The idea which this verse expresses can be found throughout the works of Quinault. He has said it again and again, with the same langourous, insinuating sweetness, for a period which lasted more than thirty years, and in the beginning no one very seriously divided with him the attention of the public.
At the appearance of his first piece in 1653, Racine was fourteen; Molière did not return to Paris until 1658. Corneille, in truth, was preparing his return to the theatre; but he found when his last tragedies were played, that he had done well to study Quinault, and in doing this he had not wasted his time;—a decisive proof of the echo to which souls responded,[65] and of the increasing immorality of the new era.
Thus the Court of France lost its prestige. The éclat cast by the Fronde upon the men and women seeking great adventures had been replaced by no new enthusiasms. The pleasures to which entire lives were devoted had not always been refining, as we have seen above, and people had not grown in intelligence. The bold crowd of the Mazarins gave the tone to the Louvre, and this tone lacked delicacy. The Queen, Anne of Austria, groaned internally, but she had loosed the reins; except in the affair of her son's marriage she had nothing to refuse to the nieces of Cardinal Mazarin.
Because the Court was in general lazy and frivolous, a hasty opinion of the remainder of France should not be formed. The Court did not fairly represent the entire nation; outside of it there was room for other opinions and sentiments. It was during the years of 1650 to 1656, which appear to us at first sight almost a moral desert, that private charity made in the midst of France one of its greatest efforts, an effort very much to the honour of all concerned in it.
I have noticed elsewhere[66] the frightful poverty of the country during the Fronde. This distress which was changing into desert places one strip after another of French territory, must be relieved, and amongst those in authority no one was found capable of doing it.
It is hardly possible to represent to one's self to-day the condition left by the simple passage of an army belonging to a civilised people, through a French or German land, two or three hundred years ago.
The idea of restricting the sufferings caused by war to those which are inevitable is a novel one. In the seventeenth century, on the contrary, the effort was to increase them. The chiefs for the most part showed a savage desire to excite the mania for destruction which is so easily aroused with soldiers during a campaign. Towards the end of the Fronde, some troops belonging to Condé, then in the service of the King of Spain, occupied his old province of Bourgogne. If any district of France could have hoped to be respected by the Prince, it was this one; his father had possessed it before him and it was full of their friends. Ties of this kind, however, were of no advantage. March 23, 1652, the States of Bourgogne wrote to M. de Bielle, their deputy at Court:
The enemies having already burned fourteen villages [the names follow], besides others since burned, these fire-fiends are still in campaign and continuing these horrible ravages, all which has been under the express order of M. le Prince, which the commandant [de la ville] de Seurre has received, to burn the entire Province if it be possible. The same Sieur de Bielle can judge by the account of these fires, to which there has so far been no impediment presented, in what state the Province will be in a short time.
The common soldier troubled himself little whether the sacked region was on the one or the other side of the frontier. He made hardly any difference.
Some weeks after the fires in Bourgogne, two armies tortured the Brie. The one belonged to the King, the other to the Duc de Lorraine, and there was only a shade less of cruelty with the French forces than with the others. When all the troops had passed, the country was filled with charnel houses, and there are charnel houses and charnel houses.
That of Rampillon,[67] particularly atrocious, must be placed to the account of the Lorraines: "at each step one met mutilated people, with scattered limbs; women cut in four quarters after violation; men expiring under the ruins of burning houses, others spitted."[68] No trouble was taken to suppress these hells of infection.
It would be difficult to find any fashion of carrying on a war both more ferocious and more stupid. Some chiefs of divisions, precursers of humanitarian ideas, timidly protested, in the name of interest only, against a system which always gave to campaigning armies the plague, famine, and universal hatred. A letter addressed to Mazarin, and signed by four of these, Fabert at the head, supplicates him to arrest the ravages of a foreigner in the services of France, M. de Rosen. Mazarin took care to pay no attention to this protest: it would have been necessary first to pay Rosen and his soldiers. If it is expected to find any sense of responsibility in the State, in the opinion of contemporaries, for saving the survivors, left without bread, animals, nor harvests, without roof and without working tools, there is disappointment; the State held itself no more responsible for public disasters than for the poor, always with it.
The conception of social duty was not yet born. Public assistance was in its infancy, and the little which existed had been completely disorganised by the general disorders; like everything else. Each city took care of its beggars or neglected them according to its own resources and circumstances. On the other hand, the idea of Christian charity had taken a strong hold upon some circles, under the combined influence of the Jansenism which exacted from its devotees a living faith; of a secret Catholic society whose existence is one of the most curious historical discoveries of these last years[69]; and of a poor saint whose peasant airs and whose patched soutane caused much laughter when he presented himself before the Queen. Vincent de Paul is easily recognised. Relations with great people had not changed him. It was said of him after years of Court society, "M. Vincent is always M. Vincent," and this was true: men of this calibre never change, happily for the world.
He became the keynote of the impulse which caused the regeneration of provincial life, almost ruined by the wars of the Fronde. Even after the work was ended it would be difficult to decide upon the share of each of these bodies in this colossal enterprise. The society to which allusion has been made was founded in 1627, by the Duc de Ventadour, whose mystical thought had led him, as often happens, to essentially practical works. The name of Compagnie du Saint Sacrement was given it, and without doubt its supreme end was "to make honoured the Holy Sacrament."
Precisely on account of this, the society sought to "procure" for itself "all the good" in its power, for nothing is more profitable to religion than support, material as well as spiritual and moral, distributed under its inspiration and as one might say on its own part.
One passes easily from the practice of charity, a source of precious teaching, to the correction of manners. After comes the desire to control souls, which naturally leads to the destruction of heresies, with or without gentleness.
This programme was responsible for many admirable charitable works, two centuries in advance of current ideas, and, at the same time, for cruelties, infamies, all the vices inseparable from the sectarian spirit in which the end justifies the means.
Once started, the society rapidly increased, always hidden, and multiplying precautions not to be discovered, since neither clergy nor royalty were well disposed towards this mysterious force, from which they were constantly receiving shocks without being able to discover whence came the blows.
It was an occult power, analogous in its extent and its intolerance, and even in the ways and means employed, to the Free Masonry of the present.
The Compagnie du Saint-Sacrement had links throughout France and in all classes. Anne of Austria was included in its sacred band and a shoemaker played in it an important rôle. Vincent de Paul enrolled himself in the ranks towards the year 1635, contributed to the good, and probably was ignorant of the evil to be found in its folds. Dating from his affiliation, his charitable works so mingled with those of the society that it was no longer to be recognised. The society brought to the Saint powerful succour, and aided him effectively in finding the support of which he had need; it would be difficult to say from whom came the first idea of many good works.
As for what at present concerns us, however, the point of departure is known. It was neither Vincent de Paul nor the Compagnie du Saint-Sacrement which conceived and put in train the prodigious work of relieving the Provinces. The first committee of relief was founded in Paris, in 1649, by a Janséniste, M. de Bernières, who was also responsible for the invention of the printed "Relations" which were informing all France of the miseries to be relieved. It was the first time that Charity had aided itself through publicity. It soon found the value of this. M. de Bernières and his committee, in which the wives of members of Parliament dominated, were soon able to commence in Picardie and Champagne the distribution of bread, clothing, grain, and working implements. Hospitals were established. They put an end to the frightful feeling of desolation of these unfortunate populations, pillaged during so many years by mercenaries of all races and tongues. But the number of workers was small even if their zeal was great, and the Janséniste community was not equipped for a task of this dimension. From the end of the following year, the direction of the enterprise passed entirely into the hands of Vincent de Paul, who led with him his army of sisters of charity, his mission priests, and an entire contingent of allies, secret but absolutely devoted.
It does not seem as if at first there was any conflict. Mme. de Lamoignon and the Présidente de Herse were the right arms of M. Vincent as they had been of M. de Bernières. When the Queen of Poland,[70] a spiritual daughter of Port-Royal and brought up in France, wished to subscribe to the work, she sent her money to the Mother Angélique, telling her to communicate with M. Vincent. But this harmony was of short duration. The members of what the public were going to baptise with the sobriquet of "Cabale des Dévots," not being able to discover the real name, could not suffer the Janséniste concurrence in charitable works. They showered upon M. de Bernières a mass of odious calumnies and denunciations which resulted in the exile of this good man.
This was one of the most abominable of the bad actions to which a sectarian spirit has pushed human beings.
The "Relations" were continued under the direction of Vincent de Paul. One knows through them and through the documents of the time, the details of the task undertaken. The first necessity for the public health was the clearing the surface of the ground, in the provinces in which there had been fighting, of the putrifying bodies, and of the filthiness left by the armies. There was one village from which such an odour exhaled that no one would approach it. A "Relation" of 1652 describes in these terms the environs of Paris:
At Étréchy, the living are mingled with the dead, and the country is full of the latter. At Villeneuve-Saint-Georges, Crosne, Limay, one hundred and seventy-four ill people were found in the last extremity, with neither beds, clothes, nor bread.
It was necessary to commence by taking away the seeds of infection which increased the maladies, by interring the corpses of men, of dead horses and cattle, and removing the heaps of dirt which the armies had left behind. The cleansing of the soil was the specialty of M. Vincent and one of his most signal benefits. He employed for this work his mission priests and his sisters of charity. The missionaries placed themselves at the head of the workmen, the sisters sought the abandoned sick. Cloth and cap died at need "the arms in the hand," said their chief, but their work was good; and finally the work was taken hold of in the right way.
After the dead the living:
The curé of Boult[71] [reports another "Relation"] assures us that he buried three of his parishioners dead from hunger; others were living only upon cut-up straw mixed with earth, of which was composed a food called bread. Five tainted and decaying horses were devoured; an old man aged seventy-five years had entered the presbytery to roast a piece of horse-flesh, the animal having died of scab fifteen days previously, was infected with worms, and had been found cast into a foul ditch.... At Saint-Quentin, in the faubourgs, in which the houses had been demolished, the missionaries discovered the last inhabitants in miserable huts, "in each of which," wrote one of them, "I found one or two sick, in one single hut ten; two widows, each having four children, slept together on the ground, having nothing whatever, not even a sheet." Another Ecclesiastic, in his visit, having met with many closed doors, upon forcing them open discovered that the sick were too feeble to open them having eaten nothing during two days, and having beneath them only a little half rotten straw; the number of these poor was so great that without succour from Paris, the citizens under the apprehension of a siege, not being able to nourish them, had resolved to cast them over the walls.
Millions were needed to relieve such distress, but Vincent de Paul and his associates had a better dream; they wished to put these dying populations in a condition to work again and to undertake the reparation of the ruins themselves. The enterprise was organised in spite of obstacles which appeared insurmountable, the exhaustion of France and the difficulty of communication being the principal. The Parisians raised enormous sums and sent gifts of all kinds of materials, and found the means of transporting provisions. The committee divided the environs of Paris; Mme. Joly took the care of one village; the Présidente de Nesmond, four villages; and so on. Missionaries were sent outside the boundaries. One of the later biographers of Vincent de Paul[72] values at twelve millions of francs, at this date worth about sixty millions, the sums distributed, without counting money spent directly for the work of piety nor for the support of those engaged in it. However this may be, this latter body certainly consumed a large portion. The immensity of the enterprise, and its apparent boldness, gives us an idea of the wealth and power of the middle classes of the seventeenth century. After Vincent de Paul and M. de Bernières, the honour for this work of relief belongs to the parliamentary world and the Parisian bourgeoisie; the aristocracy only playing a very secondary rôle. The middle classes provided for this enormous effort, at a period in which all revenues failed at once. We are told that many were forced to borrow, that others sold their jewels and articles of silver; still this supposes luxury and credit. In one way or another, the citizen was in a position to give, while the small noble of Lorraine or of Beauce was obliged to receive; and this emphasises an historic lesson. Gentlemen as well as peasants lacked bread. After remaining two days without eating, one is ready to accept alms; at the end of three days, to demand them on account of the children. The decadence of the one class, the ascension of the other until their turn comes; it has always been the same since the world began.
One last detail, and perhaps the most significant: There is no reference in the Memoirs of the times[73] to the principal work of Vincent de Paul. Their authors would have made it a matter of conscience not to forget a Court intrigue or a scandalous adventure; but what can be interesting in people who are naked and hungry? One avoids speaking of them. It is even better not to think of them. In 1652, the year in which poverty was at its height in oppressed Paris, the Mother Angélique wrote from Port-Royal, to the Queen of Poland (June 28th):
With the exception of the few actually engaged in charity, the rest of the world live in as much luxury as ever. The Court and the Tuileries are as thronged as ever, collations and the rest of the superfluities go on as always. Paris amuses itself with the same fury as if its streets were not filled with frightful spectacles. And, what is more horrible, fashion will not suffer the priests to preach penitence (Letter of July 12th).
The lack of pity for the poor was almost general among the so-called higher classes. There is no need of too carefully inquiring as to what is passing in hovels.
Vincent de Paul and his allies struggled six years. Not once did the government come to their aid, and the war always continued; for one ruin relieved, the armies made ten others. The group of the "good souls" who had made these prodigious sacrifices was at length used up, as one might say, and was never reinforced, in spite of the inexhaustible source of devotion offered by the Compagnie du Saint-Sacrement. This body had been composed of men and women so exceptional in character, as well as in intelligence, that its ranks, emptied by death, and by the exhaustion of means and courage, could not be filled up. In 1655, the receipts of the committee were visibly diminished. Two years later, the resources were entirely exhausted and the work of relief remained unfinished.
It was well that it was attempted; a leven of good has remained from it in the national soul.
The actual benefits however, were promptly effaced; the famine of 1659 to 1662, especially in the latter year, counts amongst the most frightful of the century, perhaps in our entire history. The excess of material poverty engendered immense moral misery, particularly in the large cities, in which luxury stood side by side with the most frightful conditions, and Paris became both excitable and evil, as always when it suffers.
The Carnival of 1660 was the most noisy and disorderly which old Parisians had ever known. Great and small sought amusement with a kind of rage, and dissensions and quarrels abounded from the top to the bottom of the social scale. Public places were noisy with riots and affrays. During the nights, masks were masters of the streets, and as has been seen above, no security existed with these composite crowds, which stole candles from the houses into which they had surged.
One ball alone received in a single evening the visit of sixty-five masks, who ran through the city three nights in succession. These hysterics in Paris, while France was dying with hunger, are so much the more striking, inasmuch as the Court was not there to communicate to the outer world its eternal need of agitation and amusement. Louis XIV. spent a large portion of these critical years in journeying through his kingdom. One of the first journeys, lasting from October 27th to the following January 27th, had for its end the meeting of the Princess of Savoie at Lyons. There had been some question of marrying this Princess to the young King. On passing to Dijon, the Court stopped more than fifteen days. Mademoiselle tells us the reason for this delay; it is not very glorious for royalty. The Parliament of Dijon refused to register certain edicts which aggravated the burdens of the province. Le Tellier, "on the part of the King," promised that there should be no more difficulty if the states of Bourgogne would bring their subsidy to a sum which was indicated. "Upon which they agreed to what was demanded and presented themselves to account to the King."
Upon the next day, with a cynical contempt for the royal promise, "Her Majesty went to the Dijon Parliament to register the deeds."[74] Mademoiselle had the curiosity to be present at the session. The first president did the only thing in his power. He courageously expressed his "regrets" and was praised by all those who heard him.
The Court hastily departed the following day, leaving Dijon and the entire province "in a certain consternation." Mademoiselle blamed only the manner of action. At the bottom of her heart, she had the belief of her times: that the sovereign owed only control to his people, and that there was no question of giving them happiness.
Some weeks after the incident at Lyons, the vicinity of the principality of Dombes[75] gave her the desire to visit this place, which she had never seen. Dombes did not pay any impost to the King, and this fact alone sufficed to render it prosperous. Mademoiselle was scandalised at this prosperity. The peasants were well clothed, "they ate meat four times a day," and there were "no really poor people" in the country; "also," pursued Mademoiselle, "they, up to this time, have paid no duties, and it would perhaps be better that they should do so, for they are do-nothings, taking no interest in either work or trade."
The people had left everything and dressed themselves in their fine clothes to receive Mademoiselle. In order to thank them, Mademoiselle drew from them all the money she could. It is necessary to recollect, however, that in the eyes of the great, even those of the better sort, a peasant was hardly a man. It would hardly be worth while for us to be indignant at this attitude. We now admit that the so-called superior races have the right to exploit those considered inferior, and thus at need destroy them. It was the habit of our fathers to treat a lower class as to-day we treat a less advanced race; the sentiment is precisely the same.
Upon her return from Dombes, Mademoiselle found the Court again at Lyons. Every one was all eyes and ears for a spectacle which might derange the admitted ideas of kings. Marie Mancini was trying to make Louis XIV. marry her, and the attempt had not so absurd an air as might be imagined. The Savoie project had failed under painful conditions, which gave subject of thought to the courtiers. The King had conducted himself like an ill-bred man to the Princess Marguerite.
People were demanding whether the Spanish marriage was also going to fail, and with it the so greatly desired peace, because it pleased two lovers, one of whom ought not to have forgotten his kingly duties, to proclaim the sovereign rights of passion. Anne of Austria became uneasy. Mazarin, yielding to temptation, left the field to his niece, who "took possession" of the young King with looks and speech. She fascinated him, and he swore all that she wished. The contest was not an equal one between the passionate Italian and the timid and somewhat unformed Louis XIV.
On his return from Lyons, Louis knelt down before his mother and Mazarin, supplicating them to permit him to marry the one he loved. He found them inflexible. The Queen realised that such a mésalliance would cast disrepute on royalty. The Cardinal was torn by conflicting emotions, but in the end sent away his niece.
A second journey lasted more than a year. The Court set out on June 29, 1659, and passed through Blois. It stopped with Gaston. We owe to the Mémoires of Mademoiselle a last glimpse of this Prince, formerly so brilliant, now become a lazy good-for-nothing in his provincial life, where nothing of Parisian fashion was found; neither toilettes nor cooking, nor household elegance, nor even Monsieur himself, who no longer knew how to receive, and was vexed that the King should kill his pheasants. He permitted it to be seen that he was put out, and this became so plain that every one was eager to depart, and there was a sudden scattering.
The eldest of his daughters by his last marriage, Marguerite d'Orléans, had a great reputation for beauty. Her parents had for a long time anticipated seeing her Queen of France.
On the night of the King's arrival at Blois, this damsel was disfigured with mosquito bites. Her dancing was much extolled, but on this special evening, she danced very badly. Gaston had announced that this little girl of ten "would astonish every one with her brilliant conversation." No one could draw a single word from her. In short, nothing succeeded. Mademoiselle was not especially vexed at this failure; she had trembled at the thought of seeing her younger sister "above her."
Hardly had the Court remounted their carriages, before the royal cavalcade, according to the universal custom, commenced to mock its hosts. The King joked at the sight of his uncle's face on seeing the pheasants fall dead. Mademoiselle laughed with the others. She had, however, been moved by a tender scene played by her father.
He had come to awaken her at four o'clock in the morning:
He seated himself on my bed and said: "I believe that you will not be vexed at being waked since I shall not soon have the chance of again seeing you. You are going to take a long journey. I am old, exhausted; I may die during your absence. If I do die, I recommend your sisters to you. I know very well that you do not love Madame: that her behaviour towards you has not been all it should be; but her children have had nothing to do with this, for my sake take care of them. They will have need of you; as for Madame, she will be of little help to them."
He embraced me three or four times. I received all this with much tenderness; for I have a good heart. We separated on the best terms, and I went again to sleep.
Mademoiselle believed that at length they again loved each other. Six weeks later a scandal broke out at the Court of France, then at Bordeaux.
The Duc de Savoie had refused to marry the Princess Marguerite d'Orléans, and Mademoiselle was accused of having secretly written to him that her sister was a humpback. The accusation came from Gaston himself, who said that he had proof of it. This was a most disagreeable incident for Mademoiselle and further illusion was impossible; Gaston was always Gaston, the most dangerous man in France.
From Bordeaux, the Court went to Toulouse; there it was rejoined by Mazarin, who had just signed the peace of the Pyrénées (November 7, 1659).
All histories give the articles of this peace. The results for Europe have been summed up in some brilliant lines written by the great German historian, Leopold Ranke, who had been struck with the advantages which this treaty gave France over Germany:
If it were necessary to characterise in a general fashion the results of this peace ... we would say that the importance of the treaty consisted in the formation and extension of the great (geographically) military system of the French monarchy. On all sides, to the Pyrénées, to the Alps, above all, to the frontiers of the German Empire and of the Netherlands, France acquired new fortified points ... many positions as important for defence as favourable for attack. The position of France upon the upper Rhine, which it owes to the peace of Westphalia, received by this new treaty its greatest extension.[76]
Mazarin found that he had done well in himself following the campaigning armies. He knew the military importance of most of the places. The Spanish negotiator could not have said as much. In the interior, the first comer could easily comprehend the political benefits of a treaty which should as far as possible abolish the past. Condé had been included in the terms of the peace and returned to France, well resolved to keep quiet. He rejoined the Court at Aix, January 27, 1660, and found there was a certain curiosity exhibited as to how he would be received.
Mademoiselle hastened to Anne of Austria: "My niece," said the Queen to her, "return to your own dwelling; M. le Prince has especially asked that I should be absolutely alone when I first receive him."
I began to smile with vexation, but said: "I am nobody; I believe that M. le Prince will be very astonished if he does not find me here." The Queen insisted in a very sharp tone; I went away resolved to complain to M. le Cardinal; this I did on the following day, saying that if such a thing happened again, I should leave the Court. He made many excuses. This was Mazarin's system. He poured forth explanations but in no way changed his methods in the future.
It is known that M. le Prince demanded pardon on his knees, and that he found before him in Louis XIV. a judge grave and cold, who held himself "very straight."[77] To fight against the King was decidedly no more to be considered a joke; it could not be overlooked, even if one were the conqueror of Rocroy.
Mademoiselle did not succeed in comprehending the real situation. Condé, surprised and deceived, felt his way. One evening at a dance, when talking with Mademoiselle, the King joined them. The conversation fell upon the Fronde. On the part of a man of as much esprit as M. le Prince, one can well believe that this was not by chance: "The war was much spoken of," relates Mademoiselle, "and we joked at all the follies of which we had been guilty, the King with the best grace in the world joining in these pleasantries. Although I was suffering with a severe headache, I was not in the least bored." Mademoiselle had laughed without any second thoughts. Condé, clearer sighted, trembled during the remainder of his days, before this monarch so capable of dissimulation, and so perfectly master of himself.
Almost at the same moment there expired another of those belated feudal ideas, which neither royalty nor manners could any longer suffer among the nobility. Gaston d'Orléans died at Blois, February 2nd,[78] his death being caused by an attack of apoplexy. They had heard him murmur from his bed regarding his wife and children, Domus mea domus desolationis vocabitur ("My house will be called the House of Desolation"). He spoke better than he knew. Madame surpassed herself in blunders, and still more. She went to dinner while her husband was receiving the last unction, sent away the servants of Monsieur immediately after the final sigh, locked up everything, and concerned herself no more. Her women refused a sheet in which to wrap the body; it was necessary to beg one from the ladies of the Court. Some priests came to sit up with the dead, but finding neither "light nor fire" they returned, and the corpse remained alone, more completely abandoned than had been that of his brother, the King, Louis XIII. The body was borne without "pomp or expense"[79] to Saint-Denis, and the widow hastened to Paris, to take possession of the Palace of the Luxembourg, in the absence of Mademoiselle.
The Court did not take the trouble to feign regrets. The King gave the tone in saying to his cousin, gaily, after the first formal compliments: "You will see my brother to-morrow in a training mantle. I believe that he is delighted at the news of your father's death. He believes that he is heir to all his belongings and state; he can talk of nothing else; but he must wait awhile."
Anne of Austria heard this, and smiled. "It is true," pursues Mademoiselle, "that Monsieur appeared the next day in a wonderful mantle." Mademoiselle had great difficulty in keeping her own countenance. Her grief was, however, very real, notwithstanding the past, or rather, perhaps, on account of what had gone before; it was, however, only an impulse affected by the impression of the moment. She exhibited this sorrow a little too effectively:
I wished to wear the most formal and deepest mourning. Every one of my household was clad in black, even to the cooks, the servants, and the valets; the coverings of the mules, all the caparisons of my horses and of the other beasts of burden. Nothing could be more beautiful the first time we marched than to see this grand train, expressive of grief. It had an air very magnificent and of real grandeur. Everybody says how much wealth she must possess!
The mules' mourning is well worth the training mantle of the little Monsieur. This magnificent funeral pomp had the one inconvenience of recalling to all comers that Mademoiselle must resign other pleasures. At the end of some weeks, she would have willingly resumed her share in Court gaieties; Anne of Austria kindly commanded her to return to life.
The summer was, however, approaching. The Court continued to drag itself from city to city, waiting until it should please the King of Spain to bring his daughter, and the time seemed long. Mazarin shut himself up to work. Louis drilled the soldiers of his guard. The Queen Mother spent long days in convents. Mademoiselle wrote, or worked tapestry. A large number of the courtiers, no longer able to stand the ennui, had returned to Paris; those who remained, lived lives of complete idleness. The King had at this time a fine occasion to study the condition of his provinces; but he did not possess an investigating mind. He spent long months in front of the Pyrénées, without seeking to know anything of their formation, showing an unusual indifference to knowledge, even for this period. One of the few persons who risked themselves in the Pyrénées, Mme. de Motteville, relates her astonishment at discovering valleys, torrents, cultivated fields, and inhabitants. She had believed that she should only find a great wall of rock, "deserted and untilled."
The journey went on; but nature had not yet the right of entrance into literature, and society spoke but rarely of its charms. Of the vast world, only what came directly under the eyes of the individual was known.
At length, on June 2d (1660), the Court of France, "kicking its heels" at Saint-Jean-de-Luz during an entire month, received news of the arrival at Fontarabia of Philip IV. and of the Infanta Marie Thérèse. The next day, the marriage ceremonies commenced.
Six long days and the best intentions on both sides were needed to consummate this great affair without offending etiquette. The problem presented was this: How to marry the King of France with the daughter of the King of Spain, without permitting the King of France to put his foot on Spanish territory, nor the King of Spain on that belonging to France, and at the same time not to allow the Infanta to quit her father before the ceremony had actually taken place?
On the side of the French Court, whose discipline left much to be desired, difficulties of detail arose constantly to complicate affairs. The little Monsieur wept for desire to go to Fontarabia to see a Spanish ceremony; but etiquette made it necessary to consider this brother of the King the present heir presumptive to the crown, and, alleged Louis XIV., "the heir presumptive of Spain could not enter France to see a ceremony."[80]
After consideration of this point, the heir was forbidden to pass the frontier. Then Mademoiselle arrived, who wished to be of the party. She represented that the order was not applicable to her, and cited the Salic law which gave her the right to traverse the Bidassoa: "I do not inherit," said she; "I should have some compensation. Since daughters are of no value in France, they should at least be permitted to enjoy spectacles."
Mazarin convoked the ministers to submit this argument. The discussion lasted "three or four hours." Finally, Mademoiselle gained her cause, although the King himself was rather against her. The important question of "trains" gave also some embarrassment to the Cardinal. A duke had offered to bear the train of Mademoiselle in the nuptial cortége. Mazarin was obliged to seek two other dukes for the younger sisters of Mademoiselle, two children whom the lady of honour of their mother had led to the marriage. He could only find a marquis and a count; the dukes hid themselves. The lady of honour uttered loud protests; "her Princesses must have 'tail-bearers' as titled as those of their tall sister, or they should not go at all." "I will do what I can," replied the Cardinal; "but no one wishes the task."
Mademoiselle had the good grace to sacrifice her duke, and Mazarin believed the affair terminated, when the Princess Palatine[81] caused a novel incident, upon the day of the ceremony, and even when the last moment was approaching. She appeared in the Queen's chamber, wearing a train, to which, being a foreign Princess, she had no right. La Palatine had counted upon the general confusion to smuggle herself in and to create a precedent. It was needful to delay matters. The train had been reported to Mademoiselle, and no marriage should prevent her protest. The Cardinal and after him the King were forced to listen to a discourse upon the limitations of foreign princesses. "I believe," writes Mademoiselle, "that I was very eloquent." She proved herself at least very convincing, for La Palatine received the order to take off her train.
But it is necessary to retrace our steps; trains have carried us too far. The relations between the two monarchs had been regulated with a minutia worthy of Asiatic courts. They met only in a hall, built expressly for the purpose upon the Isle des Faisans, and on horseback upon the frontier. The building was half in French, half in Spanish territory. The decorations of the two sides were different. Louis XIV. must walk upon French carpets, Philip IV. upon Spanish ones. The one must only sit upon a French chair, write only upon a French table with French ink, seek the time only from a French clock, placed in his half of the hall; the other guarded himself with the same care from every object not Spanish. Two opposite doors gave passage at precisely the same instant. An equal number of steps led them to the place where the red carpet of France joined the gold and silver one of Spain; and the two Kings addressed each other and embraced over the frontier. Thus demanded the laws of ceremonial monarchy. Their rigour commenced to astonish the good people of France. The interviews upon the Isle des Faisans became legendary. La Fontaine has alluded to them in one of his last fables, Les Deux Chèvres,[82] in which he has found no better comparison for the solemnity with which the two goats, equally "tainted" with their rank, equally curbed, advanced towards each other upon the fragile and narrow bridge.
When all was arranged, on June 3rd, neither the bride and bridegroom nor their parents having seen each other, the King of France, represented by Don Luis de Haro, was married by proxy in the church of Fontarabia to the Infanta Marie-Thérèse.
This was the expedient which saved the dignity of the two crowns. After the ceremony, the new Queen returned to her father. She wrote the next day a letter of official compliment to her husband. We possess the response of Louis XIV., in which he has well performed a somewhat difficult task.
Saint-Jean-de-Luz, June 4, 1660.
To receive at the same time a letter from your Majesty, and the news of the celebration of our marriage, and to be on the eve of seeing you, these are assuredly causes of indelible joy for me.
My cousin, the Duke of Créqui, first gentleman of my chamber, whom I am sending expressly to your Majesty, will communicate to you the sentiments of my heart, in which you will remark always increasingly an extreme impatience to convey these sentiments in person.
He will also present to you some trifles on my part.
The same day, in the afternoon, Anne of Austria met for the first time with her brother and niece together. The interview took place in the hall of the Isle des Faisans. Philip IV. astonished the French, decidedly less bound up in tradition than the Spanish. Philip dwelt so immobile in his gravity that one would have hardly taken him for a living man.[84]
Anne of Austria wishing to embrace her brother, whom she had not seen for forty-five years, he decided to make a movement, but it was only "to withdraw his head so far that she could not catch it."[85] The Queen Mother had forgotten the customs of her own land. To embrace in Spain was not to kiss; it only consisted in giving a greeting without touching the lips, as we see done at the Comédie Française by personages of the classic repertoire. Kissing was, as we read in Molière only permitted in certain rare cases. In the Malade Imaginaire, Thomas Diafoirus consults his father before kissing his fiancée: "Shall I kiss her?" "Yes," replies M. Diafoirus.
The evening of the interview, June 4th, Mademoiselle was curious to know whether the King of Spain had kissed the Queen Mother. "I asked her; she told me 'no'; that they had embraced according to the fashion of their own country."
How was this strange fashion established at the Court of France, and from there transferred to our theatres? Was it after the marriage of Louis XIV.? I leave to the amateurs of the theatre the solving of this little problem in dramatic history.
They brought a French chair for the Queen Mother, a Spanish one for Philip IV., and they seated themselves nearly "upon the line which separated the two kingdoms."[86]
Marie-Thérèse, Infanta of Spain and bride by proxy of the King of France, was still to be seated. Should this be done in France or Spain? upon a Spanish or French chair? They brought one Spanish and two French cushions; piled them upon Spanish territory, and the young Queen found herself seated in a mixed fashion, suitable to her ambiguous situation.
Louis XIV. did not accompany his mother. Etiquette did not yet permit the new couple to address a word to each other. It had been arranged that the King of France should ride along the banks of the Bidassoa and that the Infanta should regard him from afar through the window. A romantic impatience which seized the husband with longing to become acquainted with his wife caused this part of the programme to fail. Louis XIV. looked at Marie-Thérèse through a half-open door. They regarded each other some seconds, and then returned, she to Fontarabia, he to Saint-Jean-de-Luz.
On Sunday, the sixth, they saw each other officially at the Isle des Faisans. Affairs were but little further advanced; Philip IV. had declared that the Infanta must conceal her impressions until she arrived on French territory. On the seventh, Anne of Austria brought her daughter-in-law to Saint-Jean-de-Luz, where the young people could at length converse together, awaiting the definite celebration of the marriage, which took place June 9th in the church of Saint-Jean-de-Luz.
Some days later, the Court retook the road to Paris. Marie-Thérèse made her solemn entrance into the capital, August 20th. The procession departed from Vincennes. "It was necessary to rise at four o'clock in the morning," reports Mademoiselle, who had a frightful sick headache. At five o'clock, every one was in gala costume, and they reached the Louvre at seven in the evening. Mademoiselle was at the end of her endurance; but a Princess of the blood had no right to be ill on the day of a Queen's entrance. Sometimes ridiculous and sometimes ferocious; such appears ancient etiquette to our democratic generation. Monarchs formerly felt the value of its services too keenly to shrink from submitting to its dictates. They knew that a demi-god never descends with impunity from his pedestal. It is impossible to witness his efforts at remounting without laughter. To-day the Princes themselves desire less etiquette. The monarchical sentiment is not sufficiently strong to make them willing to support the ennui of ceremonial; they are capable of any sacrifice of dignity to escape it. We see them resign to others their rank and privileges in the hope of finding in obscurity the happiness which they have missed in the King's palace.
The present lack of form makes it difficult for the mass to take royalty seriously, and thus vanish together the respect for formal courtesies and for aristocracies. Louis XIV. and Philip IV. in spite of La Fontaine, were in the right in attaching capital importance to the placing their feet upon the right carpets. This precision of etiquette prolonged the existence of the monarchy.
Life retook its habitual course in the Palace of the Louvre. The King was studying a new ballet. Very few persons remarked that he found time also to make long visits upon Mazarin. The Cardinal, feeling himself in the clutches of death, was preparing his pupil for his "great trade" of sovereign. He made him acquainted with affairs, spoke to him in confidence of the people connected with the administration of the kingdom; discussed political questions, and recommended him to have no longer a first minister.[87] The one thing which he could not yet resolve to do was to permit the King to give a direct order. His dying hands would not let fall a half-crown or relax an atom of authority.
The young Queen was astonished at the money restrictions which had oppressed her since her sojourn in France; Mazarin supervised her household through the intermediary of Colbert, "who saved upon everything,"[88] and he (Mazarin) pocketed the savings. On New Year's day, he absorbed for himself three-fourths of the gifts of Marie-Thérèse. The Queen Mother having shown some discontent, "the poor Monsieur the Cardinal," as she called him, cried out boldly, "Alas! if she knew from whence comes this money and that it is the blood of the people, she would not be so liberal."
In vain Mazarin hastened; he did not have time to finish his task. February 11, 1661, the King, realising that his minister was lost, began to weep and to say that he did not know what he should do. All France experienced the same fears. It did not occur to any that the King was capable of governing, or that he would take the trouble to do so. The doubt was only as to the name of the one who should take the helm in place of the Cardinal. Anne of Austria believed in chance; Condé had one party amongst the nobility. The Parisian bourgeoisie said to itself that Retz was perhaps going to return from over sea "for necessity."[89] The ministers admitted that there was only one man fitted for the position.
While these various intrigues were progressing, Mazarin expired (March 6th), and some hours later there came that coup de théâtre of which one reads in all histories. Louis XIV. signified to his ministers and grandees his intention of himself governing. Those who knew him well, beginning with his own mother, did nothing but laugh, persuaded that it was only a fire of straw. Louis at first shut himself up entirely alone during two hours, in order to establish a "rule of life"[90] as an effective monarch. The programme resulting from this meditation surprisingly resembles the one given by Catherine de Médicis in the letter already cited. It exacts the qualities of a great worker. From that day, Louis showed these qualities. "For above all," says he in his Mémoires, "I resolved not to have a first minister, and not to permit to be filled by another the functions belonging to the King, as long as I bear the title."
The passage in which he describes his "wedding" with the joy of work is moving and beautiful. It is even poetical.
I felt immediately my spirit and courage elevated. I found myself a different individual. I discovered in myself a mind which I did not know existed, and I reproached myself for having so long ignored this joy. The timidity which judgment at first gave caused me pain, above all when it was necessary to speak in public a little lengthily. This timidity, however, was dissipated little by little.
At length it seemed to me I was really King and born to rule. I experienced a sense of well-being difficult to express.
Louis would now have need of all his courage. In measure as his mind became "elevated," shame for his gross ignorance overcame him. "When reason," says he, "commences to become solid, one feels a cutting and just chagrin in finding oneself ignorant of what all others know."
The practical utility of his neglected studies was realised by him. Not to know history with his "trade" was a difficulty felt every instant. Not to be capable of deciphering alone a Latin letter when Rome and the Empire wrote their dispatches only in Latin, was an insupportable slavery to others. Never to have read anything upon the "art of war" when the ambition was aroused to become an expert in this art and to acquire glory through it, "was to put brakes on one's own wheels." The young King's education must be remade; the only difficulty was the finding sufficient leisure. He would not allow himself to be hindered by other difficulties, of which the principal one was the danger of hazarding the newly acquired authority by returning to the schoolroom.
Louis XIV. braved public opinion with remarkable courage. This is one of the finest periods of his life. He proved himself truly great by his sentiment of professional duty, and by his empire over himself, the day upon which he dared to say to himself as the bourgeois gentleman of Molière was forced to say, knowing well the ridicule to which he was exposed: "I wish ... to be able to reason among intelligent people."
In order to do him full justice, it is necessary to remember the foolish effect at that date produced by a scholar of twenty-three.[91] Classes were then finished at fifteen or sixteen, and the memory of them was inseparably connected with birch rods, without whose aid there was no teaching in the seventeenth century. When it was known that the King was again taking Latin lessons from his ancient preceptor, and that he passed hours in writing themes, the courtiers might easily have had it upon the end of their tongues to demand as Mme. Jourdain of M. Jourdain: "Are you at your age going to college to be whipped?"
He did not console himself with the illusion that his rank would save him from such railleries. He confesses à propos of history, which he wished to study again, how keenly sensitive he was to the thought of what might be said. "One single scruple embarrassed me, which was, that I had a certain shame, considering my position in the world, of redescending into an occupation to which I should earlier have devoted myself." Everything had yielded to the desire "not to be deprived of the knowledge that every worthy man should have."
In spite of these efforts, Louis was never educated; he never knew Latin, which was deemed the real knowledge of the seventeenth century, in which century the language was well taught. Too much business or too many pleasures prevented the young King from pursuing his design during a sufficiently long period. It is possible, also, that his lack of natural facility may have discouraged him. Louis XIV. had memory and judgment, but his intelligence was slow. In short, he abandoned his studies too soon; he felt, and repeated till the day of his death the confession, "I am ignorant."
But Louis never relaxed the labours belonging to him as chief of the State. His days were regulated once for all. Mme. de Motteville tells the arrangement the day following the death of Mazarin. Saint-Simon gives it again a half-century later, and it is identical. Apart from extraordinary and unexpected business, and formal functions, so numerous and important at this epoch, the King regularly devoted six to eight hours daily to ordinary business. Add to these hours the time for sleeping and eating, for seeing his family and taking the fresh air, and but little time would have been left for diversion if the King had not had the capacity of doing without sleep almost at will. It was this physical gift which permitted him to provide as largely for pleasure as for work. Nevertheless, the Court had trouble in adapting itself to the new régime. It did not know what to do while the King worked.
"It is more wearisome here than can be imagined," wrote the Duc d'Enghien, son of the great Condé, in 1664. "The King is shut up almost the entire afternoon."[92] Outside the Court, the people could have cried with joy. It had been a delightful surprise to discover a great worker in this ballet dancer. Paris was ready to permit him to indulge in his little weaknesses, provided that he would govern, that he himself would use his power. The bourgeoisie Frondeuse was disarmed.
It is necessary [wrote Guy Patin to a friend] that I should share with you a thought which I find very amusing. M. de Vendome has said that our good King resembles a young doctor who has much ardour for his profession, but who demands some quid pro quo. I know those who see him intimately, who have assured me that he has very good intentions and, that as soon as he is completely the master, he will persuade all the world of them. Amen.[93]
The italicised words are significant of the opinion of Guy Patin. In establishing absolute monarchy, Louis XIV. had the good wishes of all. Other testimony quite as remarkable exists to confirm this statement. After the death of Mazarin, Olivier d'Ormesson, who had been of the opposition party in the Parliament, and whose independence would soon cost him his career, let three entire years roll by before admitting any statement in his journal to the detriment of the King. This writer also believes in Louis, and, on the whole, approves of the compensations (quid pro quo) demanded by the governing novice.
After the first astonishment, the sudden change in Louis's methods provoked but few commentaries in the immediate surroundings of the King. Anne of Austria had a fit of vexation in realising that she would never again have any influence; after which, indolence aiding, her course was taken. The Queen Mother had no objection on principle to absolute monarchy: she had always favoured it. She could not, as a Spanish Princess, conceive of royalty being the least limited. Once resigned to the new situation, she became a truly maternal old Queen, who preached virtue to youth, and endeavoured to lighten the monotony of her daughter-in-law's life.
Marie-Thérèse had only one single political opinion; good government was that under which a king could pass much time with his wife. This poor little wife died without having ever really lived with her husband.
Mademoiselle had no reason to regret the first ministers; there had been too little reason to enjoy the two with whom she had had intercourse. She imagined herself liberated from all dependence through the death of the Cardinal, succeeding that of her father, and this thought was most agreeable to her. She did not perceive that she had only changed masters, and that the new one would prove himself infinitely more difficult to please, more exacting, than that sceptical Italian who confined himself to watching that she did not carry away her millions to strangers and who simply mocked at everything else.
Mademoiselle finally passed through the state of apprenticeship to absolute monarchy. Her eyes were opened only on the day on which the thunder cloud burst upon her.
Mademoiselle at the Luxembourg—Her Salon—The "Anatomies" of the Heart—Projects of Marriage, and New Exile—Louis XIV. and the Libertines—Fragility of Fortune in Land—Fêtes Galantes.
WITH the approach of her thirty-fifth year, the Grande Mademoiselle perceived by diverse signs that she was no longer young. She was forced to recognise that her strength had its limitations, which fact had never before been forced upon her. On February 7, 1662, Louis XIV. danced for the first time a grand ballet entitled the "Amours of Hercules," and his cousin of Montpensier took part. She was ill from fatigue. Another kind of weariness overcame her; she became bored with fêtes. She had been present at so many gala occasions since her entrance into the world, and had seen so many festivals and fireworks, garlands of flowers and allegorical chariots, that she was now quickly satiated.
The King still loved this kind of abundant pleasure; those which he offered to his Court sometimes lasted successive days and nights, without giving time to breathe, and all being expected to feel continued amusement. Mademoiselle was no longer capable of this. She was beginning to long for the repose of home. Her sick headaches contributed to this disability; age had increased them, and all women know that it is better to suffer a headache in solitude. After a lively struggle, she had returned to the palace of the Luxembourg and was lodging under the same roof as her stepmother. The old Madame would have gladly relinquished a neighbour whose presence presaged nothing good, but no one had sustained the contention as no one was in the least interested in her welfare. One reads in a fugitive leaf of the times issued on July 21, 1660: "This affair was deliberated upon in the Court, and it was found that Mademoiselle had the right to demand one of the apartments free, and that Madame could not refuse it." It is said that the King wrote to Madame in order to soften the blow; it was necessary to drain the bitter cup to the dregs, and at a time in which Madame had great need of tranquillity to install at her very door this tempestuous stepdaughter, with whom no peace was possible.
Madame had "vapours," otherwise called a nervous malady. She was afraid of noise, of movement, and of being forced to speak, and Mademoiselle insisted upon making "scenes." "I teased her often," says the Princess in her Mémoires, "and very much despised her (in which I was wrong), and she always responded as one who feared me, and with much submission." The public did not consider it worth while to waste pity upon Madame, because she bored every one; a fault never pardoned. Anne of Austria, herself a very amiable woman, when not opposed, could never suffer her inoffensive sister-in-law. The Queen Mother said to Mademoiselle, who did not need this encouragement: "Her person, her temper, and her manners are odious to me." The public was fundamentally right in its antipathy. Madame was one of those people who render virtue hateful, and in thus doing are very injurious to humanity.
The Luxembourg was commodious and gay. Mademoiselle enjoyed it, and it pleased her to arrange for herself a grand existence as a Princess, rich and independent. Nothing could be more displeasing to the Court. As soon as Louis XIV. had assumed full power, he let it be seen that he wished no social centre in his kingdom other than his own palace. His cousin did not take this fact into account. This was not bravado. It was due to the impossibility of comprehending that "a person of her quality" could be reduced to the rôle of satellite.
It is certain that nature had not prepared her for this rôle. "I would rather pass my life in solitude," wrote she, "than restrain in any way my proud humour, even at the expense of my fortune. I have no complaisance, and I demand a great deal from others."[94] She also adds: "I do not willingly praise others and very rarely blame myself." With this avowed disposition, it would perhaps have been wiser not to go too often to the Louvre. It was a great imprudence to attract the crowd to herself as she had done at the time in which she was openly opposing the Tuileries.
The salon of Mademoiselle became the first in Paris, the most interesting and select. Since Paris had tasted the pleasures of clever conversation and discovered, under the direction of Mme. de Rambouillet, the genius of this delicate art, it could not do without it. The initiator was still living, but she was old and ill, and her circle had long been dispersed.[95]
Mlle. de Scudéry had collected together as many of the remnants of her first salon as she could, and had thus laid the foundation for the famous Saturdays, at which wit and knowledge were dispensed in abundance. Nevertheless, it was not the same. The Saturdays of "Sapho" brought back the literary people to the pedantry from which Mme. de Rambouillet had more or less delivered them. They were left too much to themselves, and, thus isolated, they had lost a certain intellectual grace acquired by the friction between the aristocrats and the blue-stockings.
The mind as well as the body has its own manners, and they may be bad or good. In 1661, the Court alone had breeding. There existed no other society in which the first comer understood how to speak a language easy and galant, well adapted to plumed hats and elegant bows. These belonged to the traditions of the place. Such courtesies were lacking with the learned friends of Mlle. de Scudéry, who no longer felt themselves spurred on by the fine gentlemen, so alert, capable of such light railleries, and detesting pedants.
The feminine society of the Saturdays had also too little intercourse with duchesses and marquises to replace the Hôtel Rambouillet. Mlle. Bocquet, who filled a large place in the chronicles of the Saturdays, was very amiable and played the lute "marvellously,"[96] but she belonged to the small bourgeoisie. Mlle. Dupré, another intimate, was an intelligent and educated girl, who had made a special study of philosophy. She quoted Descartes too often to have "the air galant" in conversation. As much could be said of others. Mlle. de Scudéry herself, who had been received in the best company and who had formally combated the "Blue-stockingism" with admirable good sense, had not written thirty-two octavo volumes with impunity. There still remained a little ink on the end of her fingers. It seemed as if all the pedants of France held their classes in her house. Plays upon words filled the papers scattered about, upon which "Prosecutions" were held. The "Illustrious Sapho" had truly inspired Molière when he wrote Les Précieuses Ridicules; in vain, M. Cousin refuses to believe it.[97] I do not myself think that she escaped.
Mademoiselle rendered to the wits of the day the service of sending them back to the Court for lessons in language and manners. We are well informed of this, thanks to the fantasy of a Princess which produced a little literature upon the model offered by the Luxembourg.
In 1657, Mademoiselle, being at Champigny for the Richelieu lawsuit, the Princess of Tarente[98] and Mlle. de la Trémouille[99] showed her their literary portraits written by themselves.[100] These were imitations of those which Mlle. de Scudéry, creator of the kind, gave in her romances,—the personalities to be divined with a key. "I had never before seen anything of the kind; I found them very galants, and wrote my own." After her own, she made others, and exacted them from those about her.
From this resulted a repertoire unique of its kind, in which noble personages, of both sexes and all ages, have been so obliging as not to leave us ignorant of themselves, from the state of their teeth to their opinions upon love, nor have they omitted to present similar details concerning their friends.
The collection of these Portraits[101] reveals to us how the aristocracy then viewed itself, or, at least, how it wished to be estimated by others. The ordinary beginning was to picture the face and bearing. The fashion was to do this with sincerity, which by no means indicates modesty. The famous Duchesse de Châtillon warned readers that she was going to speak with a naïveté "the greatest possible."
This is why [continues she] I can say that I have the most beautiful and best formed figure which has ever been seen. There is none so regular, so free, so easy. My bearing is entirely agreeable, and in all my actions I have an air infinitely spirituel. My face is a most perfect oval, according to all standards; my forehead is slightly elevated, which aids the regularity of the oval. My eyes are brown, very brilliant, and very deeply set; the gaze is very gentle and, at the same time, full of fire and spirit. I have a well-made nose, and as for the mouth, it is not only fine and well coloured, but infinitely agreeable, made so by a thousand little natural expressions not to be seen in any other mouths. My teeth are very beautiful and regular. I have a very small chin. I have not a very white skin. My hair is a clear chestnut, and very lustrous. My neck is more beautiful than ugly. As for my arms and hands, I am not proud of them; but the skin is very soft and smooth. It would be impossible to find a thigh better made than mine or a foot better turned.