Lord Rochester had not attained the age of thirty, when he was mercifully awakened to a sense of his guilt here, his peril hereafter. It seemed to many that his very nature was so warped that penitence in its true sense could never come to him; but the mercy of God is unfathomable; He judges not as man judges; He forgives, as man knows not how to forgive.

And the reformation of Rochester is a confirmation of the doctrine of a special Providence, as well as of that of a retribution, even in this life.

The retribution came in the form of an early but certain decay; of a suffering so stern, so composed of mental and bodily anguish, that never was man called to repentance by a voice so distinct as Rochester. The reformation was sent through the instrumentality of one who had been a sinner like himself, who had sinned with him; an unfortunate lady, who, in her last hours, had been visited, reclaimed, consoled by Bishop Burnet. Of this, Lord Rochester had heard. He was then, to all appearance, recovering from his last sickness. He sent for Burnet, who devoted to him one evening every week of that solemn winter when the soul of the penitent sought reconciliation and peace.

The conversion was not instantaneous; it was gradual, penetrating, effective, sincere. Those who wish to gratify curiosity concerning the death-bed of one who had so notoriously sinned, will read Burnet's account of Rochester's illness and death with deep interest; and nothing is so interesting as a death-bed. Those who delight in works of nervous thought, and elevated sentiments, will read it too, and arise from the perusal gratified. Those, however, who are true, contrite Christians will go still farther; they will own that few works so intensely touch the holiest and highest feelings; few so absorb the heart; few so greatly show the vanity of life; the unspeakable value of purifying faith. 'It is a book which the critic,' says Doctor Johnson, 'may read for its elegance, the philosopher for its arguments, the saint for its piety.'

Whilst deeply lamenting his own sins, Lord Rochester became anxious to redeem his former associates from theirs.

'When Wilmot, Earl of Rochester,'[11] writes William Thomas, in a manuscript preserved in the British Museum, 'lay on his death-bed, Mr. Fanshawe came to visit him, with an intention to stay about a week with him. Mr. Fanshawe, sitting by the bedside, perceived his lordship praying to God, through Jesus Christ, and acquainted Dr. Radcliffe, who attended my Lord Rochester in this illness and was then in the house, with what he had heard, and told him that my lord was certainly delirious, for to his knowledge, he said, he believed neither in God nor in Jesus Christ. The doctor, who had often heard him pray in the same manner, proposed to Mr. Fanshawe to go up to his lordship to be further satisfied touching this affair. When they came to his room the doctor told my lord what Mr. Fanshawe said, upon which his lordship addressed himself to Mr. Fanshawe to this effect: "Sir, it is true, you and I have been very bad and profane together, and then I was of the opinion you mention. But now I am quite of another mind, and happy am I that I am so. I am very sensible how miserable I was whilst of another opinion. Sir, you may assure yourself that there is a Judge and a future state;" and so entered into a very handsome discourse concerning the last judgment, future state &c., and concluded with a serious and pathetic exhortation to Mr. Fanshawe to enter into another course of life; adding that he (Mr. F.) knew him to be his friend; that he never was more so than at this time; and "sir," said he, "to use a Scripture expression, I am not mad, but speak the words of truth and soberness." Upon this Mr. Fanshawe trembled, and went immediately a-foot to Woodstock, and there hired a horse to Oxford, and thence took coach to London.'

There were other butterflies in that gay court; beaux without wit; remorseless rakes, incapable of one noble thought or high pursuit; and amongst the most foolish and fashionable of these was Henry Jermyn, Lord Dover. As the nephew of Henry Jermyn, Lord St. Albans, this young simpleton was ushered into a court life with the most favourable auspices. Jermyn Street (built in 1667) recalls to us the residence of Lord St. Albans, the supposed husband of Henrietta Maria. It was also the centre of fashion when Henry Jermyn the younger was launched into its unholy sphere. Near Eagle Passage lived at that time La Belle Stuart, Duchess of Richmond; next door to her Henry Savile, Rochester's friend. The locality has since been purified by worthier associations: Sir Isaac Newton lived for a time in Jermyn Street, and Gray lodged there.

It was, however, in De Grammont's time, the scene of all the various gallantries which were going on. Henry Jermyn was supported by the wealth of his uncle, that uncle who, whilst Charles II. was starving at Brussels, had kept a lavish table in Paris: little Jermyn, as the younger Jermyn was called, owed much indeed to his fortune, which had procured him great éclat at the Dutch court. His head was large; his features small; his legs short; his physiognomy was not positively disagreeable, but he was affected and trifling, and his wit consisted in expressions learnt by rote, which supplied him either with raillery or with compliments.

This petty, inferior being had attracted the regard of the Princess Royal—afterwards Princess of Orange—the daughter of Charles I. Then the Countess of Castlemaine—afterwards Duchess of Cleveland—became infatuated with him; he captivated also the lovely Mrs. Hyde, a languishing beauty, whom Sir Peter Lely has depicted in all her sleepy attractions, with her ringlets falling lightly over her snowy forehead and down to her shoulders. This lady was, at the time when Jermyn came to England, recently married to the son of the great Clarendon. She fell desperately in love with this unworthy being: but, happily for her peace, he preferred the honour (or dishonour) of being the favourite of Lady Castlemaine, and Mrs. Hyde escaped the disgrace she, perhaps, merited.

De Grammont appears absolutely to have hated Jermyn; not because he was immoral, impertinent, and contemptible, but because it was Jermyn's boast that no woman, good or bad, could resist him. Yet, in respect to their unprincipled life, Jermyn and De Grammont had much in common. The Chevalier was at this time an admirer of the foolish beauty, Jane Middleton; one of the loveliest women of a court where it was impossible to turn without seeing loveliness.

Mrs. Middleton was the daughter of Sir Roger Needham, and she has been described, even by the grave Evelyn, as a 'famous, and, indeed, incomparable beauty.' A coquette, she was, however, the friend of intellectual men; and it was probably at the house of St. Evremond that the Count first saw her. Her figure was good, she was fair and delicate; and she had so great a desire, Count Hamilton relates, to 'appear magnificently, that she was ambitious to vie with those of the greatest fortunes, though unable to support the expense.'

Letters and presents now flew about. Perfumed gloves, pocket looking-glasses, elegant boxes, apricot paste, essences, and other small wares arrived weekly from Paris; English jewellery still had the preference, and was liberally bestowed; yet Mrs. Middleton, affected and somewhat precise, accepted the gifts but did not seem to encourage the giver.

The Count de Grammont, piqued, was beginning to turn his attention to Miss Warmestre, one of the queen's maids of honour, a lively brunette, and a contrast to the languid Mrs. Middleton; when, happily for him, a beauty appeared on the scene, and attracted him, by higher qualities than mere looks, to a real, fervent, and honourable attachment.

Amongst the few respected families of that period was that of Sir George Hamilton, the fourth son of James, Earl of Abercorn, and of Mary, grand-daughter of Walter, eleventh Earl of Ormond. Sir George had distinguished himself during the Civil Wars: on the death of Charles I. he had retired to France, but returned, after the Restoration, to London, with a large family, all intelligent and beautiful.

From their relationship to the Ormond family, the Hamiltons were soon installed in the first circles of fashion. The Duke of Ormond's sons had been in exile with the king; they now added to the lustre of the court after his return. The Earl of Arran, the second, was a beau of the true Cavalier order; clever at games, more especially at tennis, the king's favourite diversion; he touched the guitar well; and made love ad libitum. Lord Ossory, his elder brother, had less vivacity but more intellect, and possessed a liberal, honest nature, and an heroic character.

All the good qualities of these two young noblemen seem to have been united in Anthony Hamilton, of whom De Grammont gives the following character:—'The elder of the Hamiltons, their cousin, was the man who, of all the court, dressed best; he was well made in his person, and possessed those happy talents which lead to fortune, and procure success in love: he was a most assiduous courtier, had the most lively wit, the most polished manners, and the most punctual attention to his master imaginable; no person danced better, nor was any one a more general lover—a merit of some account in a court entirely devoted to love and gallantry. It is not at all surprising that, with these qualities, he succeeded my Lord Falmouth in the king's favour.'

The fascinating person thus described was born in Ireland: he had already experienced some vicissitudes, which were renewed at the Revolution of 1688, when he fled to France—the country in which he had spent his youth—and died at St. Germains, in 1720, aged seventy-four. His poetry and his fairy tales are forgotten; but his 'Memoirs of the Count de Grammont' is a work which combines the vivacity of a French writer with the truth of an English historian.

Ormond Yard, St. James's Square, was the London residence of the Duke of Ormond: the garden wall of Ormond House took up the greater part of York Street: the Hamilton family had a commodious house in the same courtly neighbourhood; and the cousins mingled continually. Here persons of the greatest distinction constantly met; and here the 'Chevalier de Grammont,' as he was still called, was received in a manner suitable to his rank and style; and soon regretted that he had passed so much time in other places; for, after he once knew the charming Hamiltons, he wished for no other friends.

There were three courts at that time in the capital; that at Whitehall, in the king's apartments; that in the queen's, in the same palace; and that of Henrietta Maria, the Queen-Mother, as she was styled, at Somerset House. Charles's was pre-eminent in immorality, and in the daily outrage of all decency; that of the unworthy widow of Charles I. was just bordering on impropriety; that of Katherine of Braganza was still decorous, though not irreproachable. Pepys, in his Diary, has this passage:—'Visited Mrs. Ferrers, and stayed talking with her a good while, there being a little, proud, ugly, talking lady there, that was much crying up the queene-mother's court at Somerset House, above our queen's; there being before her no allowance of laughing and mirth that is at the other's; and, indeed, it is observed that the greatest court now-a-days is there. Thence to Whitehall, where I carried my wife to see the queene in her presence-chamber; and the maydes of honour and the young Duke of Monmouth, playing at cards.'

Queen Katherine, notwithstanding that the first words she was ever known to say in English were 'You lie!' was one of the gentlest of beings. Pepys describes her as having a modest, innocent look, among all the demireps with whom she was forced to associate. Again we turn to Pepys, an anecdote of whose is characteristic of poor Katherine's submissive, uncomplaining nature:—

'With Creed, to the King's Head ordinary;... and a pretty gentleman in our company, who confirms my Lady Castlemaine's being gone from court, but knows not the reason; he told us of one wipe the queene, a little while ago, did give her, when she came in and found the queene under the dresser's hands, and had been so long. "I wonder your Majesty," says she, "can have the patience to sit so long a-dressing?"—"I have so much reason to use patience," says the queene, "that I can very well bear with it."'

It was in the court of this injured queen that De Grammont went one evening to Mrs. Middleton's house: there was a ball that night, and amongst the dancers was the loveliest creature that De Grammont had ever seen. His eyes were riveted on this fair form; he had heard, but never till then seen her, whom all the world consented to call 'La Belle Hamilton,' and his heart instantly echoed the expression. From this time he forgot Mrs. Middleton, and despised Miss Warmestre: 'he found,' he said, that he 'had seen nothing at court till this instant.'

'Miss Hamilton,' he himself tells us, 'was at the happy age when the charms of the fair sex begin to bloom; she had the finest shape, the loveliest neck, and most beautiful arms in the world; she was majestic and graceful in all her movements; and she was the original after which all the ladies copied in their taste and air of dress. Her forehead was open, white, and smooth; her hair was well set, and fell with ease into that natural order which it is so difficult to imitate. Her complexion was possessed of a certain freshness, not to be equalled by borrowed colours; her eyes were not large, but they were lively, and capable of expressing whatever she pleased.'[12] So far for her person; but De Grammont was, it seems, weary of external charms: it was the intellectual superiority that riveted his feelings, whilst his connoisseurship in beauty was satisfied that he had never yet seen any one so perfect.

'Her mind,' he says, 'was a proper companion for such a form: she did not endeavour to shine in conversation by those sprightly sallies which only puzzle, and with still greater care she avoided that affected solemnity in her discourses which produces stupidity; but without any eagerness to talk, she just said what she ought, and no more. She had an admirable discernment in distinguishing between solid and false wit; and far from making an ostentatious display of her abilities, she was reserved, though very just in her decisions. Her sentiments were always noble, and even lofty to the highest extent, when there was occasion; nevertheless, she was less prepossessed with her own merit than is usually the case with those who have so much. Formed as we have described, she could not fail of commanding love; but so far was she from courting it, that she was scrupulously nice with respect to those whose merit might entitle them to form any pretensions to her.'

Born in 1641, Elizabeth—for such was the Christian name of this lovely and admirable woman—was scarcely in her twentieth year when she first appeared at Whitehall. Sir Peter Lely was at that time painting the Beauties of the Court, and had done full justice to the intellectual and yet innocent face that riveted De Grammont. He had depicted her with her rich dark hair, of which a tendril or two fell on her ivory forehead, adorned at the back with large pearls, under which a gauze-like texture was gathered up, falling over the fair shoulders like a veil: a full corsage, bound by a light band either of ribbon or of gold lace, confining, with a large jewel or button, the sleeve on the shoulder, disguised somewhat the exquisite shape. A frill of fine cambric set off, whilst in whiteness it scarce rivalled, the shoulder and neck.

The features of this exquisite face are accurately described by De Grammont, as Sir Peter has painted them. 'The mouth does not smile, but seems ready to break out into a smile. Nothing is sleepy, but everything is soft, sweet, and innocent in that face so beautiful and so beloved.'

Whilst the colours were fresh on Lely's palettes, James Duke of York, that profligate who aped the saint, saw it, and henceforth paid his court to the original, but was repelled with fearless hauteur. The dissolute nobles of the court followed his example, even to the 'lady-killer' Jermyn, but in vain. Unhappily for La Belle Hamilton, she became sensible to the attractions of De Grammont, whom she eventually married.

Miss Hamilton, intelligent as she was, lent herself to the fashion of the day, and delighted in practical jokes and tricks. At the splendid masquerade given by the queen she continued to plague her cousin, Lady Muskerry; to confuse and expose a stupid court beauty, a Miss Blaque; and at the same time to produce on the Count de Grammont a still more powerful effect than even her charms had done. Her success in hoaxing—which we should now think both perilous and indelicate—seems to have only riveted the chain, which was drawn around him more strongly.

His friend, or rather his foe, St. Evremond, tried in vain to discourage the Chevalier from his new passion. The former tutor was, it appeared, jealous of its influence, and hurt that De Grammont was now seldom at his house.

De Grammont's answer to his remonstrances was very characteristic. 'My poor philosopher,' he cried, 'you understand Latin well—you can make good verses—you are acquainted with the nature of the stars in the firmament—but you are wholly ignorant of the luminaries in the terrestrial globe.'

He then announced his intention to persevere, notwithstanding all the obstacles which attached to the suit of a man without either fortune or character, who had been exiled from his own country, and whose chief mode of livelihood was dependent on the gaming-table.

One can scarcely read of the infatuation of La Belle Hamilton without a sigh. During a period of six years their marriage was in contemplation only; and De Grammont seems to have trifled inexcusably with the feelings of this once gay and ever lovely girl. It was not for want of means that De Grammont thus delayed the fulfilment of his engagement. Charles II., inexcusably lavish, gave him a pension of 1500 Jacobuses: it was to be paid to him until he should be restored to the favour of his own king. The fact was that De Grammont contributed to the pleasures of the court, and pleasure was the household deity of Whitehall. Sometimes, in those days of careless gaiety, there were promenades in Spring Gardens, or the Mall; sometimes the court beauties sallied forth on horseback; at other times there were shows on the river, which then washed the very foundations of Whitehall. There in the summer evenings, when it was too hot and dusty to walk, old Thames might be seen covered with little boats, filled with court and city beauties, attending the royal barges; collations, music, and fireworks completed the scene, and De Grammont always contrived some surprise—some gallant show: once a concert of vocal and instrumental music, which he had privately brought from Paris, struck up unexpectedly: another time a collation brought from the gay capital surpassed that supplied by the king. Then the Chevalier, finding that coaches with glass windows, lately introduced, displeased the ladies, because their charms were only partially seen in them, sent for the most elegant and superb calèche ever seen: it came after a month's journey, and was presented by De Grammont to the king. It was a royal present in price, for it had cost two thousand livres. The famous dispute between Lady Castlemaine and Miss Stuart, afterwards Duchess of Richmond, arose about this calèche. The Queen and the Duchess of York appeared first in it in Hyde Park, which had then recently been fenced in with brick. Lady Castlemaine thought that the calèche showed off a fine figure better than the coach; Miss Stuart was of the same opinion. Both these grown-up babies wished to have the coach on the same day, but Miss Stuart prevailed.

The Queen condescended to laugh at the quarrels of these two foolish women, and complimented the Chevalier de Grammont on his present. 'But how is it,' she asked, 'that you do not even keep a footman, and that one of the common runners in the street lights you home with a link?'

'Madame,' he answered, 'the Chevalier de Grammont hates pomp: my link-boy is faithful and brave.' Then he told the Queen that he saw she was unacquainted with the nation of link-boys, and related how that he had, at one time, had one hundred and sixty around his chair at night, and people had asked 'whose funeral it was? As for the parade of coaches and footmen,' he added, 'I despise it. I have sometimes had five or six valets-de-chambre, without a single footman in livery except my chaplain.'

'How!' cried the Queen, laughing, 'a chaplain in livery? surely he was not a priest.'

'Pardon, Madame, a priest, and the best dancer in the world of the Biscayan gig.'

'Chevalier,' said the king, 'tell us the history of your chaplain Poussatin.'

Then De Grammont related how, when he was with the great Condé, after the campaign of Catalonia, he had seen among a company of Catalans, a priest in a little black jacket, skipping and frisking: how Condé was charmed, and how they recognized in him a Frenchman, and how he offered himself to De Grammont for his chaplain. De Grammont had not much need, he said, for a chaplain in his house, but he took the priest, who had afterwards the honour of dancing before Anne of Austria, in Paris.

Suitor after suitor interfered with De Grammont's at last honourable address to La Belle Hamilton. At length an incident occurred which had very nearly separated them for ever. Philibert de Grammont was recalled to Paris by Louis XIV. He forgot, Frenchman-like, all his engagements to Miss Hamilton, and hurried off. He had reached Dover, when her two brothers rode up after him. 'Chevalier de Grammont,' they said, 'have you forgotten nothing in London?'

'I beg your pardon,' he answered, 'I forgot to marry your sister.' It is said that this story suggested to Molière the idea of Le Mariage forcé. They were, however, married.

In 1669 La Belle Hamilton, after giving birth to a child, went to reside in France. Charles II., who thought she would pass for a handsome woman in France, recommended her to his sister, Henrietta Duchess of Orleans, and begged her to be kind to her.

Henceforth the Chevalier De Grammont and his wife figured at Versailles, where the Countess de Grammont was appointed Dame du Palais. Her career was less brilliant than in England. The French ladies deemed her haughty and old, and even termed her une Anglaise insupportable.

She had certainly too much virtue, and perhaps too much beauty still, for the Parisian ladies of fashion at that period to admire her.

She endeavoured in vain, to reclaim her libertine husband, and to call him to a sense of his situation when he was on his death-bed. Louis XIV. sent the Marquis de Dangeau to convert him, and to talk to him on a subject little thought of by De Grammont—the world to come. After the Marquis had been talking for some time, De Grammont turned to his wife and said, 'Countess, if you don't look to it, Dangeau will juggle you out of my conversion.' St. Evremond said he would gladly die to go off with so successful a bon-mot.

He became however, in time, serious, if not devout or penitent. Ninon de l'Enclos having written to St. Evremond that the Count de Grammont had not only recovered but had become devout, St. Evremond answered her in these words:—

'I have learned with a great deal of pleasure that the Count de Grammont has recovered his former health, and acquired a new devotion. Hitherto I have been contented with being a plain honest man; but I must do something more: and I only wait for your example to become a devotee. You live in a country where people have wonderful advantages of saving their souls: there, vice is almost as opposite to the mode as virtue; sinning passes for ill-breeding, and shocks decency and good-manners, as much as religion. Formerly it was enough to be wicked, now one must be a scoundrel withal to be damned in France.'

A report having been circulated that De Grammont was dead, St. Evremond expressed deep regret. The report was contradicted by Ninon de l'Enclos. The Chevalier was then eighty-six years of age; 'nevertheless he was,' Ninon says, 'so young, that I think him as lively as when he hated sick people, and loved them after they had recovered their health;' a trait very descriptive of a man whose good-nature was always on the surface, but whose selfishness was deep as that of most wits and beaux, who are spoiled by the world, and who, in return, distrust and deceive the spoilers. With this long life of eighty-six years, endowed as De Grammont was with elasticity of spirits, good fortune, considerable talent, an excellent position, a wit that never ceased to flow in a clear current; with all these advantages, what might he not have been to society, had his energy been well applied, his wit innocent, his talents employed worthily, and his heart as sure to stand muster as his manners?

BEAU FIELDING.

Let us be wise, boys, here's a fool coming, said a sensible man, when he saw Beau Nash's splendid carriage draw up to the door. Is a beau a fool? Is a sharper a fool? Was Bonaparte a fool? If you reply 'no' to the last two questions, you must give the same answer to the first. A beau is a fox, but not a fool—a very clever fellow, who, knowing the weakness of his brothers and sisters in the world, takes advantage of it to make himself a fame and a fortune. Nash, the son of a glass-merchant—Brummell, the hopeful of a small shopkeeper—became the intimates of princes, dukes, and fashionables; were petty kings of Vanity Fair, and were honoured by their subjects. In the kingdom of the blind, the one-eyed man is king; in the realm of folly, the sharper is a monarch. The only proviso is, that the cheat come not within the jurisdiction of the law. Such a cheat is the beau or dandy, or fine gentleman, who imposes on his public by his clothes and appearance. Bonâ-fide monarchs have done as much: Louis XIV. won himself the title of Le Grand Monarque by his manners, his dress, and his vanity. Fielding, Nash, and Brummell did nothing more. It is not a question whether such roads to eminence be contemptible or not, but whether their adoption in one station of life be more so than in another. Was Brummell a whit more contemptible than 'Wales?' Or is John Thomas, the pride and glory of the 'Domestics' Free-and-Easy,' whose whiskers, figure, face, and manner are all superb, one atom more ridiculous than your recognized beau? I trow not. What right, then, has your beau to a place among wits? I fancy Chesterfield would be much disgusted at seeing his name side by side with that of Nash in this volume; yet Chesterfield had no objection, when at Bath, to do homage to the king of that city, and may have prided himself on exchanging pinches from diamond-set snuff-boxes with that superb gold-laced dignitary in the Pump-room. Certainly, people who thought little of Philip Dormer Stanhope, thought a great deal of the glass-merchant's reprobate son when he was in power, and submitted without a murmur to his impertinences. The fact is, that the beaux and the wits are more intimately connected than the latter would care to own: the wits have all been, or aspired to be, beaux, and beaux have had their fair share of wit; both lived for the same purpose—to shine in society: both used the same means—coats and bon-mots. The only distinction is, that the garments of the beaux were better, and their sayings not so good as those of the wits; while the conversation of the wits was better, and their apparel not so striking as those of the beaux. So, my Lord Chesterfield, who prided yourself quite as much on being a fine gentleman as on being a fine wit, you cannot complain at your proximity to Mr. Nash and others who were fine gentlemen, and would have been fine wits if they could.

Robert Fielding was, perhaps, the least of the beaux; but then, to make up for this, he belonged to a noble family: he married a duchess, and, what is more, he beat her. Surely in the kingdom of fools such a man is not to be despised. You may be sure he did not think he was, for was he not made the subject of two papers in 'The Tatler,' and what more could such a man desire?

His father was a Suffolk squire, claiming relationship with the Earls of Denbigh, and therefore, with the Hapsburgs, from whom the Beau and the Emperors of Austria had the common honour of being descended. Perhaps neither of them had sufficient sense to be proud of the greatest intellectual ornament of their race, the author of 'Tom Jones;' but as our hero was dead before the humourist was born, it is not fair to conjecture what he might have thought on the subject.

It does not appear that very much is known of this great gem of the race of Hapsburg. He had the misfortune to be very handsome, and the folly to think that his face would be his fortune: it certainly stood him in good stead at times, but it also brought him into a lamentable dilemma.

His father was not rich, and sent his son to the Temple to study laws which he was only fitted to break. The young Adonis had sense enough to see that destiny did not beckon him to fame in the gloom of a musty law court, and removed a little further up to the Thames, and the more fashionable region of Scotland Yard. Here, where now Z 300 repairs to report his investigations to a Commissioner, the young dandies of Charles II.'s day strutted in gay doublets, swore hasty oaths of choice invention, smoked the true Tobago from huge pipe-bowls, and ogled the fair but not too bashful dames who passed to and fro in their chariots. The court took its name from the royalties of Scotland, who, when they visited the South, were there lodged, as being conveniently near to Whitehall Palace. It is odd enough that the three architects, Inigo Jones, Vanbrugh, and Wren, all lived in this yard.

It was not to be supposed that a man who could so well appreciate a handsome face and well-cut doublet as Charles II. should long overlook his neighbour, Mr. Robert Fielding, and in due course the Beau, who had no other diploma, found himself in the honourable position of a justice of the peace.

The emoluments of this office enabled Orlando, as 'The Tatler' calls him, to shine forth in all his glory. With an enviable indifference to the future, he launched out into an expenditure which alone would have made him popular in a country where the heaviest purse makes the greatest gentleman. His lacqueys were arrayed in the brightest yellow coats with black sashes—the Hapsburg colours. He had a carriage, of course, but, like Sheridan's, it was hired, though drawn by his own horses. This carriage was described as being shaped like a sea-shell; and 'the Tatler' calls it 'an open tumbril of less size than ordinary, to show the largeness of his limbs and the grandeur of his personage to the best advantage.' The said limbs were Fielding's especial pride: he gloried in the strength of his leg and arm; and when he walked down the street, he was followed by an admiring crowd, whom he treated with as much haughtiness as if he had been the emperor himself, instead of his cousin five hundred times removed. He used his strength to good or bad purpose, and was a redoubted fighter and bully, though good-natured withal. In the Mall, as he strutted, he was the cynosure of all female eyes. His dress had all the elegance of which the graceful costume of that period was capable, though Fielding did not, like Brummell, understand the delicacy of a quiet, but studied style. Those were simpler, somewhat more honest days. It was not necessary for a man to cloak his vices, nor be ashamed of his cloak. The beau then-a-day openly and arrogantly gloried in the grandeur of his attire; and bragging was a part of his character. Fielding was made by his tailor; Brummell made his tailor: the only point in common to both was that neither of them paid the tailor's bill.

The fine gentleman, under the Stuarts, was fine only in his lace and his velvet doublet; his language was coarse, his manners coarser, his vices the coarsest of all. No wonder when the king himself could get so drunk with Sedley and Buckhurst as to be unable to give an audience appointed for; and when the chief fun of his two companions was to divest themselves of all the habiliments which civilization has had the ill taste to make necessary, and in that state run about the streets.

'Orlando' wore the finest ruffles and the heaviest sword; his wig was combed to perfection; and in his pocket he carried a little comb with which to arrange it from time to time, even as the dandy of to-day pulls out his whiskers or curls his moustache. Such a man could not be passed over; and accordingly he numbered half the officers and gallants of the town among his intimates. He drank, swore, and swaggered, and the snobs of the day proclaimed him a 'complete gentleman.'

His impudence, however, was not always tolerated. In the playhouses of the day, it was the fashion for some of the spectators to stand upon the stage, and the places in that position were chiefly occupied by young gallants. The ladies came most in masques: but this did not prevent Master Fielding from making his remarks very freely, and in no very refined strain to them. The modest damsels, whom Pope has described,

were not too coy to be pleased with the fops' attentions, and replied in like strain. The players were unheeded; the audience laughed at the improvised and natural wit, when carefully prepared dialogues failed to fix their attention. The actors were disgusted, and, in spite of Master Fielding's herculean strength, kicked him off the stage, with a warning not to come again.

The rôle of a beau is expensive to keep up; and our justice of the peace could not, like Nash, double his income by gaming. He soon got deeply into debt, as every celebrated dresser has done. The old story, not new even in those days, was enacted and the brilliant Adonis had to keep watch and ward against tailors and bailiffs. On one occasion they had nearly caught him; but his legs being lengthy, he gave them fair sport as far as St. James's Palace, where the officers on guard rushed out to save their pet, and drove off the myrmidons of the law at the point of the sword.

But debts do not pay themselves, nor die, and Orlando with all his strength and prowess could not long keep off the constable. Evil days gloomed at no very great distance before him, and the fear of a sponging-house and debtors' prison compelled him to turn his handsome person to account. Had he not broken a hundred hearts already? had he not charmed a thousand pairs of beaming eyes? was there not one owner of one pair who was also possessed of a pretty fortune? Who should have the honour of being the wife of such an Adonis? who, indeed, but she who could pay highest for it; and who could pay with a handsome income but a well-dowered widow? A widow it must be—a widow it should be. Noble indeed was the sentiment which inspired this great man to sacrifice himself on the altar of Hymen for the good of his creditors. Ye young men in the Guards, who do this kind of thing every day—that is, every day that you can meet with a widow with the proper qualifications—take warning by the lamentable history of Mr. Robert Fielding, and never trust to 'third parties.'

A widow was found, fat, fair, and forty—and oh!—charm greater far than all the rest—with a fortune of sixty thousand pounds; this was a Mrs. Deleau, who lived at Whaddon in Surrey, and at Copthall-court in London. Nothing could be more charming; and the only obstacle was the absence of all acquaintance between the parties—for, of course, it was impossible for any widow, whatever her attractions, to be insensible to those of Robert Fielding. Under these circumstances, the Beau looked about for an agent, and found one in the person of a Mrs. Villars, hairdresser to the widow. He offered this person a handsome douceur in case of success, and she was to undertake that the lady should meet the gentleman in the most unpremeditated manner. Various schemes were resorted to: with the alias, for he was not above an alias, of Major-General Villars, the Beau called at the widow's country house, and was permitted to see the gardens. At a window he espied a lady, whom he took to be the object of his pursuit—bowed to her majestically, and went away, persuaded he must have made an impression. But, whether the widow was wiser than wearers of weeds have the reputation of being, or whether the agent had really no power in the matter, the meeting never came on.

The hairdresser naturally grew anxious, the douceur was too good to be lost, and as the widow could not be had, some one must be supplied in her place.

One day while the Beau was sitting in his splendid 'night-gown,' as the morning-dress of gentlemen was then called, two ladies were ushered into his august presence. He had been warned of this visit, and was prepared to receive the yielding widow. The one, of course, was the hairdresser, the other a young, pretty, and apparently modest creature, who blushed much—though with some difficulty—at the trying position in which she found herself. The Beau, delighted, did his best to reassure her. He flung himself at her feet, swore, with oaths more fashionable than delicate, that she was the only woman he ever loved, and prevailed on the widow so far as to induce her to 'call again to-morrow.'

Of course she came, and Adonis was in heaven. He wrote little poems to her—for, as a gallant, he could of course make verses—serenaded her through an Italian donna, invited her to suppers, at which the delicacies of the season were served without regard to the purveyor's account, and to which, coy as she was, she consented to come, and clenched the engagement with a ring, on which was the motto, 'Tibi Soli.' Nay, the Beau had been educated, and had some knowledge of 'the tongues,' so that he added to these attentions the further one of a song or two translated from the Greek. The widow ought to have been pleased, and was. One thing only she stipulated, namely, that the marriage should be private, lest her relations should forbid the banns.

Having brought her so far, it was not likely that the fortune-hunter would stick at such a mere trifle, and accordingly an entertainment was got up at the Beau's own rooms, a supper suitable to the rank and wealth of the widow, provided by some obligingly credulous tradesman; a priest found—for, be it premised, our hero had changed so much of his religion as he had to change in the reign of James II., when Romanism was not only fashionable, but a sure road to fortune—and the mutually satisfied couple swore to love, honour, and obey one another till death them should part.

The next morning, however, the widow left the gentleman's lodgings, on the pretext that it was injudicious for her friends to know of their union at present, and continued to visit her sposo and sup somewhat amply at his chambers from time to time. We can imagine the anxiety Orlando now felt for a cheque book at the heiress's bankers, and the many insinuations he may have delicately made, touching ways and means. We can fancy the artful excuses with which these hints were put aside by his attached wife. But the dupe was still in happy ignorance of the trick played on him, and for a time such ignorance was bliss. It must have been trying to him to be called on by Mrs. Villars for the promised douceur, but he consoled himself with the pleasures of hope.

Unfortunately, however, he had formed the acquaintance of a woman of a very different reputation to the real Mrs. Deleau, and the intimacy which ensued was fatal to him.

When Charles II. was wandering abroad, he was joined, among others, by a Mr. and Mrs. Palmer. The husband was a stanch old Romanist, with the qualities which usually accompanied that faith in those days—little respect for morality, and a good deal of bigotry. In later days he was one of the victims suspected of the Titus Oates plot, but escaped, and eventually died in Wales, in 1705, after having been James II.'s ambassador to Rome. This, in a few words, is the history of that Roger Palmer, afterwards Lord Castlemaine, who by some is said to have sold his wife—not at Smithfield, but at Whitehall—to his Majesty King Charles II., for the sum of one peerage—an Irish one, taken on consideration: by others, is alleged to have been so indignant with the king as to have remained for some time far from court; and so disgusted with his elevation to the peerage as scarcely to assume his title; and this last is the most authenticated version of the matter.

Mrs. Palmer belonged to one of the oldest families in England, and traced her descent to Pagan de Villiers, in the days of William Rufus, and a good deal farther among the nobles of Normandy. She was the daughter of William, second Viscount Grandison, and rejoiced in the appropriate name of Barbara, for she could be savage occasionally. She was very beautiful, and very wicked, and soon became Charles's mistress. On the Restoration she joined the king in England, and when the poor neglected queen came over was foisted upon her as a bedchamber-woman, in spite of all the objections of that ill used wife. It was necessary to this end that she should be the wife of a peer; and her husband accepted the title of Earl of Castlemaine, well knowing to what he owed it. Pepys, who admired Lady Castlemaine more than any woman in England, describes the husband and wife meeting at Whitehall with a cold ceremonial bow: yet the husband was there. A quarrel between the two, strangely enough on the score of religion, her ladyship insisting that her child should be christened by a Protestant clergyman, while his lordship insisted on the ceremony being performed by a Romish priest, brought about a separation, and from that time Lady Castlemaine, lodged in Whitehall, began her empire over the king of England. That man, 'who never said a foolish thing, and never did a wise one,' was the slave of this imperious and most impudent of women. She forced him to settle on her an immense fortune, much of which she squandered at the basset-table, often staking a thousand pounds at a time, and sometimes losing fifteen thousand pounds a-night.

Nor did her wickedness end here. We have some pity for one, who, like La Vallière, could be attracted by the attentions of a handsome, fascinating prince: we pity though we blame. But Lady Castlemaine was vicious to the very marrow: not content with a king's favour, she courted herself the young gallant of the town. Quarrels ensued between Charles and his mistress, in which the latter invariably came off victorious, owing to her indomitable temper; and the scenes recorded by De Grammont—when she threatened to burn down Whitehall, and tear her children in pieces—are too disgraceful for insertion. She forced the reprobate monarch to consent to all her extortionate demands: rifled the nation's pockets as well as his own; and at every fresh difference, forced Charles to give her some new pension. An intrigue with Jermyn, discovered and objected to by the King, brought on a fresh and more serious difference, which was only patched up by a patent of the Duchy of Cleveland. The Duchess of Cleveland was even worse than the Countess of Castlemaine. Abandoned in time by Charles, and detested by all people of any decent feeling, she consoled herself for the loss of a real king by taking up with a stage one. Hart and Goodman, the actors, were successively her cavalieri; the former had been a captain in the army; the latter a student at Cambridge. Both were men of the coarsest minds and most depraved lives. Goodman, in after-years was so reduced that, finding, as Sheridan advised his son to do, a pair of pistols handy, a horse saddled, and Hounslow Heath not a hundred miles distance, he took to the pleasant and profitable pastime of which Dick Turpin is the patron saint. He was all but hanged for his daring robberies, but unfortunately not quite so. He lived to suffer such indigence, that he and another rascal had but one under-garment between them, and entered into a compact that one should lie in bed while the other wore the article in question. Naturally enough the two fell out in time, and the end of Goodman—sad misnomer—was worse than his beginning: such was the gallant whom the imperious Duchess of Cleveland vouchsafed to honour.

The life of the once beautiful Barbara Villiers grew daily more and more depraved: at the age of thirty she retired to Paris, shunned and disgraced. After numerous intrigues abroad and at home, she put the crowning point to her follies by falling in love with the handsome Fielding, when she herself numbered sixty-five summers.

Whether the Beau still thought of fortune, or whether having once tried matrimony, he was so enchanted with it as to make it his cacoëthes, does not appear: the legend explains not for what reason he married the antiquated beauty only three weeks after he had been united to the supposed widow. For a time he wavered between the two, but that time was short: the widow discovered his second marriage, claimed him, and in so doing revealed the well-kept secret that she was not a widow; indeed, not even the relict of John Deleau, Esq., of Whaddon, but a wretched adventurer of the name of Mary Wadsworth, who had shared with Mrs. Villars the plunder of the trick. The Beau tried to preserve his dignity, and throw over his duper, but in vain. The first wife reported the state of affairs to the second: and the duchess, who had been shamefully treated by Master Fielding, was only too glad of an opportunity to get rid of him. She offered Mary Wadsworth a pension of £100 a year, and a sum of £200 in ready money, to prove the previous marriage. The case came on, and Beau Fielding had the honour of playing a part in a famous state trial.

With his usual impudence he undertook to defend himself at the Old Bailey, and hatched up some old story to prove that the first wife was married at the time of their union to one Brady; but the plea fell to the ground, and the fine gentleman was sentenced to be burned in the hand. His interest in certain quarters saved him this ignominious punishment which would, doubtless, have spoiled a limb of which he was particularly proud. He was pardoned: the real widow married a far more honourable gentleman, in spite of the unenviable notoriety she had acquired; the sham one was somehow quieted, and the duchess died some four years later, the more peacefully for being rid of her tyrannical mate.

Thus ended a petty scandal of the day, in which all the parties were so disreputable that no one could feel any sympathy for a single one of them. How the dupe himself ended is not known. The last days of fops and beaux are never glorious. Brummell died in slovenly penury; Nash in contempt. Fielding lapsed into the dimmest obscurity; and as far as evidence goes, there is as little certainty about his death as of that of the Wandering Jew. Let us hope that he is not still alive: though his friends seemed to have cared little whether he were so or not, to judge from a couple of verses written by one of them:—