pope, who had already acquired the reputation of polite culture and open-handed generosity. They at any rate were not deceived. Leo's first words on taking his place in the Vatican were addressed to his brother Giuliano: 'Let us enjoy the Papacy, now that God has given it to us;' and his notion of enjoyment was to surround himself with court-poets, jesters, and musicians, to adorn his Roman palaces with frescoes, to collect statues and inscriptions, to listen to Latin speeches, and to pass judgment upon scholarly compositions. Any one and every one who gave him sensual or intellectual pleasure, found his purse always open. He lived in the utmost magnificence, and made Rome the Paris of the Renaissance for brilliance, immorality, and self-indulgent ease. The politicians had less reason to be satisfied. Instead of uniting the Italians and keeping the great Powers of Europe in check, Leo carried on a series of disastrous petty wars, chiefly with the purpose of establishing the Medici as princes. He squandered the revenues of the Church, and left enormous debts behind him—an exchequer ruined and a foreign policy so confused that peace for Italy could only be obtained by servitude.
Florence shared in the general rejoicing which greeted Leo's accession to the Papacy. He was the first Florentine citizen who had received the tiara, and the popular vanity was flattered by this honour to the republic. Political theorists, meanwhile, began to speculate what greatness Florence, in combination with Rome, might rise to. The Pope was young; he ruled a large territory, reduced to order by his warlike predecessors. It seemed as though the republic, swayed by him, might make herself the first city in Italy, and restore the glories of her Guelf ascendency upon the platform of Renaissance statecraft. There was now no overt opposition to the Medici in Florence. How to govern the city from Rome, and how to advance the fortunes of his brother Giuliano and his nephew Lorenzo (Piero's son, a young man of twenty-one), occupied the Pope's most serious attention. For Lorenzo Leo obtained the Duchy of Urbino and the hand of a French princess. Giuliano was named Gonfalonier of the Church. He also received the French title of Duke of Nemours and the hand of Filiberta, Princess of Savoy. Leo entertained a further project of acquiring the crown of Southern Italy for his brother, and thus of uniting Rome, Florence, and Naples under the headship of his house. Nor were the Medicean interests neglected in the Church. Giulio, the Pope's bastard cousin, was made cardinal. He remained in Rome, acting as vice-chancellor and doing the hard work of the Papal Government for the pleasure-loving pontiff.
To Lorenzo, Duke of Urbino, the titular head of the family, was committed the government of Florence. During their exile, wandering from court to court in Italy, the Medici had forgotten what it was to be burghers, and had acquired the manners of princes. Leo alone retained enough of caution to warn his nephew that the Florentines must still be treated as free people. He confirmed the constitution of the Signory and the Privy Council of seventy established by his father, bidding Lorenzo, while he ruled this sham republic, to avoid the outer signs of tyranny. The young duke at first behaved with moderation, but he could not cast aside his habits of a great lord. Florence now for the first time saw a regular court established in her midst, with a prince, who, though he bore a foreign title, was in fact her master. The joyous days of Lorenzo the Magnificent returned. Masquerades and triumphs filled the public squares. Two clubs of pleasure, called the Diamond and the Branch—badges adopted by the Medici to signify their firmness in disaster and their power of self-recovery—were formed to lead the revels. The best sculptors and painters devoted their genius to the invention of costumes and cars. The city affected to believe that the age of gold had come again.
XXIII
Fortune had been very favourable to the Medici. They had returned as princes to Florence. Giovanni was Pope. Giuliano was Gonfalonier of the Church. Giulio was Cardinal and Archbishop of Florence. Lorenzo ruled the city like a sovereign. But this prosperity was no less brief than it was brilliant. A few years sufficed to sweep off all the chiefs of the great house. Giuliano died in 1516, leaving only a bastard son Ippolito. Lorenzo died in 1519, leaving a bastard son Alessandro, and a daughter, six days old, who lived to be the Queen of France. Leo died in 1521. There remained now no legitimate male descendants from the stock of Cosimo. The honours and pretensions of the Medici devolved upon three bastards—on the Cardinal Giulio, and the two boys, Alessandro and Ippolito. Of these, Alessandro was a mulatto, his mother having been a Moorish slave in the Palace of Urbino; and whether his father was Giulio, or Giuliano, or a base groom, was not known for certain. To such extremities were the Medici reduced. In order to keep their house alive, they were obliged to adopt this foundling. It is true that the younger branch of the family, descended from Lorenzo, the brother of Cosimo, still flourished. At this epoch it was represented by Giovanni, the great general known as the Invincible, whose bust so strikingly resembles that of Napoleon. But between this line of the Medici and the elder branch there had never been true cordiality. The Cardinal mistrusted Giovanni. It may, moreover, be added, that Giovanni was himself doomed to death in the year 1526.
Giulio de' Medici was left in 1521 to administer the State of Florence single-handed. He was archbishop, and he resided in the city, holding it with the grasp of an absolute ruler. Yet he felt his position insecure. The republic had no longer any forms of self-government; nor was there a magistracy to whom the despot could delegate his power in his absence. Giulio's ambition was fixed upon the Papal crown. The bastards he was rearing were but children. Florence had therefore to be furnished with some political machinery that should work of itself. The Cardinal did not wish to give freedom to the city, but clockwork. He was in the perilous situation of having to rule a commonwealth without life, without elasticity, without capacity of self-movement, yet full of such material as, left alone, might ferment, and breed a revolution. In this perplexity, he had recourse to advisers. The most experienced politicians, philosophical theorists, practical diplomatists, and students of antique history were requested to furnish him with plans for a new constitution, just as you ask an architect to give you the plan of a new house. This was the field-day of the doctrinaires. Now was seen how much political sagacity the Florentines had gained while they were losing liberty. We possess these several drafts of constitutions. Some recommend tyranny; some incline to aristocracy, or what Italians called Governo Stretto; some to democracy, or Governo Largo; some to an eclectic compound of the other forms, or Governo Misto. More consummate masterpieces of constructive ingenuity can hardly be imagined. What is omitted in all, is just what no doctrinaire, no nostrum can communicate—the breath of life, the principle of organic growth. Things had come, indeed, to a melancholy pass for Florence when her tyrant, in order to confirm his hold upon her, had to devise these springs and irons to support her tottering limbs.
XXIV
While the archbishop and the doctors were debating, a plot was hatching in the Rucellai Gardens. It was here that the Florentine Academy now held their meetings. For this society Machiavelli wrote his 'Treatise on the Art of War,' and his 'Discourses upon Livy.' The former was an exposition of Machiavelli's scheme for creating a national militia, as the only safeguard for Italy, exposed at this period to the invasions of great foreign armies. The latter is one of the three or four masterpieces produced by the Florentine school of critical historians. Stimulated by the daring speculations of Machiavelli, and fired to enthusiasm by their study of antiquity, the younger academicians formed a conspiracy for murdering Giulio de' Medici, and restoring the republic on a Roman model. An intercepted letter betrayed their plans. Two of the conspirators were taken and beheaded. Others escaped. But the discovery of this conjuration put a stop to Giulio's scheme of reforming the State. Henceforth he ruled Florence like a despot, mild in manners, cautious in the exercise of arbitrary power, but firm in his autocracy. The Condottiere. Alessandro Vitelli, with a company of soldiers, was taken into service for the protection of his person and the intimidation of the citizens.
In 1523, the Pope, Adrian VI., expired after a short papacy, from which he gained no honour and Italy no profit. Giulio hurried to Rome, and, by the clever use of his large influence, caused himself to be elected with the title of Clement VII. In Florence he left Silvio Passerini, Cardinal of Cortona, as his vicegerent and the guardian of the two boys Alessandro and Ippolito. The discipline of many years had accustomed the Florentines to a government of priests. Still the burghers, mindful of their ancient liberties, were galled by the yoke of a Cortonese, sprung up from one of their subject cities; nor could they bear the bastards who were being reared to rule them. Foreigners threw it in their teeth that Florence, the city glorious of art and freedom, was become a stable for mules—stalla da muli, in the expressive language of popular sarcasm. Bastardy, it may be said in passing, carried with it small dishonour among the Italians. The Estensi were all illegitimate; the Aragonese house in Naples sprang from Alfonso's natural son; and children of Popes ranked among the princes. Yet the uncertainty of Alessandro's birth and the base condition of his mother made the prospect of this tyrant peculiarly odious; while the primacy of a foreign cardinal in the midst of citizens whose spirit was still unbroken, embittered the cup of humiliation. The Casa Medici held its authority by a slender thread, and depended more upon the disunion of the burghers than on any power of its own. It could always reckon on the favour of the lower populace, who gained profit and amusement from the presence of a court. The Ottimati again hoped more from a weak despotism than from a commonwealth, where their privileges would have been merged in the mass of the Grand Council. Thus the sympathies of the plebeians and the selfishness of the rich patricians prevented the republic from asserting itself. On this meagre basis of personal cupidity the Medici sustained themselves. What made the situation still more delicate, and at the same time protracted the feeble rule of Clement, was that neither the Florentines nor the Medici had any army. Face to face with a potentate so considerable as the Pope, a free State could not be established without military force. On the other hand, the Medici, supported by a mere handful of mercenaries, had no power to resist a popular rising if any external event should inspire the middle classes with a hope of liberty.
XXV
Clement assumed the tiara at a moment of great difficulty. Leo had ruined the finance of Rome. France and Spain were still contending for the possession of Italy. While acting as Vice-Chancellor, Giulio de' Medici had seemed to hold the reins with a firm grasp, and men expected that he would prove a powerful Pope; but in those days he had Leo to help him; and Leo, though indolent, was an abler man than his cousin. He planned, and Giulio executed. Obliged to act now for himself, Clement revealed the weakness of his nature. That weakness was irresolution, craft without wisdom, diplomacy without knowledge of men. He raised the storm, and showed himself incapable of guiding it. This is not the place to tell by what a series of crooked schemes and cross purposes he brought upon himself the ruin of the Church and Rome, to relate his disagreement with the Emperor, or to describe again the sack of the Eternal City by the rabble of the Constable de Bourbon's army. That wreck of Rome in 1527 was the closing scene of the Italian Renaissance—the last of the Apocalyptic tragedies foretold by Savonarola—the death of the old age.
When the Florentines knew what was happening in Rome, they rose and forced the Cardinal Passerini to depart with the Medicean bastards from the city. The youth demanded arms for the defence of the town, and they received them. The whole male population was enrolled in a militia. The Grand Council was reformed, and the republic was restored upon the basis of 1495. Niccolo Capponi was elected Gonfalonier. The name of Christ was again registered as chief of the commonwealth—to such an extent did the memory of Savonarola still sway the popular imagination. The new State hastened to form an alliance with France, and Malatesta Baglioni was chosen as military Commander-in-Chief. Meanwhile the city armed itself for siege—Michel Angelo Buonarroti and Francesco da San Gallo undertaking the construction of new forts and ramparts. These measures were adopted with sudden decision, because it was soon known that Clement had made peace with the Emperor, and that the army which had sacked Rome was going to be marched on Florence.
XXVI
In the month of August 1529 the Prince of Orange assembled his forces at Terni, and thence advanced by easy stages into Tuscany. As he approached, the Florentines laid waste their suburbs, and threw down their wreath of towers, in order that the enemy might have no harbourage or points of vantage for attack. Their troops were concentrated within the city, where a new Gonfalonier, Francesco Carducci, furiously opposed to the Medici, and attached to the Piagnoni party, now ruled. On September 4th the Prince of Orange appeared before the walls, and opened the memorable siege. It lasted eight months, at the end of which time, betrayed by their generals, divided among themselves, and worn out with delays, the Florentines capitulated. Florence was paid as compensation for the insult offered to the pontiff in the sack of Rome.
The long yoke of the Medici had undermined the character of the Florentines. This, their last glorious struggle for liberty, was but a flash in the pan—a final flare-up of the dying lamp. The city was not satisfied with slavery; but it had no capacity for united action. The Ottimati were egotistic and jealous of the people. The Palleschi desired to restore the Medici at any price—some of them frankly wishing for a principality, others trusting that the old quasi-republican government might still be reinstated. The Red Republicans, styled Libertini and Arrabbiati, clung together in blind hatred of the Medicean party; but they had no further policy to guide them. The Piagnoni, or Frateschi, stuck to the memory of Savonarola, and believed that angels would descend to guard the battlements when human help had failed. These enthusiasts still formed the true nerve of the nation—the class that might have saved the State, if salvation had been possible. Even as it was, the energy of their fanaticism prolonged the siege until resistance seemed no longer physically possible. The hero developed by the crisis was Francesco Ferrucci, a plebeian who had passed his youth in manual labour, and who now displayed rare military genius. He fell fighting outside the walls of Florence. Had he commanded the troops from the beginning, and remained inside the city, it is just possible that the fate of the war might have been less disastrous. As it was, Malatesta Baglioni, the Commander-in-Chief, turned out an arrant scoundrel. He held secret correspondence with Clement and the Prince of Orange. It was he who finally sold Florence to her foes, 'putting on his head,' as the Doge of Venice said before the Senate, 'the cap of the biggest traitor upon record.'
XXVII
What remains of Florentine history may be briefly told. Clement, now the undisputed arbiter of power and honour in the city, chose Alessandro de' Medici to be prince. Alessandro was created Duke of Cività di Penna, and married to a natural daughter of Charles V. Ippolito was made a cardinal. Ippolito would have preferred a secular to a priestly kingdom; nor did he conceal his jealousy for his cousin. Therefore Alessandro had him poisoned. Alessandro in his turn was murdered by his kinsman, Lorenzino de' Medici. Lorenzino paid the usual penalty of tyrannicide some years later. When Alessandro was killed in 1539, Clement had himself been dead five years. Thus the whole posterity of Cosimo de' Medici, with the exception of Catherine, Queen of France, was utterly extinguished. But the Medici had struck root so firmly in the State, and had so remodelled it upon the type of tyranny, that the Florentines were no longer able to do without them. The chiefs of the Ottimati selected Cosimo, the representative of Giovanni the Invincible, for their prince, and thus the line of the elder Lorenzo came at last to power. This Cosimo was a boy of eighteen, fond of field-sports, and unused to party intrigues. When Francesco Guicciardini offered him a privy purse of one hundred and twenty thousand ducats annually, together with the presidency of Florence, this wily politician hoped that he would rule the State through Cosimo, and realise at last that dream of the Ottimati, a Governo Stretto or di Pochi. He was notably mistaken in his calculations. The first days of Cosimo's administration showed that he possessed the craft of his family and the vigour of his immediate progenitors, and that he meant to be sole master in Florence. He it was who obtained the title of Grand Duke of Tuscany from the Pope—a title confirmed by the Emperor, fortified by Austrian alliances, and transmitted through his heirs to the present century.
XXVIII
In this sketch of Florentine history, I have purposely omitted all details that did not bear upon the constitutional history of the republic, or on the growth of the Medici as despots; because I wanted to present a picture of the process whereby that family contrived to fasten itself upon the freest and most cultivated State in Italy. This success the Medici owed mainly to their own obstinacy, and to the weakness of republican institutions in Florence. Their power was founded upon wealth in the first instance, and upon the ingenuity with which they turned the favour of the proletariate to use. It was confirmed by the mistakes and failures of their enemies, by Rinaldo degli Albizzi's attack on Cosimo, by the conspiracy of Neroni and Pitti against Piero, and by Francesco de' Pazzi's attempt to assassinate Lorenzo. It was still further strengthened by the Medicean sympathy for arts and letters—a sympathy which placed both Cosimo and Lorenzo at the head of the Renaissance movement, and made them worthy to represent Florence, the city of genius, in the fifteenth century. While thus founding and cementing their dynastic influence upon the basis of a widespread popularity, the Medici employed persistent cunning in the enfeeblement of the Republic. It was their policy not to plant themselves by force or acts of overt tyranny, but to corrupt ambitious citizens, to secure the patronage of public officers, and to render the spontaneous working of the State machinery impossible. By pursuing this policy over a long series of years they made the revival of liberty in 1494, and again in 1527, ineffectual. While exiled from Florence, they never lost the hope of returning as masters, so long as the passions they had excited, and they alone could gratify, remained in full activity. These passions were avarice and egotism, the greed of the grasping Ottimati, the jealousy of the nobles, the self-indulgence of the proletariate. Yet it is probable they might have failed to recover Florence, on one or other of these two occasions, but for the accident which placed Giovanni de' Medici on the Papal chair, and enabled him to put Giulio in the way of the same dignity. From the accession of Leo in 1513 to the year 1527 the Medici ruled Florence from Rome, and brought the power of the Church into the service of their despotism. After that date they were still further aided by the imperial policy of Charles V., who chose to govern Italy through subject princes, bound to himself by domestic alliances and powerful interests. One of these was Cosimo, the first Grand Duke of Tuscany.