Fig. No. 37, taken from Mr. Lundy's "Monumental Christianity," is evidently a representation of the Christian Saviour crucified in the heavens. Mr. Lundy calls it "Crucifixion in Space," and believes that it was intended for the Hindoo Saviour Crishna, who is also represented crucified in space (See Fig. No. 8, Ch. XX.). This (Fig. 37) is exactly in the form of a Romish crucifix, but not fixed to a piece of wood, though the legs and feet are put together in the usual way. There is a glory over it, coming from above, not shining from the figure, as is generally seen in a Roman crucifix. It has a pointed Parthian coronet instead of a crown of thorns. All the avatars, or incarnations of Vishnu, are painted with Ethiopian or Parthian coronets. For these reasons the Christian author will not own that it is a representation of the "True Son of Justice," for he was not crucified in space; but whether it was intended to represent Crishna, Wittoba, or Jesus,[488:1] it tells a secret: it shows that some one was represented crucified in the heavens, and undoubtedly has something to do with "The next power to the Supreme God," who, according to Plato, "was decussated or figured in the shape of a cross on the universe."

Who was the crucified god whom the ancient Romans worshiped, and whom they, according to Justin Martyr, represented as a man on a cross? Can we doubt, after what we have seen, that he was this same crucified Sol, whose birthday they annually celebrated on the 25th of December?

In the poetical tales of the ancient Scandinavians, the same legend is found. Frey, the Deity of the Sun, was fabled to have been killed, at the time of the winter solstice, by the same boar who put the god Adonis to death, therefore a boar was annually offered to him at the great feast of Yule.[489:1] "Baldur the Good," son of the supreme god Odin, and the virgin-goddess Frigga, was also put to death by the sharp thorn of winter.

The ancient Mexican crucified Saviour, Quetzalcoatle, another personification of the Sun, was sometimes represented as crucified in space, in the heavens, in a circle of nineteen figures, the number of the metonic cycle. A serpent (the emblem of evil, darkness, and winter) is depriving him of the organs of generation.[489:2]

We have seen in Chapter XXXIII. that Christ Jesus, and many of the heathen saviours, healers, and preserving gods, were represented in the form of a Serpent. This is owing to the fact that, in one of its attributes, the Serpent was an emblem of the Sun. It may, at first, appear strange that the Serpent should be an emblem of evil, and yet also an emblem of the beneficent divinity; but, as Prof. Renouf remarks, in his Hibbert Lectures, "The moment we understand the nature of a myth, all impossibilities, contradictions, and immoralities disappear." The serpent is an emblem of evil when represented with his deadly sting; he is the emblem of eternity when represented casting off his skin;[489:3] and an emblem of the Sun when represented with his tail in his mouth, thus forming a circle.[489:4] Thus there came to be, not only good, but also bad, serpents, both of which are referred to in the narrative of the Hebrew exodus, but still more clearly in the struggle between the good and the bad serpents of Persian mythology, which symbolized Ormuzd, or Mithra, and the evil spirit Ahriman.[489:5]

As the Dove and the Rose, emblems of the Sun, were represented on the cross, so was the Serpent.[489:6] The famous "Brazen Serpent," said to have been "set up" by Moses in the wilderness, is called in the Targum (the general term for the Aramaic versions of the Old Testament) the Saviour. It was probably a serpentine crucifix, as it is called a cross by Justin Martyr. The crucified serpent (Fig. No. 38) denoted the quiescent Phallos, or the Sun after it had lost its power. It is the Sun in winter, crucified on the tree, which denoted its fructifying power.[490:1] As Mr. Wake remarks, "There can be no doubt that both the Pillar (Phallus) and the Serpent were associated with many of the Sun-gods of antiquity."[490:2]

This is seen in Fig. No. 39, taken from an ancient medal, which represents the serpent with rays of glory surrounding his head.

The Ophites, who venerated the serpent as an emblem of Christ Jesus, are said to have maintained that the serpent of Genesis—who brought wisdom into the world—was Christ Jesus. The brazen serpent was called the Word by the Chaldee paraphrast. The Word, or Logos, was Divine Wisdom, which was crucified; thus we have the cross, or Linga, or Phallus, with the serpent upon it. Besides considering the serpent as the emblem of Christ Jesus, or of the Logos, the Ophites are said to have revered it as the cause of all the arts of civilized life. In Chapter XII. we saw that several illustrious females were believed to have been selected and impregnated by the Holy Ghost. In some cases, a serpent was supposed to be the form which it assumed. This was the incarnation of the Logos.

The serpent was held in great veneration by the ancients, who, as we have seen, considered it as the symbol of the beneficent Deity, and an emblem of eternity. As such it has been variously expressed on ancient sculptures and medals in various parts of the globe.

Although generally, it did not always, symbolize the god Sun, or the power of which the Sun is an emblem; but, invested with various meanings, it entered widely into the primitive mythologies. As Mr. Squire observes:

The serpent was the symbol of Vishnu, the preserving god, the Saviour, the Sun.[491:2] It was an emblem of the Sun-god Buddha, the Angel-Messiah.[491:3] The Egyptian Sun-god Osiris, the Saviour, is associated with the snake.[491:4] The Persian Mithra, the Mediator, Redeemer, and Saviour, was symbolized by the serpent.[491:5] The Phenicians represented their beneficent Sun-god Agathodemon, by a serpent.[491:6] The serpent was, among the Greeks and Romans, the emblem of a beneficent genius. Antipator of Sidon, calls the god Ammon, the "Renowned Serpent."[491:7] The Grecian Hercules—the Sun-god—was symbolized as a serpent; and so was Æsculapius and Apollo. The Hebrews, who, as we have seen in Chapter XI., worshiped the god Sol, represented him in the form of a serpent. This is the seraph—spoken of above—as set up by Moses (Num. xxi. 3) and worshiped by the children of Israel. Se ra ph is the singular of seraphim, meaning Semilicé—splendor, fire, light—emblematic of the fiery disk of the Sun, and which, under the name of Nehush-tan, "Serpent-dragon," was broken up by the reforming Hezekiah.

The principal god of the Aztecs was Tonac-atlcoatl, which means the Serpent Sun.[491:8]

The Mexican virgin-born Lord and Saviour, Quetzalcoatle, was represented in the form of a serpent. In fact, his name signifies "Feathered Serpent." Quetzalcoatle was a personification of the Sun.[491:9]

Under the aspect of the active principle, we may rationally connect the Serpent and the Sun, as corresponding symbols of the reproductive or creative power. Figure No. 40 is a symbolical sign, representing the disk of the Sun encircled by the serpent Uraeus, meaning the "King Sun," or "Royal Sun," as it often surmounts the persons of Egyptian monarchs, confirmed by the emblem of LIFE depending from the serpent's neck.[492:1]

We have seen (in Chapter XX.) that in early Christian art Christ Jesus also was represented as a crucified Lamb. This crucified lamb is "the Lamb of God taking away the sins of the world, and slain from the foundation of the world."[492:2] In other words, the crucified lamb typifies the crucified Sun, for the lamb was another symbol of the Sun, as we shall presently see.

We find, then, that the stories of the crucifixions of the different so-called Saviours of mankind all melt into one, and that they are allegorical, for "Saviour" was only a title of the Sun,[492:3] and his being put to death on the cross, signifies no more than the restriction of the power of the Sun in the winter quarter. With Justin Martyr, then, we can say:

9. "And many women were there beholding afar off."[493:3] The tender mother who had watched over him at his birth, and the fair maidens whom he has loved, will never forsake him. They yet remain with him, and while their tears drop on his feet, which they kiss, their voices cheer him in his last hour. In these we have the Dawn, who bore him, and the fair and beautiful lights which flush the Eastern sky as the Sun sinks or dies in the West.[493:4] Their tears are the tears of dew, such as Eôs weeps at the death of her child.

All the Sun-gods forsake their homes and virgin mothers, and wander through different countries doing marvellous things. Finally, at the end of their career, the mother, from whom they were parted long ago, is by their side to cheer them in their last hours.[493:5]

The ever-faithful women were to be found at the last scene in the life of Buddha. Kasyapa having found the departed master's feet soiled and wet, asked Nanda the cause of it. "He was told that a weeping woman had embraced Gautama's feet shortly before his death, and that her tears had fallen on his feet and left the marks on them."[493:6]

In his last hours, Œdipous (the Sun) has been cheered by the presence of Antigone.[493:7]

At the death of Hercules, Iole (the fair-haired Dawn) stands by his side, cheering him to the last. With her gentle hands she sought to soothe his pain, and with pitying words to cheer him in his woe. Then once more the face of Hercules flushed with a deep joy, and he said:

The black mists were spreading over the sky, but still Hercules sought to gaze on the fair face of Iole, and to comfort her in her sorrow.

The same story is related in the legend of Apollo. The Dawn, from whom he parted in the early part of his career, comes to his side at eventide, and again meets him when his journey on earth has well nigh come to an end.[494:1]

When the Lord Prometheus was crucified on Mt. Caucasus, his especially professed friend, Oceanus, the fisherman, as his name, Petræus, indicates,[494:2] being unable to prevail on him to make his peace with Jupiter, by throwing the cause of human redemption out of his hands,[494:3] "forsook him and fled." None remained to be witnesses of his dying agonies, but the chorus of ever amiable and ever-faithful women, which also bewailed and lamented him, but were unable to subdue his inflexible philanthropy.[494:4]

10. "There was darkness all over the land."[494:5] In the same manner ends the tale of the long toil and sorrows of other Sun-gods. The last scene exhibits a manifest return to the spirit of the solar myth. He must not die the common death of all men, for no disease or corruption can touch the body of the brilliant Sun. After a long struggle against the dark clouds who are arrayed against him, he is finally overcome, and dies. Blacker and blacker grow the evening shades, and finally "there is darkness on the face of the earth," and the din of its thunder clashes through the air.[494:6]

It is the picture of a sunset in wild confusion, of a sunset more awful, yet not more sad, than that which is seen in the last hours of many other Sun-gods.[494:7] It is the picture of the loneliness of the Sun, who sinks slowly down, with the ghastly hues of death upon his face, while none is nigh to cheer him save the ever-faithful women.

11. "He descended into hell."[494:8] This is the Sun's descent into the lower regions. It enters the sign Capricornus, or the Goat, and the astronomical winter begins. The days have reached their shortest span, and the Sun has reached his extreme southern limit. The winter solstice reigns, and the Sun seems to stand still in his southern course. For three days and three nights he remains in hell—the lower regions.[495:1] In this respect Christ Jesus is like other Sun-gods.[495:2]

In the ancient sagas of Iceland, the hero who is the Sun personified, descends into a tomb, where he fights a vampire. After a desperate struggle, the hero overcomes, and rises to the surface of the earth. "This, too, represents the Sun in the northern realms, descending into the tomb of winter, and there overcoming the power of darkness."[495:3]

12. He rose again from the dead, and ascended into heaven. Resurrections from the dead, and ascensions into heaven, are generally acknowledged to be solar features, as the history of many solar heroes agree in this particular.

At the winter solstice the ancients wept and mourned for Tammuz, the fair Adonis, and other Sun-gods, done to death by the boar, or crucified—slain by the thorn of winter—and on the third day they rejoiced at the resurrection of their "Lord of Light."[495:4]

With her usual policy, the Church endeavored to give a Christian significance to the rites which they borrowed from heathenism, and in this case, the mourning for Tammuz, the fair Adonis, became the mourning for Christ Jesus, and joy at the rising of the natural Sun became joy at the rising of the "Sun of Righteousness"—at the resurrection of Christ Jesus from the grave.

This festival of the Resurrection was generally held by the ancients on the 25th of March, when the awakening of Spring may be said to be the result of the return of the Sun from the lower or far-off regions to which he had departed. At the equinox—say, the vernal—at Easter, the Sun has been below the equator, and suddenly rises above it. It has been, as it were, dead to us, but now it exhibits a resurrection.[496:1] The Saviour rises triumphant over the powers of darkness, to life and immortality, on the 25th of March, when the Sun rises in Aries.

Throughout all the ancient world, the resurrection of the god Sol, under different names, was celebrated on March 25th, with great rejoicings.[496:2]

In the words of the Rev. Geo. W. Cox:

All this was Sun and Nature worship, symbolized by the Linga and Yoni. As Mr. Bonwick says:

Allegory alone explains it.

The Christian, then, may well say:

13. Christ Jesus is Creator of all things. We have seen (in Chapter XXVI.) that it was not God the Father, who was supposed by the ancients to have been the Creator of the world, but God the Son, the Redeemer and Saviour of Mankind. Now, this Redeemer and Saviour was, as we have seen, the Sun, and Prof. Max Müller tells us that in the Vedic mythology, the Sun is not the bright Deva only, "who performs his daily task in the sky, but he is supposed to perform much greater work. He is looked upon, in fact, as the Ruler, as the Establisher, as the Creator of the world."[496:6]

Having been invoked as the "Life-bringer," the Sun is also called—in the Rig-Veda—"the Breath or Life of all that move and rest;" and lastly he becomes "The Maker of all things," by whom all the worlds have been brought together.[497:1]

There is a prayer in the Vedas, called Gayatree, which consists of three measured lines, and is considered the holiest and most efficacious of all their religious forms. Sir William Jones translates it thus:

With Seneca (a Roman philosopher, born at Cordova, Spain, 61 B. C.) then, we can say:

14. He is to be Judge of the quick and the dead. Who is better able than the Sun to be the judge of man's deeds, seeing, as he does, from his throne in heaven, all that is done on earth? The Vedas speak of Sûrya—the pervading, irresistible luminary—as seeing all things and hearing all things, noting the good and evil deeds of men.[497:2]

According to Hindoo mythology, says Prof. Max Müller:

On the most ancient Egyptian monuments, Osiris, the Sun personified, is represented as Judge of the dead. The Egyptian "Book of the Dead," the oldest Bible in the world, speaks of Osiris as "seeing all things, and hearing all things, noting the good and evil deeds of men."

15. He will come again sitting on a white horse. The "second coming" of Vishnu (Crishna), Christ Jesus, and other Sun-gods, are also astronomical allegories. The white horse, which figures so conspicuously in the legend, was the universal symbol of the Sun among Oriental nations.

Throughout the whole legend, Christ Jesus is the toiling Sun, laboring for the benefit of others, not his own, and doing hard service for a mean and cruel generation. Watch his sun-like career of brilliant conquest, checked with intervals of storm, and declining to a death clouded with sorrow and derision. He is in constant company with his twelve apostles, the twelve signs of the zodiac.[498:1] During the course of his life's journey he is called "The God of Earthly Blessing," "The Saviour through whom a new life springs," "The Preserver," "The Redeemer," &c. Almost at his birth the Serpent of darkness attempts to destroy him. Temptations to sloth and luxury are offered him in vain. He has his work to do, and nothing can stay him from doing it, as nothing can arrest the Sun in his journey through the heavens. Like all other solar heroes, he has his faithful women who love him, and the Marys and Martha here play the part. Of his toils it is scarcely necessary to speak in detail. They are but a thousand variations on the story of the great conflict which all the Sun-gods wage against the demon of darkness. He astonishes his tutor when sent to school. This we might expect to be the case, when an incomparable and incommunicable wisdom is the heritage of the Sun. He also represents the wisdom and beneficence of the bright Being who brings life and light to men. As the Sun wakens the earth to life when the winter is done, so Crishna, Buddha, Horus, Æsculapius, and Christ Jesus were raisers of the dead. When the leaves fell and withered on the approach of winter, the "daughter of the earth" would be spoken of as dying or dead, and, as no other power than that of the Sun can recall vegetation to life, this child of the earth would be represented as buried in a sleep from which the touch of the Sun alone could rouse her.

Christ Jesus, then, is the Sun, in his short career and early death. He is the child of the Dawn, whose soft, violet hues tint the clouds of early morn; his father being the Sky, the "Heavenly Father," who has looked down with love upon the Dawn, and overshadowed her. When his career on earth is ended, and he expires, the loving mother, who parted from him in the morning of his life, is at his side, looking on the death of the Son whom she cannot save from the doom which is on him, while her tears fall on his body like rain at sundown. From her he is parted at the beginning of his course; to her he is united at its close. But Christ Jesus, like Crishna, Buddha, Osiris, Horus, Mithras, Apollo, Atys and others, rises again, and thus the myth takes us a step beyond the legend of Serpedon and others, which stop at the end of the eastward journey, when the night is done.

According to the Christian calendar, the birthday of John the Baptist is on the day of the summer solstice, when the sun begins to decrease. How true to nature then are the words attributed to him in the fourth Gospel, when he says that he must decrease, and Jesus increase.

Among the ancient Teutonic nations, fires were lighted, on the tops of hills, on the 24th of June, in honor of the wending Sun. This custom is still kept up in Southern Germany and the Scotch highlands, and it is the day selected by the Roman Catholic church to celebrate the nativity of John the Baptist.[499:1]

Mosheim, the ecclesiastical historian, speaking of the uncertainty of the time when Christ Jesus was born, says: "The uncertainty of this point is of no great consequence. We know that the Sun of Righteousness has shone upon the world; and although we cannot fix the precise period in which he arose, this will not preclude us from enjoying the direction and influence of his vital and salutary beams."

These sacred legends abound with such expressions as can have no possible or conceivable application to any other than to the "God of day." He is "a light to lighten the Gentiles, and to be the glory (or brightness) of his people."[499:2] He is come "a light into the world, that whosoever believeth in him should not abide in darkness."[499:3] He is "the light of the world."[499:4] He "is light, and in him no darkness is."[499:5]

"All are agreed," says Cicero, "that Apollo is none other than the Sun, because the attributes which are commonly ascribed to Apollo do so wonderfully agree thereto."

Just so surely as Apollo is the Sun, so is the Lord Christ Jesus the Sun. That which is so conclusive respecting the Pagan deities, applies also to the God of the Christians; but, like the Psalmist of old, they cry, "Touch not MY Christ, and do my prophets no harm."

Many Christian writers have seen that the history of their Lord and Saviour is simply the history of the Sun, but they either say nothing, or, like Dr. Parkhurst and the Rev. J. P. Lundy, claim that the Sun is a type of the true Sun of Righteousness. Mr. Lundy, in his "Monumental Christianity," says:

Mr. Lundy, who seems to adhere to this once-upon-a-time favorite theory, illustrates it as follows:

According to this theory, the whole Pagan religion was typical of Christ and Christianity. Why then were not the Pagans the Lord's chosen people instead of the children of Israel?

The early Christians were charged with being a sect of Sun worshipers.[501:2] The ancient Egyptians worshiped the god Serapis, and Serapis was the Sun. Fig. No. 11, page 194, shows the manner in which Serapis was personified. It might easily pass for a representation of the Sun-god of the Christians. Mr. King says, in his "Gnostics, and their Remains":

The Imperial Russian Collection boasts of a head of Christ Jesus which is said to be very ancient. It is a fine intaglio on emerald. Mr. King says of it:

It must not be forgotten, in connection with this, that the worshipers of Serapis, or the Sun, were called Christians.[501:5]

Mrs. Jameson, speaking on this subject, says:

The Rev. Mr. Geikie says, in his "Life of Christ":

One of the favorite ways finally, of depicting him, was, as Mr. Lundy remarks:

Thus we see that the Christians took the paintings and statues of the Sun-gods Serapis and Apollo as models, when they wished to represent their Saviour. That the former is the favorite at the present day need not be doubted when we glance at Fig. No. 11, page 194.

Mr. King, speaking of this god, and his worshipers, says: