SONNET

(WITH A COPY OF Mademoiselle de Maupin)
This is the golden book of spirit and sense,
      The holy writ of beauty; he that wrought
      Made it with dreams and faultless words and thought
That seeks and finds and loses in the dense
Dim air of life that beauty's excellence
      Wherewith love makes one hour of life distraught
      And all hours after follow and find not aught.
Here is that height of all love's eminence
Where man may breathe but for a breathing‑space
      And feel his soul burn as an altar‑fire
      To the unknown God of unachieved desire,
And from the middle mystery of the place
      Watch lights that break, hear sounds as of a quire,
But see not twice unveiled the veiled God's face.


AGE AND SONG

(TO BARRY CORNWALL)
I
In vain men tell us time can alter
Old loves or make old memories falter,
   That with the old year the old year's life closes.
The old dew still falls on the old sweet flowers,
The old sun revives the new‑fledged hours,
   The old summer rears the new‑born roses.
II
Much more a Muse that bears upon her
Raiment and wreath and flower of honour,
   Gathered long since and long since woven,
Fades not or falls as fall the vernal
Blossoms that bear no fruit eternal,
   By summer or winter charred or cloven.
III
No time casts down, no time upraises,
Such loves, such memories, and such praises,
   As need no grace of sun or shower,
No saving screen from frost or thunder
To tend and house around and under
   The imperishable and fearless flower.
IV
Old thanks, old thoughts, old aspirations,
Outlive men's lives and lives of nations,
   Dead, but for one thing which survives—
The inalienable and unpriced treasure,
The old joy of power, the old pride of pleasure,
   That lives in light above men's lives.


IN MEMORY OF BARRY CORNWALL

(October 4, 1874)

I

In the garden of death, where the singers whose names are deathless
   One with another make music unheard of men,
Where the dead sweet roses fade not of lips long breathless,
   And the fair eyes shine that shall weep not or change again,
Who comes now crowned with the blossom of snow‑white years?
What music is this that the world of the dead men hears?

II

Beloved of men, whose words on our lips were honey,
   Whose name in our ears and our fathers' ears was sweet,
Like summer gone forth of the land his songs made sunny,
   To the beautiful veiled bright world where the glad ghosts meet,
Child, father, bridegroom and bride, and anguish and rest,
No soul shall pass of a singer than this more blest.

III

Blest for the years' sweet sake that were filled and brightened,
   As a forest with birds, with the fruit and the flower of his song;
For the souls' sake blest that heard, and their cares were lightened,
   For the hearts' sake blest that have fostered his name so long;
By the living and dead lips blest that have loved his name,
And clothed with their praise and crowned with their love for fame.

IV

Ah, fair and fragrant his fame as flowers that close not,
   That shrink not by day for heat or for cold by night,
As a thought in the heart shall increase when the heart's self knows not,
   Shall endure in our ears as a sound, in our eyes as a light;
Shall wax with the years that wane and the seasons' chime,
As a white rose thornless that grows in the garden of time.

V

The same year calls, and one goes hence with another,
   And men sit sad that were glad for their sweet songs' sake;
The same year beckons, and elder with younger brother
   Takes mutely the cup from his hand that we all shall take.1
They pass ere the leaves be past or the snows be come;
And the birds are loud, but the lips that outsang them dumb.

VI

Time takes them home that we loved, fair names and famous,
   To the soft long sleep, to the broad sweet bosom of death;
But the flower of their souls he shall take not away to shame us,
   Nor the lips lack song for ever that now lack breath.
For with us shall the music and perfume that die not dwell,
Though the dead to our dead bid welcome, and we farewell.
1 Sydney Dobell died August 22, 1874.


EPICEDE

(James Lorimer Graham died at Florence, April 30, 1876)
Life may give for love to death
   Little; what are life's gifts worth
   To the dead wrapt round with earth?
Yet from lips of living breath
   Sighs or words we are fain to give,
   All that yet, while yet we live,
Life may give for love to death.

Dead so long before his day,
   Passed out of the Italian sun
   To the dark where all is done,
Fallen upon the verge of May;
   Here at life's and April's end
   How should song salute my friend
Dead so long before his day?

Not a kindlier life or sweeter
   Time, that lights and quenches men,
   Now may quench or light again,
Mingling with the mystic metre
   Woven of all men's lives with his
   Not a clearer note than this,
Not a kindlier life or sweeter.

In this heavenliest part of earth
   He that living loved the light,
   Light and song, may rest aright,
One in death, if strange in birth,
   With the deathless dead that make
   Life the lovelier for their sake
In this heavenliest part of earth.

Light, and song, and sleep at last—
   Struggling hands and suppliant knees
   Get no goodlier gift than these.
Song that holds remembrance fast,
   Light that lightens death, attend
   Round their graves who have to friend
Light, and song, and sleep at last.


TO VICTOR HUGO

He had no children, who for love of men,
   Being God, endured of Gods such things as thou,
   Father; nor on his thunder‑beaten brow
Fell such a woe as bows thine head again,
Twice bowed before, though godlike, in man's ken,
   And seen too high for any stroke to bow
   Save this of some strange God's that bends it now
The third time with such weight as bruised it then.
Fain would grief speak, fain utter for love's sake
Some word; but comfort who might bid thee take?
   What God in your own tongue shall talk with thee,
Showing how all souls that look upon the sun
Shall be for thee one spirit and thy son,
   And thy soul's child the soul of man to be?

      January 3, 1876.


INFERIAE

Spring, and the light and sound of things on earth
Requickening, all within our green sea's girth;
A time of passage or a time of birth
   Fourscore years since as this year, first and last.

The sun is all about the world we see,
The breath and strength of very spring; and we
Live, love, and feed on our own hearts; but he
   Whose heart fed mine has passed into the past.

Past, all things born with sense and blood and breath;
The flesh hears nought that now the spirit saith.
If death be like as birth and birth as death,
   The first was fair—more fair should be the last.

Fourscore years since, and come but one month more
The count were perfect of his mortal score
Whose sail went seaward yesterday from shore
   To cross the last of many an unsailed sea.

Light, love and labour up to life's last height,
These three were stars unsetting in his sight;
Even as the sun is life and heat and light
   And sets not nor is dark when dark are we.

The life, the spirit, and the work were one
That here—ah, who shall say, that here are done?
Not I, that know not; father, not thy son,
   For all the darkness of the night and sea.

      March 5, 1877


A BIRTH‑SONG

(For Olivia Frances Madox Rossetti, born September 20, 1875)
      Out of the dark sweet sleep
      Where no dreams laugh or weep
            Borne through bright gates of birth
      Into the dim sweet light
      Where day still dreams of night
            While heaven takes form on earth,
White rose of spirit and flesh, red lily of love,
      What note of song have we
      Fit for the birds and thee,
Fair nestling couched beneath the mother‑dove?

      Nay, in some more divine
      Small speechless song of thine
            Some news too good for words,
      Heart‑hushed and smiling, we
      Might hope to have of thee,
            The youngest of God's birds,
If thy sweet sense might mix itself with ours,
      If ours might understand
      The language of thy land,
Ere thine become the tongue of mortal hours:

      Ere thy lips learn too soon
      Their soft first human tune,
            Sweet, but less sweet than now,
      And thy raised eyes to read
      Glad and good things indeed,
            But none so sweet as thou:
Ere thought lift up their flower‑soft lids to see
      What life and love on earth
      Bring thee for gifts at birth,
But none so good as thine who hast given us thee:

      Now, ere thy sense forget
      The heaven that fills it yet,
            Now, sleeping or awake,
      If thou couldst tell, or we
      Ask and be heard of thee,
            For love's undying sake,
From thy dumb lips divine and bright mute speech
      Such news might touch our ear
      That then would burn to hear
Too high a message now for man's to reach.

      Ere the gold hair of corn
      Had withered wast thou born,
            To make the good time glad;
      The time that but last year
      Fell colder than a tear
            On hearts and hopes turned sad,
High hopes and hearts requickening in thy dawn,
      Even theirs whose life‑springs, child,
      Filled thine with life and smiled,
But then wept blood for half their own withdrawn.1

      If death and birth be one,
      And set with rise of sun,
            And truth with dreams divine,
      Some word might come with thee
      From over the still sea
            Deep hid in shade or shine,
Crossed by the crossing sails of death and birth,
      Word of some sweet new thing
      Fit for such lips to bring,
Some word of love, some afterthought of earth.

      If love be strong as death,
      By what so natural breath
            As thine could this be said?
      By what so lovely way
      Could love send word to say
            He lives and is not dead?
Such word alone were fit for only thee,
      If his and thine have met
      Where spirits rise and set,
His whom we see not, thine whom scarce we see:

      His there new‑born, as thou
      New‑born among us now;
            His, here so fruitful‑souled,
      Now veiled and silent here,
      Now dumb as thou last year,
            A ghost of one year old:
If lights that change their sphere in changing meet,
      Some ray might his not give
      To thine who wast to live,
And make thy present with his past life sweet?

      Let dreams that laugh or weep,
      All glad and sad dreams, sleep;
            Truth more than dreams is dear.
      Let thoughts that change and fly,
      Sweet thoughts and swift, go by;
            More than all thought is here.
More than all hope can forge or memory feign
      The life that in our eyes,
      Made out of love's life, lies,
And flower‑like fed with love for sun and rain.

      Twice royal in its root
      The sweet small olive‑shoot
            Here set in sacred earth;
      Twice dowered with glorious grace
      From either heaven‑born race
            First blended in its birth;
Fair God or Genius of so fair an hour,
      For love of either name
      Twice crowned, with love and fame,
Guard and be gracious to the fair‑named flower.

   October 19, 1875.

1 Oliver Madox Brown died November 5, 1874, in his twentieth year.


EX‑VOTO

When their last hour shall rise
Pale on these mortal eyes,
Herself like one that dies,
   And kiss me dying
The cold last kiss, and fold
Close round my limbs her cold
Soft shade as raiment rolled
   And leave them lying,

If aught my soul would say
Might move to hear me pray
The birth‑god of my day
   That he might hearken,
This grace my heart should crave,
To find no landward grave
That worldly springs make brave,
   World's winters darken,

Nor grow through gradual hours
The cold blind seed of flowers
Made by new beams and showers
   From limbs that moulder,
Nor take my part with earth,
But find for death's new birth
A bed of larger girth,
   More chaste and colder.

Not earth's for spring and fall,
Not earth's at heart, not all
Earth's making, though men call
   Earth only mother,
Not hers at heart she bare
Me, but thy child, O fair
Sea, and thy brother's care,
   The wind thy brother.

Yours was I born, and ye,
The sea‑wind and the sea,
Made all my soul in me
   A song for ever,
A harp to string and smite
For love's sake of the bright
Wind and the sea's delight,
   To fail them never:

Not while on this side death
I hear what either saith
And drink of either's breath
   With heart's thanksgiving
That in my veins like wine
Some sharp salt blood of thine,
Some springtide pulse of brine,
   Yet leaps up living.

When thy salt lips wellnigh
Sucked in my mouth's last sigh,
Grudged I so much to die
   This death as others?
Was it no ease to think
The chalice from whose brink
Fate gave me death to drink
   Was thine—my mother's?

Thee too, the all‑fostering earth,
Fair as thy fairest birth,
More than thy worthiest worth,
   We call, we know thee,
More sweet and just and dread
Than live men highest of head
Or even thy holiest dead
   Laid low below thee.

The sunbeam on the sheaf,
The dewfall on the leaf,
All joy, all grace, all grief,
   Are thine for giving;
Of thee our loves are born,
Our lives and loves, that mourn
And triumph; tares with corn,
   Dead seed with living:

All good and ill things done
In eyeshot of the sun
At last in thee made one
   Rest well contented;
All words of all man's breath
And works he doth or saith,
All wholly done to death,
   None long lamented.

A slave to sons of thee,
Thou, seeming, yet art free;
But who shall make the sea
   Serve even in seeming?
What plough shall bid it bear
Seed to the sun and the air,
Fruit for thy strong sons' fare,
   Fresh wine's foam streaming?

What oldworld son of thine,
Made drunk with death as wine,
Hath drunk the bright sea's brine
   With lips of laughter?
Thy blood they drink; but he
Who hath drunken of the sea
Once deeplier than of thee
   Shall drink not after.

Of thee thy sons of men
Drink deep, and thirst again;
For wine in feasts, and then
   In fields for slaughter;
But thirst shall touch not him
Who hath felt with sense grown dim
Rise, covering lip and limb,
   The wan sea's water.

All fire of thirst that aches
The salt sea cools and slakes
More than all springs or lakes,
   Freshets or shallows;
Wells where no beam can burn
Through frondage of the fern
That hides from hart and hern
   The haunt it hallows.

Peace with all graves on earth
For death or sleep or birth
Be alway, one in worth
   One with another;
But when my time shall be,
O mother, O my sea,
Alive or dead, take me,
   Me too, my mother.


A BALLAD OF DREAMLAND

I hid my heart in a nest of roses,
   Out of the sun's way, hidden apart;
In a softer bed than the soft white snow's is,
   Under the roses I hid my heart.
   Why would it sleep not? why should it start,
When never a leaf of the rose‑tree stirred?
   What made sleep flutter his wings and part?
Only the song of a secret bird.

Lie still, I said, for the wind's wing closes,
   And mild leaves muffle the keen sun's dart;
Lie still, for the wind on the warm sea dozes,
   And the wind is unquieter yet than thou art.
   Does a thought in thee still as a thorn's wound smart?
Does the fang still fret thee of hope deferred?
   What bids the lids of thy sleep dispart?
Only the song of a secret bird.

The green land's name that a charm encloses,
   It never was writ in the traveller's chart,
And sweet on its trees as the fruit that grows is,
   It never was sold in the merchant's mart.
   The swallows of dreams through its dim fields dart,
And sleep's are the tunes in its tree‑tops heard;
   No hound's note wakens the wildwood hart,
Only the song of a secret bird.

ENVOI

In the world of dreams I have chosen my part,
   To sleep for a season and hear no word
Of true love's truth or of light love's art,
   Only the song of a secret bird.


CYRIL TOURNEUR

A sea that heaves with horror of the night,
      As maddened by the moon that hangs aghast
      With strain and torment of the ravening blast,
Haggard as hell, a bleak blind bloody light;
No shore but one red reef of rock in sight,
      Whereon the waifs of many a wreck were cast
      And shattered in the fierce nights overpast
Wherein more souls toward hell than heaven took flight;
And 'twixt the shark‑toothed rocks and swallowing shoals
A cry as out of hell from all these souls
      Sent through the sheer gorge of the slaughtering sea,
Whose thousand throats, full‑fed with life by death,
Fill the black air with foam and furious breath;
      And over all these one star—Chastity.


A BALLAD OF FRANÇOIS VILLON

PRINCE OF ALL BALLAD‑MAKERS

Bird of the bitter bright grey golden morn
   Scarce risen upon the dusk of dolorous years,
First of us all and sweetest singer born
   Whose far shrill note the world of new men hears
   Cleave the cold shuddering shade as twilight clears;
When song new‑born put off the old world's attire
And felt its tune on her changed lips expire,
   Writ foremost on the roll of them that came
Fresh girt for service of the latter lyre,
   Villon, our sad bad glad mad brother's name!

Alas the joy, the sorrow, and the scorn,
   That clothed thy life with hopes and sins and fears,
And gave thee stones for bread and tares for corn
   And plume‑plucked gaol‑birds for thy starveling peers
   Till death clipt close their flight with shameful shears;
Till shifts came short and loves were hard to hire,
When lilt of song nor twitch of twangling wire
   Could buy thee bread or kisses; when light fame
Spurned like a ball and haled through brake and briar,
   Villon, our sad bad glad mad brother's name!

Poor splendid wings so frayed and soiled and torn!
   Poor kind wild eyes so dashed with light quick tears!
Poor perfect voice, most blithe when most forlorn,
   That rings athwart the sea whence no man steers
   Like joy‑bells crossed with death‑bells in our ears!
What far delight has cooled the fierce desire
That like some ravenous bird was strong to tire
   On that frail flesh and soul consumed with flame,
But left more sweet than roses to respire,
   Villon, our sad bad glad mad brother's name?

ENVOI

Prince of sweet songs made out of tears and fire,
A harlot was thy nurse, a God thy sire;
   Shame soiled thy song, and song assoiled thy shame.
But from thy feet now death has washed the mire,
Love reads out first at head of all our quire,
   Villon, our sad bad glad mad brother's name.


PASTICHE

Now the days are all gone over
Of our singing, love by lover,
Days of summer‑coloured seas
Blown adrift through beam and breeze.

Now the nights are all past over
Of our dreaming, dreams that hover
In a mist of fair false things,
Nights afloat on wide wan wings.

Now the loves with faith for mother,
Now the fears with hope for brother,
Scarce are with us as strange words,
Notes from songs of last year's birds.

Now all good that comes or goes is
As the smell of last year's roses,
As the radiance in our eyes
Shot from summer's ere he dies.

Now the morning faintlier risen
Seems no God come forth of prison,
But a bird of plume‑plucked wing,
Pale with thoughts of evening.

Now hath hope, outraced in running,
Given the torch up of his cunning
And the palm he thought to wear
Even to his own strong child—despair.


BEFORE SUNSET

In the lower lands of day
   On the hither side of night,
There is nothing that will stay,
   There are all things soft to sight;
   Lighted shade and shadowy light
In the wayside and the way,
   Hours the sun has spared to smite,
Flowers the rain has left to play.

Shall these hours run down and say
   No good thing of thee and me?
Time that made us and will slay
   Laughs at love in me and thee;
   But if here the flowers may see
One whole hour of amorous breath,
   Time shall die, and love shall be
Lord as time was over death.


SONG

Love laid his sleepless head
On a thorny rosy bed;
And his eyes with tears were red,
And pale his lips as the dead.

And fear and sorrow and scorn
Kept watch by his head forlorn,
Till the night was overworn
And the world was merry with morn.

And Joy came up with the day
And kissed Love's lips as he lay,
And the watchers ghostly and grey
Sped from his pillow away.

And his eyes as the dawn grew bright,
And his lips waxed ruddy as light:
Sorrow may reign for a night,
But day shall bring back delight.


A VISION OF SPRING IN WINTER

I

O tender time that love thinks long to see,
   Sweet foot of spring that with her footfall sows
   Late snowlike flowery leavings of the snows,
Be not too long irresolute to be;
O mother‑month, where have they hidden thee?
   Out of the pale time of the flowerless rose
I reach my heart out toward the springtime lands,
   I stretch my spirit forth to the fair hours,
            The purplest of the prime;
I lean my soul down over them, with hands
   Made wide to take the ghostly growths of flowers;
            I send my love back to the lovely time.

II

Where has the greenwood hid thy gracious head?
   Veiled with what visions while the grey world grieves,
   Or muffled with what shadows of green leaves,
What warm intangible green shadows spread
To sweeten the sweet twilight for thy bed?
   What sleep enchants thee? what delight deceives?
Where the deep dreamlike dew before the dawn
   Feels not the fingers of the sunlight yet
            Its silver web unweave,
Thy footless ghost on some unfooted lawn
   Whose air the unrisen sunbeams fear to fret
            Lives a ghost's life of daylong dawn and eve.

III

Sunrise it sees not, neither set of star,
   Large nightfall, nor imperial plenilune,
   Nor strong sweet shape of the full‑breasted noon;
But where the silver‑sandalled shadows are,
Too soft for arrows of the sun to mar,
   Moves with the mild gait of an ungrown moon:
Hard overhead the half‑lit crescent swims,
   The tender‑coloured night draws hardly breath,
            The light is listening;
They watch the dawn of slender‑shapen limbs,
   Virginal, born again of doubtful death,
            Chill foster‑father of the weanling spring.

IV

As sweet desire of day before the day,
   As dreams of love before the true love born,
   From the outer edge of winter overworn
The ghost arisen of May before the May
Takes through dim air her unawakened way,
   The gracious ghost of morning risen ere morn.
With little unblown breasts and child‑eyed looks
   Following, the very maid, the girl‑child spring,
            Lifts windward her bright brows,
Dips her light feet in warm and moving brooks,
   And kindles with her own mouth's colouring
            The fearful firstlings of the plumeless boughs.

V

I seek thee sleeping, and awhile I see,
   Fair face that art not, how thy maiden breath
   Shall put at last the deadly days to death
And fill the fields and fire the woods with thee
And seaward hollows where my feet would be
   When heaven shall hear the word that April saith
To change the cold heart of the weary time,
   To stir and soften all the time to tears,
            Tears joyfuller than mirth;
As even to May's clear height the young days climb
   With feet not swifter than those fair first years
            Whose flowers revive not with thy flowers on earth.

VI

I would not bid thee, though I might, give back
   One good thing youth has given and borne away;
I crave not any comfort of the day
That is not, nor on time's retrodden track
Would turn to meet the white‑robed hours or black
   That long since left me on their mortal way;
Nor light nor love that has been, nor the breath
   That comes with morning from the sun to be
            And sets light hope on fire;
No fruit, no flower thought once too fair for death,
   No flower nor hour once fallen from life's green tree,
            No leaf once plucked or once fulfilled desire.

VII

The morning song beneath the stars that fled
   With twilight through the moonless mountain air,
   While youth with burning lips and wreathless hair
Sang toward the sun that was to crown his head,
Rising; the hopes that triumphed and fell dead,
   The sweet swift eyes and songs of hours that were;
These may'st thou not give back for ever; these,
   As at the sea's heart all her wrecks lie waste,
            Lie deeper than the sea;
But flowers thou may'st, and winds, and hours of ease,
   And all its April to the world thou may'st
            Give back, and half my April back to me.


CHORIAMBICS

Love, what ailed thee to leave life that was made
      lovely, we thought, with love?
What sweet visions of sleep lured thee away, down
      from the light above?

What strange faces of dreams, voices that called,
      hands that were raised to wave,
Lured or led thee, alas, out of the sun, down to the
      sunless grave?

Ah, thy luminous eyes! once was their light fed with
      the fire of day;
Now their shadowy lids cover them close, hush them
      and hide away.

Ah, thy snow-coloured hands! once were they chains,
      mighty to bind me fast;
Now no blood in them burns, mindless of love, senseless
      of passion past.

Ah, thy beautiful hair! so was it once braided for
      me, for me;
Now for death is it crowned, only for death, lover
      and lord of thee.

Sweet, the kisses of death set on thy lips, colder are
      they than mine;
Colder surely than past kisses that love poured for
      thy lips as wine.

Lov'st thou death? is his face fairer than love's,
      brighter to look upon?
Seest thou light in his eyes, light by which love's
      pales and is overshone?

Lo the roses of death, grey as the dust, chiller of leaf
      than snow!
Why let fall from thy hand love's that were thine,
      roses that loved thee so?

Large red lilies of love, sceptral and tall, lovely for
      eyes to see;
Thornless blossom of love, full of the sun, fruits that
      were reared for thee.

Now death's poppies alone circle thy hair, girdle thy
      breasts as white;
Bloodless blossoms of death, leaves that have sprung
      never against the light.

Nay then, sleep if thou wilt; love is content; what
      should he do to weep?
Sweet was love to thee once; now in thine eyes
      sweeter than love is sleep.


AT PARTING

For a day and a night Love sang to us, played with us,
   Folded us round from the dark and the light;
And our hearts were fulfilled of the music he made with us,
Made with our hearts and our lips while he stayed with us,
   Stayed in mid passage his pinions from flight
                  For a day and a night.

From his foes that kept watch with his wings had he hidden us,
   Covered us close from the eyes that would smite,
From the feet that had tracked and the tongues that had chidden us
Sheltering in shade of the myrtles forbidden us
   Spirit and flesh growing one with delight
                  For a day and a night.

But his wings will not rest and his feet will not stay for us:
   Morning is here in the joy of its might;
With his breath has he sweetened a night and a day for us;
Now let him pass, and the myrtles make way for us;
   Love can but last in us here at his height
                  For a day and a night.


A SONG IN SEASON

I
                  Thou whose beauty
                  Knows no duty
Due to love that moves thee never;
                  Thou whose mercies
                  Are men's curses,
And thy smile a scourge for ever;
II
                  Thou that givest
                  Death and livest
On the death of thy sweet giving;
                  Thou that sparest
                  Not nor carest
Though thy scorn leave no love living;
III
                  Thou whose rootless
                  Flower is fruitless
As the pride its heart encloses,
                  But thine eyes are
                  As May skies are,
And thy words like spoken roses;
IV
                  Thou whose grace is
                  In men's faces
Fierce and wayward as thy will is;
                  Thou whose peerless
                  Eyes are tearless,
And thy thoughts as cold sweet lilies;
V
                  Thou that takest
                  Hearts and makest
Wrecks of loves to strew behind thee,
                  Whom the swallow
                  Sure should follow,
Finding summer where we find thee;
VI
                  Thou that wakest
                  Hearts and breakest,
And thy broken hearts forgive thee,
                  That wilt make no
                  Pause and take no
Gift that love for love might give thee;
VII
                  Thou that bindest
                  Eyes and blindest,
Serving worst who served thee longest;
                  Thou that speakest,
                  And the weakest
Heart is his that was the strongest;
VIII
                  Take in season
                  Thought with reason;
Think what gifts are ours for giving;
                  Hear what beauty
                  Owes of duty
To the love that keeps it living.
IX
                  Dust that covers
                  Long dead lovers
Song blows off with breath that brightens;
                  At its flashes
                  Their white ashes
Burst in bloom that lives and lightens.
X
                  Had they bent not
                  Head or lent not
Ear to love and amorous duties,
                  Song had never
                  Saved for ever,
Love, the least of all their beauties.
XI
                  All the golden
                  Names of olden
Women yet by men's love cherished,
                  All our dearest
                  Thoughts hold nearest,
Had they loved not, all had perished.
XII
                  If no fruit is
                  Of thy beauties,
Tell me yet, since none may win them,
                  What and wherefore
                  Love should care for
Of all good things hidden in them?
XIII
                  Pain for profit
                  Comes but of it,
If the lips that lure their lover's
                  Hold no treasure
                  Past the measure
Of the lightest hour that hovers.
XIV
                  If they give not
                  Or forgive not
Gifts or thefts for grace or guerdon,
                  Love that misses
                  Fruit of kisses
Long will bear no thankless burden.
XV
                  If they care not
                  Though love were not,
If no breath of his burn through them,
                  Joy must borrow
                  Song from sorrow,
Fear teach hope the way to woo them.
XVI
                  Grief has measures
                  Soft as pleasure's,
Fear has moods that hope lies deep in,
                  Songs to sing him,
                  Dreams to bring him,
And a red‑rose bed to sleep in.
XVII
                  Hope with fearless
                  Looks and tearless
Lies and laughs too near the thunder;
                  Fear hath sweeter
                  Speech and meeter
For heart's love to hide him under.
XVIII
                  Joy by daytime
                  Fills his playtime
Full of songs loud mirth takes pride in;
                  Night and morrow
                  Weave round sorrow
Thoughts as soft as sleep to hide in.
XIX
                  Graceless faces,
                  Loveless graces,
Are but motes in light that quicken,
                  Sands that run down
                  Ere the sundown,
Roseleaves dead ere autumn sicken.
XX
                  Fair and fruitless
                  Charms are bootless
Spells to ward off age's peril;
                  Lips that give not
                  Love shall live not,
Eyes that meet not eyes are sterile.
XXI
                  But the beauty
                  Bound in duty
Fast to love that falls off never
                  Love shall cherish
                  Lest it perish,
And its root bears fruit for ever.


TWO LEADERS