The Apennines are nothing after the Alps, but the descent to Genoa is very pretty, and Genoa itself exceeds everything I ever saw in point of beauty and magnificence.

I passed the whole day after I got here in looking into the palaces and gardens and admiring the prospect on every PALACES AND CHURCHES OF GENOA side. You are met at every turn by vestiges of the old Republic; in fact, the town has undergone very little alteration for hundreds of years, and there is an air of gaiety and bustling activity which, with the graceful costume of the men and women, make it a most delightful picture. Genoa appears to be a city of palaces, and although many of the largest are now converted to humbler uses, and many fallen to decay, there are ample remains to show the former grandeur of the princely merchants who were once the lords of the ocean. Everything bespeaks solidity, durability, and magnificence. There are stupendous works which were done at the expense of individuals. In every part of the town are paintings and frescoes, which, in spite of constant exposure to the atmosphere, have retained much of their brilliancy and freshness. The palaces of Doria are the most interesting; but why the Senate gave him that which bears still the inscription denoting its being their gift it is difficult to say, when his own is so superior and in a more agreeable situation. The old palace of Andrew is now let for lodgings, and the Pamfili Doria live at Rome. The walls are covered with inscriptions, and I stopped to read two on stone slabs on the spot where the houses of malefactors had formerly stood, monuments of the vindictive laws of the Republic, which not only punished the criminal himself, but consigned his children to infamy and his habitation to destruction; though they stand together they are not of the same date. There is no temptation to violate the decree by building again on the spot, for they are in a narrow, dirty court, to which light can scarcely find access. The Ducal Palace now belongs to the Governor. It has been modernised, but in the dark alleys adjoining there are remains demonstrative of its former extent—pictures of the different Doges in fresco on the walls half erased, and little bridges extending from the windows (or doors) of the palace to the public prisons and other adjoining buildings. The view from my albergo (della villa) is the gayest imaginable, looking over the harbour, which is crowded with sailors and boats full of animation.

Evening.—Passed the whole day seeing sights. Called on Madame Durazzo, and went with her and her niece, Madame Ferrari, to the King’s palace, formerly a Durazzo palace. Like the others, a fine house, full of painting and gilding, and with a terrace of black and white marble commanding a view of the sea. The finest picture is a Paul Veronese of a Magdalen with our Saviour. The King and Queen sleep together, and on each side of the royal bed there is an assortment of ivory palms, crucifixes, boxes for holy water, and other spiritual guards for their souls. For the comfort of their bodies he has had a machine made like a car, which is drawn up by a chain from the bottom to the top of the house; it holds about six people, who can be at pleasure elevated to any storey, and at each landing-place there is a contrivance to let them in and out. From thence to the Brignole Palace (called the Palazzo Rosso), where I met M. and Madame de Brignole, who were very civil and ordered a scientific footman to show us the pictures. They are numerous and excellent, but we could only take a cursory look at them; the best are the Vandykes, particularly a Christ and a portrait of one of the Brignoles on horseback, and a beautiful Carlo Dolce, a small bleeding Christ. I saw the churches—San Stefano, Annunziata, the Duomo, San Ambrosio, San Cyro. There are two splendid pictures in the Ambrosio, a Guido and a Rubens; the Martyrdom in the San Stefano, by Julio Romano and Raphael, went to Paris and was brought back in 1814. The churches have a profusion of marble, and gilding, and frescoes; the Duomo is of black and white marble, of mixed architecture, and highly ornamented—all stinking to a degree that was perfectly intolerable, and the same thing whether empty or full; it is the smell of stale incense mixed with garlic and human odour, horrible combination of poisonous exhalations. I must say, as everybody has before remarked, that there is something highly edifying in the appearance of devotion which belongs to the Catholic religion; the churches are always open, and, go into them when you will, you see men and women kneeling and praying before this or that altar, PALACES AND CHURCHES OF GENOA absorbed in their occupation, and who must have been led there by some devotional feeling. This seems more accordant with the spirit and essence of religion than to have the churches, as ours are, opened like theatres at stated hours and days for the performance of a long service, at the end of which the audience is turned out and the doors are locked till the next representation. Then the Catholic religion makes no distinctions between poverty and wealth—no pews for the aristocracy well warmed and furnished, or seats set apart for the rich and well dressed; here the church is open to all, and the beggar in rags comes and takes his place by the side of the lady in silks, and both, kneel on the same pavement, for the moment at least and in that place reduced to the same level.

I saw the Ducal Palace, where there are two very fine halls,[6] the old Hall of Audience and the Hall of Council, the latter 150 by 57 feet; and the Doria Palace, delightfully situated with a garden and fine fountain, and a curious old gallery opening upon a marble terrace, richly painted, gilt and carved, though, now decayed. Here the Emperor Napoleon lived when he was at Genoa, preferring Andrew Doria’s palace to a better lodging: he had some poetry in his ambition after all. Lastly to the Albergo dei Poveri,[7] a noble institution, built by a Brignole and enriched by repeated benefactions; like all the edifices of the old Genoese, vast and of fine proportions. The great staircase and hall are adorned with colossal statues of its benefactors (among whom are many Durazzos), and the sums that they gave or bequeathed are commemorated on the pedestals. In the chapel is a piece of sculpture by Michael Angelo, a dead Christ and Virgin (only heads), and an altarpiece by Puget. Branching out from the chapel are two vast chambers, lofty, airy, and light, one for the men, the other for the women. About 800 men and 1,200 or 1,300 women are supported here. Many of the nobles are said to be rich—Ferrari, Brignole, Durazzo, and Pallavicini particularly. I forgot to mention the chapel and tomb of Andrew Doria; the chapel he built himself; his body, arrayed in princely robes, lies in the vault. There is a Latin inscription on the chapel, signifying that he stood by the country in the days of her affliction. It is a pretty little chapel full of painting and gilding. In the early part of the Revolution the tomb narrowly escaped destruction, but it was saved by the solidity of its materials. I gave the man who showed me this tomb a franc, and he kissed my hand in a transport of gratitude.

Florence, March 21st, 1830

Arrived here at seven o’clock. Left Genoa on the 19th (having previously gone to see the Scoghetti Gardens and the Serra Palace), and went to Sestri to pass that evening and the next morning with William Ponsonby, who was staying there. The road from Genoa to Chiavari is one continual course of magnificent scenery, winding along the side of the mountains and hanging over the sea, the mountains studded with villages, villas, and cottages which appear like white specks at a distance, till on near approach they swell into life and activity. The villas are generally painted as at Genoa; the orange trees were in full bloom, and the gardens often slope down to the very margin of the sea. Every turn in the road and each SESTRI AND PISA fresh ascent supplies a new prospect, and the parting view of Genoa, with the ocean before and the Apennines behind, cannot be imagined by those who have not seen it. ‘Si quod vere natura nobis dedit spectaculum in hac tellure vere gratum et philosopho dignum, id semel, mihi contigisse arbitror, cum ex celsissimâ rupe speculabundus ad oram maris mediterranei, hinc aequor cæruleum, illinc tractus Alpinos prospexi, nihil quidem magis dispar aut dissimile nec in suo genere magis egregium et singulare.’[8]

Chiavari and Sestri are both beautiful, especially the latter, in a little bay with a jutting promontory, a rocky hill covered with evergreens, and shrubs, and heather, and affording grand and various prospects of the still blue sea and the white and shining coast with the dark mountains behind—

The mountain road from Chiavari to La Spezzia presents the same scenery as far as Massa and Carrara, which I unfortunately lost by travelling in the night. I crossed the river in the boat by candle-light, which was picturesque enough, the scanty light gleaming upon the rough figures who escorted me and plied the enormous poles by which they move the ferry-boat. Got to Pisa to breakfast (without stopping at Lucca), and passed three hours looking at the Cathedral, Leaning Tower, Baptistry, and Campo Santo, the last of which alone would take up the whole day to be seen as it ought. The Cathedral is under repair; the pictures have been covered up or taken down, and the whole church was full of rubbish and scaffolding; but in this state I could see how fine it is, and admire the columns which Forsyth praises, and the roof and many of the marbles. The Grand Duke has ordered it all to be cleaned, and very little of it to be altered. One alteration, however, is in very bad taste; he has taken away the old confessionals of carved wood, and substituted others of marble, fixed in the wall, which are exactly like modern chimney-pieces, and have the worst effect amidst the surrounding antiquities. The exterior is rather fantastic, but the columns are beautiful, and John of Bologna’s bronze doors admirable. The Campo Santo is full of ancient tombs, frescoes, modern busts, and morsels of sculpture of all ages and descriptions. The Leaning Tower[9] is 190 feet high, and there are 293 steps to the top of it, which I climbed up to view the surrounding country, but it was not clear enough to see the sea and Elba. Here is the finest aqueduct I have seen, which continues to pour water into the town. Part of the old wall[10] with its towers is still standing. These pugnacious republics, who were always squabbling with each other and wasting their strength in civil broils, erected very massive defences. The Pisans are proud of their ancient exploits. The San Stefano or Chiesa dei Cavalieri is full of standards taken from the Turks, and the man who showed me the Campo Santo said that a magnificent Grecian vase which is there had been brought from Genoa by the Pisans before the foundation of Rome. There are Egyptian, Etruscan, Roman, and Grecian remains, which have been plundered, or conquered, or purchased by patriotic Pisans to enrich their native city. The frescoes are greatly damaged. I went to look at the celebrated house ‘Alla Giornata,’ a white marble palace on the Arno; the chains still hang over the door, and there is an inscription above them which looks modern. My laquais de place told me what I suppose is the tradition of the place—that the son of the family was taken by the Turks, and that they had captured a Turk, who was put in chains; that an exchange was agreed upon, and the prisoners on either side released, and that the chains were FLORENCE hung up and the inscription added, signifying that the Turk was at liberty to go again into the light of day. But it was a lame and improbable story, and I prefer the mystery to the explanation.

Much as I was charmed with the mountains, I was not sorry, for a change, to get into the rich, broad plain of Tuscany, full of vineyards and habitations along the banks of the Arno. The voice and aspect of cheerfulness is refreshing after a course of rugged and barren grandeur; the road is excellent and the travelling rapid. Yesterday being a holiday, and to-day Sunday, the whole population in their best dresses have been out on the road, and very good-looking they generally are. There are not more beggars than in France, and certainly a far greater appearance of prosperity throughout the north of Italy than in any part of France I have seen, although there are the same complaints of distress and poverty here that are heard both there and in England. Thorwaldsen, the sculptor, is in this inn, and the King of Bavaria left it this morning. The book of strangers is rather amusing; the entries are sometimes remarkable or ridiculous. I found ‘La Duchesse de Saint-Leu et le Prince Louis-Napoléon; Lord and Lady Shrewsbury and family; Miss Caroline Grinwell, of New York; the King of Bavaria (not down in the book though); Thorwaldsen’. Tuscany seems to be flourishing and contented; the Government is absolute but mild, the Grand Duke enormously rich.

March 23rd, 1830

Yesterday morning breakfasted with Lord Normanby, who has got a house extending 200 feet in front, court, garden, and stables for about 280ℓ. a year, everything else cheap in proportion, and upon 2,000ℓ. a year a man may live luxuriously. His house was originally fitted up for the Pretender, and C. R.’s are still to be seen all over the place. Called on Lord Burghersh,[11] who was at breakfast—the table covered with manuscript music, a pianoforte, two fiddles, and a fiddler in the room. He was full of composition and getting up his opera of ‘Phædra’ for to-morrow night. The Embassy is the seat of the Arts, for Lady Burghersh has received the gift of painting as if by inspiration, and she was in a brown robe in the midst of oils, and brushes, and canvas; and a model was in attendance, some part of whose person was to be introduced into a fancy piece. She copies pictures in the Gallery, and really extraordinarily well if it be true that till a year ago she had never had a brush in her hand, and that she is still quite ignorant of drawing.

Went into two or three of the churches, then to the Gallery, and sat for half an hour in the Tribune, but could not work myself into a proper enthusiasm for the ‘Venus,’ whose head is too small and ankles too thick, but they say the more I see her the more I shall like her. I prefer the ‘Wrestlers,’ and the head of the ‘Remontleur’ is the only good head I have seen, the only one with expression. ‘Niobe’ is fine, but I can’t bear her children, except one. Then to the Casine on horseback to see the town and the world: it seems a very enjoyable place. This morning again dropped into some of the churches, after which I have always a hankering, though there is great sameness in them, but I have a childish liking for Catholic pomp. The fine things are lost amidst a heap of rubbish, but there is no lack of marble, and painting, and gilding in most of them. They are going on with the Medici Chapel, on which millions have been wasted and more is going after, for the Grand Duke is gradually finishing the work. The profusion of marble is immense, and very fine and curious if examined in detail; the precious stones are hardly seen, and when they are, not to be recognised as such. To the Pitti Palace, of which one part is under repair and not visible, but I saw most of the best pictures. I like pictures better than statues. It is a beautiful palace, and well furnished for show. Nobody knows what Vandyke was without coming here. To the Gabinetto Fisico, and saw all the wax-works, the progress of gestation, and the representation of the plague, incomparably clever and well executed. I saw nothing disgusting in the wax-works in the museum, which many people are so squeamish about.

Before dinner yesterday called upon Thorwaldsen, who FLORENCE was in the inn, to tell him Lord Gower likes his ‘Ganymede.’ He was mighty polite, squeezed my hand, and reconducted me to my own door. At night went to the Opera and heard David and Grisi in ‘Ricciardo e Zoraida.’ She is like Pasta in face and figure, but much handsomer, though with less expression. She is only eighteen. He has lost much of his voice, and embroiders to make up for it, but every now and then he appears to find it again, and his taste and expression are exquisite. To-night at a child’s ball at Lady Williamson’s, where I was introduced to Lord Cochrane, and had a great deal of talk with him; told him I thought things would explode at last in England, which he concurred in, and seemed to like the idea of it, in which we differ, owing probably to the difference of our positions; he has nothing, and I everything, to lose by such an event.

March 25th, 1830

Went yesterday morning to Santa Croce to hear a Mass on the completion of a monument which has been erected to Dante; very crowded and the music indifferent. Afterwards to the Gallery and saw all the cabinets, but we were hurried through them too rapidly. I began to like the ‘Venus’ better, best of all the statues. The ‘Niobe’[12] cannot have been a group, nor the children have belonged to the mother. Rode to Normanby’s villa at Sesto, five miles from Florence; a large and agreeable house, gardens full of fountains, statues, busts, orange and lemon trees, shrubs and flowers. He pays 600 dollars a year for it, exclusive of the race-ground. In the evening to Burghersh’s opera, which was very well performed; pretty theatre, crowded to suffocation. All the actors amateurs;[13] chorus composed of divers ladies and gentlemen of Florence, principally English. Here all the society of Florence was assembled in nearly equal proportions of Italians, English, and other foreigners. Nothing can be worse than it is, for there is no foundation of natives, and the rest are generally the refuse of Europe, people who come here from want of money or want of character. Everybody is received without reference to their conduct, past or present, with the exception, perhaps, of Englishwomen who have been divorced, whose case is too notorious to allow the English Minister’s wife to present them at Court.

March 26th, 1830

Yesterday morning to a Mass at the Annunziata, to which the Grand Duke came in state, with his family and Court. The piazza was lined with guards; seven coaches-and-six with his guardia nobile and running footmen; the Mass beautifully performed by his band, Tacchinardi (father of Madame Persiani, I believe) singing and Manielli directing. Then rode to Lord Cochrane’s villa, where we found them under a matted tent in the garden, going to dinner. He talks of going to Algiers to see the French attack it. He has made 100,000ℓ. by the Greek bonds. It is a pity he ever got into a scrape; he is such a fine fellow, and so shrewd and good-humoured. To the Certosa, on a hill two miles from Florence; very large convent, formerly very rich, and had near forty monks, now reduced to seven residents, though there are a few more who belong to it, but who are absent. It is in good repair, but looks desolate. There is an old monk, Don Fortunatus by name, who understands English and speaks it tolerably, delights in English people and books, received us in his cell, which consists of two or three little apartments, not uncomfortable and commanding a beautiful view; talked with great pleasure of his English acquaintance, and showed all their cards, which he treasured up. A very lively, good-humoured old friar. Returned to ride in the Corso, which is a narrow street going from the Duomo to the Annunziata, to drive up and down which is one of the ceremonies of the day (Lady Day), as the people are supposed to go and pay their respects to the Virgin. In the evening to the Opera and heard David again.

Rome, March 29th, 1830

ROME Set off yesterday morning at half-past seven from Florence, and arrived here at six this evening in a fine glowing sunset, straining my eyes to catch interesting objects, and trying in vain to make out the different hills. The last two days at Florence I went to the Gallery and Pitti Palace again with the Copleys. Half the rooms were shut up when I was at the Pitti before, but we now saw them all, and probably the finest collection of pictures in the world. The Raphaels, Rubens, Andrea del Sartos, and Salvators I liked the best. On Saturday evening went to Court and was presented to the Grand Duke, who is vulgar-looking and has bad manners; but the whole thing is rather handsome. Stopped at Siena to see the cathedral; very fine, the ancient fount beautiful. The mutilated Graces I am not connoisseur enough to appreciate, but the illuminated Missals of the thirteenth century I thought admirable, both for the colouring and the drawing, and as exquisitely finished as any miniature. The entrance to Rome through the Porta del Popolo appeared very fine, but I was disappointed in the first distant view of the city from the hill above Viterbo. I passed Radicofani in the dark, and saw little to admire in the Lake of Bolsena or the surrounding country. The women throughout Italy appeared very handsome, one quite beautiful at Siena.

March 30th, 1830

This morning I awoke very early, and could not rest till I had seen St. Peter’s; so set off in a hackney coach, drove by the Piazza della Colonna and the Castle of St. Angelo (which burst upon me unexpectedly as I turned on the bridge), and got out as soon as St. Peter’s was in sight. My first feeling was disappointment, but as I advanced towards the obelisk, with the fountains on each side, and found myself in that ocean of space with all the grand objects around, delight and admiration succeeded. As I walked along the piazza and then entered the church, I felt that sort of breathless bewilderment which was produced in some degree by the first sight of the Alps. Much as I expected I was not disappointed. St. Peter’s sets criticism at defiance; nor can I conceive how anybody can do anything but admire and wonder there, till time and familiarity with its glories shall have subjected the imagination to the judgment. I then came home and went with Morier to take a cursory view of the city and blunt the edge of curiosity. In about five hours I galloped over the Forum, Coliseum, Pantheon, St. John Lateran, Santa Maria Maggiore, the Vatican, and several arches and obelisks. I cannot tell which produced the greatest impression, St. Peter’s or the Coliseum; but if I might only have seen one it should be the Coliseum, for there can be nothing of the same kind besides.[14]

They only who have seen Rome can have an idea of the grandeur of it and of the wonders it contains, the treasures of art and the records of antiquity. Of course I had the same general idea of there being much to see that others have, but was far from being prepared for the reality, which exceeds my most sanguine expectations. The Vatican alone would require years to be examined as it deserves. It is remarkable, however, how the pleasure of the imagination arising from antiquities depends upon their accidents. The busts, statues, columns, tombs, and fragments of all sorts are heaped together in such profusion at the Vatican that the eyes ache at them, the senses are bewildered, and we regard them (with some exceptions) almost exclusively as objects of art, and do not feel the interest which, separately, they might inspire by their connection with remote ages, whereas there is scarcely one of those, if it were now to be discovered, that would not excite the greatest curiosity, and be, in the midst of the ruins to which it belongs, an object of far greater interest than a finer production which had taken its splendid but frigid position in this collection. We went to the Sistine Chapel, and saw Michael Angelo’s frescoes, which Sir Joshua Reynolds says are the finest paintings in the world, and which the unlearned call great rude daubs. I do not pretend to the capacity of appreciating their merits, but was very much struck with the ease, and SIGHTS OF ROME grace, and majesty of some of the figures; it was, however, too dark to see the ‘Last Judgment.’ I ended by St. Peter’s again, where there were many devout Catholics praying round the illuminated tomb of the Apostle, and many foolish English poking into it to stare and ask questions, the answers to which they did not understand. I have but one fault to find, and that is with the Glory, a miserable transparency in the great window opposite the entrance, throwing a yellow light upon the Dove, which has the most paltry effect, and is utterly unworthy of the grandeur of such a place.

April 1st, 1830

Yesterday morning at nine o’clock went with Edward Cheney and George Hamilton to Frascati to dine with Henry Fox, who has got a villa there. As soon as we arrived Cheney and I walked over to Grotta Ferrata to see Domenichino’s frescoes. The convent is about a mile and a half off, large, formerly rich, full of monks, and a fortress; also the scene of various miracles performed by St. Nilo, the founder and patron saint; now tenanted by a few beggarly friars, and part of it let to Prince Gagarin, the Russian Minister, as a villa. Domenichino sought and found an asylum there in consequence of some crime he had committed or debt he had incurred; he stayed there two years, and in return for the hospitality of the monks adorned their chapel with (some think) the finest frescoes in the world. They are splendid pictures, and all painted by his own hand.

At dinner we had Hortense, the ex-Queen of Holland, her son, Prince Louis Napoleon, her lady in waiting, Lady Sandwich and her daughter, Cheney, Hamilton, Lord Lovaine, and Fordwich. We dined in the garden, but there was too much wind for a fête champêtre. Hortense is not near so ugly as I expected, very unaffected and gay, and gives herself no royal airs. The only difference between her and anybody else was that, after dinner, when she rose from table, her own servant presented her with a finger-glass and water, which nobody else had. She is called Madame.

We returned by moonlight, and though I did not go into the Coliseum, because the moon was not full enough, it looked fine, and the light shining through the lower arches had a beautiful effect. This morning went a long round of sights—Caesar’s Palace, of which there are no remains but fragments of walls; it really does ‘grovel on earth in indistinct decay.’ Caracalla’s Baths, which are stupendous; the custode showed us a room in which were heaped up bits of marble of all sorts and sizes, fragments of columns and friezes; and he told us that they never excavated without finding something. And Titus’s Baths, less magnificent but equally curious, because they contain the remains of the Golden House of Nero, on which Titus built his Thermæ. The ruins are, in fact, part of the Golden House, for the Thermæ have been altogether destroyed. Then to the Capitol, Forum, Temple of Vesta, Fortuna Virilis, and other places with Morier. The Capitol contains an interesting collection of busts and statues of all the Emperors, most famous characters of ancient Rome and Greece together, with various magnificent objects of art. By dint of repeatedly seeing their effigies, one becomes acquainted with the faces of these worthies. These tastes grow upon one strangely at Rome, and there is a sort of elevation arising from this silent intercourse with the ‘great of old.’

There has been a wrangle about the Borghese Gardens which the Prince ordered to be shut up; the Government remonstrated, and a correspondence ensued which ended in their being reopened to the public, whom he has no right to exclude. Paul V. gave the Borghese Gardens to his nephew (Aldobrandini) with a condition that they should always be open to the public, which they have been from then till now. They were a part of the Cenci property, which was immense, and confiscated by an enormous piece of injustice.

April 3rd, 1830

SIGHTS OF ROME Went on Thursday to Lady Mary Deerhurst’s and the Duchess Torlonia’s, where all the English in Rome (or rather all the most vulgar) were assembled. Yesterday morning to the Colonna Palace, Museum of the Capitol, Baths of Diocletian, now Church of Santa Maria degli Angeli, which are very remarkable because built on the baths, of which it has preserved the form; San Pietro in Vincoli, San Bernardo, all built on the site and amidst the ruins of Titus’s and Vespasian’s Baths; in various parts the old pavement is preserved, which shows how magnificent they must have been, for it is all of giallo, verd antique, porphyry, &c. To the garden of the Maronite Convent to see the Coliseum, whence there is the finest view of it in Rome. Then to the Coliseum, and walked all over the ruins while a parcel of friars with covered faces were chanting and praying at each of the altars in succession round the circle below (called the Via Crucis).

I called yesterday morning on M. de la Ferronays, the French Ambassador, who was very civil and obliging. Dined in the evening with Lord Haddington, Lovaine, Morier, Prince Gagarin the Russian Minister, Cheney, and M. Dedel. After dinner George Hamilton came in and said that Lady Northampton had died suddenly at five o’clock. I never saw her, but they say she was a very good sort of woman, and remarkably clever, which good sort of women seldom are. She had written a poem full of genius and imagination. Lord Northampton was absent at a scavo he has forty miles off.

There has been no rain here for two months, and the clouds of dust are insupportable; as it is the town in Europe best supplied with water (there are three aqueducts; the ancients had sixteen) so it is the worst watered. The excavations which are going on (though languidly) are always producing something. Two busts, said to be fine, were found the day before yesterday at the Borghese Villa at Frascati.

I saw yesterday at San Pietro in Vincoli Michael Angelo’s famous Moses. It may be very fine, but to my eye is merely a colossal statue; the two horns are meant to represent rays of light; but how can rays of light be represented in marble, any more than the breath? It is impossible to make marble imitate that which is impalpable. The beard is ropy and unnatural; it is, however, an imposing sort of figure. But I am more sensible to painting than to sculpture. I delight in almost everything of Domenichino’s, who is only inferior (if inferior) to Raphael. As to Michael Angelo, he speaks a language the unlearned do not understand; his merit, acknowledged to be transcendent as it is by all artists, cannot be questioned; but he must serve as a model to form future excellence, and not be expected to produce present delight, except to those who, by long study, have learnt to comprehend and appreciate him.

Evening.—This morning to the tomb of the Scipios, Catacombs, Cecilia Metella (from which I wonder they don’t take the battlements), the Circus of Maxentius, Temple of Bacchus, the Fountain of Egeria, San Stefano Rotondo, Temple of Pallas, Arches of Drusus and Dollabella, and the Borghese Villa and Gardens. The ruins of the Gaetani Castle are rather picturesque, but they spoil the tomb, which would be far finer without its turrets. The Circus is as curious as anything I have seen, for it looks like a fresh ruin. Old Torlonia furbished it up at his own expense, and brought to light the inscription which proved it to be Maxentius’s instead of Caracalla’s Circus. The remains are so perfect that it is easy to trace the whole arrangement of the ancient games. Forsyth says very truly that the Fountain of Egeria is a mere trough; but everybody praises the water, which is delicious, and it falls with a murmur which invites to idleness and contemplation. This fountain has been beautifully sung, but it is a miserable ruin, ill deserving of such strains.

A little wood of firs, and pines, and ilexes about thirty or forty years old is pointed out as the grove in which Numa THE SISTINE CHAPEL used to meet the nymph. In all the views on one side Soracte is a striking object, as it

I like this side of Rome, where the aqueducts stride over the Campagna, and the ruins of the mighty Claudian tower over the pigmy arches of the Pope, like the genius of ancient over that of modern Rome. The Borghese is the beau idéal of a villa; lofty, spacious apartments, adorned with statues, busts, and marbles, painting and gilding, and magnificent gardens; but deserted by its owner, who has only been there once in the last thirty years, and untenable in the summer from malaria, which is very unaccountable, for it is close to Rome, high, and full of trees; but nobody knows anything about the malaria. The Gardens are the fashionable lounge, but after June nobody can walk there. Though the Prince never comes here he has just bought a large piece of ground between the Porta del Popolo and the Gardens, and is making a handsome entrance, has already built gates and some ugly Egyptian imitations, and is making a waterfall. I dined with Lady William Russell, and set off to go to Queen Hortense in the evening, but found so few carriages in the court that we would not go in.

April 4th, 1830

To the Sistine Chapel for the ceremonies of Palm Sunday; we got into the body of the chapel, not without difficulty; but we saw M. de la Ferronays in his box, and he let us in (Morier and me). It was only on a third attempt I could get there, for twice the Papal halberdiers thrust me back, and I find since it is lucky they did not do worse; for upon some occasion one of them knocked a cardinal’s eye out, and when he found who he was, begged his pardon, and said he had taken him for a bishop. Here I had a fine opportunity of seeing the frescoes, but they are covered with dirt, the ‘Last Judgment’ neither distinguishable nor intelligible to me. The figures on the ceiling and walls are very grand even to my ignorance. The music (all vocal) beautiful, the service harmoniously chanted, and the responsive bursts of the chorus sublime. The cardinals appeared a wretched set of old twaddlers, all but about three in extreme decrepitude—Odescalchi, who is young and a good preacher, Gregorio, Capellari [afterwards Pope Gregory XVI.]. On seeing them, and knowing that the sovereign is elected by and from them, nobody can wonder that the country is so miserably governed. These old creatures, on the demise of a Pope, are as full of ambition and intrigue as in the high and palmy days of the Papal power. Rome and its territory are certainly worth possessing, though the Pontifical authority is so shorn of its beams; but the fact is that the man who is elected does not always govern the country,[15] and he is condemned to a life of privation and seclusion. An able or influential cardinal is seldom elected. The parties in the Conclave usually end by a compromise, and agree to elect some cardinal without weight or influence, and there are not now any Sixtus the Fifths to make such an arrangement hazardous. Austria, Spain, and France have all vetos, and Portugal claims and exercises one when she can. To this degradation Rome is now obliged to submit. The most influential of the cardinals is Albani.[16] At the last election the Papal crown was offered to Cardinal Caprara, but Albani stipulated that he should make him Secretary of State; Caprara refused to promise, and Albani procured the election of the present Pope (who did not desire or expect the elevation), became Secretary of State A DEAD CARDINAL (being eighty), and governs the country. He is rich and stingy. The great Powers still watch the proceedings of the Conclave with jealousy; and though it is difficult to conceive how the Pope can assist any one of them to the detriment of another, an Ambassador will put his veto upon any cardinal whom he thinks unfavourable to his nation; this produces all sorts of trickery, for when the Conclave want to elect a man who is obnoxious to Austria, for example, they choose another whom they think is equally so (but whom they do not really wish to elect), that the veto may be expended upon him, for each Government has one veto only. The last veto absolutely put was on Cardinal ——, who was elected on the death of Pius VII. He had behaved very rudely to the Empress Maria Louisa when she took refuge in the north of Italy after the downfall of Napoleon, thinking it was a good moment to bully the abdicated Emperor’s wife. She complained to her father, who promised her the Cardinal never should be Pope. He was a young and ambitious man, and the veto killed him with vexation and disappointment.