Title: The Complete Poetical Works of Oliver Goldsmith
Author: Oliver Goldsmith
Release date: November 1, 2002 [eBook #3545]
Most recently updated: September 3, 2021
Language: English
Credits: Amy E Zelmer, Barb Grow, Derek Thompson and David Widger
Edited with Introduction and Notes
by
AUSTIN
DOBSON
HON. LL.D. EDIN.
This volume is a reprint, extended and revised, of the Selected Poems of Goldsmith issued by the Clarendon Press in 1887. It is ‘extended,’ because it now contains the whole of Goldsmith’s poetry: it is ‘revised’ because, besides the supplementary text, a good deal has been added in the way of annotation and illustration. In other words, the book has been substantially enlarged. Of the new editorial material, the bulk has been collected at odd times during the last twenty years; but fresh Goldsmith facts are growing rare. I hope I have acknowledged obligation wherever it has been incurred; I trust also, for the sake of those who come after me, that something of my own will be found to have been contributed to the literature of the subject.
AUSTIN DOBSON.
Ealing, September, 1906.
| OLIVER GOLDSMITH. From Joseph Marchi’s mezzotint of 1770 after the portrait by Sir Joshua Reynolds. |
| PANE OF GLASS with Goldsmith’s autograph signature, dated March, 1746, now at Trinity College, Dublin. |
| VIGNETTE TO THE TRAVELLER. Drawn by Samuel Wale, and engraved by Charles Grignion. |
| HEADPIECE TO THE TRAVELLER. Engraved on wood by Charlton Nesbit for Bulmer’s Poems of Goldsmith and Parnell, 1795. |
| THE TRAVELLER. From a design by Richard Westall, R. A., engraved on wood by Thomas Bewick for Bulmer’s Poems of Goldsmith and Parnell, 1795. |
| VIGNETTE TO THE DESERTED VILLAGE, 1770. Drawn and engraved by Isaac Taylor. |
| HEADPIECE TO THE DESERTED VILLAGE. Engraved on wood by Charlton Nesbit for Bulmer’s Poems of Goldsmith and Parnell, 1795. |
| THE WATER-CRESS GATHERER. Drawn and engraved on wood by John Bewick for Bulmer’s Poems of Goldsmith and Parnell, 1795. |
| THE DEPARTURE. Drawn by Robert Johnson, and engraved on wood by Thomas Bewick for Bulmer’s Poems of Goldsmith and Parnell, 1795. |
| EDWIN AND ANGELINA. From an original washed drawing made by Thomas Stothard, R.A., for Aikin’s Goldsmith’s Poetical Works, 1805. |
| PORTRAIT OF GOLDSMITH, after Sir Joshua Reynolds. From an etching by James Basire on the title-page of Retaliation, 1774. |
| SONG FROM THE CAPTIVITY. Facsimile of Goldsmith’s writing and signature, from Prior’s Life of Oliver Goldsmith, M.B., 1837, ii, frontispiece. |
| GREEN ARBOUR COURT, OLD BAILEY. From an engraving in the European Magazine for January, 1803. |
| KILKENNY WEST CHURCH. From an aquatint by S. Alken of a sketch by R. H. Newell (Goldsmith’s Poetical Works, 1811). |
| HAWTHORN TREE. From the same. |
| SOUTH VIEW FROM GOLDSMITH’S MOUNT. From the same . . . To face p. 183. [This picture is unavailable.] |
| THE SCHOOL HOUSE. From the same. |
| PORTRAIT OF GOLDSMITH. Drawn by Henry William Bunbury and etched by James Bretherton. From the Haunch of Venison, 1776. |
| PORTRAIT OF GOLDSMITH. From a silhouette by Ozias Humphry, R.A., in the National Portrait Gallery. |
| LISSOY (OR LISHOY) MILL. From an aquatint by S. Alken of a sketch by R. H. Newell (Goldsmith’s Poetical Works, 1811). |
| THE PARSONAGE. From the same. |