[27] Emporium of Arts and Sciences, December 1813, new ser., vol. 2, no. 1, p. 81.
[28] Farey, op. cit. (footnote 6), p. 666.
Figure 12
Figure 12.—Cartwright's geared straight-line mechanism of about 1800. From Abraham Rees, The Cyclopaedia (London, 1819, "Steam Engine," pl. 5).
The properties of a hypocycloid were recognized by James White, an English engineer, in his geared design which employed a pivot located on the pitch circle of a spur gear revolving inside an internal gear. The diameter of the pitch circle of the spur gear was one-half that of the internal gear, with the result that the pivot, to which the piston rod was connected, traced out a diameter of the large pitch circle (fig. 13). White in 1801 received from Napoleon Bonaparte a medal for this invention when it was exhibited at an industrial exposition in Paris.[29] Some steam engines employing White's mechanism were built, but without conspicuous commercial success. White himself rather agreed that while his invention was "allowed to possess curious properties, and to be a pretty thing, opinions do not all concur in declaring it, essentially and generally, a good thing."[30]
[29] H. W. Dickinson, "James White and His 'New Century of Inventions,'" Transactions of the Newcomen Society, 1949-1951, vol. 27, pp. 175-179.
[30] James White, A New Century of Inventions, Manchester, 1822, pp. 30-31, 338. A hypocycloidal engine used in Stourbridge, England, is in the Henry Ford Museum.
Figure 13
Figure 13.—James White's hypocycloidal straight-line mechanism, about 1800. The fly-weights (at the ends of the diagonal arm) functioned as a flywheel. From James White, A New Century of Inventions (Manchester, 1822, pl. 7).
The first of the non-Watt four-bar linkages appeared shortly after 1800. The origin of the grasshopper beam motion is somewhat obscure, although it came to be associated with the name of Oliver Evans, the American pioneer in the employment of high-pressure steam. A similar idea, employing an isosceles linkage, was patented in 1803 by William Freemantle, an English watchmaker (fig. 14).[31] This is the linkage that was attributed much later to John Scott Russell (1808-1882), the prominent naval architect.[32] An inconclusive hint that Evans had devised his straight-line linkage by 1805 appeared in a plate illustrating his Abortion of the Young Steam Engineer's Guide (Philadelphia, 1805), and it was certainly used on his Columbian engine (fig. 15), which was built before 1813. The Freemantle linkage, in modified form, appeared in Rees's Cyclopaedia of 1819 (fig. 16), but it is doubtful whether even this would have been readily recognized as identical with the Evans linkage, because the connecting rod was at the opposite end of the working beam from the piston rod, in accordance with established usage, while in the Evans linkage the crank and connecting rod were at the same end of the beam. It is possible that Evans got his idea from an earlier English periodical, but concrete evidence is lacking.
[31] British Patent 2741, November 17, 1803.
[32] William J. M. Rankine, Manual of Machinery and Millwork, ed. 6, London, 1887, p. 275.
Figure 14
Figure 14.—Freemantle straight-line linkage, later called the Scott Russell linkage. From British Patent 2741, November 17, 1803.
Figure 15
Figure 15.—Oliver Evans' "Columbian" engine, 1813, showing the Evans, or "grasshopper," straight-line linkage. From Emporium of Arts and Sciences (new ser., vol. 2, no. 3, April 1814, pl. opposite p. 380).
Figure 16
Figure 16.—Modified Freemantle linkage, 1819, which is kinematically the same as the Evans linkage. Pivots D and E are attached to engine frame. From Abraham Rees, The Cyclopaedia (London, 1819, "Parallel Motions," pl. 3).
If the idea did in fact originate with Evans, it is strange that he did not mention it in his patent claims, or in the descriptions that he published of his engines.[33] The practical advantage of the Evans linkage, utilizing as it could a much lighter working beam than the Watt or Freemantle engines, would not escape Oliver Evans, and he was not a man of excessive modesty where his own inventions were concerned.
[33] Greville and Dorothy Bathe, Oliver Evans, Philadelphia, 1935, pp. 88, 196, and passim.
Another four-bar straight-line linkage that became well known was attributed to Richard Roberts of Manchester (1789-1864), who around 1820 had built one of the first metal planing machines, which machines helped make the quest for straight-line linkages largely academic. I have not discovered what occasioned the introduction of the Roberts linkage, but it dated from before 1841. Although Roberts patented many complex textile machines, an inspection of all of his patent drawings has failed to provide proof that he was the inventor of the Roberts linkage.[34] The fact that the same linkage is shown in an engraving of 1769 (fig. 18) further confuses the issue.[35]
[34] Robert Willis (op. cit. [footnote 2] p. 411) credited Richard Roberts with the linkage. Roberts' 15 British patent drawings exhibit complex applications of cams, levers, guided rods, cords, and so forth, but no straight-line mechanism. In his patent no. 6258 of April 13, 1832, for a steam engine and locomotive carriage, Roberts used Watt's "parallel motion" on a beam driven by a vertical cylinder.
[35] This engraving appeared as plate 11 in Pierre Patte's 1769 work (op. cit. footnote 24). Patte stated that the machine depicted in his plate 11 was invented by M. de Voglie and was actually used in 1756.
Figure 17
Figure 17.—Straight-line linkage (before 1841) attributed to Richard Roberts by Robert Willis. From A. B. Kempe, How to Draw a Straight Line (London, 1877, p. 10).
Detail from Figure 18Figure 18
Figure 18.—Machine for sawing off pilings under water, about 1760, designed by De Voglie. The Roberts linkage operates the bar (Q in detailed sketch on left) at the rear of the machine below the operators. The significance of the linkage apparently was not generally recognized. A similar machine depicted in Diderot's Encyclopédie, published several years later, did not employ the straight-line linkage. From Pierre Patte, Memoirs sur les objets plus importants de l'architecture (Paris, 1769, pl. 11).
The appearance in 1864 of Peaucellier's exact straight-line linkage went nearly unnoticed. A decade later, when news of its invention crossed the Channel to England, this linkage excited a flurry of interest, and variations of it occupied mathematical minds for several years. For at least 10 years before and 20 years after the final solution of the problem, Professor Chebyshev,[36] a noted mathematician of the University of St. Petersburg, was interested in the matter. Judging by his published works and his reputation abroad, Chebyshev's interest amounted to an obsession.
[36] This is the Library of Congress spelling
Pafnutïĭ L'vovich Chebyshev was born in 1821, near Moscow, and entered the University of Moscow in 1837. In 1853, after visiting France and England and observing carefully the progress of applied mechanics in those countries, he read his first paper on approximate straight-line linkages, and over the next 30 years he attacked the problem with new vigor at least a dozen times. He found that the two principal straight-line linkages then in use were Watt's and Evans'. Chebyshev noted the departure of these linkages from a straight line and calculated the deviation as of the fifth degree, or about 0.0008 inch per inch of beam length. He proposed a modification of the Watt linkage to refine its accuracy but found that he would have to more than double the length of the working beam. Chebyshev concluded ruefully that his modification would "present great practical difficulties."[37]
[37] Oeuvres de P. L. Tchebychef, 2 vols., St. Petersburg, 1899-1907, vol. 1, p. 538; vol. 2, pp. 57, 85.
At length an idea occurred to Chebyshev that would enable him to approach if not quite attain a true straight line. If one mechanism was good, he reasoned, two would be better, et cetera, ad infinitum. The idea was simply to combine, or compound, four-link approximate linkages, arranging them in such a way that the errors would be successively reduced. Contemplating first a combination of the Watt and Evans linkages (fig. 19), Chebyshev recognized that if point D of the Watt linkage followed nearly a straight line, point A of the Evans linkage would depart even less from a straight line. He calculated the deviation in this case as of the 11th degree. He then replaced Watt's linkage by one that is usually called the Chebyshev straight-line mechanism (fig. 20), with the result that precision was increased to the 13th degree.[38] The steam engine that he displayed at the Vienna Exhibition in 1873 employed this linkage—the Chebyshev mechanism compounded with the Evans, or approximate isosceles, linkage. An English visitor to the exhibition commented that "the motion is of little or no practical use, for we can scarcely imagine circumstances under which it would be more advantageous to use such a complicated system of levers, with so many joints to be lubricated and so many pins to wear, than a solid guide of some kind; but at the same time the arrangement is very ingenious and in this respect reflects great credit on its designer."[39]
[38] Ibid., vol. 2, pp. 93, 94.
[39] Engineering, October 3, 1873, vol. 16, p. 284.
figure 19
Figure 19.—Pafnutïĭ L'vovich Chebyshev (1821-1894), Russian mathematician active in analysis and synthesis of straight-line mechanisms. From Ouvres de P. L. Tchebychef (St. Petersburg, 1907, vol. 2, frontispiece).
Figure 20
Figure 20.—Chebyshev's combination (about 1867) of Watt's and Evans' linkages to reduce errors inherent in each. Points C, C', and C" are fixed; A is the tracing point. From Oeuvres de P. L. Tchebychef (St. Petersburg, 1907, vol. 2, p. 93).
Figure 21
Figure 21.—Left: Chebyshev straight-line linkage, 1867; from A. B. Kempe, How to Draw a Straight Line (London, 1877, p. 11). Right: Chebyshev-Evans combination, 1867; from Oeuvres de P. L. Tchebychef (St. Petersburg, 1907, vol. 2, p. 94). Points C, C', and C" are fixed. A is the tracing point.
There is a persistent rumor that Professor Chebyshev sought to demonstrate the impossibility of constructing any linkage, regardless of the number of links, that would generate a straight line; but I have found only a dubious statement in the Grande Encyclopédie[40] of the late 19th century and a report of a conversation with the Russian by an Englishman, James Sylvester, to the effect that Chebyshev had "succeeded in proving the nonexistence of a five-bar link-work capable of producing a perfect parallel motion...."[41] Regardless of what tradition may have to say about what Chebyshev said, it is of course well known that Captain Peaucellier was the man who finally synthesized the exact straight-line mechanism that bears his name.
[40] La Grande Encyclopédie, Paris, 1886 ("Peaucellier").
[41] James Sylvester, "Recent Discoveries in Mechanical Conversion of Motion," Notices of the Proceedings of the Royal Institution of Great Britain, 1873-1875, vol. 7, p. 181. The fixed link was not counted by Sylvester; in modern parlance this would be a six-link mechanism.
Figure 22
Figure 22.—Peaucellier exact straight-line linkage, 1873. From A. B. Kempe, How to Draw a Straight Line (London, 1877, p. 12).
Figuer 23
Figure 23.—Model of the Peaucellier "Compas Composé," deposited in Conservatoire National des Arts et Métiers, Paris, 1875. Photo courtesy of the Conservatoire.
Figure 24
Figure 24.—James Joseph Sylvester (1814-1897), mathematician and lecturer on straight-line linkages. From Proceedings of the Royal Society of London (1898, vol. 63, opposite p. 161).
Charles-Nicolas Peaucellier, a graduate of the Ecole Polytechnique and a captain in the French corps of engineers, was 32 years old in 1864 when he wrote a short letter to the editor of Nouvelles Annales de mathématiques (ser. 2, vol. 3, pp. 414-415) in Paris. He called attention to what he termed "compound compasses," a class of linkages that included Watt's parallel motion, the pantograph, and the polar planimeter. He proposed to design linkages to describe a straight line, a circle of any radius no matter how large, and conic sections, and he indicated in his letter that he had arrived at a solution.
This letter stirred no pens in reply, and during the next 10 years the problem merely led to the filling of a few academic pages by Peaucellier and Amédée Mannheim (1831-1906), also a graduate of Ecole Polytechnique, a professor of mathematics, and the designer of the Mannheim slide rule. Finally, in 1873, Captain Peaucellier gave his solution to the readers of the Nouvelles Annales. His reasoning, which has a distinct flavor of discovery by hindsight, was that since a linkage generates a curve that can be expressed algebraically, it must follow that any algebraic curve can be generated by a suitable linkage—it was only necessary to find the suitable linkage. He then gave a neat geometric proof, suggested by Mannheim, for his straight-line "compound compass."[42]
[42] Charles-Nicholas Peaucellier, "Note sur une question de geométrie de compas," Nouvelles Annales de mathématiques, 1873, ser. 2, vol. 12, pp. 71-78. A sketch of Mannheim's work is in Florian Cajori, A History of the Logarithmic Slide Rule, New York, about 1910, reprinted in String Figures and Other Monographs, New York, Chelsea Publishing Company, 1960.
On a Friday evening in January 1874 Albemarle Street in London was filled with carriages, each maneuvering to unload its charge of gentlemen and their ladies at the door of the venerable hall of the Royal Institution. Amidst a "mighty rustling of silks," the elegant crowd made its way to the auditorium for one of the famous weekly lectures. The speaker on this occasion was James Joseph Sylvester, a small intense man with an enormous head, sometime professor of mathematics at the University of Virginia, in America, and more recently at the Royal Military Academy in Woolwich. He spoke from the same rostrum that had been occupied by Davy, Faraday, Tyndall, Maxwell, and many other notable scientists. Professor Sylvester's subject was "Recent Discoveries in Mechanical Conversion of Motion."[43]
[43] Sylvester, op. cit. (footnote 41), pp. 179-198. It appears from a comment in this lecture that Sylvester was responsible for the word "linkage." According to Sylvester, a linkage consists of an even number of links, a "link-work" of an odd number. Since the fixed member was not considered as a link by Sylvester, this distinction became utterly confusing when Reuleaux's work was published in 1876. Although "link" was used by Watt in a patent specification, it is not probable that he ever used the term "link-work"—at any rate, my search for his use of it has been fruitless. "Link work" is used by Willis (op. cit. footnote 21), but the term most likely did not originate with him. I have not found the word "linkage" used earlier than Sylvester.
Remarking upon the popular appeal of most of the lectures, a contemporary observer noted that while many listeners might prefer to hear Professor Tyndall expound on the acoustic opacity of the atmosphere, "those of a higher and drier turn of mind experience ineffable delight when Professor Sylvester holds forth on the conversion of circular into parallel motion."[44]
[44] Bernard H. Becker, Scientific London, London, 1874, pp. 45, 50, 51.
Sylvester's aim was to bring the Peaucellier linkage to the notice of the English-speaking world, as it had been brought to his attention by Chebyshev—during a recent visit of the Russian to England—and to give his listeners some insight into the vastness of the field that he saw opened by the discovery of the French soldier.[45]
[45] Sylvester, op. cit. (footnote 41), p. 183; Nature, November 13, 1873, vol. 9, p. 33.
"The perfect parallel motion of Peaucellier looks so simple," he observed, "and moves so easily that people who see it at work almost universally express astonishment that it waited so long to be discovered." But that was not his reaction at all. The more one reflects upon the problem, Sylvester continued, he "wonders the more that it was ever found out, and can see no reason why it should have been discovered for a hundred years to come. Viewed a priori there was nothing to lead up to it. It bears not the remotest analogy (except in the fact of a double centring) to Watt's parallel motion or any of its progeny."[46]
[46] Sylvester, op. cit. (footnote 41), p. 181.
It must be pointed out, parenthetically at least, that James Watt had not only had to solve the problem as best he could, but that he had no inkling, so far as experience was concerned, that a solvable problem existed.
Sylvester interrupted his panegyric long enough to enumerate some of the practical results of the Peaucellier linkage. He said that Mr. Penrose, the eminent architect and surveyor to St. Paul's Cathedral, had "put up a house-pump worked by a negative Peaucellier cell, to the great wonderment of the plumber employed, who could hardly believe his senses when he saw the sling attached to the piston-rod moving in a true vertical line, instead of wobbling as usual from side to side." Sylvester could see no reason "why the perfect parallel motion should not be employed with equal advantage in the construction of ordinary water-closets." The linkage was to be employed by "a gentleman of fortune" in a marine engine for his yacht, and there was talk of using it to guide a piston rod "in certain machinery connected with some new apparatus for the ventilation and filtration of the air of the Houses of Parliament." In due course, Mr. Prim, "engineer to the Houses," was pleased to show his adaptation of the Peaucellier linkage to his new blowing engines, which proved to be exceptionally quiet in their operation (fig. 25).[47] A bit on the ludicrous side, also, was Sylvester's 78-bar linkage that traced a straight line along the line connecting the two fixed centers of the linkage.[48]
[47] Ibid., pp. 182, 183, 188, 193.
[48] Kempe, op. cit. (footnote 21), p. 17.
Figure 25
Figure 25.—Mr. Prim's blowing engine used for ventilating the House of Commons, 1877. The crosshead of the reciprocating air pump is guided by a Peaucillier linkage shown at the center. The slate-lined air cylinders had rubber-flap inlet and exhaust valves and a piston whose periphery was formed by two rows of brush bristles. Prim's machine was driven by a steam engine. Photograph by Science Museum, London.
Before dismissing with a smile the quaint ideas of our Victorian forbears, however, it is well to ask, 88 years later, whether some rather elaborate work reported recently on the synthesis of straight-line mechanisms is more to the point, when the principal objective appears to be the moving of an indicator on a "pleasing, expanded" (i.e., squashed flat) radio dial.[49]
[49] Machine Design, December 1954, vol. 26, p. 210.
But Professor Sylvester was more interested, really, in the mathematical possibilities of the Peaucellier linkage, as no doubt our modern investigators are. Through a compounding of Peaucellier mechanisms, he had already devised square-root and cube-root extractors, an angle trisector, and a quadratic-binomial root extractor, and he could see no limits to the computing abilities of linkages as yet undiscovered.[50]
[50] Sylvester, op. cit. (footnote 41), p. 191.
Sylvester recalled fondly, in a footnote to his lecture, his experience with a little mechanical model of the Peaucellier linkage at an earlier dinner meeting of the Philosophical Club of the Royal Society. The Peaucellier model had been greeted by the members with lively expressions of admiration "when it was brought in with the dessert, to be seen by them after dinner, as is the laudable custom among members of that eminent body in making known to each other the latest scientific novelties." And Sylvester would never forget the reaction of his brilliant friend Sir William Thomson (later Lord Kelvin) upon being handed the same model in the Athenaeum Club. After Sir William had operated it for a time, Sylvester reached for the model, but he was rebuffed by the exclamation "No! I have not had nearly enough of it—it is the most beautiful thing I have ever seen in my life."[51]
[51] Ibid., p. 183.
The aftermath of Professor Sylvester's performance at the Royal Institution was considerable excitement amongst a limited company of interested mathematicians. Many alternatives to the Peaucellier straight-line linkage were suggested by several writers of papers for learned journals.[52]
[52] For a summary of developments and references, see Kempe, op. cit. (footnote 21), pp. 49-51. Two of Hart's six-link exact straight-line linkages referred to by Kempe are illustrated in Henry M. Cundy and A. P. Rollett, Mathematical Models, Oxford, Oxford University Press, 1952, pp. 204-205. Peaucellier's linkage was of eight links.
In the summer of 1876, after Sylvester had departed from England to take up his post as professor of mathematics in the new Johns Hopkins University in Baltimore, Alfred Bray Kempe, a young barrister who pursued mathematics as a hobby, delivered at London's South Kensington Museum a lecture with the provocative title "How to Draw a Straight Line."[53]
[53] Kempe, op. cit. (footnote 21), p. 26.
In order to justify the Peaucellier linkage, Kempe belabored the point that a perfect circle could be generated by means of a pivoted bar and a pencil, while the generation of a straight line was most difficult if not impossible until Captain Peaucellier came along. A straight line could be drawn along a straight edge; but how was one to determine whether the straight edge was straight? He did not weaken his argument by suggesting the obvious possibility of using a piece of string. Kempe had collaborated with Sylvester in pursuing the latter's first thoughts on the subject, and one result, that to my mind exemplifies the general direction of their thinking, was the Sylvester-Kempe "parallel motion" (fig. 26).
Figure 26
Figure 26.—Sylvester-Kempe translating linkage, 1877. The upper and lower plates remain parallel and equidistant. From A. B. Kempe, How to Draw a Straight Line (London, 1877, p. 37).
Figure 27
Figure 27.—Gaspard Monge (1746-1818), professor of mathematics at the Ecole Polytechnique from 1794 and founder of the academic discipline of machine kinematics, From Livre du Centenaire, 1794-1894, Ecole Polytechnique (Paris, 1895, vol. 1, frontispiece).
Enthusiastic as Kempe was, however, he injected an apologetic note in his lecture. "That these results are valuable cannot I think be doubted," he said, "though it may well be that their great beauty has led some to attribute to them an importance which they do not really possess...." He went on to say that 50 years earlier, before the great improvements in the production of true plane surfaces, the straight-line mechanisms would have been more important than in 1876, but he added that "linkages have not at present, I think, been sufficiently put before the mechanician to enable us to say what value should really be set upon them."[54]
[54] Ibid.,, pp. 6-7. I have not pursued the matter of cognate linkages (the Watt and Evans linkages are cognates) because the Roberts-Chebyshev theorem escaped my earlier search, as it had apparently escaped most others until 1958. See R. S. Hartenberg and J. Denavit, "The Fecund Four-Bar," Transactions of the Fifth Conference on Mechanisms, Cleveland, Penton Publishing Company, 1958, pp. 194-206, reprinted in Machine Design, April 16, 1959, vol. 31, pp. 149-152. See also A. E. R. de Jonge, "The Correlation of Hinged Four-Bar Straight-Line Motion Devices by Means of the Roberts Theorem and a New Proof of the Latter," Annals of the New York Academy of Sciences, March 18, 1960, vol. 84, art. 3, pp. 75-145 (published separately).
It was during this same summer of 1876, at the Loan Exhibition of Scientific Apparatus in the South Kensington Museum, that the work of Franz Reuleaux, which was to have an important and lasting influence on kinematics everywhere, was first introduced to English engineers. Some 300 beautifully constructed teaching aids, known as the Berlin kinematic models, were loaned to the exhibition by the Royal Industrial School in Berlin, of which Reuleaux was the director. These models were used by Prof. Alexander B. W. Kennedy of University College, London, to help explain Reuleaux's new and revolutionary theory of machines.[55]
[55] Alexander B. W. Kennedy, "The Berlin Kinematic Models," Engineering, September 15, 1876, vol. 22, pp. 239-240.
When, in 1829, André-Marie Ampère (1775-1836) was called upon to prepare a course in theoretical and experimental physics for the Collège de France, he first set about determining the limits of the field of physics. This exercise suggested to his wide-ranging intellect not only the definition of physics but the classification of all human knowledge. He prepared his scheme of classification, tried it out on his physics students, found it incomplete, returned to his study, and produced finally a two-volume work wherein the province of kinematics was first marked out for all to see and consider.[56] Only a few lines could be devoted to so specialized a branch as kinematics, but Ampère managed to capture the central idea of the subject.
[56] André-Marie Ampère, Essai sur la philosophie des sciences, une exposition analytique d'une classification naturelle de toutes les connaissances humaines, 2 vols., Paris, 1838 (for origin of the project, see vol. 1, pp. v, xv).
Cinématique (from the Greek word for movement) was, according to Ampère, the science "in which movements are considered in themselves [independent of the forces which produce them], as we observe them in solid bodies all about us, and especially in the assemblages called machines."[57] Kinematics, as the study soon came to be known in English,[58] was one of the two branches of elementary mechanics, the other being statics.
[57] Ibid., vol. 1, pp. 51-52.
[58] Willis (op. cit. footnote 21) adopted the word "kinematics," and this Anglicization subsequently became the standard term for this branch of mechanics.
In his definition of kinematics, Ampère stated what the faculty of mathematics at the Ecole Polytechnique, in Paris, had been groping toward since the school's opening some 40 years earlier. The study of mechanisms as an intellectual discipline most certainly had its origin on the left bank of the Seine, in this school spawned, as suggested by one French historian,[[59] by the great Encyclopédie of Diderot and d'Alembert.
[59] G. Pinet, Histoire de l'Ecole Polytechnique, Paris, 1887, pp. viii-ix. In their forthcoming book on kinematic synthesis, R. S. Hartenberg and J. Denavit will trace the germinal ideas of Jacob Leupold and Leonhard Euler of the 18th century.
Because the Ecole Polytechnique had such a far-reaching influence upon the point of view from which mechanisms were contemplated by scholars for nearly a century after the time of Watt, and by compilers of dictionaries of mechanical movements for an even longer time, it is well to look for a moment at the early work that was done there. If one is interested in origins, it might be profitable for him to investigate the military school in the ancient town of Mézières, about 150 miles northeast of Paris. It was here that Lazare Carnot, one of the principal founders of the Ecole Polytechnique, in 1783 published his essay on machines,[60] which was concerned, among other things, with showing the impossibility of "perpetual motion"; and it was from Mézières that Gaspard Monge and Jean Hachette[61] came to Paris to work out the system of mechanism classification that has come to be associated with the names of Lanz and Bétancourt.
[60] Lazare N. M. Carnot, Essai sur les machines en général, Mézières, 1783 (later published as Principes fondamentaux de l'equilibre et du mouvement, Paris, 1803).
[61] Biographical notices of Monge and Hachette appear in Encyclopaedia Britannica, ed. 11. See also L'Ecole Polytechnique, Livre du Centenaire, Paris, 1895, vol. 1, p. 11ff.
Gaspard Monge (1746-1818), who while a draftsman at Mézières originated the methods of descriptive geometry, came to the Ecole Polytechnique as professor of mathematics upon its founding in 1794, the second year of the French Republic. According to Jean Nicolas Pierre Hachette (1769-1834), who was junior to Monge in the department of descriptive geometry, Monge planned to give a two-months' course devoted to the elements of machines. Having barely gotten his department under way, however, Monge became involved in Napoleon's ambitious scientific mission to Egypt and, taking leave of his family and his students, embarked for the distant shores.
"Being left in charge," wrote Hachette, "I prepared the course of which Monge had given only the first idea, and I pursued the study of machines in order to analyze and classify them, and to relate geometrical and mechanical principles to their construction." Changes of curriculum delayed introduction of the course until 1806, and not until 1811 was his textbook ready, but the outline of his ideas was presented to his classes in chart form (fig. 28). This chart was the first of the widely popular synoptical tables of mechanical movements.[62]
[62] Jean N. P. Hachette, Traité élémentaire des machines, Paris, 1811, p. v.
Figure 28
Figure 28.—Hachette's synoptic chart of elementary mechanisms, 1808. This was the first of many charts of mechanical movements that enjoyed wide popularity for over 100 years.
From Jean N. P. Hachette, Traité Élémentaire des Machines (Paris, 1811, pl. 1).
Hachette classified all mechanisms by considering the conversion of one motion into another. His elementary motions were continuous circular, alternating circular, continuous rectilinear, and alternating rectilinear. Combining one motion with another—for example, a treadle and crank converted alternating circular to continuous circular motion—he devised a system that supplied a frame of reference for the study of mechanisms. In the U.S. Military Academy at West Point, Hachette's treatise, in the original French, was used as a textbook in 1824, and perhaps earlier.[63]
[63] This work was among the books sent back by Sylvanus Thayer when he visited France in 1816 to observe the education of the French army cadets. Thayer's visit resulted in his adopting the philosophy of the Ecole Polytechnique in his reorganization of the U.S. Military Academy and, incidentally, in his inclusion of Hachette's course in the Academy's curriculum (U.S. Congress, American State Papers, Washington, 1832-1861, Class v, Military Affairs, vol. 2, p. 661: Sidney Forman, West Point, New York, 1950, pp. 36-60). There is a collection of miscellaneous papers (indexed under Sylvanus Thayer and William McRee, U.S. National Archives, RG 77, Office, Chief of Engineers, Boxes 1 and 6) pertaining to the U.S. Military Academy of this period, but I found no mention of kinematics in this collection.
Lanz and Bétancourt, scholars from Spain at the Ecole Polytechnique, plugged some of the gaps in Hachette's system by adding continuous and alternating curvilinear motion, which doubled the number of combinations to be treated, but the advance of their work over that of Hachette was one of degree rather than of kind.[64]
[64] Phillipe Louis Lanz and Augustin de Bétancourt, Essai sur la composition des machines, Paris, 1808. Hachette's chart and an outline of his elementary course on machines is bound with the Princeton University Library copy of the Lanz and Bétancourt work. This copy probably represents the first textbook of kinematics. Bétancourt was born in 1760 in Teneriffe, attended the military school in Madrid, and became inspector-general of Spanish roads and canals. He was in England before 1789, learning how to build Watt engines, and he introduced the engines to Paris in 1790 (see Farey, op. cit.,, p. 655). He entered Russian service in 1808 and died in St. Petersburg in 1826 (J. C. Poggendorff, Biographisches-literarisches Handwörterbuch für Mathematik ..., Leipzig, 1863, vol. 1.
Figure 29
Figure 29.—Robert Willis (1800-1875), Jacksonian Professor, Cambridge University, and author of Principles of Mechanism, one of the landmark books in the development of kinematics of mechanisms. Photo courtesy Gonville and Caius College, Cambridge University.
Giuseppe Antonio Borgnis, an Italian "engineer and member of many academies" and professor of mechanics at the University of Pavia in Italy, in his monumental, nine-volume Traité complet de méchanique appliquée aux arts, caused a bifurcation of the structure built upon Hachette's foundation of classification when he introduced six orders of machine elements and subdivided these into classes and species. His six orders were récepteurs (receivers of motion from the prime mover), communicateurs, modificateurs (modifiers of velocity), supports (e.g., bearings), regulateurs (e.g., governors), and operateurs, which produced the final effect.[65]