"Ye are gods, and, behold, ye shall die, and the waves be upon you at last.
In the darkness of time, in the deeps of the years, in the changes of things,
Ye shall sleep as a slain man sleeps, and the world shall forget you for kings."
From the annalistic point of view the Fomorians are sea demons or pirates, their name being derived from muir, "sea," while they are descended along with other monstrous beings from them. Professor Rh[^y]s, while connecting the name with Welsh foawr, "giant" (Gaelic famhair), derives the name from fo, "under," and muir, and regards them as submarine beings.175 Dr. MacBain connected them with the fierce powers of the western sea personified, like the Muireartach, a kind of sea hag, of a Fionn ballad.176 But this association of the Fomorians with the ocean may be the result of a late folk-etymology, which wrongly derived their name from muir. The Celtic experience of the Lochlanners or Norsemen, with whom the Fomorians are associated,177 would aid the conception of them as sea-pirates of a more or less demoniacal character. Dr. Stokes connects the second syllable mor with mare in "nightmare," from moro, and regards them as subterranean as well as submarine.178 But the more probable derivation is that of Zimmer and D'Arbois, from fo and morio (mor, "great "),179 which would thus agree with the tradition which regarded them as giants. They were probably beneficent gods of the aborigines, whom the Celtic conquerors regarded as generally evil, perhaps equating them with the dark powers already known to them. They were still remembered as gods, and are called "champions of the síd," like the Tuatha Dé Danann.180 Thus King Bres sought to save his life by promising that the kine of Ireland would always be in milk, then that the men of Ireland would reap every quarter, and finally by revealing the lucky days for ploughing, sowing, and reaping.181 Only an autochthonous god could know this, and the story is suggestive of the true nature of the Fomorians. The hostile character attributed to them is seen from the fact that they destroyed corn, milk, and fruit. But in Ireland, as elsewhere, this destructive power was deprecated by begging them not to destroy "corn nor milk in Erin beyond their fair tribute."182 Tribute was also paid to them on Samhain, the time when the powers of blight feared by men are in the ascendant. Again, the kingdom of Balor, their chief, is still described as the kingdom of cold.183 But when we remember that a similar "tribute" was paid to Cromm Cruaich, a god of fertility, and that after the conquest of the Tuatha Dé Danann they also were regarded as hostile to agriculture,184 we realise that the Fomorians must have been aboriginal gods of fertility whom the conquering Celts regarded as hostile to them and their gods. Similarly, in folk-belief the beneficent corn-spirit has sometimes a sinister and destructive aspect.185 Thus the stories of "tribute" would be distorted reminiscences of the ritual of gods of the soil, differing little in character from that of the similar Celtic divinities. What makes it certain that the Fomorians were aboriginal gods is that they are found in Ireland before the coming of the early colonist Partholan. They were the gods of the pre-Celtic folk—Firbolgs, Fir Domnann, and Galioin186—all of them in Ireland before the Tuatha Dé Danaan arrived, and all of them regarded as slaves, spoken of with the utmost contempt. Another possibility, however, ought to be considered. As the Celtic gods were local in character, and as groups of tribes would frequently be hostile to other groups, the Fomorians may have been local gods of a group at enmity with another group, worshipping the Tuatha Dé Danaan.
The strife of Fomorians and Tuatha Dé Danann suggests the dualism of all nature religions. Demons or giants or monsters strive with gods in Hindu, Greek, and Teutonic mythology, and in Persia the primitive dualism of beneficent and hurtful powers of nature became an ethical dualism—the eternal opposition of good and evil. The sun is vanquished by cloud and storm, but shines forth again in vigour. Vegetation dies, but undergoes a yearly renewal. So in myth the immortal gods are wounded and slain in strife. But we must not push too far the analogy of the apparent strife of the elements and the wars of the gods. The one suggested the other, especially where the gods were elemental powers. But myth-making man easily developed the suggestion; gods were like men and "could never get eneuch o' fechtin'." The Celts knew of divine combats before their arrival in Ireland, and their own hostile powers were easily assimilated to the hostile gods of the aborigines.
The principal Fomorians are described as kings. Elatha was son of Nét, described by Cormac as "a battle god of the heathen Gael," i.e. he is one of the Tuatha Dé Danann, and has as wives two war-goddesses, Badb and Nemaind.187 Thus he resembles the Fomorian Tethra whose wife is a badb or "battle-crow," preying on the slain.188 Elatha's name, connected with words meaning "knowledge," suggests that he was an aboriginal culture-god.189 In the genealogies, Fomorians and Tuatha Dé Danann are inextricably mingled. Bres's temporary position as king of the Tuatha Déa may reflect some myth of the occasional supremacy of the powers of blight. Want and niggardliness characterise his reign, and after his defeat a better state of things prevails. Bres's consort was Brigit, and their son Ruadan, sent to spy on the Tuatha Dé Danann, was slain. His mother's wailing for him was the first mourning wail ever heard in Erin.190 Another god, Indech, was son of Déa Domnu, a Fomorian goddess of the deep, i.e. of the underworld and probably also of fertility, who may hold a position among the Fomorians similar to that of Danu among the Tuatha Dé Danann. Indech was slain by Ogma, who himself died of wounds received from his adversary.
Balor had a consort Cethlenn, whose venom killed Dagda. His one eye had become evil by contact with the poisonous fumes of a concoction which his father's Druids were preparing. The eyelid required four men to raise it, when his evil eye destroyed all on whom its glance fell. In this way Balor would have slain Lug at Mag-tured, but the god at once struck the eye with a sling-stone and slew him.191 Balor, like the Greek Medusa, is perhaps a personification of the evil eye, so much feared by the Celts. Healthful influences and magical charms avert it; hence Lug, a beneficent god, destroys Balor's maleficence.
Tethra, with Balor and Elatha, ruled over Erin at the coming of the Tuatha Dé Danann. From a phrase used in the story of Connla's visit to Elysium, "Thou art a hero of the men of Tethra," M. D'Arbois assumes that Tethra was ruler of Elysium, which he makes one with the land of the dead. The passage, however, bears a different interpretation, and though a Fomorian, Tethra, a god of war, might be regarded as lord of all warriors.192 Elysium was not the land of the dead, and when M. D'Arbois equates Tethra with Kronos, who after his defeat became ruler of a land of dead heroes, the analogy, like other analogies with Greek mythology, is misleading. He also equates Bres, as temporary king of the Tuatha Dé Danann, with Kronos, king of heaven in the age of gold. Kronos, again, slain by Zeus, is parallel to Balor slain by his grandson Lug. Tethra, Bres, and Balor are thus separate fragments of one god equivalent to Kronos.193 Yet their personalities are quite distinct. Each race works out its mythology for itself, and, while parallels are inevitable, we should not allow these to override the actual myths as they have come down to us.
Professor Rh[^y]s makes Bile, ancestor of the Milesians who came from Spain, a Goidelic counterpart of the Gaulish Dispater, lord of the dead, from whom the Gauls claimed descent. But Bile, neither a Fomorian nor of the Tuatha Dé Danann, is an imaginary and shadowy creation. Bile is next equated with a Brythonic Beli, assumed to be consort of Dôn, whose family are equivalent to the Tuatha Dé Danann.194 Beli was a mythic king whose reign was a kind of golden age, and if he was father of Dôn's children, which is doubtful, Bile would then be father of the Tuatha Dé Danann. But he is ancestor of the Milesians, their opponents according to the annalists. Beli is also equated with Elatha, and since Dôn, reputed consort of Beli, was grandmother of Llew, equated with Irish Lug, grandson of Balor, Balor is equivalent to Beli, whose name is regarded by Professor Rh[^y]s as related etymologically to Balor's.195 Bile, Balor, and Elatha are thus Goidelic equivalents of the shadowy Beli. But they also are quite distinct personalities, nor are they ever hinted at as ancestral gods of the Celts, or gods of a gloomy underworld. In Celtic belief the underworld was probably a fertile region and a place of light, nor were its gods harmful and evil, as Balor was.
On the whole, the Fomorians came to be regarded as the powers of nature in its hostile aspect. They personified blight, winter, darkness, and death, before which men trembled, yet were not wholly cast down, since the immortal gods of growth and light, rulers of the bright other-world, were on their side and fought against their enemies. Year by year the gods suffered deadly harm, but returned as conquerors to renew the struggle once more. Myth spoke of this as having happened once for all, but it went on continuously.196 Gods were immortal and only seemed to die. The strife was represented in ritual, since men believe that they can aid the gods by magic, rite, or prayer. Why, then, do hostile Fomorians and Tuatha Dé Danann intermarry? This happens in all mythologies, and it probably reflects, in the divine sphere, what takes place among men. Hostile peoples carry off each the other's women, or they have periods of friendliness and consequent intermarriage. Man makes his gods in his own image, and the problem is best explained by facts like these, exaggerated no doubt by the Irish annalists.
The Tuatha Dé Danann, in spite of their euhemerisation, are more than human. In the north where they learned magic, they dwelt in four cities, from each of which they brought a magical treasure—the stone of Fal, which "roared under every king," Lug's unconquerable spear, Nuada's irresistible sword, the Dagda's inexhaustible cauldron. But they are more than wizards or Druids. They are re-born as mortals; they have a divine world of their own, they interfere in and influence human affairs. The euhemerists did not go far enough, and more than once their divinity is practically acknowledged. When the Fian Caoilte and a woman of the Tuatha Dé Danann appear before S. Patrick, he asks, "Why is she youthful and beautiful, while you are old and wrinkled?" And Caoilte replies, "She is of the Tuatha Dé Danann, who are unfading and whose duration is perennial. I am of the sons of Milesius, that are perishable and fade away."197
After their conversion, the Celts, sons of Milesius, thought that the gods still existed in the hollow hills, their former dwellings and sanctuaries, or in far-off islands, still caring for their former worshippers. This tradition had its place with that which made them a race of men conquered by the Milesians—the victory of Christianity over paganism and its gods having been transmuted into a strife of races by the euhemerists. The new faith, not the people, conquered the old gods. The Tuatha Dé Danann became the Daoine-sidhe, a fairy folk, still occasionally called by their old name, just as individual fairy kings or queens bear the names of the ancient gods. The euhemerists gave the Fomorians a monstrous and demoniac character, which they did not always give to the Tuatha Dé Danann; in this continuing the old tradition that Fomorians were hostile and the Tuatha Dé Danann beneficent and mild.
The mythological cycle is not a complete "body of divinity"; its apparent completeness results from the chronological order of the annalists. Fragments of other myths are found in the Dindsenchas; others exist as romantic tales, and we have no reason to believe that all the old myths have been preserved. But enough remains to show the true nature of the Tuatha Dé Danann—their supernatural character, their powers, their divine and unfailing food and drink, their mysterious and beautiful abode. In their contents, their personages, in the actions that are described in them, the materials of the "mythological cycle," show how widely it differs from the Cúchulainn and Fionn cycles.198 "The white radiance of eternity" suffuses it; the heroic cycles, magical and romantic as they are, belong far more to earth and time.
Footnote 153:(return)For some Highland references to the gods in saga and Märchen, see Book of the Dean of Lismore, 10; Campbell, WHT ii. 77. The sea-god Lir is probably the Liur of Ossianic ballads (Campbell, LF 100, 125), and his son Manannan is perhaps "the Son of the Sea" in a Gaelic song (Carmichael, CG ii. 122). Manannan and his daughters are also known (Campbell, witchcraft, 83).
Footnote 154:(return)The euhemerising process is first seen in tenth century poems by Eochaid hua Flainn, but was largely the work of Flainn Manistrech, ob. 1056. It is found fully fledged in the Book of Invasions.
Footnote 158:(return)Keating, 111. Giraldus Cambrensis, Hist. Irel. c. 2, makes Roanus survive and tell the tale of Partholan to S. Patrick. He is the Caoilte mac Ronan of other tales, a survivor of the Fians, who held many racy dialogues with the Saint. Keating abuses Giraldus for equating Roanus with Finntain in his "lying history," and for calling him Roanus instead of Ronanus, a mistake in which he, "the guide bull of the herd," is followed by others.
Footnote 174:(return)Professor Rh[^y]s thinks the Partholan story is the aboriginal, the median the Celtic version of the same event. Partholan, with initial p cannot be Goidelic (Scottish Review, 1890, "Myth. Treatment of Celtic Ethnology").
Footnote 186:(return)"Fir Domnann," "men of Domna," a goddess (Rh[^y]s, HL 597), or a god (D'Arbois, ii. 130). "Domna" is connected with Irish-words meaning "deep" (Windisch, IT i. 498; Stokes, US 153). Domna, or Domnu, may therefore have been a goddess of the deep, not the sea so much as the underworld, and so perhaps an Earth-mother from whom the Fir Domnann traced their descent.
Footnote 196:(return)Whatever the signification of the battle of Mag-tured may be, the place which it was localised is crowded with Neolithic megaliths, dolmens, etc. To later fancy these were the graves of warriors slain in a great battle fought there, and that battle became the fight between Fomorians and Tuatha Dé Dananns. Mag-tured may have been the scene of a battle between their respective worshippers.
Footnote 198:(return)It should be observed that, as in the Vedas, the Odyssey, the Japanese Ko-ji-ki, as well as in barbaric and savage mythologies, Märchen formulæ abound in the Irish mythological cycle.
The meaning formerly given to Tuatha Dé Danann was "the men of science who were gods," danann being here connected with dán, "knowledge." But the true meaning is "the tribes or folk of the goddess Danu,"199 which agrees with the cognates Tuatha or Fir Dea, "tribes or men of the goddess." The name was given to the group, though Danu had only three sons, Brian, Iuchar, and Iucharbar. Hence the group is also called fir tri ndea, "men of the three gods."200 The equivalents in Welsh story of Danu and her folk are Dôn and her children. We have seen that though they are described as kings and warriors by the annalists, traces of their divinity appear. In the Cúchulainn cycle they are supernatural beings and sometimes demons, helping or harming men, and in the Fionn cycle all these characteristics are ascribed to them. But the theory which prevailed most is that which connected them with the hills or mounds, the last resting-places of the mighty dead. Some of these bore their names, while other beings were also associated with the mounds (síd)—Fomorians and Milesian chiefs, heroes of the sagas, or those who had actually been buried in them.201 Legend told how, after the defeat of the gods, the mounds were divided among them, the method of division varying in different versions. In an early version the Tuatha Dé Danann are immortal and the Dagda divides the síd.202 But in a poem of Flann Manistrech (ob. 1056) they are mortals and die.203 Now follows a regular chronology giving the dates of their reigns and their deaths, as in the poem of Gilla Coemain (eleventh century).204 Hence another legend told how, Dagda being dead, Bodb Dearg divided the síd, yet even here Manannan is said to have conferred immortality upon the Tuatha Dé Danann.205 The old pagan myths had shown that gods might die, while in ritual their representatives were slain, and this may have been the starting-point of the euhemerising process. But the divinity of the Tuatha Dé Danann is still recalled. Eochaid O'Flynn (tenth century), doubtful whether they are men or demons, concludes, "though I have treated of these deities in order, yet have I not adored them."206 Even in later times they were still thought of as gods in exile, a view which appears in the romantic tales and sagas existing side by side with the notices of the annalists. They were also regarded as fairy kings and queens, and yet fairies of a different order from those of ordinary tradition. They are "fairies or sprites with corporeal forms, endowed with immortality," and yet also dei terreni or síde worshipped by the folk before the coming of S. Patrick. Even the saint and several bishops were called by the fair pagan daughters of King Loegaire, fir síde, "men of the síd," that is, gods.207 The síd were named after the names of the Tuatha Dé Danann who reigned in them, but the tradition being localised in different places, several mounds were sometimes connected with one god. The síd were marvellous underground palaces, full of strange things, and thither favoured mortals might go for a time or for ever. In this they correspond exactly to the oversea Elysium, the divine land.
But why were the Tuatha Dé Danann associated with the mounds? If fairies or an analogous race of beings were already in pagan times connected with hills or mounds, gods now regarded as fairies would be connected with them. Dr. Joyce and O'Curry think that an older race of aboriginal gods or síd-folk preceded the Tuatha Déa in the mounds.208 These may have been the Fomorians, the "champions of the síd," while in Mesca Ulad the Tuatha Déa go to the underground dwellings and speak with the síde already there. We do not know that the fairy creed as such existed in pagan times, but if the síde and the Tuatha Dé Danann were once distinct, they were gradually assimilated. Thus the Dagda is called "king of the síde"; Aed Abrat and his daughters, Fand and Liban, and Labraid, Liban's husband, are called síde, and Manannan is Fand's consort.209 Labraid's island, like the síd of Mider and the land to which women of the síde invite Connla, differs but little from the usual divine Elysium, while Mider, one of the síde, is associated with the Tuatha Dé Danann.210 The síde are once said to be female, and are frequently supernatural women who run away or marry mortals.211 Thus they may be a reminiscence of old Earth goddesses. But they are not exclusively female, since there are kings of the síde, and as the name Fir síde, "men of the síde," shows, while S. Patrick and his friends were taken for síd-folk.
The formation of the legend was also aided by the old cult of the gods on heights, some of them sepulchral mounds, and now occasionally sites of Christian churches.212 The Irish god Cenn Cruaich and his Welsh equivalent Penn Cruc, whose name survives in Pennocrucium, have names meaning "chief or head of the mound."213 Other mounds or hills had also a sacred character. Hence gods worshipped at mounds, dwelling or revealing themselves there, still lingered in the haunted spots; they became fairies, or were associated with the dead buried in the mounds, as fairies also have been, or were themselves thought to have died and been buried there. The haunting of the mounds by the old gods is seen in a prayer of S. Columba's, who begs God to dispel "this host (i.e. the old gods) around the cairns that reigneth."214 An early MS also tells how the Milesians allotted the underground part of Erin to the Tuatha Déa who now retired within the hills; in other words, they were gods of the hills worshipped by the Milesians on hills.215 But, as we shall see, the gods dwelt elsewhere than in hills.216
Tumuli may already in pagan times have been pointed out as tombs of gods who died in myth or ritual, like the tombs of Zeus in Crete and of Osiris in Egypt. Again, fairies, in some aspects, are ghosts of the dead, and haunt tumuli; hence, when gods became fairies they would do the same. And once they were thought of as dead kings, any notable tumuli would be pointed out as theirs, since it is a law in folk-belief to associate tumuli or other structures not with the dead or with their builders, but with supernatural or mythical or even historical personages. If síde ever meant "ghosts," it would be easy to call the dead gods by this name, and to connect them with the places of the dead.217
Many strands went to the weaving of the later conception of the gods, but there still hung around them an air of mystery, and the belief that they were a race of men was never consistent with itself.
Danu gave her name to the whole group of gods, and is called their mother, like the Egyptian Neith or the Semitic Ishtar.218 In the annalists she is daughter of Dagda, and has three sons. She may be akin to the goddess Anu, whom Cormac describes as "mater deorum hibernensium. It was well she nursed the gods." From her name he derives ana, "plenty," and two hills in Kerry are called "the Paps of Anu."219 Thus as a goddess of plenty Danu or Anu may have been an early Earth-mother, and what may be a dim memory of Anu in Leicestershire confirms this view. A cave on the Dane Hills is called "Black Annis' Bower," and she is said to have been a savage woman who devoured human victims.220 Earth-goddesses usually have human victims, and Anu would be no exception. In the cult of Earth divinities Earth and under-Earth are practically identical, while Earth-goddesses like Demeter and Persephone were associated with the underworld, the dead being Demeter's folk. The fruits of the earth with their roots below the surface are then gifts of the earth- or under-earth goddess. This may have been the case with Danu, for in Celtic belief the gifts of civilisation came from the underworld or from the gods. Professor Rh[^y]s finds the name Anu in the dat. Anoniredi, "chariot of Anu," in an inscription from Vaucluse, and the identification is perhaps established by the fact that goddesses of fertility were drawn through the fields in a vehicle.221 Cormac also mentions Buanann as mother and nurse of heroes, perhaps a goddess worshipped by heroes.222
Danu is also identified with Brigit, goddess of knowledge (dán), perhaps through a folk-etymology. She was worshipped by poets, and had two sisters of the same name connected with leechcraft and smithwork.223 They are duplicates or local forms of Brigit, a goddess of culture and of poetry, so much loved by the Celts. She is thus the equivalent of the Gaulish goddess equated with Minerva by Cæsar, and found on inscriptions as Minerva Belisama and Brigindo. She is the Dea Brigantia of British inscriptions.224 One of the seats of her worship was the land of the Brigantes, of whom she was the eponymous goddess, and her name (cf. Ir. brig, "power" or "craft"; Welsh bri, "honour," "renown") suggests her high functions. But her popularity is seen in the continuation of her personality and cult in those of S. Brigit, at whose shrine in Kildare a sacred fire, which must not be breathed on, or approached by a male, was watched daily by nineteen nuns in turn, and on the twentieth day by the saint herself.225 Similar sacred fires were kept up in other monasteries,226 and they point to the old cult of a goddess of fire, the nuns being successors of a virgin priesthood like the vestals, priestesses of Vesta. As has been seen, the goddesses Belisama and Sul, probably goddesses of fire, resembled Brigit in this.227 But Brigit, like Vesta, was at once a goddess of fire and of fertility, as her connection with Candlemas and certain ritual survivals also suggest. In the Hebrides on S. Bride's day (Candlemas-eve) women dressed a sheaf of oats in female clothes and set it with a club in a basket called "Briid's bed." Then they called, "Briid is come, Briid is welcome." Or a bed was made of corn and hay with candles burning beside it, and Bride was invited to come as her bed was ready. If the mark of the club was seen in the ashes, this was an omen of a good harvest and a prosperous year.228 It is also noteworthy that if cattle cropped the grass near S. Brigit's shrine, next day it was as luxuriant as ever.
Brigit, or goddesses with similar functions, was regarded by the Celts as an early teacher of civilisation, inspirer of the artistic, poetic, and mechanical faculties, as well as a goddess of fire and fertility. As such she far excelled her sons, gods of knowledge. She must have originated in the period when the Celts worshipped goddesses rather than gods, and when knowledge—leechcraft, agriculture, inspiration—were women's rather than men's. She had a female priesthood, and men were perhaps excluded from her cult, as the tabued shrine at Kildare suggests. Perhaps her fire was fed from sacred oak wood, for many shrines of S. Brigit were built under oaks, doubtless displacing pagan shrines of the goddess.229 As a goddess, Brigit is more prominent than Danu, also a goddess of fertility, even though Danu is mother of the gods.
Other goddesses remembered in tradition are Cleena and Vera, celebrated in fairy and witch lore, the former perhaps akin to a river-goddess Clota, the Clutoida (a fountain-nymph) of the continental Celts; the latter, under her alternative name Dirra, perhaps a form of a goddess of Gaul, Dirona.230 Aine, one of the great fairy-queens of Ireland, has her seat at Knockainy in Limerick, where rites connected with her former cult are still performed for fertility on Midsummer eve. If they were neglected she and her troops performed them, according to local legend.231 She is thus an old goddess of fertility, whose cult, even at a festival in which gods were latterly more prominent, is still remembered. She is also associated with the waters as a water-nymph captured for a time as a fairy-bride by the Earl of Desmond.232 But older legends connect her with the síd. She was daughter of Eogabal, king of the síd of Knockainy, the grass on which was annually destroyed at Samhain by his people, because it had been taken from them, its rightful owners. Oilill Olomm and Ferchus resolved to watch the síd on Samhain-eve. They saw Eogabal and Aine emerge from it. Ferchus killed Eogabal, and Oilill tried to outrage Aine, who bit the flesh from his ear. Hence his name of "Bare Ear."233 In this legend we see how earlier gods of fertility come to be regarded as hostile to growth. Another story tells of the love of Aillén, Eogabal's son, for Manannan's wife and that of Aine for Manannan. Aine offered her favours to the god if he would give his wife to her brother, and "the complicated bit of romance," as S. Patrick calls it, was thus arranged.234
Although the Irish gods are warriors, and there are special war-gods, yet war-goddesses are more prominent, usually as a group of three—Morrigan, Neman, and Macha. A fourth, Badb, sometimes takes the place of one of these, or is identical with Morrigan, or her name, like that of Morrigan, may be generic.235 Badb means "a scald-crow," under which form the war-goddesses appeared, probably because these birds were seen near the slain. She is also called Badbcatha, "battle-Badb," and is thus the equivalent of -athubodua, or, more probably, Cathubodua, mentioned in an inscription from Haute-Savoie, while this, as well as personal names like Boduogenos, shows that a goddess Bodua was known to the Gauls.236 The badb or battle-crow is associated with the Fomorian Tethra, but Badb herself is consort of a war-god Nét, one of the Tuatha Dé Danann, who may be the equivalent of Neton, mentioned in Spanish inscriptions and equated with Mars. Elsewhere Neman is Nét's consort, and she may be the Nemetona of inscriptions, e.g. at Bath, the consort of Mars. Cormac calls Nét and Neman "a venomous couple," which we may well believe them to have been.237 To Macha were devoted the heads of slain enemies, "Macha's mast," but she, according to the annalists, was slain at Mag-tured, though she reappears in the Cúchulainn saga as the Macha whose ill-treatment led to the "debility" of the Ulstermen.238 The name Morrigan may mean "great queen," though Dr. Stokes, connecting mor with the same syllable in "Fomorian," explains it as "nightmare-queen."239 She works great harm to the Fomorians at Mag-tured, and afterwards proclaims the victory to the hills, rivers, and fairy-hosts, uttering also a prophecy of the evils to come at the end of time.240 She reappears prominently in the Cúchulainn saga, hostile to the hero because he rejects her love, yet aiding the hosts of Ulster and the Brown Bull, and in the end trying to prevent the hero's death.241
The prominent position of these goddesses must be connected with the fact that women went out to war—a custom said to have been stopped by Adamnan at his mother's request, and that many prominent heroines of the heroic cycles are warriors, like the British Boudicca, whose name may be connected with boudi, "victory." Specific titles were given to such classes of female warriors—bangaisgedaig, banfeinnidi, etc.242 But it is possible that these goddesses were at first connected with fertility, their functions changing with the growing warlike tendencies of the Celts. Their number recalls that of the threefold Matres, and possibly the change in their character is hinted in the Romano-British inscription at Benwell to the Lamiis Tribus, since Morrigan's name is glossed lamia.243 She is also identified with Anu, and is mistress of Dagda, an Earth-god, and with Badb and others expels the Fomorians when they destroyed the agricultural produce of Ireland.244 Probably the scald-crow was at once the symbol and the incarnation of the war-goddesses, who resemble the Norse Valkyries, appearing sometimes as crows, and the Greek Keres, bird-like beings which drank the blood of the slain. It is also interesting to note that Badb, who has the character of a prophetess of evil, is often identified with the "Washer at the Ford," whose presence indicates death to him whose armour or garments she seems to cleanse.245
The Matres, goddesses of fertility, do not appear by name in Ireland, but the triplication of such goddesses as Morrigan and Brigit, the threefold name of Dagda's wife, or the fact that Arm, Danu, and Buanan are called "mothers," while Buanan's name is sometimes rendered "good mother," may suggest that such grouped goddesses were not unknown. Later legend knows of white women who assist in spinning, or three hags with power over nature, or, as in the Battle of Ventry, of three supernatural women who fall in love with Conncrithir, aid him in fight, and heal his wounds. In this document and elsewhere is mentioned the "síd of the White Women."246 Goddesses of fertility are usually goddesses of love, and the prominence given to females among the síde, the fact that they are often called Be find, "White Women," like fairies who represent the Matres elsewhere, and that they freely offer their love to mortals, may connect them with this group of goddesses. Again, when the Milesians arrived in Ireland, three kings of the Tuatha Déa had wives called Eriu, Banba, and Fotla, who begged that Ireland should be called after them. This was granted, but only Eriu (Erin) remained in general use.247 The story is an ætiological myth explaining the names of Ireland, but the three wives may be a group like the Matres, guardians of the land which took its name from them.
Brian, Iuchar, and Iucharba, who give a title to the whole group, are called tri dee Donand, "the three gods (sons of) Danu," or, again, "gods of dán" (knowledge), perhaps as the result of a folk-etymology, associating dân with their mother's name Danu.248 Various attributes are personified as their descendants, Wisdom being son of all three.249 Though some of these attributes may have been actual gods, especially Ecne or Wisdom, yet it is more probable that the personification is the result of the subtleties of bardic science, of which similar examples occur.250 On the other hand, the fact that Ecne is the son of three brothers, may recall some early practice of polyandry of which instances are met with in the sagas.251 M. D'Arbois has suggested that Iuchar and Iucharba are mere duplicates of Brian, who usually takes the leading place, and he identifies them with three kings of the Tuatha Déa reigning at the time of the Milesian invasion—MacCuill, MacCecht, and MacGrainne, so called, according to Keating, because the hazel (coll), the plough (cecht), and the sun (grian) were "gods of worship" to them. Both groups are grandsons of Dagda, and M. D'Arbois regards this second group as also triplicates of one god, because their wives Fotla, Banba, and Eriu all bear names of Ireland itself, are personifications of the land, and thus may be "reduced to unity."252 While this reasoning is ingenious, it should be remembered that we must not lay too much stress upon Irish divine genealogies, while each group of three may have been similar local gods associated at a later time as brothers. Their separate personality is suggested by the fact that the Tuatha Dé Danann are called after them "the Men of the Three Gods," and their supremacy appears in the incident of Dagda, Lug, and Ogma consulting them before the fight at Mag-tured—a natural proceeding if they were gods of knowledge or destiny.253 The brothers are said to have slain the god Cian, and to have been themselves slain by Lug, and on this seems to have been based the story of The Children of Tuirenn, in which they perish through their exertions in obtaining the eric demanded by Lug.254 Here they are sons of Tuirenn, but more usually their mother Danu or Brigit is mentioned.
Another son of Brigit's was Ogma, master of poetry and inventor of ogham writing, the word being derived from his name.255 It is more probable that Ogma's name is a derivative from some word signifying "speech" or "writing," and that the connection with "ogham" may be a mere folk-etymology. Ogma appears as the champion of the gods,256 a position given him perhaps from the primitive custom of rousing the warriors' emotions by eloquent speeches before a battle. Similarly the Babylonian Marduk, "seer of the gods," was also their champion in fight. Ogma fought and died at Mag-tured; but in other accounts he survives, captures Tethra's sword, goes on the quest for Dagda's harp, and is given a síd after the Milesian victory. Ogma's counterpart in Gaul is Ogmíos, a Herakles and a god of eloquence, thus bearing the dual character of Ogma, while Ogma's epithet grianainech, "of the smiling countenance," recalls Lucian's account of the "smiling face" of Ogmíos.257 Ogma's high position is the result of the admiration of bardic eloquence among the Celts, whose loquacity was proverbial, and to him its origin was doubtless ascribed, as well as that of poetry. The genealogists explain his relationship to the other divinities in different ways, but these confusions may result from the fact that gods had more than one name, of which the annalists made separate personalities. Most usually Ogma is called Brigit's son. Her functions were like his own, but in spite of the increasing supremacy of gods over goddesses, he never really eclipsed her.
Among other culture gods were those associated with the arts and crafts—the development of Celtic art in metal-work necessitating the existence of gods of this art. Such a god is Goibniu, eponymous god of smiths (Old Ir. goba, "smith"), and the divine craftsman at the battle of Mag-tured, making spears which never failed to kill.258 Smiths have everywhere been regarded as uncanny—a tradition surviving from the first introduction of metal among those hitherto accustomed to stone weapons and tools. S. Patrick prayed against the "spells of women, smiths, and Druids," and it is thus not surprising to find that Goibniu had a reputation for magic, even among Christians. A spell for making butter, in an eighth century MS. preserved at S. Gall, appeals to his "science."259 Curiously enough, Goibniu is also connected with the culinary art in myth, and, like Hephaistos, prepares the feast of the gods, while his ale preserves their immortality.260 The elation produced by heady liquors caused them to be regarded as draughts of immortality, like Soma, Haoma, or nectar. Goibniu survives in tradition as the Gobhan Saer, to whom the building of round towers is ascribed.
Another god of crafts was Creidne the brazier (Ir. cerd, "artificer"; cf. Scots caird, "tinker"), who assisted in making a silver hand for Nuada, and supplied with magical rapidity parts of the weapons used at Mag-tured.261 According to the annalists, he was drowned while bringing golden ore from Spain.262 Luchtine, god of carpenters, provided spear-handles for the battle, and with marvellous skill flung them into the sockets of the spear-heads.263
Diancecht, whose name may mean "swift in power," was god of medicine, and, with Creidne's help, fashioned a silver hand for Nuada.264 His son Miach replaced this by a magic restoration of the real hand, and in jealousy his father slew him—a version of the Märchen formula of the jealous master. Three hundred and sixty-five herbs grew from his grave, and were arranged according to their properties by his sister Airmed, but Diancecht again confused them, "so that no one knows their proper cures."265 At the second battle of Mag-tured, Diancecht presided over a healing-well containing magic herbs. These and the power of spells caused the mortally wounded who were placed in it to recover. Hence it was called "the spring of health."266 Diancecht, associated with a healing-well, may be cognate with Grannos. He is also referred to in the S. Gall MS., where his healing powers are extolled.
An early chief of the gods is Dagda, who, in the story of the battle of Mag-tured, is said to be so called because he promised to do more than all the other gods together. Hence they said, "It is thou art the good hand" (dag-dae). The Cóir Anmann explains Dagda as "fire of god" (daig and déa). The true derivation is from dagos, "good," and deivos, "god," though Dr. Stokes considers Dagda as connected with dagh, whence daghda, "cunning."267 Dagda is also called Cera, a word perhaps derived from kar and connected with Lat. cerus, "creator" and other names of his are Ruad-rofhessa, "lord of great knowledge," and Eochaid Ollathair, "great father," "for a great father to the Tuatha Dé Danann was he."268 He is also called "a beautiful god," and "the principal god of the pagans."269 After the battle he divides the brugs or síd among the gods, but his son Oengus, having been omitted, by a stratagem succeeded in ousting his father from his síd, over which he now himself reigned270—possibly the survival of an old myth telling of a superseding of Dagda's cult by that of Oengus, a common enough occurrence in all religions. In another version, Dagda being dead, Bodb Dearg divides the síd, and Manannan makes the Tuatha Déa invisible and immortal. He also helps Oengus to drive out his foster-father Elemar from his brug, where Oengus now lives as a god.271 The underground brugs are the gods' land, in all respects resembling the oversea Elysium, and at once burial-places of the euhemerised gods and local forms of the divine land. Professor Rh[^y]s regards Dagda as an atmospheric god; Dr. MacBain sees in him a sky-god. More probably he is an early Earth-god and a god of agriculture. He has power over corn and milk, and agrees to prevent the other gods from destroying these after their defeat by the Milesians—former beneficent gods being regarded as hurtful, a not uncommon result of the triumph of a new faith.272 Dagda is called "the god of the earth" "because of the greatness of his power."273 Mythical objects associated with him suggest plenty and fertility—his cauldron which satisfied all comers, his unfailing swine, one always living, the other ready for cooking, a vessel of ale, and three trees always laden with fruit. These were in his síd, where none ever tasted death;274 hence his síd was a local Elysium, not a gloomy land of death, but the underworld in its primitive aspect as the place of gods of fertility. In some myths he appears with a huge club or fork, and M. D'Arbois suggests that he may thus be an equivalent of the Gaulish god with the mallet.275 This is probable, since the Gaulish god may have been a form of Dispater, an Earth or under-Earth god of fertility.
If Dagda was a god of fertility, he may have been an equivalent of a god whose image was called Cenn or Cromm Cruaich, "Head or Crooked One of the Mound," or "Bloody Head or Crescent."276 Vallancey, citing a text now lost, says that Crom-eocha was a name of Dagda, and that a motto at the sacrificial place at Tara read, "Let the altar ever blaze to Dagda."277 These statements may support this identification. The cult of Cromm is preserved in some verses: