X.

First impressions—A hero of the "Three Days"—Children's ball—Life in New-Orleans—A French supper—Omnibuses—Chartres-street at twilight—Calaboose—Guard-house—The vicinage of a theatre—French cafés—Scenes in the interior of a café—Dominos—Tobacco-smokers—New-Orleans society.


The last three days I have spent in perambulating the city, hearing, seeing, and visiting every thing worthy the notice of a Yankee, (and consequently an inquisitive) tourist.

As I shall again have occasion to introduce you among the strange and motley groups, and interesting scenes of the Levée, I will not now resume the thread of my narrative, broken by the conclusion of my last letter, but take you at once into the "terra incognita" of this city of contrarieties.

The evening of my visit to the market, through the politeness of Monsieur D., a young Frenchman who distinguished himself in the great "Three Days" at Paris, and to whom I had a letter of introduction, was passed amid the gayety and brilliancy of a French assembly-room. The building in which this ball was held, is adjacent to the Theatre d'Orleans, and devoted, I believe, exclusively to public parties, which are held here during the winter months, or more properly, "the season," almost every night. The occasion on which I attended, was one of peculiar interest. It was termed the "Children's ball;" and it is given at regular intervals throughout the gay months. I have not learned the precise object of this ball, or how it is conducted; but these are unimportant. I merely wish to introduce to you the dazzling crowd gathered there, so that you may form some conception of the manner and appearance of the lively citizens of this lively city, who seem disposed to remunerate themselves for the funereal and appalling silence of the long and gloomy season, when "pestilence walketh abroad at noon-day," by giving way to the full current of life and spirits. Adopting, literally, "Dum vivimus vivamus," for their motto and their "rule of faith and practice," they manage during the winter not only to make up for the privations of summer, but to execute about as much dancing, music, laughing, and dissipation, as would serve any reasonably disposed, staid, and sober citizens, for three or four years, giving them withal from January to January for the perpetration thereof.

After taking a light supper at home, as I already call my hotel, which consisted of claret, macaroni, cranberries, peaches, little plates of fresh grapes, several kinds of cakes and other bonbons, spread out upon a long polished mahogany table, resembling altogether more the display upon a confectioner's counter than the table d'hote of a hotel, in company with Monsieur D. I prepared to walk to the scene of the evening's amusement. But on gaining the street we observed the "omnibus" still at its stand at the intersection of Canal and Chartres streets. The driver, already upon his elevated station, with his bugle at his lips, was sounding his "signal to make sail," as we should say of a ship; and thereupon, being suddenly impressed with the advantages the sixteen legs of his team had over our four, in accomplishing the mile before us, we without farther reflection, sprang forthwith into the invitingly open door at the end of the vehicle, and the next instant found ourselves comfortably seated, with about a dozen others, "in omnibus."

There are two of these carriages which run from Canal-street through the whole length of Chartres-street, by the public square, and along the noble esplanade between the Levée and the main body of the city, as far as the rail-road; the whole distance being about two miles. The two vehicles start simultaneously from either place, every half-hour, and consequently change stands with each other alternately throughout the day. They commence running early in the morning, and are always on the move and crowded with passengers till sun-down. For a "bit" (twelve-and-a-half cents) as it is denominated here, one can ride the whole distance, or if he choose, but a hundred yards—it is all the same to the knight of the whip, who mounted on the box in front, guides his "four-in-hand" with the skill of a professor.

As we drove through the long, narrow and dusky street, the wholesale mercantile houses were "being" closed, while the retail stores and fancy shops, were "being" brilliantly lighted up. Carriages, horsemen, and noisy drays, with their noisier draymen, were rapidly moving in all directions, while every individual upon the "trottoirs" was hurrying, as though some important business of the day had been forgotten, or not yet completed. All around presented the peculiar noise and bustle which always prevail throughout the streets of a commercial city at the close of the day.

Leaving our omniferous vehicle with its omnifarious cargo—among whom, fore and aft, the chattering of half a dozen languages had all at once, as we rode along, unceasingly assailed our ears—at the head of Rue St. Pierre, we proceeded toward Orleans-street. Directly on quitting the omnibus we passed the famous Calaboos, or Calabozo, the city prison, so celebrated by all seamen who have made the voyage to New-Orleans, and who, in their "long yarns" upon the forecastle, in their weary watches, fail not to clothe it with every horror of which the Calcutta black hole, or the Dartmoor prison—two horrible bugbears to sailors—could boast. Its external appearance, however, did not strike me as very appealing. It is a long, plain, plastered, blackened building, with grated windows, looking gloomy enough, but not more so than a common country jail. It is built close upon the street, and had not my companion observed as we passed along, "That is the Calaboos," I should not probably have remarked it. On the corner above, and fronting the "square," is the guard-house, or quarters of the gens d'armes. Several of them in their plain blue uniforms and side arms, were lounging about the corner as we passed, mingling and conversing with persons in citizens' dress. A glance en passant through an open door, disclosed an apparently well-filled armory. A few minutes walk through an obscure and miserably lighted part of Rues St. Pierre and Royale, brought us into Orleans-street, immediately in the vicinity of its theatre. This street for some distance on either side of the assembly-room, was lighted with the brightness of noon-day; not, indeed, by the solitary lamps which, "few and far between," were suspended across the streets, but by the glare of reflectors and chandeliers from coffee-houses, restaurateurs, confectionaries and fancy stores, which were clustered around that nucleus of pleasure, the French theatre.

We were in the French part of the city; but there was no apparent indication that we were not really in France. Not an American ("Anglo") building was to be seen, in the vicinity, nor scarcely an American face or voice discoverable among the numerous, loud-talking, chattering crowd of every grade and colour, congregated before the doors of the ball-room and cafés adjoining. Before ascending to the magnificent hall where the gay dancers were assembled, we repaired to an adjoining café, à la mode New-Orleans, with a pair of Monsieur D.'s friends—whom we encountered in the lobby while negotiating for tickets—to overhaul the evening papers, and if need there should be, recruit our spirits. A French coffee-house is a place well worth visiting by a stranger, more especially a Yankee stranger. I will therefore detain you a little longer from the brilliant congregation of beauty and gallantry in the assembly room, and introduce you for a moment into this café and to its inmates. As the coffee houses here do not differ materially from each other except in size and richness of decoration, though some of them certainly are more fashionable resorts than others, the description of one of them will enable you perhaps to form some idea of other similar establishments in this city. Though their usual denomination is "coffee-house," they have no earthly, whatever may be their spiritual, right to such a distinction; it is merely a "nomme de profession," assumed, I know not for what object. We entered from the street, after passing round a large Venetian screen within the door, into a spacious room, lighted by numerous lamps, at the extremity of which stood an extensive bar, arranged, in addition to the usual array of glass ware, with innumerable French decorations. There were several attendants, some of whom spoke English, as one of the requirements of their station. This is the case of all employés throughout New-Orleans; nearly every store and place of public resort being provided with individuals in attendance who speak both languages. Around the room were suspended splendid engravings and fine paintings, most of them of the most licentious description, and though many of their subjects were classical, of a voluptuous and luxurious character. This is French taste however. There are suspended in the Exchange in Chartres-street—one of the most magnificent and public rooms in the city—paintings which, did they occupy an equally conspicuous situation in Merchant's Hall, in Boston, would be instantly defaced by the populace.

Around the room, beneath the paintings, were arranged many small tables, at most of which three or four individuals were seated, some alternately sipping negus and puffing their segars, which are as indispensable necessaries to a Creole at all times, as his right hand, eye-brows, and left shoulder in conversation. Others were reading newspapers, and occasionally assisting their comprehension of abstruse paragraphs, by hot "coffee," alias warm punch and slings, with which, on little japanned salvers, the active attendants were flying in all directions through the spacious room, at the beck and call of customers. The large circular bar was surrounded by a score of noisy applicants for the liquid treasures which held out to them such strong temptations. Trios, couples and units of gentlemen were promenading the well sanded floor, talking in loud tones, and gesticulating with the peculiar vehemence and rapidity of Frenchmen. Others, and by far the majority, were gathered by twos and by fours around the little tables, deeply engaged in playing that most intricate, scientific, and mathematical of games termed "Domino." This is the most common game resorted to by the Creoles. In every café and cabaret, from early in the morning, when the luxurious mint-julep has thawed out their intellects and expanded their organ of combativeness, till late at night, devotees to this childish amusement will be found clustered around the tables, with a tonic, often renewed and properly sangareed, at their elbows. Enveloped in dense clouds of tobacco-smoke issuing from their eternal segars—those inspirers of pleasant thoughts,—to whose density, with commendable perseverance and apparent good will, all in the café contribute,—they manœuvre their little dotted, black and white parallelograms with wonderful pertinacity and skill. The whole scene forcibly reminds one, if perchance their fame hath reached him, of a brace of couplets from a celebrated poem (a choral ode I believe) composed upon the ship-wreck of its author. The lines are strikingly applicable to the present subject by merely substituting "café" for "cabin," and negus-drinkers for "hogsheads and barrels."

"The café filled with thickest smoke,
Threat'ning every soul to choke:
Negus-drinkers crowding in,
Make a most infernal din."

There are certainly one hundred coffee-houses in this city—how many more, I know not,—and they have, throughout the day, a constant ingress and egress of thirsty, time-killing, news-seeking visiters. As custom authorises this frequenting of these popular places of resort, the citizens of New-Orleans do not, like those of Boston, attach any disapprobation to the houses or their visiters. And as there is, in New-Orleans, from the renewal of one half of its inhabitants every few years, and the constant influx of strangers, strictly speaking no exclusive clique or aristocracy, to give a tone to society and establish a standard of propriety and respectability, as among the worthy Bostonians, one cannot say to another, "It is not genteel to resort here—it will injure your reputation to be seen entering this or that café." The inhabitants have no fixed criterion of what is and what is not "respectable," in the northern acceptation of the term. They are neither guided nor restrained from following their own inclinations, by any laws of long established society, regulating their movements, and saying "thus far shalt thou go, and no farther." Consequently, every man minds his own affairs, pursues his own business or amusement, and lets his neighbours and fellow-citizens do the same; without the fear of the moral lash (not law) before his eyes, or expulsion from "caste" for doing that "in which his soul delighteth."

Thus you see that society here is a perfect democracy, presenting variety and novelty enough to a stranger, who chooses to mingle in it freely, and feels a disposition impartially to study character. But a truce to this subject for the present, as I wish to introduce you into the presence of the fair democrats, whose fame for beauty is so well established.

Forcing our way through the press around the door, we entered the lobby, from which a broad flight of steps conducted us to a first, and then a second platform, through piles of black servants in attendance upon their masters and mistresses in the ball-room. At the second landing our tickets were received, and we toiled on with difficulty toward the hall door, with our hats (which the regulations forbid our wearing even in the entrance) elevated in the air, for if placed under the arm they would have been flattened in the squeeze to the very respectable similitude of a platter, as one unlucky gentleman near me had an opportunity of testing, to his full conviction. We were soon drawn within the current setting into the ball-room, and were borne onward by the human stream over which a score or two of chapeaux waved aloft like signals of distress.—But I have already spun out my letter to a sufficient length, and lest you should cry "hold, Macduff," I will defer your introduction to the beau monde of New-Orleans till my next.







XI.

Interior of a ball-room—Creole ladies—Infantile dancers—French children—American children—A singular division—New-Orleans ladies—Northern and southern beauty—An agreeable custom—Leave the assembly-room—An olio of languages—The Exchange—Confusion of tongues—Temples of Fortune.


I have endeavoured to give you, in my hastily written letters, some notion of this city—its streets, buildings, inhabitants and various novelties, as they first struck my eye; and I apprehend that I have expanded my descriptions, by minuteness of detail, to a greater length than was necessary or desirable. But the scenes, individuals, and circumstances I meet with in my erranting expeditions through the city, are such as would attract, from their novelty, the attention of a traveller from the North, and, consequently, a description of them is neither unworthy a place in his letters, nor too inconsiderable to detain the attention of an inquisitive northern reader, vegetating "at home."

On entering, from the dimly lighted lobby, the spacious and brilliant hall, illuminated with glittering chandeliers, where the beauty, and fashion, and gallantry of this merry city were assembled, I was struck with the spirit, life, and splendour of the scene. From alcoves on every side of the vast hall, raised a few steps from the floor, and separated from the area for dancing by an estrade of slender columns which formed a broad promenade quite around the room, bright eyes were glancing over the lively scene, rivalling in brilliancy the glittering gems that sparkled on brow and bosom.

There were at least five hundred persons in the hall, two-thirds of whom were spectators. On double rows of settees arranged around the room, and bordering the area, were about one hundred ladies, exclusive of half as many, seated in the alcoves. In addition to an almost impenetrable body of gentlemen standing in the vicinity of the grand entrance, the promenade above alluded to was filled with them, as they lounged along, gazing and remarking upon the beautiful faces of the dark-eyed Creoles,[4] as their expressive and lovely features were lighted up and instinct with the animation of the moment; while others, more enviable, were clustered around the alcoves—most of which were literally and truly "bowers of beauty,"—gayly conversing with their fair occupants, as they gracefully leaned over the balustrade. There were several cotillions upon the floor, and the dancers were young masters and misses—I beg their pardon—young gentlemen and ladies, from four years old and upward—who were bounding away to the lively music, as completely happy as innocence and enjoyment could make them. I never beheld a more pleasing sight. The carriage of the infantile gentlemen was graceful and easy: and they wound through the mazes of the dance with an air of manliness and elegance truly French. But the tiny demoiselles moved with the lightness and grace of fairies. Their diminutive feet, as they glided through the figure, scarcely touched the floor, and as they sprang flying away to the livelier measures of the band, they were scarcely visible, fluttering indistinctly like humming birds' wings. They were dressed with great taste in white frocks, but their hair was so arranged as completely to disfigure their heads. Some of them, not more than eight years of age, had it dressed in the extreme Parisian fashion; and the little martyrs' natural deficiency of long hair was amply remedied by that sovereign mender of the defects of nature, Monsieur le friseur. The young gentlemen were dressed also in the French mode; that is, in elaborately embroidered coatees, and richly wrought frills. Their hair, however, was suffered to grow long, and fall in graceful waves or ringlets (French children always have beautiful hair) upon their shoulders; very much as boys are represented in old fashioned prints. This is certainly more becoming than the uncouth round-head custom now prevalent in the United States, of clipping the hair short, as though boys, like sheep, needed a periodical sheering; and it cannot be denied that they both—sheep and boys—are equally improved in appearance by the operation.

Turning from the bright and happy faces of the children, we met on every side the delighted looks of their parents and guardians, or elder brothers and sisters, who formed a large portion of the spectators.

As I promenaded arm in arm with Monsieur D. through the room, I noticed that at one end of the hall many of the young misses (or their guardians) were so unpardonably unfashionable as to suffer their hair to float free in wild luxuriance over their necks, waving and undulating at every motion like clouds; and many of the cheerful joyous faces I gazed upon, forcibly reminded me of those which are to be met with, trudging to and from school, every day at home.

"These are the American children," observed my companion; "one half of the hall is appropriated to them, the other to the French." "What!" I exclaimed, "is there such a spirit of rivalry, jealousy, or prejudice, existing between the French and American residents here, that they cannot meet even in a ball-room without resorting to so singular a method of expressing their uncongeniality of feeling, as that of separating themselves from each other by a line of demarcation?"

"By no means," he replied; "far from it. There is, I believe, a universal unanimity of feeling among the parties. There is now no other distinction, whatever may have existed in former days, either known or admitted, than the irremediable one of language. This distinction necessarily exists, and I am of opinion ever will exist in this city in a greater or less degree. It is this which occasions the separation you behold; for, from their ignorance of each other's language,—an ignorance too prevalent here, and both inexcusable and remarkable, when we consider the advantages mutually enjoyed for their acquisition,—were they indiscriminately mingled, the result would be a confusion like that of Babel, or a constrained stiffness and reserve, the natural consequence of mutual inability to converse,—instead of that regularity and cheerful harmony which now reign throughout the crowded hall."

During our promenade through the room I had an opportunity of taking my first survey of the gay world of this city, and of viewing at my leisure the dark-eyed fascinating Creoles, whose peculiar cast of beauty and superb figures are everywhere celebrated. Of the large assembly of ladies present,—and there were nearly two hundred, "maid, wife, and widow,"—there were many very pretty, if coal-black hair, regular features, pale, clear complexions, intelligent faces, lighted up by

"Eyes that flash and burn
Beneath dark arched brows,"

and graceful figures, all of which are characteristic of the Creole, come under this definition. There were others who would be called "handsome" anywhere, except in the Green Mountains, where a pretty face and a red apple, a homely face and a lily, are pretty much synonymous terms. A few were eminently beautiful; but there was one figure, which, as my eye wandered over the brilliant assembly, fixed it in a moment. I soon learned that she was the most celebrated belle of New-Orleans.

I have certainly beheld far more beauty among the same number of ladies in a northern ball-room, than I discovered here. Almost every young lady in New-England appears pretty, with her rosy cheeks, intelligent face, and social manners. The style of beauty at the south is of a more passive kind, and excitement is requisite to make it speak to the eye; but when the possessor is animated, then the whole face, which but a few moments before was passionless and quiet, becomes radiant and illuminated with fire and intelligence; and the indolent repose of the features becomes broken by fascinating smiles, and brilliant flashes from fine dark eyes. Till this change is produced, the face of the southern lady appears plain and unattractive; and the promenader through a New-Orleans assembly-room, where there was no excitement, if such could be the case, would pronounce the majority of the ladies decidedly wanting in beauty; but let him approach and enter into conversation with one of them, and he would be delighted and surprised at the magical transformation,

"From grave to gay, from apathy to fire."

It is certain, that beauty of features and form is more general in New-England; though in grace and expression, the south has the superiority.

The difference is usually attributed to climate; but this never has been demonstrated, and the cause is still inexplicable. You are probably aware that the human form, more particularly the female, is here matured three or four years sooner than at the north. At the age of thirteen or fourteen, before their minds are properly developed, their habits formed, or their passions modified, the features of young girls become regular, their complexions delicate, and their figures attain that tournure and womanly grace, though "beautifully less" in their persons, found only in northern ladies, at the age of seventeen or eighteen. The beauty of the latter, though longer in coming to maturity, and less perfect, is more permanent and interesting than the infantile and bewitching loveliness of the former. In consequence of this early approach to womanhood, the duration of their personal loveliness is of proportional limitation. Being young ladies at an age that would entitle them to the appellation of children in colder climates, they must naturally retire much sooner than these from the ranks of beauty. So when northern ladies are reigning in the full pride and loveliness of their sex—every feature expanding into grace and expression—southern ladies, of equal age, are changing their premature beauty for the faded hues of premature old age.

The joyous troops of youthful dancers, before ten o'clock arrived, surrendered the floor to the gentlemen and ladies, who, till now, had been merely spectators of the scene, and being resigned into the hands of their nurses and servants in waiting, were carried home, while the assembly-room, now converted into a regular ball-room, rang till long past the "noon of night" with the enlivening music, confusion, and revelry of a complete and crowded rout. Introductions for a partner in the dance were not the "order of the day," or rather of the night. A gentleman had only to single out some lady among the brilliant assemblage, and though a total stranger, solicit the honour of dancing with her. Such self-introductions are of course merely pro tem., and, like fashionable intimacies formed at Saratoga, never after recognised. Still, to a stranger, such absence of all formality is peculiarly pleasant, and, though every face may be new to him, he has the grateful satisfaction of knowing that he can make himself perfectly at home, and form innumerable delightful acquaintances for the evening, provided he chooses to be sociable, and make the most of the enjoyments around him. We left the hall at an early hour on our return to the hotel.

Crowds of mulatto, French and English hack-drivers were besieging the door, shouting in bad French, worse Spanish, and broken English—

"Coachee, massas! jontilhomme ridee!" "Caballeros, voulez vous tomer mé carriage?" "Wooly woo querie to ride sir?" "Fiacre Messieurs!" "By St. Patrick jintilmen—honie, mounseers, woulee voo my asy riding coach?"—et cetera, mingled with execrations, heavy blows, exchanged in the way of friendship, laughter, yells and Indian whoops, composing a "concord of sweet sounds" to be fully appreciated only by those who have heard similar concerts. We, however, effected our escape from these pupils of Jehu, who, ignorant of our country, in a city where all the nations of the earth are represented, wisely addressed us in a Babelic medley of languages, till we were out of hearing.

Returning, as we came through Rues Royale and St. Pierre, past the quarter of the "gens d'armes," we entered Chartres-street, which was now nearly deserted. Proceeding through this dark, narrow street on our way home, meeting now and then an individual pursuing his hasty and solitary way along the echoing pavé, we arrived at the new Exchange alluded to in my first letter, which served the double purpose of gentlemen's public assembly-room and café. As we entered from the dimly lighted street, attracted by the lively crowd dispersed throughout the spacious room, our eyes were dazzled by the noon-day brightness shed from innumerable chandeliers. Having lounged through the room, filled with smokers, newspaper-readers, promenaders, drinkers, &c. &c., till we were stunned by the noise of the multitude, who were talking in an endless variety of languages, clattering upon the ear at once, and making "confusion worse confounded," my polite friend suggested that we should ascend to "the rooms," as they are termed. As I wished to see every thing in New-Orleans interesting or novel to a northerner, I readily embraced the opportunity of an introduction into the penetralium of one of the far-famed temples which the goddess of fortune has erected in this, her favourite city. We ascended a broad flight of steps, one side of which exhibited many lofty double doors, thrown wide open, discovering to our view an extensive hall, in which stood several billiard tables, surrounded by their "mace and cue" devotees.

But as my letter is now of rather an uncharitable length, I will defer till my next, farther description of the deeds and mysteries and unhallowed sacrifices connected with these altars of dissipation.

FOOTNOTE:

[4] There is at the North a general misconception of the term "Creole." A friend of mine who had visited Louisiana for his health, after a residence of a few months gained the affections of a very lovely girl, and married her. He wrote to his uncle in Massachusetts, to whose large estate he was heir-expectant, communicating the event, saying that he "had just been united to an amiable Creole, whom he anticipated the pleasure of introducing to him in the Spring." The old gentleman, on receiving the letter, stamped, raved, and swore; and on the same evening replied to his nephew, saying, that as he had disgraced his family by marrying a Mulatto, he might remain where he was, as he wished to have nothing to do with him, or any of his woolly-headed, yellow skinned brats, that might be, henceforward." My friend, however, ventured home, and when the old gentleman beheld his lovely bride, he exclaimed, "The d—l, nephew, if you call this little angel a Creole, what likely chaps the real ebony Congos must be in that country." The old gentleman is not alone in his conception of a Creole. Where there is one individual in New England correctly informed, there are one hundred who, like him, know no distinction between the terms Creole and Mulatto. "Creole" is simply a synonym for "native." It has, however, only a local, whereas "native" has a general application. To say "He is a Creole of Louisiana," is to say "He is a native of Louisiana." Contrary to the general opinion at the North, it is seldom applied to coloured persons, Creole is sometimes, though not frequently, applied to Mississippians; but with the exception of the West-India Islands, it is usually confined to Louisiana.







XII.

The Goddess of fortune—Billiard-rooms—A professor—Hells—A respectable banking company—"Black-legs"—Faro described—Dealers—Bank—A novel mode of franking—Roulette-table—A supper in Orcus—Pockets to let—Dimly lighted streets—Some things not so bad as they are represented.


My last letter left me on my way up to "the rooms" over the Exchange, where the goddess of fortune sits enthroned, with a "cue" for her sceptre, and a card pack for her "magna charta," dispensing alternate happiness and misery to the infatuated votaries who crowd in multitudes around her altars. Proceeding along the corridor, we left the billiard-room on our left, in which no sound was heard (though every richly-carved, green-covered table was surrounded by players, while numerous spectators reclined on sofas or settees around the room) save the sharp teck! teck! of the balls as they came in contact with each other, and the rattling occasioned by the "markers" as they noted the progress of the game on the large parti-coloured "rosaries" extended over the centre of the tables. Lingering here but a moment, we turned an angle of the gallery, and at the farther extremity came to a glass door curtained on the inner side, so as effectually to prevent all observation of the interior. Entering this,—for New-Orleans,—so carefully guarded room, we beheld a scene, which, to an uninitiated, ultra city-bred northerner, would be both novel and interesting.

The first noise which struck our ears on entering, was the clear ringing and clinking of silver, mingled with the technical cries of the gamblers, of "all set"—"seven red"—"few cards"—"ten black," &c.—the eager exclamations of joy or disappointment by the players, and the incessant clattering of the little ivory ball racing its endless round in the roulette-table. On one side of the room was a faro-table, and on the opposite side a roulette. We approached the former, which was thronged on three sides with players, while on the other, toward the wall, was seated the dealer of the game—the "gentleman professeur." He was a portly, respectable looking, jolly-faced Frenchman, with so little of the "black-leg" character stamped upon his physiognomy, that one would be far from suspecting him to be a gambler by profession. This is a profession difficult to be conceived as the permanent and only pursuit of an individual. Your conception of it has probably been taken, as in my own case, from the fashionable novels of the day; and perhaps you have regarded the character as merely the creation of an author's brain, and "the profession" as a profession, existing nowhere in the various scenes and circumstances of life.

There are in this city a very great number of these infernos, (anglicè "hells") all of which—with the exception of a few private ones, resorted to by those gentlemen who may have some regard for appearances—are open from twelve at noon till two in the morning, and thronged by all classes, from the lowest blackguard upward. They are situated in the most public streets, and in the most conspicuous locations. Each house has a bank, as the amount of funds owned by it is termed. Some of the houses have on hand twenty thousand dollars in specie; and when likely to be hard run by heavy losses, can draw for three or four times that amount upon the directors of the "bank company." The establishing of one of these banks is effected much as that of any other. Shares are sold, and many respectable moneyed men, I am informed, become stockholders; though not ambitious, I believe, to have their names made public. It is some of the best stock in the city, often returning an enormous dividend. They are regularly licensed, and pay into the state or city treasury, I forget which, annually more than sixty thousand dollars. From six to twelve well-dressed, genteel looking individuals, are always to be found in attendance, to whom salaries are regularly paid by the directors; and to this salary, and this occupation, they look for as permanent a support through life as do members of any other profession. It is this class of men who are emphatically denominated "gamblers and black legs." The majority of them are Frenchmen, though they usually speak both French and English. Individuals, allured by the hope of winning, are constantly passing in and out of these houses, in "broad noon," with the same indifference to what is termed "public opinion," as they would feel were they going into or out of a store.

Those places which are situated in the vicinity of Canal-street and along the Levée, are generally of a lower order, and thronged with the canaille of the city, sailors, Kentucky boatmen, crews of steamboats, and poor Gallic gentlemen, in threadbare long-skirted coats and huge whiskers. The room we were now visiting was of a somewhat higher order, though not exclusively devoted to the more genteel adventurers, as, in the very nature of the thing, such an exclusion would be impossible. But if unruly persons intrude, and are disposed to be obstreperous, the conductors of the rooms, of course, have the power of expelling them at pleasure.

Being merely spectators of the game, we managed to obtain an advantageous position for viewing it, from a vacant settee placed by the side of the portly dealer, who occupied, as his exclusive right, one side of the large table. Before him were placed in two rows thirteen cards; the odd thirteenth capping the double file, like a militia captain at the head of his company, when marching "two by two;" the files of cards, however, unlike these martial files of men, are straight. You will readily see by the number, that these cards represent every variety in a pack. The dealer, in addition, has a complete pack, fitting closely in a silver box, from which, by the action of a sliding lid, he adroitly and accurately turns off the cards in dealing. The players, or "betters," as they are termed, place their money in various positions as it respects the thirteen cards upon the table, putting it either on a single card or between two, as their skill, judgment, or fancy may dictate.

As I took my station near the faro-board, the dealer was just shuffling the cards for a new game. There were eleven persons clustered around the table, and as the game was about to commence, arm after arm was reached forth to the prostrate cards, depositing one, five, ten, twenty, or fifty dollars, according to the faith or depth of purse of their owners. On, around, and between the cards, dollars were strewed singly or in piles, while the eyes of every better were fixed immoveably, and, as the game went on, with a painful intensity, upon his own deposit, perhaps his last stake. When the stakes were all laid, the dealer announced it by drawling out in bad English, "all saat." Then, damping his forefinger and thumb, by a summary process—not quite so elegant as common—he began drawing off the cards in succession. The card taken off does not count in the game; the betters all looking to the one turned up in the box to read the fate of their stakes. As the cards are turned, the winners are paid, the money won by the bank swept off with a long wand into the reservoir by the side of the banker, and down go new stakes, doubled or lessened according to the success of the winners—again is drawled out the mechanical "all set," and the same routine is repeated until long past midnight, while the dealers are relieved every two or three hours by their fellow-partners in the house.

At the right hand of the dealer, upon the table, is placed what is denominated "the bank," though it is merely its representative. This is a shallow, yet heavy metal box, about twenty inches long, half as many wide, and two deep, with a strong network of wire, so constructed as to cover the box like a lid, and be secured by a lock. Casting my eye into this receptacle through its latticed top, I noticed several layers of U.S. bank notes, from five to five hundred dollars, which were kept down by pieces of gold laid upon each pile. About one-fifth of the case was parted off from the rest, in which were a very large number of gold ounces and rouleaus of guineas. The whole amount contained in it, so far as I could judge, was about six thousand dollars, while there was more than three thousand dollars in silver, piled openly and most temptingly upon the table around the case, in dollars, halves, and quarters, ready for immediate use. From policy, five franc pieces are substituted for dollars in playing; but the winner of any number of them can, when he ceases playing, immediately exchange them at the bank for an equal number of dollars. It often happens that players, either from ignorance or carelessness, leave the rooms with the five franc pieces; but should they, five minutes afterward, discover their neglect and return to exchange them, the dealer exclaims with an air of surprise—

"Saar! it will be one mistake, saar. I nevair look you in de fas before, saar!" Thousands of dollars are got off annually in this manner, and a very pretty interest the banks derive from their ingenious method of franking.

Having seen some thousands of dollars change hands in the course of an hour, and, with feelings somewhat allied to pity, marked the expression of despair, darkening the features of the unfortunate loser, as he rushed from the room with clenched hands and bent brow, muttering indistinctly within his teeth fierce curses upon his luck; and observed, with no sympathizing sensations of pleasure, the satisfaction with which the winners hugged within their arms their piles of silver, we turned from the faro, and crossed the room to the roulette table. These two tables are as inseparable as the shark and the pilot fish, being always found together in every gambling room, ready to make prey of all who come within their influence. At faro there is no betting less than a dollar; here, stakes as low as a quarter are permitted. The players were more numerous at this table than at the former, and generally less genteel in their appearance. The roulette table is a large, long, green-covered board or platform, in the centre of which, placed horizontally upon a pivot, is a richly plated round mahogany table, or wheel, often inlaid with ivory and pearl, and elaborately carved, about two feet in diameter, with the bottom closed like an inverted box cover. Around this wheel, on the inner border, on alternate little black and red squares, are marked numbers as high as thirty-six, with two squares additional, in one a single cipher, in the other two ciphers; while on the green cloth-covered board, the same numbers are marked in squares. The dealer, who occupies one side of the table, with his metal, latticed case of bank notes and gold at his right hand, and piles of silver before him, sets the wheel revolving rapidly, and adroitly spins into it from the end of his thumb, as a boy would snap a marble, an ivory ball, one quarter the size of a billiard ball. The betters, at the same instant, place their money upon such one of the figures drawn upon the cloth as they fancy the most likely to favour them, and intently watch the ball as it races round within the revolving wheel. When the wheel stops, the ball necessarily rests upon some one of the figures in the wheel, and the fortunate player, whose stake is upon the corresponding number on the cloth, is immediately paid his winning, while the stakes of the losers are coolly transferred by the dealer to the constantly accumulating heap before him; again the wheel is set revolving, the little ball rattles around it, and purses are again made lighter and the bank increased.

As we were about to depart, I noticed in an interior room a table spread for nearly a dozen persons, and loaded with all the substantials for a hearty supper. The dealers, or conductors of the bank, are almost all bachelors, I believe, or ought to be, and keep "hall" accordingly, in the same building where lies their theatre of action, in the most independent and uproarious style. After the rooms are closed, which is at about two in the morning, they retire to their supper table, inviting all the betters, both winners and losers, who are present when the playing breaks up, to partake with them. The invitations are generally accepted; and those poor devils who in the course of the evening have been so unfortunate as to have "pockets to let," have at least the satisfaction of enjoying a good repast, gratis, before they go home and hang themselves.[5]

Having satisfied our curiosity with a visit to this notable place, we descended into the Exchange, which was now nearly deserted; a few gentlemen only were taking their "night caps" at the bar, and here and there, through the vast room, a solitary individual was pacing backward and forward with echoing footsteps.

Leaving the now deserted hall, which at an earlier hour had resounded with the loud and confused murmur of a hundred tongues, and the tramping of a busy multitude, we proceeded to our hotel through the silent and dimly lighted streets,[6] without being assassinated, robbed, seized by the "gens d'armes," and locked up in the guard-house, or meeting any other adventure or misadventure whatever; whereat we were almost tempted to be surprised, remembering the frightful descriptions given by veracious letter-writers, of this "terrible city" of New-Orleans.

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