He may be shiny, may be greasy,
 And perfumed may he be.
 And yet I warn you to go easy;
 He's a graveyard champak-tree.29

[He looks in another direction.] But madam, who is that in the expansive garment, sitting on the throne? She has shoes on her greasy feet.

[72.9. S.

Maid. Sir, that is my mistress' mother.

Maitreya. Lord! What an extensive belly the dirty old witch has got! I suppose they couldn't put that superb portal on the house till after they had brought the idol in?

Maid. Rascal! You must not make fun of our mother so. She is pining away under a quartan ague.

Maitreya. [Bursts out laughing.] O thou blessèd quartan ague! Look thou upon a Brahman, even upon me, with this thy favor!

Maid. Rascal! May death strike you.

Maitreya. [Bursts out laughing.] Why, wench, a pot-belly like that is better dead.

Drinking brandy, rum, and wine,
 Mother fell extremely ill.
 If mother now should peak and pine,
 A jackal-pack would have its fill.30

Well, I have seen Vasantasenā's palace with its many incidents and its eight courts, and really, it seems as if I had seen the triple heaven in a nut-shell. I haven't the eloquence to praise it. Is this the house of a courtezan, or a piece of Kubera's[57] palace? Where's your mistress?

Maid. She is here in the orchard. Enter, sir.

Maitreya. [Enters and looks about.] Well! What a beautiful orchard! There are any number of trees planted here, and they are covered with the most wonderful flowers. Silken swings are hung under the thick-set trees, just big enough for a girl to sit in. The golden jasmine, the shephālikā, the white jasmine, the jessamine, the navamallikā, the amaranth, the spring creeper, and all the other flowers have fallen of themselves, and really, it makes Indra's heaven look dingy. [He looks in another direction.] And the pond here looks like the morning twilight, for the lilies and red lotuses are as splendid as the rising sun. And again:

The ashoka-tree, whose twigs so merry
 And crimson flowers have just appeared,
 Seems like a battling mercenary,
 With clotting crimson gore besmeared.31

Good! Now where's your mistress?

P. 126.7]

Maid. If you would stop star-gazing, sir, you would see her.

Maitreya. [Perceives Vasantasenā and approaches.] Heaven bless you!

Vasantasenā. [Speaking in Sanskrit.[58]] Ah, Maitreya! [Rising.] You are very welcome. Here is a seat. Pray be seated.

Maitreya. When you are seated, madam. [They both seat themselves.]

Vasantasenā. Is the merchant's son well?

Maitreya. Well, madam.

Vasantasenā. Tell me, good Maitreya,

Do friends, like birds, yet seek a shelter free
 Beneath the modest boughs of this fair tree,
 Whose leaves are virtues, confidence its root,
 Its blossoms honor, good its precious fruit?32

Maitreya. [Aside.] A good description by a naughty woman. [Aloud.] They do, indeed.

Vasantasenā. Tell me, what is the purpose of your coming?

Maitreya. Listen, madam. The excellent Chārudatta folds his hands[59] and requests—

Vasantasenā. [Folding her hands.] And commands—

Maitreya. He says he imagined that that golden casket was his own and gambled it away. And nobody knows where the gambling-master has gone, for he is employed in the king's business.

[74.9. S.

Maid. Mistress, I congratulate you. The gentleman has turned gambler.

Vasantasenā. [Aside.] It was stolen by a thief, and he is so proud that he says he gambled it away. I love him for that.

Maitreya. He requests that you will therefore be good enough to accept in its place this necklace of pearls.

Vasantasenā. [Aside.] Shall I show him the jewels? [Reflecting.] No, not yet.

Maitreya. Why don't you take this necklace?

Vasantasenā. [Laughs and looks at her friend.] Why should I not take the necklace, Maitreya? [She takes it and lays it away. Aside.] How is it possible that drops of honey fall from the mango-tree, even after its blossoms are gone? [Aloud.] Sir, pray tell the worthy gambler Chārudatta in my name that I shall pay him a visit this evening.

Maitreya. [Aside.] What else does she expect to get out of a visit to our house? [Aloud.] Madam, I will tell him—[Aside] to have nothing more to do with this courtezan.[Exit.

Vasantasenā. Take these jewels, girl. Let us go and bring cheer to Chārudatta.

Maid. But mistress, see! An untimely storm is gathering.

Vasant.

The clouds may come, the rain may fall forever,
 The night may blacken in the sky above;
 For this I care not, nor I will not waver;
 My heart is journeying to him I love.33

Take the necklace, girl, and come quickly.[Exeunt omnes.

 

FOOTNOTES:

[50] A name of Kāma, the god of love.

[51] Used as a refrigerant.

[52] That is to say. You are now a legal wife, while I am still a courtesan.

[53] "Rams in India are commonly trained to fight." Wilson.

[54] Virtuous souls after death may become stars; but when their stellar happiness equals the sum of their acquired merit, they fall to earth again.

[55] The choristers of heaven.

[56] The nymphs of heaven.

[57] The god of wealth.

[58] This shows the excellence of Vasantasenā's education. Women, as an almost invariable rule, speak Prākrit.

[59] A gesture of respectful entreaty.

ACT THE FIFTH

THE STORM

[The love-lorn Chārudatta appears, seated.]

Chārudatta. [Looks up.]

An untimely storm[60] is gathering. For see!
The peacocks gaze and lift their fans on high;
 The swans forget their purpose to depart;
 The untimely storm afflicts the blackened sky,
 And the wistful lover's heart.1

And again:

The wet bull's belly wears no deeper dye;
 In flashing lightning's golden mantle clad,
 While cranes, his buglers, make the heaven glad,
 The cloud, a second Vishnu,[61] mounts the sky.2

And yet again:

As dark as Vishnu's form, with circling cranes
 To trumpet him, instead of bugle strains,
 And garmented in lightning's silken robe.
 Approaches now the harbinger of rains.3
When lightning's lamp is lit, the silver river
 Impetuous falls from out the cloudy womb;
 Like severed lace from heaven-cloaking gloom,
 It gleams an instant, then is gone forever.4
Like shoaling fishes, or like dolphins shy,
 Or like to swans, toward heaven's vault that fly,
 Like paired flamingos, male and mate together,
 Like mighty pinnacles that tower on high.
 In thousand forms the tumbling clouds embrace,
 Though torn by winds, they gather, interlace,
 And paint the ample canvas of the sky.5
The sky is black as Dhritarāshtra's face;
 Proud as the champion of Kuru's race.
 The haughty peacock shrills his joy abroad;
 The cuckoo, in Yudhishthira's sad case,
 Is forced to wander if he would not die;
 The swans must leave their forest-homes and fly,
 Like Pāndu's sons, to seek an unknown place.6

[Reflecting.] It is long since Maitreya went to visit Vasantasenā. And even yet
he does not come.[Enter Maitreya.]

[76.20. S.

Maitreya. Confound the courtezan's avarice and her incivility! To think of her making so short a story of it! Over and over she repeats something about the affection she feels, and then without more ado she pockets the necklace. She is rich enough so that she might at least have said: "Good Maitreya, rest a little. You must not go until you have had a cup to drink." Confound the courtezan! I hope I 'll never set eyes on her again. [Wearily.] The proverb is right. "It is hard to find a lotus-plant without a root, a merchant who never cheats, a goldsmith who never steals, a village-gathering without a fight, and a courtezan without avarice." Well, I 'll find my friend and persuade him to have nothing more to do with this courtezan. [He walks about until he discovers Chārudatta.] Ah, my good friend is sitting in the orchard. I 'll go to him. [Approaching.] Heaven bless you! May happiness be yours.

Chārudatta. [Looking up.] Ah, my friend Maitreya has returned. You are very welcome, my friend. Pray be seated.

Maitreya. Thank you.

Chārudatta. Tell me of your errand, my friend.

Maitreya. My errand went all wrong.

P. 132.8]

Chārudatta. What! did she not accept the necklace?

Maitreya. How could we expect such a piece of luck? She put her lotus-tender hands to her brow,[62] and took it.

Chārudatta. Then why do you say "went wrong"?

Maitreya. Why not, when we lost a necklace that was the pride of the four seas for a cheap golden casket, that was stolen before we had a bite or a drink out of it?

Chārudatta. Not so, my friend.

She showed her trust in leaving us her treasure;
 The price of confidence has no less measure.7

Maitreya. Now look here! I have a second grievance. She tipped her friend the wink, covered her face with the hem of her dress, and laughed at me. And so, Brahman though I am, I hereby fall on my face before you and beg you not to have anything more to do with this courtezan. That sort of society does any amount of damage. A courtezan is like a pebble in your shoe. It hurts before you get rid of it. And one thing more, my friend. A courtezan, an elephant, a scribe, a mendicant friar, a swindler, and an ass—where these dwell, not even rogues are born.

Chārudatta. Oh, my friend, a truce to all your detraction! My poverty of itself prevents me. For consider:

The horse would gladly hasten here and there,
 But his legs fail him, for his breath departs.
 So men's vain wishes wander everywhere,
 Then, weary grown, return into their hearts.8

Then too, my friend:

If wealth is thine, the maid is thine,
 For maids are won by gold;

[Aside. And not by virtue cold. Aloud.]

But wealth is now no longer mine,
 And her I may not hold.9

[78.23. S.

Maitreya. [Looks down. Aside.] From the way he looks up and sighs, I conclude that my effort to distract him has simply increased his longing. The proverb is right. "You can't reason with a lover." [Aloud.] Well, she told me to tell you that she would have to come here this evening. I suppose she isn't satisfied with the necklace and is coming to look for something else.

Chārudatta. Let her come, my friend. She shall not depart unsatisfied.
[Enter Kumbhīlaka.]

Kumbhīlaka. Listen, good people.

The more it rains in sheets,
 The more my skin gets wet;
 The more the cold wind beats,
 The more I shake and fret.10

[He bursts out laughing.]

I make the sweet flute speak from seven holes,
 I make the loud lute speak on seven strings;
 In singing, I essay the donkey's rôles:
 No god can match my music when he sings.11

My mistress Vasantasenā said to me "Kumbhīlaka, go and tell Chārudatta that I am coming." So here I am, on my way to Chārudatta's house. [He walks about, and, as he enters, discovers Chārudatta.] Here is Chārudatta in the orchard. And here is that wretched jackanapes, too. Well, I'll go up to them. What! the orchard-gate is shut? Good! I'll give this jackanapes a hint. [He throws lumps of mud.]

Maitreya. Well! Who is this pelting me with mud, as if I were an apple-tree inside of a fence?

Chārudatta. Doubtless the pigeons that play on the roof of the garden-house.

Maitreya. Wait a minute, you confounded pigeon! With this stick I'll bring you down from the roof to the ground, like an over-ripe mango. [He raises his stick and starts to run.]

P. 136.8]

Chārudatta. [Holding him back by the sacred cord.] Sit down, my friend. What do you mean? Leave the poor pigeon alone with his mate.

Kumbhīlaka. What! he sees the pigeon and doesn't see me? Good! I'll hit him again with another lump of mud. [He does so.]

Maitreya. [Looks about him.] What! Kumbhīlaka? I'll be with you in a minute. [He approaches and opens the gate.] Well, Kumbhīlaka, come in. I'm glad to see you.

Kumbhīlaka. [Enters.] I salute you, sir.

Maitreya. Where do you come from, man, in this rain and darkness?

Kumbhīlaka. You see, she's here.

Maitreya. Who's she? Who's here?

Kumbhīlaka. She. See? She.

Maitreya. Look here, you son of a slave! What makes you sigh like a half-starved old beggar in a famine, with your "shesheshe"?

Kumbhīlaka. And what makes you hoot like an owl with your "whowhowho"?

Maitreya. All right. Tell me.

Kumbhīlaka. [Aside.] Suppose I say it this way. [Aloud.] I'll give you a riddle, man.

Maitreya. And I'll give you the answer with my foot on your bald spot.

Kumbhīlaka. Not till you've guessed it. In what season do the mango-trees blossom?

Maitreya. In summer, you jackass.

Kumbhīlaka. [Laughing.] Wrong!

Maitreya. [Aside.] What shall I say now? [Reflecting.] Good! I'll go and ask Chārudatta. [Aloud.] Just wait a moment. [Approaching Chārudatta.] My friend, I just wanted to ask you in what season the mango-trees blossom.

[81.3. S.

Chārudatta. You fool, in spring, in vasanta.

Maitreya. [Returns to Kumbhīlaka.] You fool, in spring, in vasanta.

Kumbhīlaka. Now I 'll give you another. Who guards thriving villages?

Maitreya. Why, the guard.

Kumbhīlaka. [Laughing.] Wrong!

Maitreya. Well, I'm stuck. [Reflecting.] Good! I'll ask Chārudatta again. [He returns and puts the question to Chārudatta.]

Chārudatta. The army, my friend, the senā.

Maitreya. [Comes back to Kumbhīlaka.] The army, you jackass, the senā.

Kumbhīlaka. Now put the two together and say 'em fast.

Maitreya. Senā-vasanta.

Kumbhīlaka. Say it turned around.

Maitreya. [Turns around.] Senā-vasanta.

Kumbhīlaka. You fool! you jackanapes! Turn the parts of the thing around!

Maitreya. [Turns his feet around.] Senā-vasanta.

Kumbhīlaka. You fool! Turn the parts of the word around!

Maitreya. [After reflection.] Vasanta-senā.

Kumbhīlaka. She's here.

Maitreya. Then I must tell Chārudatta. [Approaching.] Well, Chārudatta, your creditor is here.

Chārudatta. How should a creditor come into my family?

Maitreya. Not in the family perhaps, but at the door. Vasantasenā is here.

Chārudatta. Why do you deceive me, my friend?

Maitreya. If you can't trust me, then ask Kumbhīlaka here. Kumbhīlaka, you jackass, come here.

P. 140.4]

Kumbhīlaka. [Approaching.] I salute you, sir.

Chārudatta. You are welcome, my good fellow. Tell me, is Vasantasenā really here?

Kumbhīlaka. Yes, she's here. Vasantasenā is here.

Chārudatta. [Joyfully.] My good fellow, I have never let the bearer of welcome news go unrewarded. Take this as your recompense. [He gives him his mantle.]

Kumbhīlaka. [Takes it and bows. Gleefully.] I'll tell my mistress.
[Exit.

Maitreya. Do you see why she comes in a storm like this?

Chārudatta. I do not quite understand, my friend.

Maitreya. I know. She has an idea that the pearl necklace is cheap, and the golden casket expensive. She isn't satisfied, and she has come to look for something more.

Chārudatta. [Aside.] She shall not depart unsatisfied.

[Then enter the love-lorn Vasantasenā, in a splendid garment, fit for a woman who goes to meet her lover, a maid with an umbrella, and the courtier.]

Courtier. [Referring to Vasantasenā.]

Lakshmī[63] without the lotus-flower is she,
 Loveliest arrow of god Kāma's bow,[64]
 The sweetest blossom on love's magic tree.
See how she moves, so gracefully and slow!
 In passion's hour she still loves modesty;
 In her, good wives their dearest sorrow know.
When passion's drama shall enacted be.
 When on love's stage appears the passing show,
 A host of wanderers shall bend them low.
 Glad to be slaves in such captivity.12

[82.94. S.

See, Vasantasenā, see!

The clouds hang drooping to the mountain peaks,
 Like a maiden's heart, that distant lover seeks:
 The peacocks startle, when the thunder booms,
 And fan the heaven with all their jeweled plumes.13

And again:

Mud-stained, and pelted by the streaming rain,
 To drink the falling drops the frogs are fain;
 Full-throated peacocks love's shrill passion show,
 And nīpa flowers like brilliant candles glow;
 Unfaithful clouds obscure the hostage moon,
 Like knaves, unworthy of so dear a boon;
 Like some poor maid of better breeding bare,
 The impatient lightning rests not anywhere.14

Vasantasenā.[65] Sir, what you say is most true. For

The night, an angry rival, bars my way;
 Her thunders fain would check and hinder me:
 "Fond fool! with him I love thou shalt not stay,
 'T is I, 't is I, he loves," she seems to say,
 "Nor from my swelling bosom shall he flee."15

Courtier. Yes, yes. That is right. Scold the night.

Vasantasenā. And yet, sir, why scold one who is so ignorant of woman's nature! For you must remember:

The clouds may rain, may thunder ne'er so bold,
 May flash the lightning from the sky above;
 That woman little recks of heat or cold,
 Who journeys to her love.16

Courtier. But see, Vasantasenā! Another cloud,

Sped by the fickle fury of the air—
 A flood of arrows in his rushing streams,
 His drum, the roaring thunder's mighty blare,
 His banner, living lightning's awful gleams—
Rages within the sky, and shows him bold
 'Mid beams that to the moon allegiance owe,
 Like a hero-king within the hostile hold
 Of his unwarlike foe.17

P. 142.9]

Vasantasenā. True, true. And more than this:

As dark as elephants, these clouds alone
 Fall like a cruel dart—
 With streaks of lightning and with white birds strewn—
 To wound my wretched heart.
 But, oh, why should the heron, bird of doom,
 With that perfidious sound[66]
 Of "Rain! Rain! Rain!"—grim summons to the tomb
 For her who spends her lonely hours in gloom—
 Strew salt upon the wound?18

Courtier. Very true, Vasantasenā. And yet again:

It seems as if the sky would take the guise
 Of some fierce elephant to service bred;
 The lightning like a waving streamer flies,
 And white cranes serve to deck his mighty head.19

Vasantasenā. But look, sir, look!

Clouds, black as wet tamāla-leaves, the ball
 Of heaven hide from our sight;
 Rain-smitten homes of ants decay and fall
 Like beasts that arrows smite;
 Like golden lamps within a lordly hall
 Wander the lightnings bright;
 As when men steal the wife of some base thrall,
 Clouds rob the moon of light.20

Courtier. See, Vasantasenā, see!

Clouds, harnessed in the lightning's gleams,
 Like charging elephants dash by;
 At Indra's bidding, pour their streams,
 Until with silver cords it seems
 That earth is linked with sky.21

[84.14. S.

And look yonder!

As herds of buffaloes the clouds are black;
 The winds deny them ease;
 They fly on lightning wings and little lack
 Of seeming troubled seas.
Smitten with falling drops, the fragrant sod,
 Upon whose bosom greenest grasses nod,
 Seems pierced with pearls, each pearl an arrowy rod.22

Vasantasenā. And here is yet another cloud.

The peacock's shrill-voiced cry
 Implores it to draw nigh;
 And ardent cranes on high
 Embrace it lovingly.
The wistful swans espy
 The lotus-sweeter sky;
 The darkest colors lie
 On heaven clingingly.23

Courtier. True. For see!

A thousand lotuses that bloom by night,
 A thousand blooming when the day is bright,
 Nor close nor ope their eyes to heaven's sight;
 There is no night nor day.
The face of heaven, thus shrouded in the night,
 Is only for a single instant bright,
 When momentary lightning gives us sight;
 Else is it dark alway.
Now sleeps the world as still as in the night
 Within the house of rain where naught is bright,
 Where hosts of swollen clouds seem to our sight
 One covering veil of gray.24

P. 143.20]

Vasantasenā. True. And see!

The stars are lost like mercies given
 To men of evil heart;
 Like lonely-parted wives, the heaven
 Sees all her charms depart.
 And, molten in the cruel heat
 Of Indra's bolt, it seems
 As if the sky fell at our feet
 In liquid, flowing streams.25

And yet again:

The clouds first darkly rise, then darkly fall,
 Send forth their floods of rain, and thunder all;
 Assuming postures strange and manifold,
 Like men but newly blest with wealth untold.26

Courtier. True.

The heaven is radiant with the lightning's glare;
 Its laughter is the cry of myriad cranes;
 Its voice, the bolts that whistle through the air;
 Its dance, that bow whose arrows are the rains.
 It staggers at the winds, and seems to smoke
 With clouds, which form its black and snaky cloak.27

Vasantasenā. O shameless, shameless sky!

To thunder thus, while I
 To him I love draw nigh.
 Why do thy thunders frighten me and pain?
 Why am I seized upon by hands of rain?28

O Indra, mighty Indra!

Did I then give thee of my love before,
 That now thy clouds like mighty lions roar?
 Ah no! Thou shouldst not send thy streaming rain,
 To fill my journey to my love with pain.29

[83.23. S.

Remember:

For Ahalyā's sweet sake thou once didst lie;
 Thou knowest lover's pain.
 As thou didst suffer then, now suffer I;
 O cruel, cease thy rain.30

And yet:

Thunder and rain and lighten hundredfold
 Forth from thy sky above;
 The woman canst thou not delay nor hold
 Who journeys to her love.31
Let thunders roar, for men were cruel ever;
 But oh, thou maiden lightning! didst thou never
 Know pains that maidens know?32

Courtier. But mistress, do not scold the lightning. She is your friend,

This golden cord that trembles on the breast
 Of great Airāvata;[67] upon the crest
 Of rocky hills this banner all ablaze;
 This lamp in Indra's palace; but most blest
 As telling where your most beloved stays.33

Vasantasenā. And here, sir, is his house.

Courtier. You know all the arts, and need no instruction now. Yet love bids me prattle. When you enter here, you must not show yourself too angry.

Where anger is, there love is not;
 Or no! except for anger hot,
 There is no love.
Be angry! make him angry then!
 Be kind! and make him kind again—
 The man you love.34

P. 145.17]

So much for that. Who is there? Let Chārudatta know, that

While clouds look beautiful, and in the hour
 Fragrant with nīpa and kadamba flower,
 She comes to see her lover, very wet.
 With dripping locks, but pleased and loving yet.
 Though lightning and though thunder terrifies,
 She comes to see you; 't is for you she sighs.
 The mud still soils the anklets on her feet,
 But in a moment she will have them sweet.35

Chārudatta. [Listening.] My friend, pray discover what this means.

Maitreya. Yes, sir. [He approaches Vasantasenā. Respectfully.] Heaven bless you!

Vasantasenā. I salute you, sir. I am very glad to see you. [To the courtier.] Sir, the maid with the umbrella is at your service.

Courtier. [Aside.] A very clever way to get rid of me. [Aloud.] Thank you. And mistress Vasantasenā,

Pride and tricks and lies and fraud
 Are in your face;
 False playground of the lustful god,
 Such is your face;
 The wench's stock in trade, in fine,
 Epitome of joys divine,
 I mean, your face—
 For sale! the price is courtesy.
 I trust you'll find a man to buy
 Your face.[Exit.]    36

Vasantasenā. Good Maitreya, where is your gambler?

Maitreya. [Aside.] "Gambler"? Ah, she's paying a compliment to my friend. [Aloud.] Madam, here he is in the dry orchard.

Vasantasenā. But sir, what do you call a dry orchard?

Maitreya. Madam, it's a place where there's nothing to eat or drink, [Vasantasenā smiles.] Pray enter, madam.

Vasantasenā. [Aside to her maid.] What shall I say when I enter?

[87.17. S.

Maid. "Gambler, what luck this evening?"

Vasantasenā. Shall I dare to say it?

Maid. When the time comes, it will say itself.

Maitreya. Enter, madam.

Vasantasenā. [Enters, approaches Chārudatta, and strikes him with the flowers which she holds.] Well, gambler, what luck this evening?

Chārudatta. [Discovers her.] Ah, Vasantasenā is here. [He rises joyfully.] Oh, my belovèd,

My evenings pass in watching ever,
 My nights from sighs are never free;
 This evening cannot else than sever—
 In bringing you—my grief and me.37

You are very, very welcome. Here is a seat. Pray be seated.

Maitreya. Here is a seat. Be seated, madam. [Vasantasenā sits, then the others.]

Chārudatta. But see, my friend,