This garden was formerly situated on the Cours-Dauphin, but, the municipal administration wishing to render that portion of the town named Martainville, more healthy, entertained the project of opening a street at the entrance of the town, on the ground occupied by this garden; in consequence they sought another place, more suitable for a botanical garden. The place fixed upon, is the park of Trianon, where people formerly went, to visit the fine hot houses, and rare collection of dahlias and other plants, which belonged to a distinguished english florist, Mr Calvert.
This new botanical garden, is situated at the extremity of the rue d'Elbeuf, and forms a square of about 45,500 metres (or yards) surface. Mr Lejeune, an architect, gave the plan of this garden.
These lectures take place every year, (beginning the 15th november), on tuesdays and saturdays at one o'clock, in one of the halls of the ancient convent of Saint-Marie. The lectures are principally on the application of chemistry to arts and industry.
These lectures were instituted in 1835; they take place twice a week in the amphitheatre at Saint-Marie.
This school, founded by Mr Descamps, the author of the lives of flemish painters, is now established at Saint-Marie. The lessons commence in the month of november and finish in the month of august, from one o'clock till three.
They take place in the amphitheatre, which is given for this science, and is situated at Saint-Marie, Poussin street. The lectures take place on tuesdays and saturdays, during the winter, at eight o'clock in the evening.
There are besides, at Saint-Marie, every sunday, lectures on geometry and mechanics applied to arts and manufactures, and lectures also on commercial law and book keeping.
The different branches are taught in the hospitals, by the physicians who are attached to these establishments.
The Théâtre-des-Arts at the corner of the rues Grand-Pont and des Charrettes, was erected by Francis Gueroult, an architect of Rouen. The first stone was laid on the 18th june 1774, and the opening took place the 29th june 1776, on Saint-Peter's day and the fête of Corneille. This theatre was altered and lighted with gas, in 1835, and will contain about seventeen or eighteen hundred persons. The ceiling was painted by Lemoine, a native of this city, and represents the apotheosis of Corneille.
The peristyle fronting the rue des Charrettes is in the form of a quarter of a circle and is composed of columns of the ionic order. The medallion of Pierre Corneille is sculptured on the entablature which is supported by these columns, and on each side of the medallion, we perceive Melpomene with a dagger, and Thalia with a mask.
The performers for operas and comedies are generally good.
The second theatre is situated on the old market place and is called the Théâtre-Français; this building formerly used as a tennis court, was opened for theatrical purposes on the 2nd of february 1793. This theatre will contain about twelve hundred persons. Besides these two theatres, there is a third at the entrance of Saint-Sever, which is the circus or Ambigu-Dramatique.
These are the fashionable walks. The bronze statue between the two is that of Boieldieu, the celebrated french composer a native of Rouen. It is the work of the sculptor Dantan the younger.
According to Farin, this public walk was formed for a walk for the ladies, and is one of the finest in the kingdom; its length is about 674 fathoms. Four rows of large elms form the whole length on the banks of the Seine. On holy-thursday, the Cours-de-la-Reine begins to be used as a fashionable promenade, and it may be said that on that day, it has a very gay appearance.
The first is the principal entrance to Rouen from Havre and Dieppe, and the second, at the opposite extremity of the quay, the entrance from Paris, Evreux, etc.
They occupy, for the greater part, the place of the ditches which surrounded the town; they were planted between the years 1770 and 1780 and were paved in 1783, at the expense of the town. They are about 3 miles in length.
Mount Saint-Catherine first presents itself. We may go to it, either by the Paris high road, or by the petites eaux Martainville. The last mentioned, although the least frequented, is perhaps the preferable route on account of the diversity of the landscape.
It will be useless for the traveller, when he has reached the top of the hill, to look for the ancient abbey of the Sainte-Trinité-du-Mont, the chapel of the priory of Saint-Michel, or the fortifications, in which the marquis of Villars withstood the attacks of Henry IVth; nothing of them remains at the present day, except two remnants of a wall, which threaten to fall on the traveller, who is imprudent enough to approach too near them.
From this elevated position, in turning towards the north-east, we see the valley of Darnetal, which has become so rich through the industry of those who inhabit it. The eye reposes with pleasure on the gothic tower of the church of Carville; and of which, according to tradition, Henry IVth, made a post of observation when he besieged the fort of the ligue. We must not forget that an English detachment, which served in the army of the king, conducted itself very bravely in the different attacks, with which it was entrusted. On the opposite side of the valley of Darnetal and towards the north, we distinguish the hill named des Sapins, on which the monumental burying ground is situated. This latter hill adjoins the Bois-Guillaume from which also the view is admirable although inferior to that from the mount Saint-Catherine, which advances like a promontory, above the immense valley of the Seine, while that of Bois-Guillaume or Beauvoisine, recedes from the circular line formed by the union of these different hills.
The Bois-Guillaume joins Saint-Aignan. We cross the latter commune, on our way to Mont-aux-Malades, formerly the Mont-Saint-Jacques. Antiquarians will not fail to go and see a church at this place, which is a venerable remains of norman architecture. There were two, but the other is now almost destroyed. Travellers should also visit the hill of Canteleu from which the view is very fine, and at the same time the country house of M. Élie Lefebure, called the Chateau of Canteleu.
There are at present, five burying grounds for the roman catholics, and two for the protestants. They are the burying grounds of Saint-Gervais, Beauvoisine, Val-de-la-Jatte, of which a part has been walled off for the protestants; Mont-Gargan, Saint-Sever, and Champ-des-Oiseaux, which latter forms the second protestant burying ground. The great demand of families, to obtain a piece of ground, on which to erect a monument on the tomb of a relation, had caused a great diminution of ground for interments; the municipal administration therefore took measures to prevent the consequences of it. On the proposition of the marquis de Martainville, then mayor of the town they determined, on the 24th april 1823, that a monumental burying should be established on the east of Rouen, on a portion of the hill of Fir-Trees which was barren, and could be disposed of without any loss.
This new burying ground contains about ten acres of ground, enclosed with walls. A chapel is erected on the highest point of the hill; and a vault has been formed under it for the provisional deposit of bodies, which cannot be interred immediately. A tariff exists, which regulates the sum to be paid by families, who wish to purchase a place in this burying ground.
| Historical introduction | 1. |
| RELIGIOUS MONUMENTS. | |
| Parochial churches. | |
| Cathedral | 19. |
| Saint-Ouen | 56. |
| Saint-Maclou | 69. |
| Saint-Patrice | 74. |
| Sainte-Madeleine | 76. |
| Saint-Sever | 77. |
| Saint-Romain | 79. |
| Saint-Godard | 85. |
| Saint-Nicaise | 88. |
| Saint-Vincent | 90. |
| Saint-Vivien | 92. |
| Chapels of ease. | |
| Saint-Gervais | 93. |
| Saint-Hilaire | 96. |
| Saint-Paul | 96. |
| Protestant worship. | |
| Saint-Eloi | 99. |
| Churches closed in 1791 | 101. |
| CIVIL MONUMENTS. | |
| Town hall (Hotel-de-Ville) | 104. |
| Archiepiscopal palace | 106. |
| Palace-of-Justice | 103. |
| Tower of the Grosse-Horloge | 113. |
| Coverted markets | 116. |
| Exchange (la Hourse) | 120. |
| Tribunal of commerce or the Consuls | 122. |
| Custom house (la Douane) | 123. |
| Public slaughterhouse (les Abbatoirs) | 126. |
| Royal college | 129. |
| Hospitals | 131. |
| Prisons | 141. |
| Soldiers-Barracks | 142. |
| Remarkable edifices. | |
| Hotel du Bourgtheroulde | 144. |
| Ancient abbey of Saint-Amand | 146. |
| Ancient bureau des finances | 149. |
| Remarkable houses and celebrated men | 150. |
| Bridges. | |
| Stone bridge and statue of Corneille | 152. |
| Suspension bridge | 155. |
| River and rivulets | 157. |
| Fountains | 160. |
| Mineral waters | 165. |
| Squares and marketplaces | 166. |
| The maid of Orleans, etc. | 167. |
| Library, picture gallery and museums. | |
| Public library | 171. |
| Picture gallery | 174. |
| Museum of antiquities | 177. |
| Museum of natural history | 179. |
| Learned societies | 180. |
| Botanical garden, etc. | 181. |
| Public and gratuitous courses of instruction | 189. |
| Theatres | 184. |
| Walks in Rouen | 186. |
| Walks without the town | 188. |
| Burying grounds | 190. |
[1] It is the sugar refinery of Mr Sautelet, rue des Carmes, opposite the place of the same name.
[2] Recherches sur l'histoire religieuse, morale et littéraire de Rouen, depuis les premiers temps jusqu'a Rollon. Rouen, J. Frère, 1826, 8vo.
[3] The principal filatures, manufactories and bleaching establishments, are situated in the suburb of Saint-Sever, and in the valleys of Deville, Bapeaume and Maromme. Amongst the principal stuffs, which are wrought in its manufactories, we must mention its rouenneries, the general name given to all those striped or checked cotton, stuffs which are used for womens dresses.
[4] Historical description of the Cathedral of Rouen, by Gilbert Rouen, Ed. Frère, 1837, 8vo. with 3 plates.—Essay on ancient and modern painting on glass, etc., by E.H. Langlois. Rouen, Ed. Frère, 1832. 8vo, with 7 plates.
[5] It is an error: Rollon did not die till the year 931 or 932.
[6] Monuments of the cathedral of Rouen, by A. Deville. Rouen, N. Periaux, 1837, 8vo, with 12 plates.
[7] O Louis de Brezé, Diana of Poitiers, afflicted by the death of her husband, has raised this monument to your memory, she was your inseparable companion, your very faithful spouse in the conjugal state, and will be equally so in the tomb.
[8] That is to say that the pope Julias IInd was of the house of Rovero (Quercus).
[9] The cathedral possesses also several other remarkable pictures; we distinguish amongst others, an Annunciation, by Letellier of Rouen, nephew of the celebrated Poussin: it is placed in the second chapel of the left aisle, on entering by the great portal. To the right and left of the choir, we find a Samaritan, by Charles Tardieu, and The lying in the Sepulchre, by Poisson.
[10] Mr Deville makes the dates between the years 1480 to 1482, according to the manuscript capitulary registers of the cathedral.
[11] We perceive two counterforts, which have been lately erected on each side of the portal, under the direction of Mr Alavoine, to consolidate the front of the edifice, which had caused some fear, as to its solidity.
[12] So called from the college of the same name founded by Pierre de Colmieu, archbishop of Rouen and cardinal of Albe.
[13] The whole of these pieces of iron were cast at the foundery at Conches, a small town, which is situated at about twelve leagues from Rouen, and the expense is valued at 500,000 francs.
[14] For the description of the archbishop's palace, see the chapter on the civil monuments.
[15] Dibdin's Bibliographical, antiquarian and picturesque tour in France and Germany; London, Payne and co. 1821, royal 8vo, vol. 1.
[16] The model in relief of this church and made in the first hall of the XVth century, may be seen in the Museum of antiquities.
[17] The art of painting on glass. 1774, folio, fig.
[18] To have all accounts of this ceremony, see the work of Mr Floquet, entitled: Histoire du Privilige de Saint-Romain, etc,—Rouen, E. Le Grand, 1833, 2 vol. 8vo.
[19] Erected in 1626, it was demolished in september 1836.
[20] See: Voyage from Havre to Rouen; and Excursion from Rouen to Paris, by the Seine. Rouen, 1839, in-18vo, with maps and plates.
[21] According to these manuscripts, the three heads represent Logic, Philosophy and Metaphysics. They were surmounted by a crown.
[22] Another statue of Corneille, in marble, is placed in the large hall on the ground floor; it is a much esteemed work of Cortot, a french sculptor.