Mt. Mitchell, N. C. Above the Clouds.
(From The Land of the Sky.[44])
The sun is shining brightly, and his golden lances light up the depths of the forest into which we enter—an enchanted world of far-reaching greenness, the stillness of which is only broken by the voice of the streams which come down the gorges of the mountain in leaping cascades. Few things are more picturesque than the appearance of a cavalcade like ours following in single file the winding path (not road) that leads into the marvelous, mysterious wilderness. When the ascent fairly begins, the path is often like the letter S, and one commands a view of the entire line—of horsemen in slouched hats and gray coats, of ladies in a variety of attire, with water-proof cloaks serving as riding-skirts, and hats garlanded with forest wreaths and grasses. The guide tramps steadily ahead, leading the pack-horse, and we catch a glimpse of his face now and then as he turns to answer some question addressed to him. . . . . . . .
“We wind up the side of the mountain like this for several miles,” says Eric, “then we travel along a ridge for some distance, and finally we ascend the peak formerly called the Black Dome, now Mount Mitchell. The whole distance is about twelve miles, and the most of it is steady climbing.” . . . . . .
“And it was in this wilderness that Professor Mitchell lost his life sixteen or seventeen years ago, was it not?” I ask.
“Yes, Burnett [the guide] was one of the men engaged in the search for him. He will tell you all about it. . .”
The forest around us becomes wilder, greener, more luxuriant at every step. . . . Presently, however, the aspect of our surroundings changes. We leave this varied forest behind, and enter the region of the balsam, from the dark color of which the mountain takes its name. Above a certain line of elevation no trees are found save these beautiful yet sombre firs. They grow to an immense height and stand so thickly together that one marvels how any animal larger than a cat can thread its way among their stems. Overhead the boughs interlock in a canopy, making perpetual shade beneath. No shrubs of any kind are to be found here—only beds of thick elastic moss, richer than the richest velvet, and ferns in plumy profusion. . . . Dan Burnett leads on, and presently we emerge on the largest and most beautiful of the little prairies through which we have passed. This stretch of open ground lies at the foot of the highest peak, the abrupt sides of which rise in conical shape before us. It is here, Mr. Burnett tells us, that the mountaineers who were searching for Professor Mitchell found the first trace of the way he had taken.
“We had been searchin’ from Friday to Tuesday,” he says, “and on Tuesday we was pretty nigh disheartened, when Wilson—an old hunter from over in Yancey—said he hadn’t no doubt the professor had tried to go down to Caney Valley by a trail they two had followed thirteen years afore, and which leads that way”—he points down into the dark wilds below us. “Well, we looked along the edge of this here prairie till we found a track. Wilson was right—he had tried to go down to Caney Valley. We follered his trail fur about four mile, and I was one of them what found him at last.”
“He had lost his way,” says Eric. “I have seen the spot—they call it Mitchell’s Falls now—where he died. A stream of considerable size plunges over a precipice of about forty feet into a basin fourteen feet deep by as many wide. Into this he fell, probably at night.”
“But how was it possible to bring a dead body up these steeps?” Sylvia says, addressing Mr. Burnett.
“We brought it in a sheet slung to the top of stout poles,” he answers. “Then it were carried down to Asheville, and then brought up again, and buried there”—he nods to the peak above us.
“In the warmth of their great friendship and admiration, people thought that he ought to rest in the midst of the scenes he had explored so fearlessly and loved so well,” says Eric. . . . Before long we gain the top, and the first object on which our eyes rest is—the grave. . . . . . . .
Besides the grave, the summit is entirely bare.
The view is so immense that one is forced to regard it in sections. Far to the north east lies Virginia, from which the long waving line of the Blue Ridge comes, and passes directly under the Black, making a point of junction, near which it towers into the steep Pinnacle and stately Graybeard—so called from the white beard which it wears when a frozen cloud has iced its rhododendrons. From our greater eminence we overlook the Blue Ridge entirely, and see the country below spreading into azure distance, with white spots which resolve themselves through the glasses into villages, and mountains clearly defined. The Linville range—through which the Linville River forces its way in a gorge of wonderful grandeur—is in full view, with a misty cloud lying on the surface of Table Rock, while the peculiar form of the Hawk’s Bill stands forth in marked relief. Beyond, blue and limitless as the ocean, the undulating plain of the more level country extends until it melts into the sky.
As the glance leaves this view, and, sweeping back over the Blue Ridge, follows the main ledge of the Black, one begins to appreciate the magnitude of this great mountain. For miles along its dark crest appear a succession of cone-like peaks, and, as it sweeps around westwardly, it divides into two great branches—one of which terminates in the height on which we stand, while numerous spurs lead off from its base; the other stretches southward, forming the splendid chain of Craggy. At our feet lie the elevated counties of Yancey and Mitchell, with their surfaces so unevenly mountainous that one wonders how men could have been daring enough to think of making their homes amid such wild scenes. . . . Beyond these counties stretches the chain of the Unaka, running along the line of Tennessee, with the Roan Mountain—famous for its extensive view over seven states—immediately in our front. Through the passes and rugged chasms of this range, we look across the entire valley of East Tennessee to where the blue outlines of the Cumberland Mountains trend toward Kentucky, and we see distinctly a marked depression which Eric says is Cumberland Gap. Turning our gaze due westward, the view is, if possible, still more grand. There the colossal masses of the Great Smoky stand, draped in a mantle of clouds, while through Haywood and Transylvania, to the borders of South Carolina, rise the peaks of the Balsam Mountains, behind which are the Cullowhee and the Nantahala, with the Blue Ridge making a majestic curve toward the point where Georgia touches the Carolinas. . . . .
It is enough to sit and watch the inexpressible beauty of the vast prospect us afternoon slowly wanes into evening. There is a sense of isolation, of solemnity and majesty, in the scene which none of us are likely to forget. So high are we elevated above the world that the pure vault of ether over our heads seems nearer to us than the blue rolling earth, with its wooded hills and smiling valleys below. No sound comes up to us, no voice of water or note of bird breaks the stillness. We are in the region of that eternal silence which wraps the summits of the “everlasting hills.” A repose that is full of awe broods over this lofty peak, which still retains the last rays of the sinking sun, while over the lower world twilight has fallen.
[44] By permission of the author, and publishers, D. Appleton & Co., N. Y.
1851=1889.
Henry Woodfen Grady was born at Athens, Georgia, and educated at the State University. He became an editor, and in 1880 purchased an interest in the Atlanta “Constitution” on whose staff he remained till his death. His articles, addresses, and editorials made his name well known throughout the country, and contributed no little to the development of Southern industries after the war. A monument has been erected to him in Atlanta.
The New South, [a series of articles].
Editorials, addresses, &c.
(From The New South, 1889.[45])
Grady Monument, Atlanta, Ga.
Master and Slave.—Perhaps no period of human history has been more misjudged and less understood than the slaveholding era in the South. Slavery as an institution cannot be defended; but its administration was so nearly perfect among our forefathers as to challenge and hold our loving respect. It is doubtful if the world has seen a peasantry so happy and so well-to-do as the negro slaves in America. The world was amazed at the fidelity with which these slaves guarded, from 1861 to 1865, the homes and families of the masters who were fighting with the army that barred their way to freedom. If “Uncle Tom’s Cabin” had portrayed the rule of slavery rather than the rarest exception, not all the armies that went to the field could have stayed the flood of rapine and arson and pillage that would have started with the first gun of the civil war. Instead of that, witness the miracle of the slave in loyalty to his master, closing the fetters upon his own limbs—maintaining and defending the families of those who fought against his freedom—and at night on the far-off battle-field searching among the carnage for his young master, that he might lift the dying head to his breast and bend to catch the last words to the old folks at home, so wrestling the meantime in agony and love that he would lay down his life in his master’s stead.
History has no parallel to the faith kept by the negro in the South during the war. Often five hundred negroes to a single white man, and yet through these dusky throngs the women and children walked in safety, and the unprotected homes rested in peace. Unmarshalled, the black battalions moved patiently to the fields in the morning to feed the armies their idleness would have starved, and at night gathered anxiously at the “big house to hear the news from marster,” though conscious that his victory made their chains enduring. Everywhere humble and kindly. The body-guard of the helpless. The rough companion of the little ones. The observant friend. The silent sentry in his lowly cabin. The shrewd counsellor. And when the dead came home, a mourner at the open grave. A thousand torches would have disbanded every Southern army, but not one was lighted. When the master, going to a war in which slavery was involved, said to his slave, “I leave my home and loved ones in your charge,” the tenderness between man and master stood disclosed.
The Northern man, dealing with casual servants, querulous, sensitive, and lodged for a day in a sphere they resent, can hardly comprehend the friendliness and sympathy that existed between the master and the slave. He cannot understand how the negro stood in slavery days, open-hearted and sympathetic, full of gossip and comradeship, the companion of the hunt, frolic, furrow, and home, contented in the kindly dependence that had been a habit of his blood, and never lifting his eyes beyond the narrow horizon that shut him in with his neighbors and friends. But this relation did exist in the days of slavery. It was the rule of that régime. It has survived war, and strife, and political campaigns in which the drum-beat inspired and Federal bayonets fortified. It will never die until the last slaveholder and slave has been gathered to rest. It is the glory of our past in the South. It is the answer to abuse and slander. It is the hope of our future.
Ante-bellum Civilization.—The relations of the races in slavery must be clearly understood to understand what has followed, and to judge of what is yet to come. Not less important is it to have some clear idea of the civilization of that period.
That was a peculiar society. Almost feudal in its splendor, it was almost patriarchal in its simplicity. Leisure and wealth gave it exquisite culture. Its wives and mothers, exempt from drudgery, and almost from care, gave to their sons, through patient and constant training, something of their own grace and gentleness and to their homes beauty and light. Its people, homogeneous by necessity, held straight and simple faith, and were religious to a marked degree along the old lines of Christian belief. This same homogeneity bred a hospitality that was as kinsmen to kinsmen, and that wasted at the threshold of every home what the more frugal people of the North conserved and invested in public charities.
The code duello furnished the highest appeal in dispute. An affront to a lad was answered at the pistol’s mouth. The sense of quick responsibility tempered the tongues of even the most violent, and the newspapers of South Carolina for eight years, it is said, did not contain one abusive word. The ownership of slaves, even more than of realty, held families steadfast on their estates, and everywhere prevailed the sociability of established neighborhoods. Money counted least in making the social status, and constantly ambitious and brilliant youngsters from no estate married into the families of the planter princes. Meanwhile the one character utterly condemned and ostracized was the man who was mean to his slaves. Even the coward was pitied and might have been liked. For the cruel master there was no toleration.
The ante-bellum society had immense force. Working under the slavery which brought the suspicion or hostility of the world, and which practically beleaguered it within walls, it yet accomplished good things. For the first sixty-four years of the republic it furnished the president for fifty-two years. Its statesmen demanded the war of 1812, opened it with but five Northern senators supporting it, and its general, Jackson, won the decisive battle of New Orleans. It was a Southern statesman who added the Louisiana territory of more than 1,000,000 square miles to our domain. Under a Southern statesman Florida was acquired from Spain. Against the opposition of the free States, the Southern influence forced the war with Mexico, and annexed the superb empire of Texas, brought in New Mexico, and opened the gates of the republic to the Pacific. Scott and Taylor, the heroes of the Mexican war, were Southern men. In material, as in political affairs, the old South was masterful. The first important railroad operated in America traversed Carolina. The first steamer that crossed the ocean cleared from Savannah.
The first college established for girls was opened in Georgia. No naturalist has surpassed Audubon; no geographer equalled Maury; and Sims and McDonald led the world of surgery in their respective lines. It was Crawford Long, of Georgia, who gave to the world the priceless blessing of anæsthesia.
The wealth accumulated by the people was marvellous. And, though it is held that slavery enriched the few at the general expense, Georgia and Carolina were the richest States, per capita, in the Union in 1800, saving Rhode Island. Some idea of the desolation of the war may be had from the fact that, in spite of their late remarkable recuperation, they are now, excepting Idaho, the poorest States, per capita, in the Union. So rich was the South in 1860, that Mr. Lincoln spoke but common sentiment when he said: “If we let the South go, where shall we get our revenues?”
In its engaging grace—in the chivalry that tempered even Quixotism with dignity—in the piety that saved master and slave alike—in the charity that boasted not—in the honor held above estate—in the hospitality that neither condescended nor cringed—in frankness and heartiness and wholesome comradeship—in the reverence paid to womanhood and the inviolable respect in which woman’s name was held—the civilization of the old slave régime in the South has not been surpassed, and perhaps will not be equalled, among men.
And as the fidelity of the slave during the war bespoke the kindness of the master before the war, so the unquestioning reverence with which the young men of the South accepted, in 1865, their heritage of poverty and defeat, proved the strength and excellence of the civilization from which that heritage had come. In cheerfulness they bestirred themselves amid the ashes and the wrecks, and, holding the inspiration of their past to be better than their rich acres and garnered wealth, went out to rebuild their fallen fortunes, with never a word of complaint, nor the thought of criticism!
[45] By permission of “New York Ledger,” Robert Bonner’s Sons, N. Y.
1853= ——.
Thomas Nelson Page was born at “Oakland,” Hanover County, Virginia, of distinguished ancestry. He was educated at Washington and Lee University, studied law, and settled in Richmond. His first writings were poems and stories in the Virginia negro dialect, some of them in connection with Armistead Churchill Gordon. He is now (1894) editor of “The Drawer” in Harper’s Monthly, and stands high as one of the younger writers of our country.
In Ole Virginia, [stories in negro dialect].
Two Little Confederates.
Elsket, and other Stories.
Essays on the South, its literature, the Negro question, &c., in magazines.
Befo’ de Wa’, (with A. C. Gordon).
On New Found River.
Pastime Stories, [written for “The Drawer”].
Among the Camps, [stories].
Agricultural and Mechanical College of Mississippi.
Mr. Page delineates finely the old Virginia darkey and his dialect, as Mr. Harris does the darkey of the Carolinas and Georgia. There is a marked difference between them.
“The naturalness of his style, the skill with which he uses seemingly indifferent incidents and sayings to trick out and light up his pictures, the apparently unintentional and therefore most effective touches of pathos, are uncommon.”
(From Marse Chan: In Ole Virginia.[46])
“Well, jes’ den dey blowed boots an’ saddles, an’ we mounted: an’ de orders come to ride ’roun’ de slope, an’ Marse Chan’s comp’ny wuz de secon’, an’ when we got ’roun’ dyah, we wuz right in it. Hit wuz de wust place ever dis nigger got in. An’ dey said, ‘Charge ’em!’ an’ my king! ef ever you see bullets fly, dey did dat day. Hit wuz jes’ like hail; an’ we wen’ down de slope (I ’long wid de res’) an’ up de hill right to’ds de cannons, an’ de fire wuz so strong dyar (dey had a whole rigiment of infintrys layin’ down dyar onder de cannons) our lines sort o’ broke an’ stop; de cun’l was kilt, an’ I b’lieve dey wuz jes’ ’bout to bre’k all to pieces, when Marse Chan rid up an’ cotch hol’ de fleg, an’ hollers, ‘Foller me!’ and rid strainin’ up de hill ’mong de cannons.
“I seen ’im when he went, de sorrel four good lengths ahead o’ ev’ry urr hoss, jes’ like he use’ to be in a fox-hunt, an’ de whole rigiment right arfter ’im. Yo’ ain’ nuvver hear thunder! Fust thing I knowed, de roan roll’ head over heels an’ flung me up ’g’inst de bank, like yo’ chuck a nubbin over ’g’inst de foot o’ de corn pile. An’ dat’s what kep’ me from bein’ kilt, I ’spects. Judy she say she think ’twuz Providence, but I think ’twuz de bank. O’ c’ose, Providence put de bank dyah, but how come Providence nuver saved Marse Chan?
“When I look ’roun’ de roan wuz lyin’ dyah by me, stone dead, wid a cannon-ball gone ’mos’ th’oo him, an’ our men had done swep’ dem on t’urr side from de top o’ de hill. ’Twan’ mo’n a minit, de sorrel come gallupin’ back wid his mane flyin’, an’ de rein hangin’ down on one side to his knee. ‘Dyar!’ says I, ‘fo’ God! I ’spects dey done kill Marse Chan, an’ I promised to tek care on him.’
“I jumped up an’ run over de bank, an’ dyar, wid a whole lot o’ dead men, an’ some not dead yit, onder one o’ de guns, wid de fleg still in he han’, an’ a bullet right th’oo he body, lay Marse Chan. I tu’n him over an’ call him, ‘Marse Chan!’ but ’twan’ no use, he wuz done gone home, sho’ ’nuff. I pick ’im up in my arms wid de fleg still in he han’s, an’ toted’ im back jes’ like I did dat day when he wus a baby, an’ ole marster gin ’im to me in my arms, an’ sez he could trus’ me, an’ tell me to tek keer on ’im long ez he lived.
“I kyar’d ’im ’way off de battle-fiel’ out de way o’ de balls, an’ I laid ’im down onder a big tree till I could git somebody to ketch the sorrel for me. He wuz cotched arfter a while, an’ I hed some money, so I got some pine plank an’ made a coffin dat evenin’, an’ wrapt Marse Chan’s body up in de fleg, and put ’im in de coffin; but I didn’ nail de top on strong, ’cause I knowed ole missis wan’ see ’im; an’ I got a’ ambulance, an’ set out for home dat night. We reached dyar de nex’ evenin’, arfter travellin’ all dat night an’ all nex’ day.”
[46] By permission of author, and publishers, Charles Scribner’s Sons, N. Y.
“CHARLES EGBERT CRADDOCK.”
Miss Murfree was born at “Grantlands,” near Murfreesboro, Tennessee, the family home inherited from her great-grandfather, Colonel Hardy Murfree, for whom the town was named. Her youth was spent here and in Nashville, the summers being passed in the Tennessee Mountains: shortly after the Civil War, her father removed to St. Louis, and it was there that she began to write.
Her stories are laid mainly in the mountains of Tennessee and describe vividly and truly the people, life, and exquisite scenery of that region.
In the Tennessee Mountains, [short stories].
Down the Ravine.
In the Clouds.
Despot of Broomsedge Cove.
Phantoms of the Foot-Bridge.
Where the Battle Was Fought.
Prophet of the Great Smoky Mountains.
Story of Keedon Bluffs.
In the “Stranger People’s” Country.
(From In the Tennessee Mountains.[47])
A Summer and Winter View of the University of Tennessee, Knoxville, Tenn.
June had crossed the borders of Tennessee. Even on the summit of Chilhowee Mountain the apples in Peter Giles’ orchard were beginning to redden, and his Indian corn, planted on so steep a declivity that the stalks seemed to have much ado to keep their footing, was crested with tassels and plumed with silk. Among the dense forests, seen by no man’s eye, the elder was flying its creamy banners in honor of June’s coming, and, heard by no man’s ear, the pink and white bells of the azalea rang out melodies of welcome. . . . . . . .
Then the two men tilted their chairs against the little porch in front of Peter Giles’ log cabin, and puffed their pipes in silence. The panorama spread out before them showed misty and dreamy among the delicate spiral wreaths of smoke. But was that gossamer-like illusion, lying upon the far horizon, the magic of nicotian, or the vague presence of distant heights? As ridge after ridge came down from the sky in ever-graduating shades of intenser blue, Peter Giles might have told you that this parallel system of enchantment was only “the mountings”; that here was Foxy, and there was Big Injun, and still beyond was another, which he had “hearn tell ran spang up into Virginny.” The sky that bent to clasp this kindred blue was of varying moods. Floods of sunshine submerged Chilhowee in liquid gold, and revealed that dainty outline limned upon the northern horizon; but over the Great Smoky mountains, clouds had gathered and a gigantic rainbow bridged the valley. . . . . . . . . Simon Burney did not speak for a moment. . . . “That’s a likely gal o’ yourn,” he drawled, with an odd constraint in his voice,—“a likely gal, that Clarsie.” . . .
“Yes,” Peter Giles at length replied, “Clarsie air a likely enough gal. But she air mightily sot ter havin’ her own way. An’ ef ’t ain’t give to her peaceable-like, she jes’ takes it, whether or no.”
This statement, made by one presumably informed on the subject, might have damped the ardor of many a suitor,—for the monstrous truth was dawning on Peter Giles’s mind that suitor was the position to which this slow elderly widower aspired. But Simon Burney, with that odd, all-pervading constraint still prominently apparent, mildly observed, “Waal, ez much ez I hev seen of her goin’s-on, it ’pears ter me az her way air a mighty good way. An’ it ain’t comical that she likes it.” . . . . . . . The song grew momentarily more distinct: among the leaves there were fugitive glimpses of blue and white, and at last Clarsie appeared, walking lightly along the log, clad in her checked homespun dress, and with a pail upon her head.
She was a tall lithe girl, with that delicately transparent complexion often seen among the women of these mountains. Her lustreless black hair lay along her forehead without a ripple or a wave; there was something in the expression of her large eyes that suggested those of a deer,—something free, untamable, and yet gentle. “’Tain’t no wonder ter me ez Clarsie is all tuk up with the wild things, an’ critters ginerally,” her mother was wont to say; “she sorter looks like ’em, I’m a-thinkin’.”
As she came in sight there was a renewal of that odd constraint in Simon Burney’s face and manner, and he rose abruptly. “Waal,” he said, hastily, going to his horse, a raw-boned sorrel, hitched to the fence, “it’s about time I war a-startin’ home, I reckons.”
He nodded to his host, who silently nodded in return, and the old horse jogged off with him down the road, as Clarsie entered the house and placed the pail upon a shelf.
. . . . . . . . .
The breeze freshened, after the sun went down, . . . there were stars in the night besides those known to astronomers; the stellular fire-flies gemmed the black shadows with a fluctuating brilliancy; they circled in and out of the porch, and touched the leaves above Clarsie’s head with quivering points of light. A steadier and an intenser gleam was advancing along the road, and the sound of languid footsteps came with it; the aroma of tobacco graced the atmosphere, and a tall figure walked up to the gate.
“Come in, come in,” said Peter Giles, rising, and tendering the guest a chair. “Ye air Tom Pratt, ez well ez I kin make out by this light. Waal, Tom, we hain’t furgot ye sence ye done been hyar.”
. . . . . . . .
The young man took leave presently, in great depression of spirits. . . . Clarsie ascended the ladder to a nook in the roof which she called her room.
For the first time in her life her slumber was fitful and restless, long intervals of wakefulness alternating with snatches of fantastic dreams. . . . And then her mind reverted to Tom Pratt, to old Simon Burney, and to her mother’s emphatic and oracular declaration that widowers are in league with Satan, and that the girls upon whom they cast the eye of supernatural fascination have no choice in the matter. “I wish I knowed ef that thar sayin’ war true,” she murmured, her face still turned to the western spurs, and the moon sinking slowly toward them.
With a sudden resolution she rose to her feet. She knew a way of telling fortunes which was, according to tradition, infallible, and she determined to try it, and ease her mind as to her future. Now was the propitious moment. “I hev always hearn that it won’t come true ’thout ye try it jes’ before daybreak, an’ kneelin’ down at the forks of the road.” She hesitated a moment and listened intently. “They’d never git done a-laffin’ at me, ef they fund it out,” she thought. . . . [She went out into the road.] She fixed her eyes upon the mystic sphere dropping down the sky, knelt among the azaleas at the forks of the road, and repeated the time-honored invocation: “Ef I’m a-goin’ ter marry a young man, whistle, Bird, whistle. Ef I’m a-goin’ ter marry an old man, low, Cow, low. Ef I ain’t a-goin’ ter marry nobody, knock, Death, knock.”
There was a prolonged silence in the matutinal freshness and perfume of the woods. She raised her head, and listened attentively. No chirp of half-awakened bird, no tapping of wood-pecker or the mysterious death-watch; but from far along the dewy aisles of the forest, the ungrateful Spot that Clarsie had fed more faithfully than herself, lifted up her voice, and set the echoes vibrating. Clarsie, however, had hardly time for a pang of disappointment.
While she still knelt among the azaleas, her large deer-like eyes were suddenly dilated with terror. From around the curve of the road came the quick beat of hastening footsteps, the sobbing sound of panting breath, and between her and the sinking moon there passed an attenuated one-armed figure, with a pallid sharpened face, outlined for a moment on its brilliant disk, and dreadful starting eyes, and quivering open mouth. It disappeared in an instant among the shadows of the laurel, and Clarsie, with a horrible fear clutching at her heart, sprang to her feet. . . . the ghost stood before her. She could not nerve herself to run past him, and he was directly in her way homeward.
. . . . . . . . .
“Ye do ez ye air bid, or it’ll be the worse for ye,” said the “harnt” in a quivering shrill tone. “Thar’s hunger in the nex’ worl’ ez well ez in this, an’ ye bring me some vittles hyar this time ter-morrer, an’ don’t ye tell nobody ye hev seen me, nuther, or it’ll be the worse for ye.” . . .
The next morning, before the moon sank, Clarsie, with a tin pail in her hand, went to meet the ghost at the appointed place. . . . . . Morning was close at hand. . . . . . the leaves fell into abrupt commotion, and he was standing in the road, beside her. He did not speak, but watched her with an eager, questioning intentness, as she placed the contents of the pail upon the moss at the roadside. “I’m a-comin’ agin ter-morrer,” she said, gently. . . . Then she slowly walked along her misty way in the dim light of the coming dawn. There was a footstep in the road behind her; she thought it was the ghost once more. She turned, and met Simon Burney, face to face. His rod was on his shoulder, and a string of fish was in his hand.
“Ye air a-doin’ wrongful, Clarsie,” he said sternly. “It air agin the law fur folks ter feed an’ shelter them ez is a-runnin’ from jestice. An’ ye’ll git yerself inter trouble. Other folks will find ye out, besides me, an’ then the sheriff ’ll be up hyar arter ye.”
The tears rose to Clarsie’s eyes. This prospect was infinitely more terrifying than the awful doom which follows the horror of a ghost’s speech. “I can’t help it,” she said, however, doggedly swinging the pail back and forth. “I can’t gin my consent ter starvin’ of folks, even if they air a-hidin’ an’ a-runnin’ from jestice.” . . . .
[47] By permission of Houghton, Mifflin, and Company, Boston.
1859= ——.
Mrs. Dandridge was born in Copenhagen, when her father, Honorable Henry Bedinger, was minister to Denmark. In 1877 she was married to Mr. Stephen Dandridge of Shepherdstown, West Virginia. Her first name, Danske, is the pretty Danish word for Dane, and is pronounced in two syllables.
Joy, and other Poems.
Mrs. Dandridge’s poems are as dainty and airy as if the elves themselves had led her to their bowers and discovered to her their secrets; and this is truly what her poetic sense has done, for the poet is a seer and singer of the secrets of nature.
(From Joy, and other Poems.[48])
[48] By permission of the author, and publishers. G. P. Putnam’s Sons, N. Y.
1863= ——.
Mrs. Chanler, or Amélie Rives as she still styles herself in writing, was born in Richmond, Virginia, but passed her early life at the family place in Albemarle County, called “Castle Hill.” She is a granddaughter of William Cabell Rives, once minister to France and author of “Life of Madison”; and her grandmother, Mrs. Judith Walker Rives, was a woman of much ability, and left some writings entitled “Home and the World,” and “Residence in Europe.”
She was married in 1888 to Mr. John Armstrong Chanler of New York and has since spent much time in Paris, studying painting for which she has as great fondness as for writing.
Her first stories were written in the style of the time of Shakspere; the best of them is “Farrier Lass o’ Piping Pebworth.” They created a sensation as they came out and were said to be the work of a girl under twenty. She has also written stories of Virginia life and of modern times; besides poems, and dramas, in which last her talents seem to reach a higher plane than in any other kind of writing.
A Brother to Dragons.
Farrier Lass o’ Piping Pebworth.
Virginia of Virginia.
The Quick or the Dead?
According to St. John.
Athelwold, [drama].
Barbara Dering, [sequel to The Quick or the Dead?]
Nurse Crumpet Tells the Story.
Story of Arnon.
Inja.
Witness of the Sun.
Herod and Mariamne, [drama].
Poems, [scattered in magazines].
Tanis, the Sang-Digger.
(From Tanis, the Sang-Digger.[49])
Gilman was driving along one of the well-kept turnpikes that wind about the Warm Springs Valley. He recognized the austere and solemn beauty that hemmed him in from the far-off outer world; but at the same time he was contrasting it with the sea-coast of his native State, Massachusetts, and a certain creeping homesickness began to rise about his heart.
Model School, Peabody Normal College.
In addition to this, he had left his delicate wife suffering with an acute neuralgic headache, and also saddened by a yearning for the picturesque old farm-house in which he had been born, and where they had lived during the first year of marriage. The trap which Gilman drove was filled with surveying instruments, and, as he turned into the rough mountain road, which led towards the site of the new railway for which he was now prospecting, the smaller ones began to rattle together and slide from the seat beside him. Finally, as the cart slipped against a stone, the level bounced into a puddle. He was about to jump out when a bold, ringing voice called to him:
“Set still—A’ll pick hit up.”
Then a figure slid down the rocky bank at his right, her one garment wrinkling from her bare, sturdy legs during the performance.
Gilman had never seen anything like her in his thirty years of varied experience.
She was very tall. A curtain of rough, glittering curls hung to her knees. Her face, clear with that clearness which only a mountain wind can bring, was white as a seagull’s breast, except where a dark, yet vivid pink melted into the blue veins on her temples and throat. Her round, fresh lips, smooth as a peony-leaf, were parted in a wide laugh, over teeth large and yellow-white, like the grains on an ear of corn. She wore a loose tunic of blue-gray stuff, which reached to the middle of her legs, covered with grass stains and patches of mould. Her bare feet, somewhat broadened by walking, were well-shaped, the great toe standing apart from the others, the strong, round ankles, although scratched and bruised, perfectly symmetrical. Her arms, bare almost to the shoulder, were like those with which in imagination we complete the Milo. Eyes, round and colored like the edges of broken glass, looked out boldly from under her long black eyebrows. Her nose was straight and well cut, but set impertinently.
As she picked up the muddy level she laughed boisterously and wiped it on her frock.
“Thank you,” said Gilman, and then, after a second’s hesitation, added: “Where are you going? Perhaps I can give you a lift on your way? Will you get in?”
“Well, a done keer ef a do,” she said, still staring at him.
She got in and took the level on her knee, then burst out laughing again—
“A reckon yuh wonders what a’m a haw-hawin’ at?” she asked, suddenly. “Well, a’ll tell yuh! ’Tiz case a feels jess like this hyuh contrapshun o’ yourn. A haint hed a bite sence five this mawnin’, and a’ve got a bubble in th’ middle o’ me, a ken tell yuh!”
She opened her flexible mouth almost to her ears, showing both rows of speckless teeth, and roaring mirthfully again.
“I’ve got some sandwiches, here—won’t you have one?” said Gilman.
“Dunno—what be they?” she asked, rather suspiciously, eyeing him sidewise.
He explained to her, and she accepted one, tearing from it a huge semi-circle, which she held in her cheek while exclaiming:
“Murder! hain’t that good, though? D’yuh eat them things ev’y day? Yuh looks hit! You’re a real fine-lookin’ feller—mos’ ez good-lookin’ ez Bill.”
“Who is Bill?” asked Gilman, much interested in this, his first conversation with a genuine savage.
“Bill? he’s muh pard, an’ muh brother, too. I come down hyuh tuh git him a drink o’ water, but a hain’t foun’ a spring yit.”
“No, there isn’t one in several miles,” said Gilman.
“Hyuh!” she cried. “Lemme git out.” . . . And she was out, with the bound of a deer. “You g’long,” she said; “a’m sorry a rode this far wi’ you. You’ll larf ’bout muh bar foots, an’ this hyuh rag o’ mine, wi’ them po’ white trash an’ niggers. Whar you fum, anyhow? You hain’t a Fuginia feller. A kin tell by yo’ talk. You called roots ‘ruts’ jess now, an’ yuh said we’d ‘sun’ be whar them other fellers be. Whar you fum?”
“From Massachusetts,” said Gilman.
“S’that another langidge fuh some name a knows?”
“No—it’s the real name of another State.”
“Well, hit’s ’nuff tuh twis’ a body’s tongue, fuh life, so a done blame yuh s’much fuh yo’ funny talk. Mawnin’.” And she began to swing herself upon a great lichen-crested boulder by the roadside. . . . . .
Gilman was naturally curious as to the type of the young barbarian whom he had met on his drive to Black Creek, and, during a pause in his work, he told a young fellow named Watkins of his adventure, and asked him to what class the girl belonged.
“I reckon, sir, she was a sang-digger,” said Watkins, laughing. “They’re a awful wild lot, mostly bad as they make ’em, with no more idea of right an’ wrong than a lot o’ ground-horgs.”
“But what is a ‘sang-digger’?” asked Gilman, more and more curious.
“Well, sir, sang, or ginseng, ez the real name is, is a sorter root that grows thick in the mountains about here. They make some sorter medicine outer it. I’ve chawed it myself for heartburn. It’s right paying, too—sang-digging is, sir; you ken git at least a dollar a pound for it, an’ sometimes you ken dig ten pounds in a day, but that’s right seldom. Two or three pounds a day is doin’ well. They’re a awful low set, sir, sang-diggers is. We call ’em ‘snakes’ hereabouts, ’cause they don’t have no place to live cep’in’ in winter, and then they go off somewhere or ruther, to their huts. But in the summer and early autumn they stop where night ketches ’em, an’ light a fire an’ sleep ’round it. They cert’n’y are a bad lot, sir. They’ll steal a sheep or a horse ez quick ez winkin’. Why, t’want a year ago that they stole a mighty pretty mare o’ mine, that I set a heap by, an’ rid off her tail an’ mane a-tearin’ through the brush with her. She got loose somehow an’ come back to me. But they stole two horses for ole Mr. Hawkins, down near Fallin’ Springs, an’ he a’in’t been able to git ’em back. There’s awful murders an’ villainies done by ’em. But some o’ them sang-digger gals is awful pretty. . . . Yes, sir, I reckon she was a sang-digger, sure enough.”
[This wild creature of the woods was treated kindly by Gilman and his wife, and she finally sacrificed herself to save Mrs. Gilman.]