[1] 1815.

That it was fashioned in ... MS.

[2] 1815.

But by prompt hands of Pleasure and of Love,
Female and Male; that emulously strove MS.

[3] 1827.

To shape the work, what time these walks and bowers
Were framed to cheer dark winter's lonely hours. 1815.
... bleak ... MS.

WRITTEN AT THE REQUEST OF SIR GEORGE BEAUMONT, BART., AND IN HIS NAME, FOR AN URN, PLACED BY HIM AT THE TERMINATION OF A NEWLY-PLANTED AVENUE, IN THE SAME GROUNDS

Composed 1808.—Published 1815

One of the "Inscriptions."—Ed.

Ye Lime-trees, ranged before this hallowed Urn,
Shoot forth with lively power at Spring's return;
And be not slow a stately growth to rear
Of pillars, branching off from year to year,
Till they have learned to frame a darksome aisle;— 5
That may recal to mind that awful Pile
[1]
Where Reynolds, 'mid our country's noblest dead,
In the last sanctity of fame is laid.
—There, though by right the excelling Painter sleep
Where Death and Glory a joint sabbath keep, 10
Yet not the less his Spirit would hold dear
Self-hidden praise, and Friendship's private tear:
Hence, on my patrimonial grounds, have I
Raised this frail tribute to his memory;
From youth a zealous follower of the Art[2] 15
That he professed; attached to him in heart;
Admiring, loving, and with grief and pride
Feeling what England lost when Reynolds died.

These Lime-trees now form "a stately growth of pillars," "a darksome aisle"; and the urn remains, as set up in 1807, at the end of the avenue.

The "awful Pile," where Reynolds lies, and where—

... Death and Glory a joint sabbath keep,

is, of course, Westminster Abbey.

After Wordsworth's return from Coleorton and Stockton to Grasmere, he wrote thus to Sir George Beaumont:—

"My Dear Sir George,

"Had there been room at the end of the small avenue of lime-trees for planting a spacious circle of the same trees, the Urn might have been placed in the centre, with the inscription thus altered,

"Ye lime-trees ranged around this hallowed urn,
Shoot forth with lively power at spring's return!
And be not slow a stately growth to rear,
Bending your docile boughs from year to year,
Till in a solemn concave they unite;
Like that Cathedral Dome beneath whose height
Reynolds, among our country's noble Dead,
In the last sanctity of fame is laid.
Here may some Painter sit in future days.
Some future poet meditate his lays!
Not mindless of that distant age, renowned,
When inspiration hovered o'er this ground,
The haunt of him who sang, how spear and shield
In civil conflict met on Bosworth field,
And of that famous youth (full soon removed
From earth!) by mighty Shakespeare's self approved,
Fletcher's associate, Jonson's friend beloved.

"The first couplet of the above, as it before stood, would have appeared ludicrous, if the stone had remained after the trees might have been gone. The couplet relating to the household virtues did not accord with the painter and the poet; the former being allegorical figures; the latter, living men."

This letter—which is not now in the Beaumont collection at Coleorton Hall—seems to imply that Wordsworth thought of combining the first couplet on the Urn with the last nine lines of the inscription for the stone behind the Cedar tree. But this was never carried out. The inscriptions are printed in the text as they were carved at Coleorton.—Ed.


VARIANTS:

[1] 1820.

Till ye have framed, at length, a darksome aisle,
Like a recess within that sacred pile

MS. letter to Sir George Beaumont, 1811.

Till they at length have framed a darksome Aisle;—
Like a recess within that awful Pile 1815.

[2] 1815.

Hence, an obscure Memorial, without blame,
In these domestic Grounds, may bear his name;
Unblamed this votive Urn may oft renew
Some mild sensations to his Genius due
From One—a humble Follower of the Art

Five lines instead of three in MS. letter to Sir George Beaumont, 16th November, 1811.


FOR A SEAT IN THE GROVES OF COLEORTON

Composed November 19, 1811.—Published 1815

One of the "Inscriptions."—Ed.

Beneath yon eastern ridge, the craggy bound,
Rugged and high, of Charnwood's forest ground,
Stand yet, but, Stranger! hidden from thy view
The ivied Ruins of forlorn Grace Dieu;

Erst a religious House, which[1] day and night 5
With hymns resounded, and the chanted rite:
And when those rites had ceased, the Spot gave birth
To honourable Men of various worth:[2]
There, on the margin of a streamlet wild,
Did Francis Beaumont sport, an eager child; 10
There, under shadow of the neighbouring rocks,
Sang youthful tales of shepherds and their flocks;
Unconscious prelude to heroic themes,
Heart-breaking tears, and melancholy dreams
Of slighted love, and scorn, and jealous rage, 15
With which his genius shook[3] the buskined stage.
Communities are lost, and Empires die,
And things of holy use unhallowed lie;[A]
They perish;—but the Intellect can raise,[4]
From airy words alone, a Pile that ne'er decays. 20

Charnwood forest, in Leicestershire, is an almost treeless wold of between fifteen and sixteen thousand acres. The

eastern ridge, the craggy bound,
Rugged and high,

refers probably to High Cadmon. The nunnery of Grace Dieu was a religious house, in a retired spot near the centre of the forest; and was built between 1236 and 1242. The English monasteries were suppressed in 1536; but Grace Dieu, with thirty others of the smaller monasteries, was allowed to continue some time longer. It was finally suppressed in 1539, when the site of the priory, with the demesne lands, was granted to Sir Humphrey Foster, who conveyed the whole to John Beaumont. Francis Beaumont, the dramatic poet, was born at Grace Dieu in 1586. He died in 1615, and was buried in Westminster Abbey.

"William and I went to Grace Dieu last week. We were enchanted with the little valley and its nooks, and the rocks of Charnwood upon the hill."—Dorothy Wordsworth to Lady Beaumont, November 17, 1806.

This "Inscription" was composed at Grasmere, November 19, 1811, as the following extract from a letter of Wordsworth's to Lady Beaumont indicates:—"Grasmere, Wednesday, November 20, 1811.—My Dear Lady Beaumont—When you see this you will think I mean to overrun you with inscriptions. I do not mean to tax you with putting them up, only with reading them. The following I composed yesterday morning in a walk from Brathay, whither I had been to accompany my sister:—

For a Seat in the Groves of Coleorton.

Beneath yon eastern ridge, the craggy bound.

The thought of writing this inscription occurred to me many years ago."—Ed.


VARIANTS:

[1] 1820.

... that ... 1815.

[2] 1815.

But, when the formal Mass had long been stilled,
And wise and mighty changes were fulfilled;
That Ground gave birth to men of various Parts
For Knightly Services and liberal Arts.

MS. letter to Lady Beaumont, 20th November, 1811.

[3] 1815.

With which his skill inspired ... MS.

[4] 1815.

But Truth and Intellectual Power can raise,

MS. letter to Lady Beaumont, 20th November, 1811.

FOOTNOTES:

[A] In the editions of 1815 and 1820, Wordsworth appended the following line from Daniel, as a note to the third last line of this "Inscription"—

Strait all that holy was unhallowed lies.
Daniel.Ed.

SONG AT THE FEAST OF BROUGHAM CASTLE,

Upon the Restoration of Lord Clifford, the Shepherd, to the Estates and Honours of his Ancestors

Composed 1807.—Published 1807

[See the note. This poem was composed at Coleorton while I was walking to and fro along the path that led from Sir George Beaumont's Farmhouse, where we resided, to the Hall, which was building at that time.—I. F.]

One of the "Poems of the Imagination."—Ed.

High in the breathless Hall the Minstrel sate,
And Emont's murmur mingled with the Song.—
The words of ancient time I thus translate,
A festal strain that hath been silent long:—
"From town to town, from tower to tower, 5
The red rose is a gladsome flower.
Her thirty years of winter past,
The red rose is revived at last;
She lifts her head for endless spring,
For everlasting blossoming:[A] 10
Both roses flourish, red and white:
In love and sisterly delight
The two that were at strife are blended,
And all old troubles[1] now are ended.—
Joy! joy to both! but most to her 15
Who is the flower of Lancaster!
Behold her how She smiles to-day
On this great throng, this bright array!
Fair greeting doth she send to all
From every corner of the hall; 20
But chiefly from above the board
Where sits in state our rightful Lord,
A Clifford to his own restored!
"They came with banner, spear, and shield;
And it was proved in Bosworth-field. 25
Not long the Avenger was withstood—
Earth helped him with the cry of blood:[B]
St George was for us, and the might
Of blessed Angels crowned the right.
Loud voice the Land has[2] uttered forth, 30
We loudest in the faithful north:
Our fields rejoice, our mountains ring,
Our streams proclaim a welcoming;
Our strong-abodes and castles see
The glory of their loyalty.[3] 35
"How glad is Skipton at this hour—
Though lonely, a deserted Tower;[4]
Knight, squire, and yeoman, page and groom:[5]
We have them at the feast of Brough'm.
How glad Pendragon—though the sleep 40
Of years be on her!—She shall reap
A taste of this great pleasure, viewing
As in a dream her own renewing.
Rejoiced is Brough, right glad I deem
Beside her little humble stream; 45
And she that keepeth watch and ward
Her statelier Eden's course to guard;
They both are happy at this hour,
Though each is but a lonely Tower:—
But here is perfect joy and pride 50
For one fair House by Emont's side,
This day, distinguished without peer
To see her Master and to cheer—
Him, and his Lady-mother dear!
"Oh! it was a time forlorn 55
When the fatherless was born—
Give her wings that she may fly,
Or she sees her infant die!
Swords that are with slaughter wild
Hunt the Mother and the Child. 60
Who will take them from the light?
—Yonder is a man in sight—
Yonder is a house—but where?
No, they must not enter there.
To the caves, and to the brooks, 65
To the clouds of heaven she looks;
She is speechless, but her eyes
Pray in ghostly agonies.
Blissful Mary, Mother mild,
Maid and Mother undefiled, 70
Save a Mother and her Child!
"Now Who is he that bounds with joy
On Carrock's side, a Shepherd-boy?
No thoughts hath he but thoughts that pass
Light as the wind along the grass. 75
Can this be He who hither came
In secret, like a smothered flame?
O'er whom such thankful tears were shed
For shelter, and a poor man's bread!
God loves the Child; and God hath willed 80
That those dear words should be fulfilled,
The Lady's words, when forced away
The last she to her Babe did say:
'My own, my own, thy Fellow-guest
I may not be; but rest thee, rest, 85
For lowly shepherd's life is best!'
"Alas! when evil men are strong
No life is good, no pleasure long.
The Boy must part from Mosedale's groves,
And leave Blencathara's rugged coves,[C] 90
And quit the flowers that summer brings[D]
To Glenderamakin's lofty springs;
Must vanish, and his careless cheer
Be turned to heaviness and fear.
—Give Sir Lancelot Threlkeld praise! 95
Hear it, good man, old in days!
Thou tree of covert and of rest
For this young Bird that is distrest;
Among thy branches safe he lay,
And he was free to sport and play, 100
When falcons were abroad for prey.
"A recreant harp, that sings of fear
And heaviness in Clifford's ear!
I said, when evil men are strong,
No life is good, no pleasure long, 105
A weak and cowardly untruth!
Our Clifford was a happy Youth,
And thankful through a weary time,
That brought him up to manhood's prime.
—Again he wanders forth at will, 110

And tends a flock from hill to hill:[6]
His garb is humble; ne'er was seen
Such garb with such a noble mien;
Among the shepherd grooms no mate
Hath he, a Child of strength and state! 115
Yet lacks not friends for simple[7] glee,
Nor yet for higher sympathy.[8]
To his side the fallow-deer
Came, and rested without fear;
The eagle, lord of land and sea, 120
Stooped down to pay him fealty;[E]
And both the undying fish that swim
Through Bowscale-tarn did wait on him;[F]
The pair were servants of his eye
In their immortality; 125
And glancing, gleaming, dark or bright,
Moved to and fro, for his delight.[9]
He knew the rocks which Angels haunt
Upon[10] the mountains visitant;
He hath kenned[11] them taking wing: 130
And into caves[12] where Faeries sing
He hath entered; and been told
By Voices how men lived of old.
Among the heavens his eye can see
The face of thing[13] that is to be; 135
And, if that men report him right,
His tongue could whisper words of might.[14]
—Now another day is come,
Fitter hope, and nobler doom;
He hath thrown aside his crook, 140
And hath buried deep his book;
Armour rusting in his halls
On the blood of Clifford calls;—[G]
'Quell the Scot,' exclaims the Lance—
Bear me to the heart of France, 145
Is the longing of the Shield—
Tell thy name, thou trembling Field;
Field of death, where'er thou be,
Groan thou with our victory!
Happy day, and mighty hour, 150
When our Shepherd, in his power,
Mailed and horsed, with lance and sword,
To his ancestors restored
Like a re-appearing Star,
Like a glory from afar, 155
First shall head the flock of war!"
Alas! the impassioned minstrel did not know
How, by Heaven's grace, this Clifford's heart was framed:
How he, long forced in humble walks to go,[15]
Was softened into feeling, soothed, and tamed. 160
Love had he found in huts where poor men lie;
His daily teachers had been woods and rills,
The silence that is in[16] the starry sky,
The sleep that is among the lonely hills.
In him the savage virtue of the Race, 165
Revenge, and all ferocious thoughts were dead:
Nor did he change; but kept in lofty place
The wisdom which adversity had bred.
Glad were the vales, and every cottage-hearth;
The Shepherd-lord was honoured more and more; 170
And, ages after he was laid in earth,
"The good Lord Clifford" was the name he bore.

The original text of this Song was altered but little in succeeding editions, and was not changed at all till 1836 and 1845. The following is Wordsworth's explanatory note, appended to the poem in all the editions:—

"Henry Lord Clifford, etc. etc., who is the subject of this Poem, was the son of John, Lord Clifford, who was slain at Towton Field,[H] which John, Lord Clifford, as is known to the Reader of English History, was the person who after the battle of Wakefield slew, in the pursuit, the young Earl of Rutland, Son of the Duke of York who had fallen in the battle, 'in part of revenge' (say the Authors of the History of Cumberland and Westmoreland); 'for the Earl's Father had slain his.' A deed which worthily blemished the author (saith Speed); But who, as he adds, 'dare promise any thing temperate of himself in the heat of martial fury? chiefly, when it was resolved not to leave any branch of the York line standing; for so one maketh this Lord to speak.' This, no doubt, I would observe by the bye, was an action sufficiently in the vindictive spirit of the times, and yet not altogether so bad as represented; 'for the Earl was no child, as some writers would have him, but able to bear arms, being sixteen or seventeen years of age, as is evident from this (say the Memoirs of the Countess of Pembroke, who was laudably anxious to wipe away, as far as could be, this stigma from the illustrious name to which she was born); that he was the next Child to King Edward the Fourth, which his mother had by Richard Duke of York, and that King was then eighteen years of age: and for the small distance betwixt her Children, see Austin Vincent in his book of Nobility, page 622, where he writes of them all. It may further be observed, that Lord Clifford, who was then himself only twenty-five years of age, had been a leading Man and Commander, two or three years together in the Army of Lancaster, before this time; and, therefore, would be less likely to think that the Earl of Rutland might be entitled to mercy from his youth.—But, independent of this act, at best a cruel and savage one, the Family of Clifford had done enough to draw upon them the vehement hatred of the House of York: so that after the Battle of Towton there was no hope for them but in flight and concealment. Henry, the subject of the Poem, was deprived of his estate and honours during the space of twenty-four years; all which time he lived as a shepherd in Yorkshire, or in Cumberland, where the estate of his Father-in-law (Sir Lancelot Threlkeld) lay. He was restored to his estate and honours in the first year of Henry the Seventh. It is recorded that, 'when called to parliament, he behaved nobly and wisely; but otherwise came seldom to London or the Court; and rather delighted to live in the country, where he repaired several of his Castles, which had gone to decay during the late troubles.' Thus far is chiefly collected from Nicholson and Burn; and I can add, from my own knowledge, that there is a tradition current in the village of Threlkeld and its neighbourhood, his principal retreat, that, in the course of his shepherd life, he had acquired great astronomical knowledge. I cannot conclude this note without adding a word upon the subject of those numerous and noble feudal Edifices, spoken of in the Poem, the ruins of some of which are, at this day, so great an ornament to that interesting country. The Cliffords had always been distinguished for an honourable pride in these Castles; and we have seen that after the wars of York and Lancaster they were rebuilt; in the civil Wars of Charles the First, they were again laid waste, and again restored almost to their former magnificence by the celebrated Lady Anne Clifford, Countess of Pembroke, etc. etc. Not more than twenty-five years after this was done, when the Estates of Clifford had passed into the Family of Tufton, three of these Castles, namely Brough, Brougham, and Pendragon, were demolished, and the timber and other materials sold by Thomas Earl of Thanet. We will hope that, when this order was issued, the Earl had not consulted the text of Isaiah, 58th Chap. 12th Verse, to which the inscription placed over the gate of Pendragon Castle, by the Countess of Pembroke (I believe his Grandmother) at the time she repaired that structure, refers the reader. 'And they that shall be of thee shall build the old waste places; thou shalt raise up the foundations of many generations, and thou shalt be called the repairer of the breach, the restorer of paths to dwell in.' The Earl of Thanet, the present possessor of the Estates, with a due respect for the memory of his ancestors, and a proper sense of the value and beauty of these remains of antiquity, has (I am told) given orders that they shall be preserved from all depredations."

Compare the reference to the "Shepherd-lord" in the first canto of The White Doe of Rylstone, p. 116, and the topographical allusions there, with this Song. Compare also the life of Anne Clifford, in Hartley Coleridge's Lives of Distinguished Northerners.

High in the breathless Hall the Minstrel sate,
And Emont's murmur mingled with the Song.

Brougham Castle, past which the river Emont flows, is about two miles out of Penrith, on the Appleby Road. It is now a ruin, but was once a place of importance. The larger part of it was built by Roger, Lord Clifford, son of Isabella de Veteripont, who placed over the inner door the inscription, "This made Roger." His grandson added the eastern part. The castle was frequently laid waste by the Scottish Bands, and during the Wars of the Roses. The Earl of Cumberland entertained James I. within it, in 1617, on the occasion of the king's last return from Scotland; but it seems to have "layen ruinous" from that date, and to have suffered much during the civil wars in the reign of Charles I. In 1651-52 it was repaired by Lady Anne Clifford, Countess Dowager of Pembroke, who wrote thus—"After I had been there myself to direct the building of it, did I cause my old decayed castle of Brougham to be repaired, and also the tower called the "Roman Tower," in the same old castle, and the court-house, for keeping my courts in, with some dozen or fourteen rooms to be built in it upon the old foundation." (Pembroke Memoirs, i. p. 216.) After the time of the Countess Anne, the castle was neglected, and much of the stone, timber, and lead disposed of at public sales: the wainscotting being purchased by the neighbouring villagers.

Her thirty years of winter past,
The red rose is revived at last.

This refers to the thirty years interval between 1455 (the first battle of St. Albans in the wars of the Roses) and 1485 (the battle of Bosworth and the accession of Henry VII.)

Both roses flourish, red and white,

Alluding to the marriage of Henry VII. with Elizabeth, which united the two warring lines of York and Lancaster.

And it was proved in Bosworth-field.

The battle of Bosworth Field, in Leicestershire, was fought in 1485.

Not long the Avenger was withstood—
Earth helped him with the cry of blood.

Henry VII.—who, as Henry, Earl of Richmond, last scion of the line of Lancaster, had fled to Brittany—returned with Morton, the exiled Bishop of Ely, landed at Milford, advanced through Wales, and met the royal army at Bosworth, where Richard was slain, and Henry crowned king on the battlefield. The "cry of blood" refers, doubtless, to the murder of the young princes in the Tower.

How glad is Skipton at this hour—
Though lonely, a deserted Tower.

Skipton is the "capital" of the Craven district of Yorkshire, as Barrow is the capital of the Furness district of Lancashire and Westmoreland. The castle of Skipton was the chief residence of the Cliffords. Architecturally it is of two periods: the round tower dating from the reign of Edward II., and the rest from that of Henry VIII. From the time of Robert de Clifford, who fell at Bannockburn (1314), until the seventeenth century, the estates of the Cliffords extended from Skipton to Brougham Castle—seventy miles—with only a short interruption of ten miles. The "Shepherd-lord" Clifford of this poem was attainted—as explained in Wordsworth's note—by the triumphant House of York. He was "committed by his mother to the care of certain shepherds, whose wives had served her," and who kept him concealed both in Cumberland, and at Londesborough, in Yorkshire, where his mother's (Lady Margaret Vesci) own estates lay. The old "Tower" of Skipton Castle was "deserted" during these years when the "Shepherd-lord" was concealed in Cumberland.

How glad Pendragon—though the sleep
Of years be on her!

Pendragon Castle, in a narrow dell in the forest of Mallerstang, near the source of the Eden, south of Kirkby-Stephen, was another of the castles of the Cliffords. Its building was traditionally ascribed to Uter Pendragon, of Stonehenge celebrity, who was fabled to have tried to make the Eden flow round the castle of Pendragon: hence the distich—

Let Uter Pendragon do what he can,
Eden will run where Eden ran.

In the Countess of Pembroke's Memoirs (vol. i. pp. 22, 228), we are told that Idonea de Veteripont "made a great part of her residence in Westmoreland at Brough Castle, near Stanemore, and at Pendragon Castle, in Mallerstang." The castle was burned and destroyed by Scottish raiders in 1341, and for 140 years it was in a ruinous state. It is probably to this that reference is made in the phrase, "though the sleep of years be on her." During the attainder of Henry Lord Clifford, in the reign of Edward IV., part of this estate of Mallerstang was granted to Sir William Parr of Kendal Castle. It was again destroyed during the civil wars of the Stuarts, and was restored, along with Skipton and Brougham, by Lady Anne Clifford, in 1660, who put up an inscription "... Repaired in 1660, so as she came to lye in it herself for a little while in October 1661, after it had lain ruinous without timber or any other covering since 1541. Isaiah, chap. lviii. ver. 12." It was again demolished in 1685.

Rejoiced is Brough, right glad I deem
Beside her little humble stream.

Brough—the Verterae of the Romans—is called, for distinction's sake, "Brough-under-Stainmore" (or "Stanemore"). The "little humble stream" is Hillbeck, formerly Hellebeck—(it was said to derive its name from the waters rushing or "helleing" down the channel)—which descends from Warcop Fell, runs through Market Brough, and joins the Eden below it. The date of the building of the castle of Brough is uncertain, but it is probably older than the Conquest. It was sacked by the Scottish King William in 1174. It was "one of the chief residences" of Idonea de Veteripont (above referred to); for "then it was in its prime." (Pemb. Mem., vol. i. p. 22.) Probably she rebuilt it, and changed it from a tower—like Pendragon—into a castle. In the Pembroke Memoirs (i. p. 108), we read of its subsequent destruction by fire. "A great misfortune befell Henry Lord Clifford, some two years before his death, which happened in 1521; his ancient and great castle of Brough-under-Stanemore was set on fire by a casual mischance, a little after he had kept a great Christmas there, so as all the timber and lead were utterly consumed, and nothing left but the bare walls, which since are more and more consumed, and quite ruinated." This same Countess Anne Pembroke began to repair it in April 1660, "at her exceeding great charge and cost." She put up an inscription over the gate similar to the one which she inscribed at Pendragon.

And she that keepeth watch and ward
Her statelier Eden's course to guard.

Doubtless Appleby Castle. Its origin is equally uncertain. Before 1422, John Lord Clifford, "builded that strong and fine artificial gate-house, all arched with stone, and decorated with the arms of the Veteriponts, Cliffords, and Percys, which with several parts of the castle walls was defaced and broken down in the civil war of 1648." His successor, Thomas, Lord Clifford, "built the chiefest part of the castle towards the east, as the hall, the chapel, and the great chamber." This was in 1454. The Countess Anne Pembroke wrote of Appleby Castle thus (Pemb. Mem., vol. i. p. 187): "In 1651 I continued to live in Appleby Castle a whole year, and spent much time in repairing it and Brougham Castle, to make them as habitable as I could, though Brougham was very ruinous, and much out of repair. And in this year, the 21st of April, I helped to lay the foundation stone of the middle wall of the great tower of Appleby Castle, called "Cæsar's Tower," to the end it might be repaired again, and made habitable, if it pleased God (Is. lviii. 12), after it had stood without a roof or covering, or one chamber habitable in it, since about 1567," etc. etc.

One fair House by Emont's side.

Brougham Castle.