CHAPTER VI.

COURT LIFE.

The court of the Emperor was, in the early ages of Japan, the centre of whatever culture and refinement the country could boast, and the emperors themselves took an active part in the promotion of civilization. The earliest history of Japan is so wrapped in the mists of legend and tradition that only here and there do we get glimpses of heroic figures,—leaders in those early days. Demigods they seem, children of Heaven, receiving from Heaven by special revelation the wisdom or strength by means of which they conquered their enemies, or gave to their subjects new arts and better laws. The traditional emperors, the early descendants of the great Jimmu Tenno,[25] seem to have been merely conquering chieftains, who by virtue of their descent were regarded as divine, but who lived the simple, hardy life of the savage king, surrounded by wives and concubines, done homage to by armed retainers and subject chiefs, but living in rude huts, and moving in and out among the soldiers, not in the least retired into the mysterious solitude which in later days enveloped the Son of the Gods. The first emperors ruled not only by divine right, but by personal force and valor; and the stories of the valiant deeds of these early rulers kept strong the faith of the people in the divine qualities of the imperial house during the hundreds of years when the Emperor was a mere puppet in the hands of ambitious and powerful nobles.

Towards the end of this legendary period, a figure comes into view that for heroic qualities cannot be excelled in the annals of any nation,—Jingo Kōgō, the conqueror of Corea, who alone, among the nine female rulers of Japan, has made an era in the national history. She seems to have been from the beginning, like Jeanne D'Arc, a hearer of divine voices; and through her was conveyed to her unbelieving husband a divine command, to take ship and sail westward to the conquest of an unknown land. Her husband questioned the authenticity of the message, took the earthly and practical view that, as there was no land to be seen in the westward, there could be no land there, and refused to organize any expedition in fulfillment of the command; but for his unbelief was sternly told that he should never see the land, but that his wife should conquer it for the son whom she should bear after the father's death. This message from the gods was fulfilled. The Emperor died in battle shortly after, and the Empress, after suppressing the rebellion in which her husband had been killed, proceeded to organize an expedition for the conquest of the unknown land beyond the western sea. By as many signs as those required by Gideon to assure himself of his divine mission, the Empress tested the call that had come to her, but at last, satisfied that the voices were from Heaven, she gave her orders for the collection of troops and the building of a navy. I quote from Griffis the inspiring words with which she addressed her generals: "The safety or destruction of our country depends upon this enterprise. I intrust the details to you. It will be your fault if they are not carried out. I am a woman and young. I shall disguise myself as a man, and undertake this gallant expedition, trusting to the gods and to my troops and captains. We shall acquire a wealthy country. The glory is yours, if we succeed; if we fail, the guilt and disgrace shall be mine." What wonder that her captains responded to such an appeal, and that the work of recruiting and shipbuilding began with a will! It was a long preparation that was required—sometimes, to the impatient woman, it seemed unnecessarily slow—but by continual prayer and offerings she appealed to the gods for aid; and at last all was ready, and the brave array of ships set sail for the unknown shore, the Empress feeling within her the new inspiration of hope for her babe as yet unborn. Heaven smiled upon them from the start. The clearest of skies, the most favoring of breezes, the smoothest of seas, favored the god-sent expedition; and tradition says that even the fishes swarmed in shoals about their keels, and carried them on to their desired haven. The fleet ran safely across to southern Corea, but instead of finding battles and struggles awaiting them, the king of the country met them on the beach to receive and tender allegiance to the invaders, whose unexpected appearance from the unexplored East had led the natives to believe that their gods had forsaken them. The expedition returned laden with vast wealth, not the spoil of battle, but the peaceful tribute of a bloodless victory; and from that time forward Japan, through Corea, and later by direct contact with China itself, began to receive and assimilate the civilization, arts, and religions of China. Thus through a woman Japan received the start along the line of progress which made her what she is to-day, for the sequel of Jingo Kōgō's Corean expedition was the introduction of almost everything which we regard as peculiar to civilized countries. With characteristic belittling of the woman and exalting of the man, the whole martial career of the Empress is ascribed to the influence of her son as yet unborn,—a son who by his valor and prowess has secured for his deified spirit the position of God of War in the Japanese pantheon. We should say that pre-natal influences and heredity produced the heroic son; the Japanese reason from the other end, and show that all the noble qualities of the mother were produced by the influence of the unborn babe.

With the introduction of literature, art, and Buddhism, a change took place in the relations of the court to the people. About the Emperor's throne there gathered not only soldiers and governors, but the learned, the accomplished, the witty, the artistic, who found in the Emperor and the court nobles munificent patrons by whom they were supported, and before whom they laid whatever pearls they were able to produce. The new culture sought not the clash of arms and the shout of soldiers, but the quiet and refinement of palaces and gardens far removed from the noise and clamor of the world. And while emperors sought to encourage the new learning and civilization, and to soften the warlike qualities of the people about them, there was a frontier along which the savages still made raids into the territory which the Japanese had wrested from them, and which it required a strong arm and a quick hand to guard for the defense of the people. But the Emperor gradually gave up the personal leadership in war, and passed the duty of defending the nation into the hands of one or another of the great noble families. The nobles were not by any means slow to see the advantage to be gained for themselves by the possession of the military power in an age when might made right, even more than it does to-day, and when force, used judiciously and with proper deference to the prejudices of the people, could be made to give to its possessor power even over the Emperor himself. And so gradually, in the pursuit of the new culture and the new religion, the emperors withdrew themselves more and more into seclusion, and the court became a little world in itself,—a centre of culture and refinement into which few excitements of war or politics ever came. While the great nobles wrangled for the possession of the power, schemed and fought and turned the nation upside down; while the heroes of the country rose, lived, fought, and died,—the Emperor, amid his ladies and his courtiers, his priests and his literary men, spent his life in a world of his own; thinking more of this pair of bright eyes, that new and charming poem, the other witty saying of those about him, than of the kingdom that he ruled by divine right; and retiring, after ten years or so of puppet kinghood, from the seclusion of his court to the deeper seclusion of some Buddhist monastery.

Within the sacred precincts of the court, much time was given to such games and pastimes as were not too rude or noisy for the refinement that the new culture brought with it. Polo, football, hunting with falcons, archery, etc., were exercises not unworthy of even the most refined of gentlemen, and certain noble families were trained hereditarily in the execution of certain stately, antique dances, many of them of Chinese or Corean origin. The ladies, in trailing garments and with flowing hair, reaching often below the knees, played a not inconspicuous part, not only because of their beauty and grace, but for their quickness of wit, their learning in the classics, their skill in repartee, and their quaint fancies, which they embodied in poetic form.[26]

Much attention was given to that harmony of art with nature that the Japanese taste makes the sine qua non of all true artistic effort. The gorgeously embroidered gowns must change with the changing season, so that the cherry succeeds the plum, the wistaria the cherry, and so on through the whole calendar of flowers, upon the silken robes of the court, as regularly as in the garden that graces the palace grounds. And so with the confectionery, which in Japan is made in dainty imitation of flowers and fruits. The chrysanthemum blooms in sugar no earlier than on its own stalk; the little golden orange, with its dark green leaves, is on the confectioner's list in winter, when the real orange is yellow on its tree. The very decorations of the palace must be changed with the changing of the months; and kakémono and vase are alternately stored in the kura and brought out to decorate the room, according as their designs seem in harmony with the mood of Nature. This effort to harmonize Nature and Art is seen to-day, not only in the splendid furnishings of the court, but all through the decorative art of Japan. In every house the decorations are changed to suit the changing seasons.

Through the years when Japan was adopting the civilization of China, a danger threatened the nation,—the same danger that threatens it to-day: it was the danger lest the adoption of so much that was foreign should result in a servile copying of all that was not Japanese, and lest the introduction of literature, art, and numerous hitherto unknown luxuries should take from the people their independence, patriotism, and manliness. But this result was happily avoided; and at a time when the language was in danger of being swept almost out of existence by the introduction of Chinese learning through Chinese letters, the women of Japan, not only in their homes and conversation, but in the poetry and lighter literature of the country, preserved a strain of pure and graceful Japanese, and produced some of the standard works of a distinctly national literature. Favor at court to-day, as in the olden times, is the reward, not of mere rank, beauty, and grace of person, but must be obtained through the same intellectual endowments, polished by years of education, that made so many women famous in the mediæval history of Japan. Many court ladies have read much of their national literature, so that they are able to appreciate the bonmots which contain allusions in many cases to old poems, or plays on words; and are able to write and present to others, at fitting times, those graceful but untranslatable turns of phrase which form the bulk of Japanese poetry.[27] Even in this busy era of Méiji,[28] the Emperor and his court keep up the old-time customs, and strive to promote a love of the beautiful poetry of Japan. At each New Year some subject appropriate to the time is chosen and publicly announced. Poems may be written upon this subject by any one in the whole realm, and may be sent to the palace before a certain date fixed as the time for closing the list of competitors. All the poems thus sent are examined by competent judges, who select the best five and send them to the Emperor, an honor more desired by the writers than the most favorable of reviews or the largest of emoluments are desired by American poets. Many of the other poems are published in the newspapers. It is interesting to note that many of the prominent men and women of the country are known as competitors, and that many of the court ladies join in the contest.

There are also, at the palace, frequent meetings of the poets and lovers of poetry connected with the court. At these meetings poems are composed for the entertainment of the Emperor and Empress, as well as for the amusement of the poets themselves.

In the school recently established for the daughters of the nobles, under the charge of the imperial household, much attention is given to the work of thoroughly grounding the scholars in the Japanese language and literature, and also to making them skillful in the art of composing poetry. At the head of the school, in the highest position held by any woman in the employ of the government, is a former court lady, who is second to none in the kingdom, not only in her knowledge of all that belongs to court etiquette, but in her study of the history and literature of her own people, and in her skill in the composition of these dainty poems. A year or two ago, when one of the scholars in the school died after a brief decline, her schoolmates, teachers, and school friends wrote poems upon her death, which they sent to the bereaved parents.

It is difficult for any Japanese, much more so for a foreigner, to penetrate into the seclusion of the palace and see anything of the life there, except what is shown to the public in the occasional entertainments given at court, such as formal receptions and dinner parties. In 1889, the new palace, built on the site of the old Tokugawa Castle, burnt seventeen years ago, was finally completed; and it was my privilege to see, before the removal of the court, not only the grand reception rooms, throne-room, and dining-room, but also the private apartments of the Emperor and Empress. The palace is built in Japanese style, surrounded by the old castle moats, but there are many foreign additions to the palace and grounds. It is heated and lighted in foreign style, and the larger rooms are all furnished after the magnificent manner of European palaces; while the lacquer work, carvings, and gorgeous paneled ceilings remind one of the finest of Japanese temples. The private apartments of the Emperor and Empress are, on the other hand, most simple, and in thorough Japanese style; and though the woodwork and polished floors of the corridors are very beautiful, the paintings and lacquer work most exquisite, there is little in this simplicity to denote the abode of royalty. It seems that their majesties, though outwardly conforming to many European customs, and to the European manner of dress, prefer to live in Japanese ways, on matted, not carpeted floors, reposing on them rather than on chairs and bedsteads.[*]

Their apartments are not large; each suite consisting of three rooms opening out of each other, the Empress's rooms being slightly smaller than the Emperor's, and those of the young Prince Haru, the heir apparent, again a little smaller. The young prince has a residence of his own, and it is only on his visits that he occupies his apartments in his father's palace. There are also rooms for the Empress dowager to occupy on her occasional visits. All of these apartments are quite close together in one part of the palace, and are connected by halls; but the private rooms of the court ladies are in an entirely separate place, quite removed, and only connected with the main building by a long, narrow passageway, running through the garden. There, in the rooms assigned to them, each one has her own private establishment, where she stays when she is not on duty in attendance on the Emperor and Empress. Each lady has her own servants, and sometimes a younger sister or a dependent may be living there with her, though they are entirely separate from the court and the life there, and must never be seen in any of the other parts of the building. In these rooms, which are like little homes in themselves, cooking and housekeeping are done, entirely independent of the other parts of the great palace; and the tradesmen find their way through some back gate to these little establishments, supplying them with all the necessaries of life, as well as the luxuries.

A court lady is a personage of distinction, and lives in comparative ease and luxury, with plenty of servants to do all the necessary work. Besides her salary, which of course varies with the rank and the duties performed, but is always liberal enough to cover the necessary expenses of dress, the court lady receives many presents from the Emperor and Empress, which make her position one of much luxury.

The etiquette of the imperial household is very complicated and very strict, though many of the formalities of the olden times have been given up. The court ladies are models of conservatism. In order to be trained for the life there and its duties, they usually enter the court while mere children of ten or eleven, and serve apprenticeship to the older members. In the rigid seclusion of the palace they are strictly, almost severely, brought up, and trained in all the details of court etiquette. Cut off from all outside influences while young, the little court maidens are taught to go through an endless round of formalities which they are made to think indispensable. These details of etiquette extend not only to all that concerns the imperial household, but to curious customs among themselves, and in regard to their own habits. Many of these ideas have come down from one generation to another, within the narrow limits of the court, so that the life there is a curious world in itself, and very unlike that in ordinary Japanese homes.

But among all the ladies of Japan to-day,—charming, intellectual, refined, and lovely as many of them are,—there is no one nobler, more accomplished, more beautiful in life and character, than the Empress herself. The Emperor of Japan, though he may have many concubines, may have but one wife, and she must be chosen out of one of the five highest noble families.[29] Haru Ko, of the noble family of Ichijō, became Empress in the year 1868, one year after her husband, then a boy of seventeen, had ascended the throne, and the very year of the overthrow of the Shōgunate,[30] and the restoration of the Emperor to actual power and the leading part in the government. Reared amid the deep and scholarly seclusion of the old court at Kyōto, the young Empress found herself occupying a position very different from that for which she had been educated,—a position the duties and responsibilities of which grow more multifarious as the years go by. Instead of a life of rigid seclusion, unseeing and unseen, the Empress has had to go forth into the world, finding there the pleasures as well as the duties of actual leadership. With the removal of the court to Tōkyō, and the reappearance of the Emperor, in bodily form, before his people, there came new opportunities for the Empress, and nobly has she used them. From the time when, in 1871, she gave audience to the five little girls of the samurai class who were just setting forth on a journey to America, there to study and fit themselves to play a part in the Japan of the future, on through twenty years of change and progress, the Empress Haru Ko has done all that lay within her power to advance the women of her country.[*] Many stories are afloat which show the lovable character of the woman, and which have given her an abiding place in the affections of the people.

Some years ago, when the castle in Tōkyō was burned, and the Emperor and Empress were obliged to take refuge in an old daimiō's house, a place entirely lacking in luxuries and considerably out of repair, some one expressed to her the grief that all her people felt, that she should have to put up with so many inconveniences. Her response was a graceful little poem, in which she said that the narrowness of her abode would not limit her love for her people, and that for them she would endeavor to explore wisely the unlimited fields of knowledge.

Upon another occasion, when Prince Iwakura, one of the leaders of Japan in the early days of the crisis through which the country is still passing, lay dying at his home, the Empress sent him word that she was coming to visit him. The prince, afraid that he could not do honor to such a guest, sent her word back that he was very ill, and unable to make proper preparation to entertain an Empress. To this the Empress replied that he need make no preparations for her, for she was coming, not as an Empress, but as the daughter of Ichijō, his old friend and colleague, and as such he could receive her. And then, setting aside imperial state and etiquette, she visited the dying statesman, and brightened his last hours with the thought of how lovely a woman stood as an example before the women of his beloved country.

Many of the charities and schools of new Japan are under the Empress's special patronage; and this does not mean simply that she allows her name to be used in connection with them, but it means that she thinks of them, studies them, asks questions about them, and even practices little economies that she may have the more money to give to them. There is a charity hospital in Tōkyō, having in connection with it a training school for nurses, that is one of the special objects of her care. Last year she gave to it, at the end of the year, the savings from her own private allowance, and concerning this act an editorial from the "Japan Mail" speaks as follows:—

"The life of the Empress of Japan is an unvarying routine of faithful duty-doing and earnest charity. The public, indeed, hears with a certain listless indifference, engendered by habit, that her Majesty has visited this school, or gone round the wards at that hospital. Such incidents all seem to fall naturally into the routine of the imperial day's work. Yet to the Empress the weariness of long hours spent in classrooms or in laboratories, or by the beds of the sick, must soon become quite intolerable did she not contrive, out of the goodness of her heart, to retain a keen and kindly interest in everything that concerns the welfare of her subjects. That her Majesty does feel this interest, and that it grows rather than diminishes as the years go by, every one knows who has been present on any of the innumerable occasions when the promoters of some charity or the directors of some educational institution have presented, with merciless precision, all the petty details of their projects or organizations for the examination of the imperial lady. The latest evidence of her Majesty's benevolence is, however, more than usually striking. Since the founding of the Tōkyō Charity Hospital, where so many poor women and children are treated, the Empress has watched the institution closely, has bestowed on it patronage of the most active and helpful character, and has contributed handsomely to its funds. Little by little the hospital grew, extending its sphere of action and enlarging its ministrations, until the need of more capacious premises—a need familiar to such undertakings—began to be strongly felt. The Empress, knowing this, cast about for some means of assisting this project. To practice strict economy in her own personal expenses, and to devote whatever money might thus be saved from her yearly income to the aid of the hospital, appears to have suggested itself to her Majesty as the most feasible method of procedure. The result is, that a sum of 8,446 yen, 90 sen, and 8 rin has just been handed over to Dr. Takagi, the chief promoter and mainstay of the hospital, by Viscount Kagawa, one of her Majesty's chamberlains. There is something picturesque about these sen and rin. They represent an account minutely and faithfully kept between her Majesty's unavoidable expenses and the benevolent impulse that constantly urged her to curtail them. Such gracious acts of sterling effort command admiration and love."

Not very long ago, on one of her visits to the hospital, the Empress visited the children's ward, and took with her toys, which she gave with her own hand to each child there. When we consider that this hospital is free to the poorest and lowest person in Tōkyō, and that twenty years ago the persons of the Emperor and Empress were so sacred in the eyes of the people that no one but the highest nobles and the near officials of the court could come into their presence,—that even these high nobles were received at court by the Emperor at a distance of many feet, and his face even then could not be seen,—when we think of all this, we can begin to appreciate what the Empress Haru has done in bridging the distance between herself and her people so that the poorest child of a beggar may receive a gift from her hand. In the country places to this day, there are peasants who yet believe that no one can look on the sacred face of the Emperor and live.

The school for the daughters of the nobles, to which I have before referred, is an institution whose welfare the Empress has very closely at heart, for she sees the need of rightly combining the new and the old in the education of the young girls who will so soon be filling places in the court. At the opening of the school the Empress was present, and herself made a speech to the scholars; and her visits, at intervals of one or two months, show her continued interest in the work that she has begun. Upon all state occasions, the scholars, standing with bowed heads as if in prayer, sing a little song written for them by the Empress herself; and at the graduating exercises, the speeches and addresses are listened to by her with the profoundest interest. The best specimens of poetry, painting, and composition done by the scholars are sent to the palace for her inspection, and some of these are kept by her in her own private rooms. When she visits the class-rooms, she does not simply pass in and pass out again, as if doing a formal duty, but sits for half an hour or so listening intently, and watching the faces of the scholars as they recite. In sewing and cooking classes (for the daughters of the nobles are taught to sew and cook), she sometimes speaks to the scholars, asking them questions. Upon one occasion she observed a young princess, a newcomer in the school, working somewhat awkwardly with needle and thimble. "The first time, Princess, is it not?" said the Empress, smiling, and the embarrassed Princess was obliged to confess that this was her first experience with those domestic implements.

Sometimes in her leisure hours—and they are rare in her busy life—the Empress amuses herself by receiving the little daughters of some imperial prince or nobleman, or even the children of some of the high officials. In the kindness of her heart, she takes great pleasure in seeing and talking to these little ones, some of whom are intensely awed by being in the presence of the Empress, while others, in their innocence, ignorant of all etiquette, prattle away unrestrainedly, to the great entertainment of the court ladies as well as of the Empress herself. These visits always end with some choice toy or gift, which the child takes home and keeps among her most valued treasures in remembrance of her imperial hostess. In this way the Empress relieves the loneliness of the great palace, where the sound of childish voices is seldom heard, for the Emperor's children are brought up in separate establishments, and only pay occasional visits to the palace, until they have passed early childhood.[31]

The present life of the Empress is not very different from that of European royalty. Her carriage and escort are frequently met with in the streets of Tōkyō as she goes or returns on one of her numerous visits of ceremony or beneficence. Policemen keep back the crowds of people who always gather to see the imperial carriage, and stand respectfully, but without demonstration, while the horsemen carrying the imperial insignia, followed closely by the carriages of the Empress and her attendants, pass by. The official Gazette announces almost daily visits by the Emperor, Empress, or other members of the imperial family, to different places of interest,—sometimes to various palaces in different parts of Tōkyō, at other times to schools, charitable institutions or exhibitions, as well as occasional visits to the homes of high officials or nobles, for which great preparations are made by those who have the honor of entertaining their Majesties.

Among the amusements within the palace grounds, one lately introduced, and at present in high favor, is that of horseback-riding, an exercise hitherto unknown to the ladies of Japan. The Empress and her ladies are said to be very fond of this active exercise,—an amusement forming a striking contrast to the quiet of former years.

The grounds about the palaces in Tōkyō are most beautifully laid out and cultivated, but not in that artificial manner, with regular flower beds and trees at certain equal distances, which is seen so often in the highly cultivated grounds of the rich in this country. The landscape gardening of Japan keeps unchanged the wildness and beauty of nature, and imitates it closely. The famous flowers, however, are, in the imperial gardens, changed by art and cultivated to their highest perfection, blooming each season for the enjoyment of the members of the court. Especially is attention given to the cultivation of the imperial flower of Japan, the chrysanthemum; and some day in November, when this flower is in its perfection, the gates of the Akasaka palace are thrown open to invited guests, who are received in person by the Emperor and Empress. Here the rarest species of this favorite flower, and the oddest colors and shapes, the results of much care and cultivation, are exhibited in spacious beds, shaded by temporary roofs of bamboo twigs and decorated with the imperial flags. This is the great chrysanthemum party of the Emperor, and another of similar character is given in the spring under the flower-laden boughs of the cherry trees.

In these various ways the Empress shows herself to her people,—a gracious and lovely figure, though distant, as she needs must be, from common, every-day life. Only by glimpses do the people know her, but those glimpses reveal enough to excite the warmest admiration, the most tender love. Childless herself, destined to see a child not her own, although her husband's, heir to the throne, the Empress devotes her lonely and not too happy life to the actual, personal study of the wants of daughters of her people, and side by side with Jingo,[32] the majestic but shadowy Empress of the past, should be enshrined in the hearts of the women of Japan the memory of Haru Ko, the leader of her countrywomen into that freer and happier life that is opening to them.

Each marks the beginning of a new era,—the first, of the era of civilization and morality founded upon the teachings of Buddha and Confucius; the second, of the civilization and morality that have sprung from the teachings of Christ. Buddhism and Confucianism were elevating and civilizing, but failed to place the women of Japan upon even as high a plane as they had occupied in the old barbaric times. To Christianity they must look for the security and happiness which it has never failed to give to the wives and mothers of all Christian nations.[*]

CHAPTER VII.

LIFE IN CASTLE AND YASHIKI.[33]

The seclusion of the Emperors and the gathering of the reins of government into the hands of Shōguns was a gradual process, beginning not long after the introduction of Chinese civilization, and continuing to grow until Iyéyasŭ, the founder of the Tokugawa dynasty, through his code of laws, took from the Emperor the last vestige of real power, and perfected the feudal system which maintained the sway of his house for two hundred and fifty years of peace.

The Emperor's court, with its literary and æsthetic quiet, its simplicity of life and complexity of etiquette, was the centre of the culture and art of Japan, but never the centre of luxury. After the growth of the Tokugawa power had secured for that house and its retainers great hereditary possessions, the Emperor's court was a mere shadow in the presence of the magnificence in which the Tokugawas and the daimiōs chose to live. The wealth of the country was in the hands of those who held the real power, and the Emperor was dependent for his support upon his great vassal, who held the land, collected the taxes, made the laws, and gave to his master whatever seemed necessary for his maintenance in the simple style of the old days, keeping for himself and for his retainers enough to make Yedo, the Tokugawa capital, the centre of a luxury far surpassing anything ever seen at the Emperor's own court. While the kugé, the old imperial nobility, formerly the governors of the provinces under the Emperors, lived in respectable but often extreme poverty at Kyōto, the landed nobility, or daimiōs, brought, after many struggles, under the sway of the Tokugawas, built for themselves palaces and pleasure gardens in the moated city of Yedo. At Yedo with its castle, its gardens, its yashikis, and its fortifications, was established a new court, more luxurious, but less artistic and cultivated, than the old court of Kyōto. In the various provinces, too, at every castle town, a little court arose about the castle, and the daimiō became not only the feudal chief, but the patron of literature and art among his people, as the years went by filling his kura with choice works of art, in lacquer, bronze, silver, and pottery, to be brought out on special occasions. These nobles, under a law of Iyémitsŭ, the third of the Tokugawa line, were compelled to spend half of each year at the city of the Shōguns; and each had his yashiki, or large house and garden, in the city. At this house, his family must reside permanently, as hostages for the loyalty of their lord while away. The annual journeys to and from Yedo were events not only in the lives of the daimiōs and their trains of retainers, but in the lives of the country people who lived along the roads by which they must travel. The time and style of each journey for each daimiō were rigidly prescribed in the laws of Iyémitsŭ, as well as the behavior of the country people who might meet the procession moving towards Yedo, or returning therefrom. When some noble, or any member of his family, was to pass through a certain section of the country, great preparations were made beforehand. Not only was traffic stopped along the route, but every door and window had to be closed. By no means was any one to show himself, or to look in any way upon the passing procession. To do so was to commit a profane deed, punishable by a fine. Among other things, no cooking was allowed on that day. All the food must be prepared the day before, as the air was supposed to become polluted by the smoke from the fires. Thus through crowded cities, full and busy with life, the daimiō in his curtained palanquin, with numerous retinue, would pass by; but wherever he approached, the place would be as deserted and silent as if plague-stricken. It is hardly necessary to add that these journeys, attended with so much ceremony and inconvenience to the people, were not as frequent as the trips now taken, at a moment's notice, from one city to another, by these very same men.

One story current in Tōkyō shows the narrowing effect of such seclusion. A noble who had traveled into Yedo, across one of the large bridges built over the Sumida River, remarked one day to his companions that he was greatly disappointed on seeing that bridge. "From the pictures," he said, "which I have seen, the bridge seemed alive with people, the centre of life and activity, but the artists must exaggerate, for not a soul was on the bridge when I passed by."

The castle of the Shōgun in Yedo, with its moats and fortifications, and its fine house and great kura, was reproduced on a small scale in the castles scattered through the country; and as in Yedo the yashikis of the daimiōs stood next to the inner moat of the castle, that the retainers might be ready to defend their lord at his earliest call, so in the provinces the yashikis of the samurai occupied a similar position about the daimiō's castle.

It is curious to see that, as the Shōgun took away the military and temporal power of the Emperor, making of him only a figure-head without real power, so, to a certain degree, the daimiō gave up, little by little, the personal control of his own province, the power falling into the hands of ambitious samurai, who became the councilors of their lord. The samurai were the learned class and the military class; they were and are the life of Japan; and it is no wonder that the nobles, protected and shielded from the world, and growing up without much education, should have changed in the course of centuries from strong, brave warriors into the delicate, effeminate, luxury-loving nobles of the present day. Upon the loyalty and wisdom of the samurai, often upon some one man of undoubted ability, rested the greatness of the province and the prosperity of the master's house.

The life of the ladies in these daimiōs' houses is still a living memory to many of the older women of Japan; but it is a memory only, and has given place to a different state of things. The Emperor occupies the castle of the Shōgun to-day, and every daimiō's castle throughout the country is in the hands of the imperial government. The old pleasure gardens of the nobles are turned into arsenals, schools, public parks, and other improvements of the new era. But here and there one finds some conservative family of nobles still keeping up in some measure the customs of former times; and daimiōs' houses there are still in Tōkyō, though stripped of power and of retainers, where life goes on in many ways much as it did in the old days. In such a house as this, one finds ladies-in-waiting, of the samurai rank, who serve her ladyship—the daimiō's wife—in all personal service. In the old days, the daughters of the samurai were eager for the training in etiquette, and in all that belongs to nice housekeeping, that might be obtained by a few years of apprenticeship in a daimiō's house, and gladly assumed the most menial positions for the sake of the education and reputation to be gained by such training.

The wife and daughters of a daimiō led the quietest of lives, rarely passing beyond the four great walls that inclose the palace with its grounds. They saw the changes of the seasons in the flowers that bloomed in their lovely gardens, when, followed by numerous attendants, they slowly walked through the bamboo groves or under the bloom-laden boughs of the plum or cherry trees, forming their views of life, its pleasures, its responsibilities, and its meaning, within the narrow limits of the daimiō's yashiki.

Their mornings were passed in the adorning of their own persons, and in the elaborate dressing of their luxuriant hair; the afternoons were spent in the tea ceremony, in writing poetry, or the execution of a sort of silk mosaic that is a favorite variety of fancy work still among the ladies of Japan.

A story is told of one of the Tokugawa princesses that illustrates the amusements of the Shōgun's daughters, and the pains that were taken to gratify their wishes, however unreasonable. The cherry-trees of the castle gardens of Tōkyō are noted for their beauty when in bloom during the month of April. It is said that once a daughter of the Tokugawa house expressed a wish to give a garden party amid the blossoming cherry-trees in the month of December, and nothing would do but that her wishes must be carried out. Her retainers accordingly summoned to their aid skillful artificers, who from pink and white tissue paper produced myriads of cherry blossoms, so natural that they could hardly be distinguished from the real ones. These they fastened upon the trees in just such places as the real flowers would have chosen to occupy, and the happy princess gave her garden party in December under the pink mist of cherry blooms.

The children of a daimiō's wife occupied her attention but little. They were placed in the charge of careful attendants, and the mother, though allowed to see them when she wished, was deprived of the pleasure of constant intercourse with them, and had none of the mother's cares which form so large a part of life to an ordinary Japanese woman.

When we know that the average Japanese girl is brought up strictly by her own mother, and thoroughly drilled in obedience and in all that is proper as regards etiquette and the duties of woman, we can imagine the narrowness of the education of the daimiō's poor little daughter, surrounded, from early childhood, with numerous attendants of the strictest sort, to teach her all that is proper according to the highest and severest standards. Sometimes, by the whim or the indulgence of parents, or through exceptional circumstances in her surroundings, a samurai's daughter became more independent, more self-reliant, or better educated, than others of her rank; but such opportunities never came to the more carefully reared noble's daughter.

From her earliest childhood, she was addressed in the politest and most formal way, so that she could not help acquiring polite manners and speech. She was taught etiquette above all things, so that no rude action or speech would disgrace her rank; and that she should give due reverence to her superiors, courtesy to equals, and polite condescension to inferiors. She was taught especially to show kindness to the families under the rule of her father, and was early told of the noble's duty to protect and love his retainers, as a father loves and protects his children. From childhood, presents were made in her name to those around her, often without her previous knowledge or permission, and from them she would receive profuse thanks,—lessons in the delights of beneficence which could not fail to make their impression on the child princess. Even to inferiors she used the polite language,[34] and never the rude, brusque speech of men, or the careless phrases and expressions of the lower classes.

The education of the daimiō's daughter was conducted entirely at home.[35] Instead of going out to masters for instruction, she was taught by some one in the household,—one of her father's retainers, or perhaps a member of her own private retinue. Teachers for certain branches came from outside, and these were not expected to give the lesson within a certain time and hurry away, but they would remain, conversing, sipping tea, and partaking of sweetmeats, until their noble pupil was ready to receive them. Hospitality required that the teacher be offered a meal after the lesson, and this meal etiquette would not permit him to refuse, so that both teacher and pupil must spend much time waiting for each other and for the lesson.

Pursued in this leisurely way, the education of the noble's daughter could not advance very rapidly, and it usually ended with an extremely early marriage; and the girl wife would sometimes play with her doll in the new home until the living baby took its place to the young mother.

The samurai women, who in one position or another were close attendants on these noble ladies, performing for them every act of service, were often women of more than average intelligence and education. From childhood to old age, the noble ladies were never without one or more of these maids of honor, close at hand to help or advise. Some entered the service in the lower positions for only a short period, leaving sooner or later to be married; for continued service in a daimiō's household meant a single life. Many of them remained in the palace all their days, leading lives of devotion to their mistress; the comfort and ease of which hardly compensated for the endless formalities and the monotonous seclusion.

Even the less responsible and more menial positions were not looked down upon, and the higher offices in the household were exceedingly honorable. When, once in a long while, a day's leave of absence was granted to one of these gentlewomen, and, loaded with presents sent by the daimiō's lady, she went on her visit to her home, she was received as a greatly honored member of her own family. The respect which was paid to her knowledge of etiquette and dress was never lessened because of the menial services she might have performed for those of noble blood.

The lady who was the head attendant, and those in the higher positions, had a great deal of power and influence in matters that concerned their mistress and the household; just as the male retainers decided for the prince, and in their own way, many of the affairs of the province. The few conservative old ladies, the last relics of the numerous retainers that once filled the castle, who still remain faithful in attendance in the homes now deprived of the grandeur of the olden times, look with horror upon the innovations of the present day, and sigh for the glory of old Japan. It is only upon compulsion that they give up many of the now useless formalities, and resign themselves to seeing their once so honored lords jostle elbow to elbow with the common citizen.

I shall never forget the horror of one old lady, attendant on a noble's daughter of high rank, just entering the peeress' school, when it was told her that each student must carry in her own bundle of books and arrange them herself, and that the attendants were not allowed in the classroom. The poor old lady was doubtless indignant at the thought that her noble-born mistress should have to perform even so slight a task as the arranging of her own desk unaided.[*]

In the daimiōs' houses there was little of the culture or wit that graced the more aristocratic seclusion of Kyōto, and none of the duties and responsibilities that belonged to the samurai women, so that the life of the daimiō's lady was perhaps more purposeless, and less stimulating to the noble qualities, than the lives of any other of the women of Japan. Surrounded by endless restrictions of etiquette, lacking both the stimulus that comes from physical toil and that to be derived from intellectual exertion, the ladies of this class of the nobility simply vegetated. There is little wonder that the nobles degenerated both mentally and physically during the years when the Tokugawas held sway; for there was absolutely nothing in the lives of the women to fit them to be the wives and mothers of strong men. Delicate, dainty, refined, dexterous in all manner of little things but helpless to act for themselves,—ladies to the inmost core of their beings, with instincts of honor and of noblesse oblige appearing in them from earliest childhood,—the years of seclusion, of deference from hundreds of retainers, of constant instruction in the duties as well as the dignities of their position, have produced an abiding effect upon the minds of the women of this aristocracy, and to-day even the youngest and smallest of them have the virtues as well as the failings produced by nearly three centuries of training. They are lacking in force, in ambition, in clearness of thought, among a nation abounding in those qualities; but the national characteristics of dignity, charming manners, a quick sense of honor, and indomitable pride of race and nation, combined with a personal modesty almost deprecating in its humility,—these are found among the daughters of the nobles developed to their highest extent. With the qualities of gentleness and delicacy possessed by these ladies, which make them shrink from rough contact with the outer world, there are mingled the stronger qualities of moral and physical courage. A daimiō's wife, as befitted the wife of a warrior and the daughter of long generations of brave men, never shrank from facing danger and death when necessary; and considered the taking of her own life an honorable and easy escape from being captured by her enemy.

Two or three little ripples from the past broke into my life in Tōkyō, giving a little insight into those old feudal times, and the customs that were common then, but that are now gone forever. A story was told me in Japan by a lady who had herself, as a child, witnessed the events narrated. It illustrates the responsibility felt by the retainers for their lord and his house. A daimiō fell into disgrace with the Shōgun, and was banished to his own capital,—a castle town several days' journey from Yedo,—as a punishment for some offense. The castle gates were closed, and no communication with the outer world allowed. During this period of disgrace, it happened that the noble fell ill, and died quite suddenly before his punishment was ended. His death under such circumstances was the most terrible thing that could befall either himself or his family, as his funeral must be without the ordinary tokens of respect; and his tombstone, instead of bearing tribute to his virtues, and the favor in which he had been held by his lord, must be simply the monument of his disgrace. This being the case, the retainers felt that these evils must be averted at any cost. Knowing that the Shōgun's anger was probably not so great as to make him wish to bring eternal disgrace to their dead lord, they at once decided to send a messenger to the Shōgun, begging for pardon on the plea of desperate illness, and asking the restoration of his favor before the approach of death. The death was not announced, but the floor of the room in which the man had died was lifted up, and the body let down to the ground beneath; and through all the town it was announced that the daimiō was hopelessly ill. Forty days passed before the Shōgun sent to the retainers the token that the disgrace was removed, and during all those forty days, in castle and barrack and village, the fiction of the daimiō's illness was kept up. As soon as the messengers returned, the body was drawn up again through the floor and placed on the bed; and all the retainers, from the least unto the greatest, were summoned into the room to congratulate their master upon his restoration to favor. One by one they entered the darkened room, prostrated themselves before the corpse, and uttered the formal words of congratulation. Then when all, even to the little girl who, grown to womanhood, told me the story, had been through the horrible ceremony, it was announced that the master was dead,—that he had died immediately after the return of the messenger with the good tidings of pardon. All obstacles being thus removed, the funeral was celebrated with due pomp and circumstance; and the tombstone of the daimiō to-day gives no hint of the disgrace from which he so narrowly escaped.

Another instance very similar, throwing some light on the custom of adoption or yōshi, referred to in a previous chapter, was the case of a nobleman who died without children, and without an heir appointed to inherit his title. It would never have done, in sending in the official notice of death, to be unable to name the legal head of the house and the successor to the title. There was also no male relative to perform the office of chief mourner at the funeral; and so the death of the nobleman was kept secret, and his house showed no signs of mourning during a long period, until a son satisfactory to all the members of the household had been adopted. When the legal notice of the adoption had been sent in, and the son received into the family as heir, then, and only then, was the death of the lord announced, the period of mourning begun, and the funeral ceremony performed.

Upon one occasion I was visiting a Japanese lady, who knew the interest that I took in seeing and procuring the old-fashioned embroidered kimonos, which are now entirely out of style in Japan, and which can only be obtained at second-hand clothing stores, or at private sale. My friend said that she had just been shown an assortment of old garments which were offered at private sale by the heirs of a lady, recently deceased, who had once been a maid of honor in a daimiō's house. The clothes were still in the house, and were brought in, in a great basket, for my inspection. Very beautiful garments they were, of silk, crêpe, and linen, embroidered elaborately, and in extremely good order. Many of them seemed not to have been worn at all, but had been kept folded away for years, and only brought out when a fitting occasion came round at the proper season of the year. As we turned over the beautiful fabrics, a black broadcloth garment at the bottom of the basket aroused my curiosity, and I pulled it out and held it up for closer inspection. A curious garment it was, bound with white, and with a great white crest appliqué on the middle of the back. Curious white stripes gave the coat a military look, and it seemed appropriate rather to the wardrobe of some two-sworded warrior than to that of a gentlewoman of the old type. To the question, How did such a coat come to be in such a place? the older lady of the company—one to whom the old days were still the natural order and the new customs an exotic growth—explained that the garment rightfully belonged in the wardrobe of any lady-in-waiting in a daimiō's house, for it was made to wear in case of fire or attack when the men were away, and the women were expected to guard the premises. Further search among the relics of the past brought to light the rest of the costume: silk hakama, or full kilted trousers; a stiff, manlike black silk cap bound with a white band; and a spear cover of broadcloth, with a great white crest upon it, like the one on the broadcloth coat. These made up the uniform which must be donned in time of need by the ladies of the palace or the castle, for the defense of their lord's property. They had been folded away for twenty years among the embroidered robes, to come to light at last for the purpose of showing to a foreigner a phase of the old life that was so much a matter of course to the older Japanese that it never occurred to them even to mention it to a stranger. The elder lady of the house was wonderfully amused at my interest in these mute memorials of the past, and could never comprehend why I was willing to expend the sum of one dollar for the sake of gaining possession of a set of garments for which I could have no possible use. The uniform had probably never been worn in actual warfare, but its owner had been trained in the use of the long-handled spear, the cover of which she had kept stored away all these years; and had regarded herself as liable to be called into action at any time as one of the home guard, when the male retainers of her lord were in the field.

There are in the shops of Tōkyō to-day hundreds of colored prints illustrating the splendor of the Shōgunate; for the fine clothes, the pageants, the show and display that ended with the fall of the house of Tokugawa, are still dear to the popular mind. In these one sees reproduced, in more than their original brilliancy of coloring, the daimiōs, with their trains of uniformed retainers, proceeding in stately pageant to the palace of the Shōgun; the games, the dances, the reviews held before the Shōgun himself; the princess, with her train of ladies and attendants, visiting the cherry blossoms at Uyéno, or crossing some swift but shallow river on her journey to Yedo. There one sees the fleet of red-lacquered pleasure barges in which the Shōgun with his court sailed up the river to Mukōjima, in the spring, to view the cherry-trees which bloom along the banks for miles. One sees, too, the interiors of the daimiōs' houses, the intimate domestic scenes into which no outsider could ever penetrate. One picture shows the excitements consequent upon the advent of an heir to a noble house,—the happy mother on her couch, surrounded by brightly dressed ladies-in-waiting; the baby in the room adjoining; another group of brilliant beings preparing his bath; while down the long piazza, which opens upon the little courtyard in the centre of the house, one sees still other groups of servants, bringing the gifts with which the great mansion is flooded at such a time. Still further away, across the courtyard, are the doctors, holding learned consultation around a little table, and mixing medicines to secure the health and strength of both mother and baby.

The fall of the Shōgunate, and the abolition of castle and yashiki, have made a radical change in the fashions of dress in Japan. One sees no longer the beautiful embroidered robes, except upon the stage, for the abolition of the great leisure class has put the flowered kimono out of fashion. There are no courts, small and great, scattered all through the country, where the ladies must be dressed in changing styles for the changing seasons, and where the embroideries that imitate most closely the natural flowers are sure of a market. When one asks, as every foreigner is likely to ask, the Japanese ladies of one's acquaintance, "Why have you given up the beautiful embroideries and gorgeous colors that you used to wear?" the answer always is, "There are no daimiōs' houses now." And this is regarded as a sufficient explanation of the change.[*]

I have in my possession to-day two dainty bits of the silk mosaic work before mentioned, the work of the sixteen-year-old wife of one of the proudest and most conservative of the present generation of nobles. A dainty little creature she was, with a face upon which her two years of wifehood and one year of motherhood had left no trace of care. Living amid her host of ladies and women servants, most of them older and wiser than herself; having no care and no amusements save the easy task of keeping herself pretty and well-dressed, and the amusement of watching her baby grow, and hearing the chance rumors that might come to her from the great new world into which her husband daily went, but with which she herself never mingled,—her days were one pleasant, monotonous round, unawakening alike either to soul or intellect. Into this life of remoteness from all that belongs to the new era, imagine the excitement produced by the advent of a foreign lady, with an educated dog, whose wonderful intelligence had been already related to her by one of her own ladies-in-waiting. I shall always believe that my invitation into that exclusive house was due largely to the reports of my dog, carried to its proprietors by one of the lady servitors who had seen him perform upon one occasion. Certain it is that the first words of the little lady of the house to me were a question about the dog; and her last act of politeness to our party was a warm embrace of the handsome collie, who had given unimpeachable evidence that he understood a great deal of English,—a tongue which the daimiō himself was painfully learning. The dainty child-wife with both arms buried in the heavy ruff of the astonished dog is a picture that comes to me often, and that brings up most pathetically the monotony of an existence into which so small a thing can bring so much. The lifelike black and white silk puppy, the creeping baby doll from Kyōto, the silk mosaic box and chopstick case,—the work of my lady's delicate fingers,—are most agreeable reminders of the kindness and sweetness of the little wife, whose sixteen summers have been spent among the surroundings of thirty years ago, and who lives, like the enchanted princess of the fairy tales, wrapped about by a spell which separates her from the bustling world of to-day. The product of the past,—the daughter of the last of the Shōguns,—she dwells in her enchanted house, among the relics of a past which is still the present to her and to her household. So lovely, so æsthetic, so dainty and charming seems the world into which one enters there, that one would not care to break the spell that holds it as it is, and let the girl-wife, with her gentlewomen and her kneeling servants, hurry forward into the busy, perplexing life of to-day. May time deal gently with her and hers, nor rudely break the enchantment that surrounds her!