But is there hope to save
Even this ethereal essence from the grave?
What ever 'scaped Oblivion's subtle wrong
275Save a few clarion names, or golden threads of song
Before my musing eye
The mighty ones of old sweep by,
Disvoicéd now and insubstantial things,
As noisy once as we; poor ghosts of kings,
280Shadows of empire wholly gone to dust,
And many races, nameless long ago,
To darkness driven by that imperious gust
Of ever-rushing Time that here doth blow:
O visionary world, condition strange,
285Where naught abiding is but only Change,
Where the deep-bolted stars themselves still shift and range!
Shall we to more continuance make pretence?
Renown builds tombs; a life-estate is Wit;
And, bit by bit,
290The cunning years steal all from us but woe:
Leaves are we, whose decays no harvest sow.
But, when we vanish hence,
Shall they lie forceless in the dark below,
Save to make green their little length of sods,
295Or deepen pansies for a year or two,
Who now to us are shining-sweet as gods?
Was dying all they had the skill to do?
That were not fruitless: but the Soul resents
Such short-lived service, as if blind events
300Ruled without her, or earth could so endure;
She claims a more divine investiture
Of longer tenure than Fame's airy rents;
Whate'er she touches doth her nature share;
Her inspiration haunts the ennobled air,
Gives eyes to mountains blind,
305Ears to the deaf earth, voices to the wind,
And her clear trump sings succor everywhere
By lonely bivouacs to the wakeful mind,
For soul inherits all that soul could dare:
Yea, Manhood hath a wider span
310And larger privilege of life than man.
The single deed, the private sacrifice,
So radiant now through proudly-hidden tears,
Is covered up ere long from mortal eyes
With thoughtless drift of the deciduous years;
315But that high privilege that makes all men peers,
That leap of heart whereby a people rise
Up to a noble anger's height,
And, flamed on by the Fates, not shrink, but grow more bright,
That swift validity in noble veins,
320Of choosing danger and disdaining shame,
Of being set on flame
By the pure fire that flies all contact base,
But wraps its chosen with angelic might,
These are imperishable gains,
325Sure as the sun, medicinal as light,
These hold great futures in their lusty reins
And certify to earth a new imperial race.

X.

Who now shall sneer?
Who dare again to say we trace
330Our lines to a plebeian race?
Roundhead and Cavalier!
Dumb are those names erewhile in battle loud;
Dream-footed as the shadow of a cloud,
They flit across the ear:
335That is best blood that hath most iron in 't.
To edge resolve with, pouring without stint
For what makes manhood dear.
Tell us not of Plantagenets,
Hapsburgs, and Guelfs, whose thin bloods crawl
340Down from some victor in a border-brawl!
How poor their outworn coronets,
Matched with one leaf of that plain civic wreath
Our brave for honor's blazon shall bequeath,
Through whose desert a rescued Nation sets
345Her heel on treason, and the trumpet hears
Shout victory, tingling Europe's sullen ears
With vain resentments and more vain regrets!

XI.

Not in anger, not in pride,
Pure from passion's mixture rude,
350Ever to base earth allied,
But with far-heard gratitude,
Still with heart and voice renewed,
To heroes living and dear martyrs dead,
The strain should close that consecrates our brave.
355Lift the heart and lift the head!
Lofty be its mood and grave,
Not without a martial ring,
Not without a prouder tread
And a peal of exultation:
360Little right has he to sing
Through whose heart in such an hour
Beats no march of conscious power,
Sweeps no tumult of elation!
'Tis no Man we celebrate,
365By his country's victories great,
A hero half, and half the whim of Fate,
But the pith and marrow of a Nation
Drawing force from all her men,
Highest, humblest, weakest, all,
370For her time of need, and then
Pulsing it again through them,
Till the basest can no longer cower,
Feeling his soul spring up divinely tall,
Touched but in passing by her mantle-hem.
375Come back, then, noble pride, for 'tis her dower!
How could poet ever tower,
If his passions, hopes, and fears,
If his triumphs and his tears,
Kept not measure with his people?
380Boom, cannon, boom to all the winds and waves!
Clash out, glad bells, from every rocking steeple!
Banners, adance with triumph, bend your staves!
And from every mountain-peak
Let beacon-fire to answering beacon speak,
385Katahdin tell Monadnock, Whiteface he,
And so leap on in light from sea to sea,
Till the glad news be sent
Across a kindling continent,
Making earth feel more firm and air breathe braver:
390"Be proud! for she is saved, and all have helped to save her!
She that lifts up the manhood of the poor,
She of the open soul and open door,
With room about her hearth for all mankind!
The fire is dreadful in her eyes no more;
395From her bold front the helm she doth unbind,
Sends all her handmaid armies back to spin,
And bids her navies, that so lately hurled
Their crashing battle, hold their thunders in,
Swimming like birds of calm along the unharmful shore.
400No challenge sends she to the elder world,
That looked askance and hated; a light scorn
Plays o'er her mouth, as round her mighty knees
She calls her children back, and waits the morn
Of nobler day, enthroned between her subject seas."

XII.

405Bow down, dear Land, for thou hast found release!
Thy God, in these distempered days,
Hath taught thee the sure wisdom of His ways,
And through thine enemies hath wrought thy peace!
Bow down in prayer and praise!
410No poorest in thy borders but may now
Lift to the juster skies a man's enfranchised brow,
O Beautiful! my Country! ours once more!
Smoothing thy gold of war-dishevelled hair
O'er such sweet brows as never other wore,
415And letting thy set lips,
Freed from wrath's pale eclipse,
The rosy edges of their smile lay bare,
What words divine of lover or of poet
Could tell our love and make thee know it,
420Among the Nations bright beyond compare?
What were our lives without thee?
What all our lives to save thee?
We reck not what we gave thee;
We will not dare to doubt thee,
425But ask whatever else, and we will dare!

The Seal of Harvard University
The Seal of Harvard University


ON BOARD THE '76.

WRITTEN FOR MR. BRYANT'S SEVENTIETH BIRTHDAY.

November 3, 1864.

[After the disastrous battle of Bull Run, Congress authorized the creation of an army of 500,000, and the expenditure of $500,000,000. The affair of the Trent had partially indicated the temper of the English government, and the people of the United States were thoroughly roused to a sense of the great task which lay before them. Mr. Bryant, at this time, not only gave strong support to the Union through his paper The Evening Post of New York, but wrote two lyrics which had a profound effect. One of these, entitled Not Yet, was addressed to those of the Old World who were secretly or openly desiring the downfall of the republic. The other, Our Country's Call, was a thrilling appeal for recruits. It is to this time and these two poems that Mr. Lowell refers in the lines that follow.]

Our ship lay tumbling in an angry sea,
Her rudder gone, her mainmast o'er the side;
Her scuppers, from the waves' clutch staggering free,
Trailed threads of priceless crimson through the tide;
5Sails, shrouds, and spars with pirate cannon torn,
We lay, awaiting morn.
Awaiting morn, such morn as mocks despair;
And she that bare the promise of the world
Within her sides, now hopeless, helmless, bare,
10At random o'er the wildering waters hurled;
The reek of battle drifting slow alee
Not sullener than we.
Morn came at last to peer into our woe,
When lo, a sail! Now surely help was nigh;
15The red cross flames aloft, Christ's pledge; but no,[10]
Her black guns grinning hate, she rushes by
And hails us:—"Gains the leak! Ay, so we thought!
Sink, then, with curses fraught!"
I leaned against my gun still angry-hot,
20And my lids tingled with the tears held back;
This scorn methought was crueller than shot:
The manly death-grip in the battle-wrack,
Yard-arm to yard-arm, were more friendly far
Than such fear-smothered war.
25There our foe wallowed, like a wounded brute
The fiercer for his hurt. What now were best?
Once more tug bravely at the peril's root,
Though death came with it? Or evade the test
If right or wrong in this God's world of ours
30Be leagued with higher powers?
Some, faintly loyal, felt their pulses lag
With the slow beat that doubts and then despairs;
Some, caitiff, would have struck the starry flag
That knits us with our past, and makes us heirs
35Of deeds high-hearted as were ever done
'Neath the all-seeing sun.

[10] The red cross is the British flag.

But there was one, the Singer of our crew,
Upon whose head Age waved his peaceful sign,
But whose red heart's-blood no surrender knew;
40And couchant under brows of massive line,
The eyes, like guns beneath a parapet,
Watched, charged with lightnings yet.
The voices of the hills did his obey;
The torrents flashed and tumbled in his song;
45He brought our native fields from far away,
Or set us 'mid the innumerable throng
Of dateless woods, or where we heard the calm
Old homestead's evening psalm.
But now he sang of faith to things unseen,
50Of freedom's birthright given to us in trust;
And words of doughty cheer he spoke between,
That made all earthly fortune seem as dust,
Matched with that duty, old as Time and new,
Of being brave and true.
55We, listening, learned what makes the might of words,—
Manhood to back them, constant as a star;
His voice rammed home our cannon, edged our swords,
And sent our boarders shouting; shroud and spar
Heard him and stiffened; the sails heard, and wooed
60The winds with loftier mood.
In our dark hours he manned our guns again;
Remanned ourselves from his own manhood's stores;
Pride, honor, country, throbbed through all his strain:
And shall we praise? God's praise was his before;
65And on our futile laurels he looks down,
Himself our bravest crown.

AN INDIAN-SUMMER REVERIE.

[When Mr. Lowell wrote this poem he was living at Elmwood in Cambridge, at that time quite remote from town influences,—Cambridge itself being scarcely more than a village,—but now rapidly losing its rustic surroundings. The Charles River flowed near by, then a limpid stream, untroubled by factories or sewage. It is a tidal river and not far from Elmwood winds through broad salt marshes. Mr. Longfellow's old home is a short stroll nearer town, and the two poets exchanged pleasant shots, as may be seen by Lowell's To H.W.L., and Longfellow's The Herons of Elmwood. In Under the Willows Mr. Lowell has, as it were, indulged in another reverie at a later period of his life, among the same familiar surroundings.]

What visionary tints the year puts on,
When falling leaves falter through motionless air
Or numbly cling and shiver to be gone!
How shimmer the low flats and pastures bare,
5As with her nectar Hebe Autumn fills
The bowl between me and those distant hills,
And smiles and shakes abroad her misty, tremulous hair!
No more the landscape holds its wealth apart,
Making me poorer in my poverty,
10But mingles with my senses and my heart;
My own projected spirit seems to me
In her own reverie the world to steep;
'Tis she that waves to sympathetic sleep,
Moving, as she is moved, each field and hill and tree.
15How fuse and mix, with what unfelt degrees,
Clasped by the faint horizon's languid arms,
Each into each, the hazy distances!
The softened season all the landscape charms;
Those hills, my native village that embay,
20In waves of dreamier purple roll away,
And floating in mirage seem all the glimmering farms.
Far distant sounds the hidden chickadee
Close at my side; far distant sound the leaves;
The fields seem fields of dream, where Memory
25Wanders like gleaning Ruth; and as the sheaves
Of wheat and barley wavered in the eye
Of Boaz as the maiden's glow went by,
So tremble and seem remote all things the sense receives.
The cock's shrill trump that tells of scattered corn,
30Passed breezily on by all his flapping mates,
Faint and more faint, from barn to barn is borne,
Southward, perhaps to far Magellan's Straits;
Dimly I catch the throb of distant flails;
34Silently overhead the hen-hawk sails,
With watchful, measuring eye, and for his quarry waits.
The sobered robin, hunger-silent now,
Seeks cedar-berries blue, his autumn cheer;
The squirrel, on the shingly shagbark's bough,
Now saws, now lists with downward eye and ear,
40Then drops his nut, and, with a chipping bound,
Whisks to his winding fastness underground;
The clouds like swans drift down the streaming atmosphere.
O'er yon bare knoll the pointed cedar shadows
Drowse on the crisp, gray moss; the ploughman's call
45Creeps faint as smoke from black, fresh-furrowed meadows;
The single crow a single caw lets fall;
And all around me every bush and tree
Says Autumn's here, and Winter soon will be,
Who snows his soft, white sleep and silence over all.
50The birch, most shy and ladylike of trees,
Her poverty, as best she may, retrieves,
And hints at her foregone gentilities
With some saved relics of her wealth of leaves;
The swamp-oak, with his royal purple on,
55Glares red as blood across the sinking sun,
As one who proudlier to a falling fortune cleaves.
He looks a sachem, in red blanket wrapt,
Who, 'mid some council of the sad-garbed whites,
Erect and stern, in his own memories lapt,
60With distant eye broods over other sights,
Sees the hushed wood the city's flare replace,
The wounded turf heal o'er the railway's trace,
And roams the savage Past of his undwindled rights.
The red-oak, softer-grained, yields all for lost,
65And, with his crumpled foliage stiff and dry,
After the first betrayal of the frost,
Rebuffs the kiss of the relenting sky;
The chestnuts, lavish of their long-hid gold,
69To the faint Summer, beggared now and old,
Pour back the sunshine hoarded 'neath her favoring eye.
The ash her purple drops forgivingly
And sadly, breaking not the general hush;
The maple-swamps glow like a sunset sea,
Each leaf a ripple with its separate flush;
75All round the wood's edge creeps the skirting blaze
Of bushes low, as when, on cloudy days,
Ere the rain falls, the cautious farmer burns his brush.
O'er yon low wall, which guards one unkempt zone,
Where vines and weeds and scrub-oaks intertwine
80Safe from the plough, whose rough, discordant stone
Is massed to one soft gray by lichens fine,
The tangled blackberry, crossed and recrossed, weaves
A prickly network of ensanguined leaves;
Hard by, with coral beads, the prim black-alders shine.
85Pillaring with flame this crumbling boundary,
Whose loose blocks topple 'neath the ploughboy's foot,
Who, with each sense shut fast except the eye,
Creeps close and scares the jay he hoped to shoot,
The woodbine up the elm's straight stem aspires,
90Coiling it, harmless, with autumnal fires;
In the ivy's paler blaze the martyr oak stands mute.
Below, the Charles—a stripe of nether sky,
Now hid by rounded apple-trees between,
Whose gaps the misplaced sail sweeps bellying by,
95Now flickering golden through a woodland screen,
Then spreading out, at his next turn beyond,
A silver circle like an inland pond—
Slips seaward silently through marshes purple and green.
Dear marshes! vain to him the gift of sight
100Who cannot in their various incomes share,
From every season drawn, of shade and light,
Who sees in them but levels brown and bare;
Each change of storm or sunshine scatters free
104On them its largess of variety,
For Nature with cheap means still works her wonders rare.
In Spring they lie one broad expanse of green,
O'er which the light winds run with glimmering feet:
Here, yellower stripes track out the creek unseen,
There, darker growths o'er hidden ditches meet;
110And purpler stains show where the blossoms crowd,
As if the silent shadow of a cloud
Hung there becalmed, with the next breath to fleet.
All round, upon the river's slippery edge,
Witching to deeper calm the drowsy tide,
115Whispers and leans the breeze-entangling sedge;
Through emerald glooms the lingering waters slide,
Or, sometimes wavering, throw back the sun,
And the stiff banks in eddies melt and run
Of dimpling light, and with the current seem to glide.
120In Summer 'tis a blithesome sight to see,
As, step by step, with measured swing, they pass,
The wide-ranked mowers wading to the knee,
Their sharp scythes panting through the thick-set grass;
Then, stretched beneath a rick's shade in a ring,
125Their nooning take, while one begins to sing
A stave that droops and dies 'neath the close sky of brass.
Meanwhile that devil-may-care, the bobolink,
Remembering duty, in mid-quaver stops
Just ere he sweeps o'er rapture's tremulous brink,
130And 'twixt the winrows most demurely drops,
A decorous bird of business, who provides
For his brown mate and fledglings six besides,
And looks from right to left, a farmer 'mid his crops.
Another change subdues them in the Fall,
135But saddens not; they still show merrier tints,
Though sober russet seems to cover all;
When the first sunshine through their dewdrops glints.
Look how the yellow clearness, streamed across,
139Redeems with rarer hues the season's loss,
As Dawn's feet there had touched and left their rosy prints.
Or come when sunset gives its freshened zest,
Lean o'er the bridge and let the ruddy thrill,
While the shorn sun swells down the hazy west,
Glow opposite;—the marshes drink their fill
145And swoon with purple veins, then slowly fade
Through pink to brown, as eastward moves the shade,
Lengthening with stealthy creep, of Simond's darkening hill.
Later, and yet ere Winter wholly shuts,
Ere through the first dry snow the runner grates,
150And the loath cart-wheel screams in slippery ruts,
While firmer ice the eager boy awaits,
Trying each buckle and strap beside the fire,
And until bedtime plays with his desire,
Twenty times putting on and off his new-bought skates;—
155Then, every morn, the river's banks shine bright
With smooth plate-armor, treacherous and frail,
By the frost's clinking hammers forged at night,
'Gainst which the lances of the sun prevail,
Giving a pretty emblem of the day
160When guiltier arms in light shall melt away,
And states shall move free-limbed, loosed from war's cramping mail.
And now those waterfalls the ebbing river
Twice every day creates on either side
Tinkle, as through their fresh-sparred grots they shiver
165In grass-arched channels to the sun denied;
High flaps in sparkling blue the far-heard crow,
The silvered flats gleam frostily below,
Suddenly drops the gull and breaks the glassy tide.
But crowned in turn by vying seasons three,
170Their winter halo hath a fuller ring;
This glory seems to rest immovably,—
The others were too fleet and vanishing;
When the hid tide is at its highest flow,
174O'er marsh and stream one breathless trance of snow
With brooding fulness awes and hushes everything.
The sunshine seems blown off by the bleak wind,
As pale as formal candles lit by day;
Gropes to the sea the river dumb and blind;
The brown ricks, snow-thatched by the storm in play,
180Show pearly breakers combing o'er their lee,
White crests as of some just enchanted sea,
Checked in their maddest leap and hanging poised midway.
But when the eastern blow, with rain aslant,
From mid-sea's prairies green and rolling plains
185Drives in his wallowing herds of billows gaunt,
And the roused Charles remembers in his veins
Old Ocean's blood and snaps his gyves of frost,
That tyrannous silence on the shores is tost
In dreary wreck, and crumbling desolation reigns.
190Edgewise or flat, in Druid-like device,
With leaden pools between or gullies bare,
The blocks lie strewn, a bleak Stonehenge of ice;
No life, no sound, to break the grim despair,
Save sullen plunge, as through the sedges stiff
195Down crackles riverward some thaw-sapped cliff,
Or when the close-wedged fields of ice crunch here and there.
But let me turn from fancy-pictured scenes
To that whose pastoral calm before me lies:
Here nothing harsh or rugged intervenes;
200The early evening with her misty dyes
Smooths off the ravelled edges of the nigh,
Relieves the distant with her cooler sky,
And tones the landscape down, and soothes the wearied eyes.
There gleams my native village, dear to me,
205Though higher change's waves each day are seen,
Whelming fields famed in boyhood's history,
Sanding with houses the diminished green;
There, in red brick, which softening time defies,
209Stand square and stiff the Muses' factories;—
How with my life knit up is every well-known scene!
Flow on, dear river! not alone you flow
To outward sight, and through your marshes wind;
Fed from the mystic springs of long-ago,
Your twin flows silent through my world of mind;
215Grow dim, dear marshes, in the evening's gray!
Before my inner sight ye stretch away,
And will forever, though these fleshly eyes grow blind.
Beyond the hillock's house-bespotted swell,
Where Gothic chapels house the horse and chaise,
220Where quiet cits in Grecian temples dwell,
Where Coptic tombs resound with prayer and praise,
Where dust and mud the equal year divide,
There gentle Allston lived, and wrought, and died,[11]
Transfiguring street and shop with his illumined gaze.

[11] In Cambridge Thirty Years Ago, which treats in prose of much the same period as this poem reproduces, Mr. Lowell has given more in detail his recollections of Washington Allston, the painter. The whole paper may be read as a prose counterpart to this poem. It is published in Fireside Travels.

225Virgilium vidi tantum,—I have seen[12]
But as a boy, who looks alike on all,
That misty hair, that fine Undine-like mien,[13]
Tremulous as down to feeling's faintest call;—
Ah, dear old homestead! count it to thy fame
230That thither many times the Painter came;—
One elm yet bears his name, a feathery tree and tall.
Swiftly the present fades in memory's glow,—
Our only sure possession is the past;
The village blacksmith died a month ago,[14]
235And dim to me the forge's roaring blast;
Soon fire-new mediævals we shall see
Oust the black smithy from its chestnut-tree,
And that hewn down, perhaps, the bee-hive green and vast.
How many times, prouder than king on throne,
240Loosed from the village school-dame's A's and B's,
Panting have I the creaky bellows blown,
And watched the pent volcano's red increase,
Then paused to see the ponderous sledge, brought down
224By that hard arm voluminous and brown,
From the white iron swarm its golden vanishing bees.

[12] Virgilium vidi tantum, I barely saw Virgil, a Latin phrase applied to one who has merely had a glimpse of a great man.

[13] Undine is the heroine of a romantic tale by Baron De la Motte Fouqué. She is represented as a water-nymph who wins a human soul only by a union with mortality which brings pain and sorrow.

[14] The village blacksmith of Longfellow's well-known poem. The prophecy came true as regards the hewing-down of the chestnut-tree which was cut down in 1876.

Dear native town! whose choking elms each year
With eddying dust before their time turn gray,
Pining for rain,—to me thy dust is dear;
It glorifies the eve of summer day,
250And when the westering sun half sunken burns,
The mote-thick air to deepest orange turns,
The westward horseman rides through clouds of gold away,
So palpable, I've seen those unshorn few,
The six old willows at the causey's end
255(Such trees Paul Potter never dreamed nor drew),
Through this dry mist their checkering shadows send,
Striped, here and there, with many a long-drawn thread,
Where streamed through leafy chinks the trembling red,
Past which, in one bright trail, the hangbird's flashes blend.
260Yes, dearer for thy dust than all that e'er,
Beneath the awarded crown of victory,
Gilded the blown Olympic charioteer;
Though lightly prized the ribboned parchments three,
Yet collegisse juvat, I am glad[15]
265That here what colleging was mine I had,—
It linked another tie, dear native town, with thee!

[15] Collegisse juvat. Horace in his first ode says, Curriculo pulverem Olympicum Collegisse juvat; that is: It's a pleasure to have collected the dust of Olympus on your carriage-wheels. Mr. Lowell, helping himself to the words, says, "It's a pleasure to have been at college;" for college in its first meaning is a collection of men, as in the phrase "The college of cardinals."

Nearer art thou than simply native earth,
My dust with thine concedes a deeper tie;
A closer claim thy soil may well put forth,
270Something of kindred more than sympathy;
For in thy bounds I reverently laid away
That blinding anguish of forsaken clay,
That title I seemed to have in earth and sea and sky,
That portion of my life more choice to me
275(Though brief, yet in itself so round and whole)[16]
Than all the imperfect residue can be;—
The Artist saw his statue of the soul
Was perfect; so, with one regretful stroke,
279The earthen model into fragments broke,
And without her the impoverished seasons roll.

THE FIRST SNOW-FALL.

The snow had begun in the gloaming,
And busily all the night
Had been heaping field and highway
With a silence deep and white.
5Every pine and fir and hemlock
Wore ermine too dear for an earl,
And the poorest twig on the elm-tree
Was ridged inch-deep with pearl.