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Title: The Complete Poetical Works of Oliver Goldsmith

Author: Oliver Goldsmith

Release date: November 1, 2002 [eBook #3545]
Most recently updated: September 3, 2021

Language: English

Credits: Amy E Zelmer, Barb Grow, Derek Thompson and David Widger

*** START OF THE PROJECT GUTENBERG EBOOK THE COMPLETE POETICAL WORKS OF OLIVER GOLDSMITH ***
[Illustration: Oliver Goldsmith]

OLIVER GOLDSMITH
(Sir Joshua Reynolds)


OXFORD EDITION

THE COMPLETE
POETICAL WORKS
OF
OLIVER GOLDSMITH




Edited with Introduction and Notes
by
AUSTIN DOBSON
HON. LL.D. EDIN.



PREFATORY NOTE

This volume is a reprint, extended and revised, of the Selected Poems of Goldsmith issued by the Clarendon Press in 1887. It is ‘extended,’ because it now contains the whole of Goldsmith’s poetry: it is ‘revised’ because, besides the supplementary text, a good deal has been added in the way of annotation and illustration. In other words, the book has been substantially enlarged. Of the new editorial material, the bulk has been collected at odd times during the last twenty years; but fresh Goldsmith facts are growing rare. I hope I have acknowledged obligation wherever it has been incurred; I trust also, for the sake of those who come after me, that something of my own will be found to have been contributed to the literature of the subject.

AUSTIN DOBSON.

Ealing, September, 1906.

CONTENTS

Introduction
Chronology of Goldsmith’s Life and Poems

POEMS
Descriptive Poems
The Traveller; or, A Prospect of Society
The Deserted Village
Lyrical and Miscellaneous Pieces
Prologue of Laberius
On a Beautiful Youth struck Blind with Lightning
The Gift. To Iris, in Bow Street
The Logicians Refuted
A Sonnet
Stanzas on the Taking of Quebec
An Elegy on Mrs. Mary Blaize
Description of an Author’s Bedchamber
On seeing Mrs. *** perform in the Character of ****
On the Death of the Right Hon.***
An Epigram. Addressed to the Gentlemen reflected on in ‘The Rosciad’, a Poem, by the Author
To G. C. and R. L.
Translation of a South American Ode
The Double Transformation. A Tale
A New Simile, in the Manner of Swift
Edwin and Angelina
Elegy on the Death of a Mad Dog
Song (‘When Lovely Woman,’ etc.)
Epilogue to The Good Natur’d Man
Epilogue to The Sister
Prologue to Zobeide
Threnodia Augustalis: Sacred to the Memory of Her Late Royal Highness the Princess Dowager of Wales
Song (‘Let school-masters,’ etc.)
Epilogue to She Stoops to Conquer
Retaliation
Song (‘Ah, me! when shall I marry me?’)
Translation (‘Chaste are their instincts’)
The Haunch of Venison
Epitaph on Thomas Parnell
The Clown’s Reply
Epitaph on Edward Purdon
Epilogue for Lee Lewes
Epilogue written for She Stoops to Conquer (1)
Epilogue written for She Stoops to Conquer (2)
The Captivity. An Oratorio
Verses in Reply to an Invitation to Dinner
Letter in Prose and Verse to Mrs. Bunbury
Vida’s Game of Chess

NOTES
Introduction to the Notes
Editions of the Poems
The Traveller
The Deserted Village
Prologue of Laberius
On a Beautiful Youth struck Blind with Lightning
The Gift
The Logicians Refuted
A Sonnet
Stanzas on the Taking of Quebec
An Elegy on Mrs. Mary Blaize
Description of an Author’s Bedchamber
On seeing Mrs. *** perform in the Character of ****
On the Death of the Right Hon. ***
An Epigram
To G. C. and R. L.
Translation of a South American Ode
The Double Transformation
A New Simile
Edwin and Angelina
Elegy on the Death of a Mad Dog
Song (from The Vicar of Wakefield)
Epilogue (The Good Natur’d Man)
Epilogue (The Sister)
Prologue (Zobeide)
Threnodia Augustalis
Song (from She Stoops to Conquer)
Epilogue (She Stoops to Conquer)
Retaliation
Song intended for She Stoops to Conquer
Translation
The Haunch of Venison
Epitaph on Thomas Parnell
The Clown’s Reply
Epitaph on Edward Purdon
Epilogue for Lee Lewes’s Benefit
Epilogue (She Stoops to Conquer) (1)
Epilogue (She Stoops to Conquer) (2)
The Captivity
Verses in Reply to an Invitation to Dinner
Letter in Prose and Verse to Mrs. Bunbury
Vida’s Game of Chess

APPENDIXES
Portraits of Goldsmith
Descriptions of Newell’s Views of Lissoy, etc.
The Epithet ‘Sentimental’
Fragments of Translations, etc., by Goldsmith
Goldsmith on Poetry under Anne and George the First
Criticisms from Goldsmith’s Beauties of English Poesy

LIST OF ILLUSTRATIONS

OLIVER GOLDSMITH. From Joseph Marchi’s mezzotint of 1770 after the portrait by Sir Joshua Reynolds.
PANE OF GLASS with Goldsmith’s autograph signature, dated March, 1746, now at Trinity College, Dublin.
VIGNETTE TO THE TRAVELLER. Drawn by Samuel Wale, and engraved by Charles Grignion.
HEADPIECE TO THE TRAVELLER. Engraved on wood by Charlton Nesbit for Bulmer’s Poems of Goldsmith and Parnell, 1795.
THE TRAVELLER. From a design by Richard Westall, R. A., engraved on wood by Thomas Bewick for Bulmer’s Poems of Goldsmith and Parnell, 1795.
VIGNETTE TO THE DESERTED VILLAGE, 1770. Drawn and engraved by Isaac Taylor.
HEADPIECE TO THE DESERTED VILLAGE. Engraved on wood by Charlton Nesbit for Bulmer’s Poems of Goldsmith and Parnell, 1795.
THE WATER-CRESS GATHERER. Drawn and engraved on wood by John Bewick for Bulmer’s Poems of Goldsmith and Parnell, 1795.
THE DEPARTURE. Drawn by Robert Johnson, and engraved on wood by Thomas Bewick for Bulmer’s Poems of Goldsmith and Parnell, 1795.
EDWIN AND ANGELINA. From an original washed drawing made by Thomas Stothard, R.A., for Aikin’s Goldsmith’s Poetical Works, 1805.
PORTRAIT OF GOLDSMITH, after Sir Joshua Reynolds. From an etching by James Basire on the title-page of Retaliation, 1774.
SONG FROM THE CAPTIVITY. Facsimile of Goldsmith’s writing and signature, from Prior’s Life of Oliver Goldsmith, M.B., 1837, ii, frontispiece.
GREEN ARBOUR COURT, OLD BAILEY. From an engraving in the European Magazine for January, 1803.
KILKENNY WEST CHURCH. From an aquatint by S. Alken of a sketch by R. H. Newell (Goldsmith’s Poetical Works, 1811).
HAWTHORN TREE. From the same.
SOUTH VIEW FROM GOLDSMITH’S MOUNT. From the same . . . To face p. 183. [This picture is unavailable.]
THE SCHOOL HOUSE. From the same.
PORTRAIT OF GOLDSMITH. Drawn by Henry William Bunbury and etched by James Bretherton. From the Haunch of Venison, 1776.
PORTRAIT OF GOLDSMITH. From a silhouette by Ozias Humphry, R.A., in the National Portrait Gallery.
LISSOY (OR LISHOY) MILL. From an aquatint by S. Alken of a sketch by R. H. Newell (Goldsmith’s Poetical Works, 1811).
THE PARSONAGE. From the same.