This refers to Mrs. Cotes's novel, His Honor and a Lady, and to a suggestion that its manner in some way resembled his own.
Lamb House, Rye.
January 26th, 1900.
Dear Mrs. Cotes,
I grovel in the dust—so ashamed am I to have made no response to your so generous bounty and to have left you unthanked and unhonoured. And all the while I was (at once) so admiring your consummately clever book, and so blushing to the heels and groaning to the skies over the daily paralysis of my daily intention to make you some at least (if not adequate) commonly courteous and approximately intelligible sign. And I have absolutely no valid, no sound, excuse to make but that I am like that!—I mean I am an abandonedly bad writer of letters and acknowledger of kindnesses. I throw myself simply on my confirmed (in old age) hatred of the unremunerated pen—from which one would think I have a remunerated one!
Your book is extraordinarily keen and delicate and able. How can I tell if it's "like me"? I don't know what "me" is like. I can't see my own tricks and arts, my own effect, from outside at all. I can only say that if it is like me, then I'm much more of a gros monsieur than I ever dreamed. We are neither of us dying of simplicity or common addition; that's all I can make out; and we are both very intelligent and observant and conscious that a work of art must make some small effort to be one; must sacrifice somehow and somewhere to the exquisite, or be an asininity altogether. So we open the door to the Devil himself—who is nothing but the sense of beauty, of mystery, of relations, of appearances, of abysses of the whole—and of EXPRESSION! That's all he is; and if he is our common parent I'm delighted to welcome you as a sister and to be your brother. One or two things my acute critical intelligence murmured to me as I read. I think your drama lacks a little, line—bony structure and palpable, as it were, tense cord—on which to string the pearls of detail. It's the frequent fault of women's work—and I like a rope (the rope of the direction and march of the subject, the action) pulled, like a taut cable between a steamer and a tug, from beginning to end. It lapses and lapses along a trifle too liquidly—and is too much conceived (I think) in dialogue—I mean considering that it isn't conceived like a play. Another reflection the Western idiot makes is that he is a little tormented by the modern mixture (maddening medley of our cosmopolite age) of your India (vast, pre-conceived and absently-present,) and your subject not of Indian essence. The two things—elements—don't somehow illustrate each other, and are juxtaposed only by the terrible globe-shrinkage. But that's not your fault—it's mine that I suffer from it. Go on and go on—you are full of talent; of the sense of life and the instinct of presentation; of wit and perception and resource. Voilà.
It would be much more to the point to talk of these things with you, and some day, again, this must indeed be. But just now I am talking with few—wintering, for many good reasons, in the excessive tranquillity of this tiny, inarticulate country town, in which I have a house really adapted to but the balmier half of the year. And there is nothing cheerful to talk of. South Africa darkens all our sky here, and I gloom and brood and have craven questions of "Finis Britanniae?" in solitude. Your Indian vision at least keeps that abjectness away from you. But good-night. It's past midnight; my little heavy-headed and heavy-hearted city sleeps; the stillness ministers to fresh flights of the morbid fancy; and I am yours, dear Mrs. Cotes, most constantly,
HENRY JAMES.
Lamb House, Rye.
April 1st, 1900.
My dear brave Don Tony and dear beautiful Doña Mary: (not that Tony isn't beautiful too or that Mary isn't brave!) You are awfully exclusive; you won't be written to if you can help it—or if I can; but wonderful as you individually and conjoinedly are, you must still taste of the common cup—you must recognise that, after all, you are, humanly, exposed—! Well, this is all, at the worst, you are exposed to: to my only scribbling at you, a little, for the pride of the thought of you. A fellow has feelings, hang it—and the feelings will overflow. I am a very sentient and affectionate, albeit out-of-the-way and out-of-the-fashion person. I like to add with my own clumsy fingers a small knot to the silken cord that, for the starved romance of my life, does, by God's blessing, happen to unite me to two or three of my really decorative contemporaries. Besides, if you will write such enchanting letters! The communication that (a few days ago in London) reached [me] from each of you, makes up for many grey things. Many things are grey, in a blafard English March and moist English club-chambers: (tell me not of the pains of Provence!) Without our gifted Jon. close at hand I should have parted forever with my sense of colour. However, I don't want simply to thank you for all the present, the past and the future—I want also to say, right distinctly, that if you can conveniently send me a copy of L'Aiglon you'll stick the biggest feather yet in your cap of grace. I believe the book isn't yet out—so I shall be as patient as I am attached. You couldn't do a more charming thing—and nobody but you could do as charming a one.—I hold you both fast and am your fond and faithful old friend,
HENRY JAMES.
P.S. I send this to C.F. as you may have shifted. How delightful your picture of the little time-beating boy! What a family!
The Sense of the Past, the first chapters of which were written at this time, was presently laid aside and not continued until the autumn of 1914. The other projected "tale of terror," referred to in this letter, was never carried out; there seems to be no indication of its subject.
Lamb House, Rye.
29th June, 1900.
My dear Howells,
I can't emulate your wonderful little cursive type on your delicate little sheets—the combination of which seems to suggest that you dictate, at so much an hour, to an Annisquam fairy; but I will do what I can and make out to be intelligible to you even, over the joy it is, ever and always, to hear from you. You say that had you not been writing me the particular thing you were, you fear you wouldn't have been writing at all; but it is a compliment I can better. I really believe that if I weren't writing you this, on my side, I should be writing you something else. For I've been, of late, reading you again as continuously as possible—the worst I mean by which is as continuously as the book-sellers consent: and the result of "Ragged Lady," the "Silver Journey," the "Pursuit of the Piano" and two or three other things (none wrested from your inexorable hand, but paid for from scant earnings) has been, ever so many times over, an impulse of reaction, of an intensely cordial sort, directly at you—all, alas, spending itself, for sad and sore want of you, in the heavy air of this alien clime and the solitude, here, of my unlettered life. I wrote to you to Kittery Point—I think it was—something like a year ago, and my chief occupation since then has been listening for the postman's knock. But let me quickly add that I understand overwhelmingly well what you say of the impossibility for you, at this time of day, of letters. God knows they are impossible—the great fatal, incurable, unpumpable leak of one's poor sinking bark. Non ragioniam di lor—I understand all about it; and it only adds to the pleasure with which, even on its personal side, I greet your present communication.
This communication, let me, without a shred of coyness, instantly declare, much interests and engages me—to the degree even that I think I find myself prepared to post you on the spot a round, or a square, Rather! I won't go through any simpering as to the goodness of your "having thought of me"—nor even through any frank gaping (though there might be, for my admiration and awe, plenty of that!) over the wonder of your multiform activity and dauntlessly universal life. Basta that I will write anything in life that anyone asks me in decency—and a fortiori that you so gracefully ask. I can only feel it to be enough for me that you have a hand in the affair, that you are giving a book yourself and engaging yourself otherwise, and that I am in short in your company. What I understand is that my little novel shall be of fifty thousand (50,000) words, neither more, I take it, nor less; and that I shall receive the sum mentioned in the prospectus "down," in advance of royalties, on such delivery. (I shall probably in point of fact, in my financial humility, prefer, when the time comes, to avail myself of the alternative right mentioned in the prospectus—that of taking, instead of a royalty, for the two years "lease," the larger sum formed by the so-much-a-word aggregation. But that I shall be clear about when the work is done; I only glance at this now as probable.) It so happens that I can get at the book, I think, almost immediately and do it within the next three or four months. You will therefore, unless you hear from me a short time hence to the contrary, probably receive it well before December. As for the absoluteness of the "order," I am willing to take it as, practically, sufficiently absolute. If you shouldn't like it, there is something else, definite enough, that I can do with it. What, however, concerns me more than anything else is to take care that you shall like it. I tell myself that I am not afraid!
I brood with mingled elation and depression on your ingenious, your really inspired, suggestion that I shall give you a ghost, and that my ghost shall be "international." I say inspired because, singularly enough, I set to work some months ago at an international ghost, and on just this scale, 50,000 words; entertaining for a little the highest hopes of him. He was to have been wonderful and beautiful; he was to have been called (perhaps too metaphysically) "The Sense of the Past"; and he was to have been supplied to a certain Mr —— who was then approaching me—had then approached me.... The outstretched arm, however, alas, was drawn in again, or lopped off, or otherwise paralysed and negatived, and I was left with my little project—intrinsically, I hasten to add, and most damnably difficult—on my hands.... It is very possible, however, it is indeed most probable, that I should have broken down in the attempt to do him this particular thing, and this particular thing (divine, sublime, if I could do it) is not, I think, what I shall now attempt to nurse myself into a fallacious faith that I shall be able to pull off for Howells and Clarke. The damnable difficulty is the reason; I have rarely been beaten by a subject, but I felt myself, after upwards of a month's work, destined to be beaten by that one. This will sufficiently hint to you how awfully good it is. But it would take too long for me to tell you here, more vividly, just how and why; it would, as well, to tell you, still more subtly and irresistibly, why it's difficult. There it lies, and probably will always lie.
I'm not even sure that the international ghost is what will most bear being worried out—though, again, in another particular, the circumstances, combining with your coincident thought, seemed pointed by the finger of providence. What —— wanted was two Tales—both tales of "terror" and making another duplex book like the "Two Magics." Accordingly I had had (dreadful deed!) to puzzle out more or less a second, a different piece of impudence of the same general type. But I had only, when the project collapsed, caught hold of the tip of the tail of this other monster—whom I now mention because his tail seemed to show him as necessarily still more interesting than No. 1. If I can at all recapture him, or anything like him, I will do my best to sit down to him and "mount" him with due neatness. In short, I will do what I can. If I can't be terrible, I shall nevertheless still try to be international. The difficulties are that it's difficult to be terrible save in the short piece and international save in the long. But trust me. I add little more. This by itself will begin by alarming you as a precipitate instalment of my responsive fury. I rejoice to think of you as basking on your Indian shore. This shore is as little Indian as possible, and we have hitherto—for the season—had to combat every form of inclemency. To-day, however, is so charming that, frankly, I wish you were all planted in a row in the little old garden into which I look as I write to you. Old as it is (a couple of hundred years) it wouldn't be too old even for Mildred. But these thoughts undermine. The "country scenes" in your books make me homesick for New England smells and even sounds. Annisquam, for instance, is a smell as well as a sound. May it continue sweet to you! Charles Norton and Sally were with me lately for a day or two, and you were one of the first persons mentioned between us. You were the person mentioned most tenderly. It was strange and pleasant and sad, and all sorts of other things, to see Charles again after so many years. I found him utterly unchanged and remarkably young. But I found myself, with him, Methusalesque and alien! I shall write you again when my subject condenses. I embrace you all and am yours, my dear Howells, always,
HENRY JAMES.
The book already begun, and now "the greatest obsession of all," is evidently The Ambassadors.
Dictated.
Read P.S. (Aug. 14th) first!
Lamb House, Rye,
August 9, 1900.
My dear Howells,
I duly received and much pondered your second letter, charming and vivid, from Annisquam; the one, I mean, in reply to mine dispatched immediately on the receipt of your first. If I haven't since its arrival written to you, this is because, precisely, I needed to work out my question somewhat further first. My impulse was immediately to say that I wanted to do my little stuff at any rate, and was willing therefore to take any attendant risk, however, measured as the little stuff would be, at the worst, a thing I should see my way to dispose of in another manner. But the problem of the little stuff itself intrinsically worried me—to the extent, I mean, of my not feeling thoroughly sure I might make of it what I wanted and above all what your conditions of space required. The thing was therefore to try and satisfy myself practically—by threshing out my subject to as near an approach to certainty as possible. This I have been doing with much intensity—but with the result, I am sorry to say, of being still in the air. Let the present accordingly pass for a provisional communication—not to leave your last encompassed with too much silence. Lending myself as much as possible to your suggestion of a little "tale of terror" that should be also international, I took straight up again the idea I spoke to you of having already, some months ago, tackled and, for various reasons, laid aside. I have been attacking it again with intensity and on the basis of a simplification that would make it easier, and have done for it, thus, 110 pages of type. The upshot of this, alas, however, is that though this second start is, if I—or if you—like, magnificent, it seriously confronts me with the element of length; showing me, I fear, but too vividly, that, do what I will for compression, I shall not be able to squeeze my subject into 50,000 words. It will make, even if it doesn't, for difficulty, still beat me, 70,000 or 80,000—dreadful to say; and that faces me as an excessive addition to the ingredient of "risk" we speak of. On the other hand I am not sure that I can hope to substitute for this particular affair another affair of "terror" which will be expressible in the 50,000; and that for an especial reason. This reason is that, above all when one has done the thing, already, as I have rather repeatedly, it is not easy to concoct a "ghost" of any freshness. The want of ease is extremely marked, moreover, if the thing is to be done on a certain scale of length. One might still toss off a spook or two more if it were a question only of the "short-story" dimension; but prolongation and extension constitute a strain which the merely apparitional—discounted, also, as by my past dealings with it—doesn't do enough to mitigate. The beauty of this notion of "The Sense of the Past," of which I have again, as I tell you, been astride, is precisely that it involves without the stale effect of the mere bloated bugaboo, the presentation, for folk both in and out of the book, of such a sense of gruesome malaise as can only—success being assumed—make the fortune, in the "literary world," of every one concerned. I haven't, in it, really (that is save in one very partial preliminary and expository connection,) to make anything, or anybody, "appear" to anyone: what the case involves is, awfully interestingly and thrillingly, that the "central figure," the subject of the experience, has the terror of a particular ground for feeling and fearing that he himself is, or may at any moment become, a producer, an object, of this (for you and me) state of panic on the part of others. He lives in an air of malaise as to the malaise he may, woefully, more or less fatally, find himself creating—and that, roughly speaking, is the essence of what I have seen. It is less gross, much less banal and exploded, than the dear old familiar bugaboo; produces, I think, for the reader, an almost equal funk—or at any rate an equal suspense and unrest; and carries with it, as I have "fixed" it, a more truly curious and interesting drama—especially a more human one. But, as I say, there are the necessities of space, as to which I have a dread of deluding myself only to find that by trying to blink them I shall be grossly "sold," or by giving way to them shall positively spoil my form for your purpose. The hitch is that the thing involves a devil of a sort of prologue or preliminary action—interesting itself and indispensable for lucidity—which impinges too considerably (for brevity) on the core of the subject. My one chance is yet, I admit, to try to attack the same (the subject) from still another quarter, at still another angle, that I make out as a possible one and which may keep it squeezable and short. If this experiment fails, I fear I shall have to "chuck" the supernatural and the high fantastic. I have just finished, as it happens, a fine flight (of eighty thousand words) into the high fantastic, which has rather depleted me, or at any rate affected me as discharging my obligations in that quarter. But I believe I mentioned to you in my last "The Sacred Fount"—this has been "sold" to Methuen here, and by this time, probably, to somebody else in the U.S.—but, alas, not to be serialized (as to which indeed it is inapt)—as to the title of which kindly preserve silence. The vraie vérité, the fundamental truth lurking behind all the rest, is furthermore, no doubt, that preoccupied with half a dozen things of the altogether human order now fermenting in my brain, I don't care for "terror" (terror, that is, without "pity") so much as I otherwise might. This would seem to make it simple for me to say to you: "Hang it, if I can't pull off my Monster on any terms, I'll just do for you a neat little human—and not the less international—fifty-thousander consummately addressed to your more cheerful department; do for you, in other words, an admirable short novel of manners, thrilling too in its degree, but definitely ignoring the bugaboo." Well, this I don't positively despair of still sufficiently overtaking myself to be able to think of. That card one has always, thank God, up one's sleeve, and the production of it is only a question of a little shake of the arm. At the same time, here, to be frank—and above all, you will say, in this communication, to be interminable—that alternative is just a trifle compromised by the fact that I've two or three things begun ever so beautifully in such a key (and only awaiting the rush of the avid bidder!)—each affecting me with its particular obsession, and one, the most started, affecting me with the greatest obsession, for the time (till I can do it, work it off, get it out of the way and fall with still-accumulated intensity upon the others,) of all. But alas, if I don't say, bang off, that this is then the thing I will risk for you, it is because "this," like its companions, isn't, any way I can fix it, workable as a fifty-thousander. The scheme to which I am now alluding is lovely—human, dramatic, international, exquisitely "pure," exquisitely everything; only absolutely condemned, from the germ up, to be workable in not less than 100,000 words. If 100,000 were what you had asked me for, I would fall back upon it ("terror" failing) like a flash; and even send you, without delay, a detailed Scenario of it that I drew up a year ago; beginning then—a year ago—to do the thing—immediately afterwards; and then again pausing for reasons extraneous and economic.... It really constitutes, at any rate, the work I intimately want actually to be getting on with; and—if you are not overdone with the profusion of my confidence—I dare say I best put my case by declaring that, if you don't in another month or two hear from me either as a Terrorist or as a Cheerful Internationalist, it will be that intrinsic difficulties will in each case have mastered me; the difficulty in the one having been to keep my Terror down by any ingenuity to the 50,000; and the difficulty in the other form of Cheer than the above-mentioned obsessive hundred-thousander. I only wish you wanted him. But I have now in all probability a decent outlet for him.
Forgive my pouring into your lap this torrent of mingled uncertainties and superfluities. The latter indeed they are properly not, if only as showing you how our question does occupy me. I shall write you again—however vividly I see you wince at the prospect of it. I have it at heart not to fail to let you know how my alternatives settle themselves. Please believe meanwhile in my very hearty thanks for your intimation of what you might perhaps, your own quandary straightening out, see your way to do for me. It is a kind of intimation that I find, I confess, even at the worst, dazzling. All this, however, trips up my response to your charming picture of your whereabouts and present conditions—still discernible, in spite of the chill of years and absence, to my eye, and eke to my ear, of memory. We have had here a torrid, but not a wholly horrid, July; but are making it up with a brave August, so far as we have got, of fires and floods and storms and overcoats. Through everything, none the less, my purpose holds—my genius, I may even say, absolutely thrives—and I am unbrokenly yours,
HENRY JAMES.
14th August.
P.S. The hand of Providence guided me, after finishing the preceding, to which the present is postscriptal, to keep it over a few days instead of posting it directly: so possible I thought it that I might have something more definite to add—and I was a little nervous about the way I had left our question. Behold then I have then to add that I have just received your letter of August 4—which so simplifies our situation that this accompanying stuff becomes almost superfluous. But I have let it go for the sake of the interest, the almost top-heavy mass of response that it embodies. Let us put it then that all is for the moment for the best in this worst of possible worlds; all the more that had I not just now been writing you exactly as I am, I should probably—and thanks, precisely, to the lapse of days—be stammering to you the ungraceful truth that, after I wrote you, my tale of terror did, as I was so more than half fearing, give way beneath me. It has, in short, broken down for the present. I am laying it away on the shelf for the sake of something that is in it, but that I am now too embarrassed and preoccupied to devote more time to pulling out. I really shouldn't wonder if it be not still, in time and place, to make the world sit up; but the curtain is dropped for the present. All thanks for your full and prompt statement of how the scene has shifted for you. There is no harm done, and I don't regard the three weeks spent on my renewed wrestle as wasted—I have, within three or four days, rebounded from them with such relief, vaulting into another saddle and counting, D.V., on a straighter run. I have two begun novels: which will give me plenty to do for the present—they being of the type of the "serious" which I am too delighted to see you speak of as lifting again ... its downtrodden head. I mean, at any rate, I assure you, to lift mine! Your extremely, touchingly kind offer to find moments of your precious time for "handling" something I might send you is altogether too momentous for me to let me fail of feeling almost ashamed that I haven't something—the ghost or t'other stuff—in form, already, to enable me to respond to your generosity "as meant." But heaven only knows what may happen yet! For the moment, I must peg away at what I have in hand—biggish stuff, I fear, in bulk and possible unserialisability, to saddle you withal. But thanks, thanks thanks. Delighted to hear of one of your cold waves—the newspapers here invidiously mentioning none but your hot. We have them all, moreover, réchauffées, as soon as you have done with them; and we are just sitting down to one now. I dictate you this in my shirtsleeves and in a draught which fails of strength—chilling none of the pulses of yours gratefully and affectionately,
HENRY JAMES.
Lamb House, Rye,
September 26th, 1900.
My dear Norris,
Charming and "gracious" your letter, and welcome sign of your restoration in more senses than one. Though I see you, alas, nowadays, at such intervals, I feel this extremely individual little island to be appreciably less its characteristic self when you are away from it, and sensibly more so, and breathing the breath of relief, when it gets you back and plumps you down with a fond "There!" on your high hilltop, a beacon-like depository of traditions no one else so admirably embodies. Your invitation to come and share for a few days your paradise with you finds me, I am very sorry to say, in a hindered and helpless moment. I am obliged to recognise the stern fact that I can't leave home just now. I have had a complicated and quite overwhelmed summer—agreeably, interestingly, anxiously and worriedly, even; but inevitably and logically—waves of family history, a real deluge, having rolled over my bowed head and left me, as to the question of work, production, time, ease and other matters, quite high and dry. I went on Saturday last to Dover to see my sister-in-law off to the Continent—and as she took a night boat had to stop there over Sunday, at the too-familiar (and too other things) Lord Warden; after which I came back to bury (yes, bury!) my precious, my admirable little Peter, whom I think you had met. (He passed away on Sunday at St. Leonard's, fondly attended by the local "canine specialist"—after three days of dreadful little dysentery.) Thus is constituted the first moment of my being by myself for about four months. It may last none too long, and is, already, to be tempered by the palpable presence of Gosse from Saturday p.m. to Monday next. So, with arrears untold, in every direction, with preoccupations but just temporarily arranged, I feel that I absolutely must sit close for a good many weeks to come; in fact till the New Year—after which I depart. I don't quite know what becomes of me then, but I don't, distinctly, for a third year, hibernate here. My London rooms are as probably as sordidly let for 1901 (though not to a certainty,) and it will (my wretched fate—not fat—fate) depend more or less upon that. My brother, ill, but thank God, better, wants me to come to Egypt with him and his wife for 12 weeks—his health demanding it, but he only going if I will accompany him. So the pistol is at my head. Will it bring me down? I've a positive terror of it. The alternatives are Rome (of which I've a still greater terror than of Egypt, for it's an equal complication and less reward,) or De Vere Gardens, or a more squalid perch in town if De V.G. are closed to me. The latter, the last-named, doom is what I really want. If I should, clingingly, clutchingly, stick to these shores, I might then, were it agreeable to you, be able to put in three days of Underbank, which I've never seen in its tragic winter mood. But these things are in the lap of the gods.
Later, same night.
I broke off this a.m. to go over to Lydd, where I've had, all summer, a friend in camp, and promised to pay him a visit. My amanuensis, who has been taking at the Paris exhibition a week of joy refused to his employer (and indeed wholly undesired by him—did your "slow" return from Marienbad partly consist of the same?) comes back to-morrow, and my friend's battalion departs on Saturday—so it was my one chance to redeem my perpetually falsified vow. I went by train and bicycled back—in the teeth of a gale now fully developed here and howling in my old chimneys; which sounds the knell of this (to do it justice) incomparable September. I don't quite know what Drury Lane military drama effects I had counted on—but I trundled home with the depressed sense of something that hadn't wholly come off (in the way of a romantic appeal,) a dusty, scrubby plain in which dirty, baby soldiers pigged about with nothing particular to do. However, I've performed my promise, and I sit down to a pile of correspondence that, for many days past, has refused visibly to shrink.... You excite, with your Scandinavian and Austrian holidays and junketings, the envious amaze of poor motionless and shillingless me. I've been thinking of appealing to your "Suffrages," but I more and more feel that I could never afford you. My watering place is Hastings, and my round tour is rounded by the afternoon. But good-night; my servant has just deposited by my side the glass of boiling water which constitutes his nightly admonition that it's "high time" I went to bed—and constitutes my own inexpensive emulation of Marienbad and Copenhagen—where I am sure Gosse drinks the most exotic things. Please say to Miss Effie that I doubly regret having to be deaf to any kind urgency of hers, and that I hope she will find means to include me in some prayer for the conversion of the benighted. But my hot water is cooling, and it takes me so long to let it gouge its inward course that I will be first yours, my dear Norris, always—though I'm afraid you will say always impracticably—
HENRY JAMES.
"The Place of the Thirty Peacocks" was H. J.'s name for the old moated house of Groombridge Place, near Tunbridge Wells, which he had visited some years before with Mr. de Navarro.
Lamb House, Rye.
November 13, 1900.
Dear and exquisite Tony,
I would deal death, or à peu près, to the man who should have said that I would have delayed these too many days to acknowledge your beautiful little letter from—or about—the Place of the Thirty Peacocks. Yet he, low wretch, would have been, after all, in the secrets of Fate; he would have foreseen me a good deal accablé with arrears, interruptions, a deluge of proofsheets, a complexity of duties and distractions; he would have heard in advance my ineffectual groans and even have pitied my baffled efforts. These things have eventuated to-night in the irresistible desire to chat with you by the fire before turning in. The fire burns low, and the clock marks midnight: everything but the quantity of combustion reminds me of those small nocturnal hours, two years ago, when I was communing with you thus and the fire didn't burn low. You saved my life then, and my house, and all that was mine; and for aught I know you are now saving us all again—from some other deadly element. To-night it's water—or the absense of it; I don't quite understand which. Something has happened to my water supply, through a pulling-up of the street, though it doesn't yet quite appear whether I'm to perish by thirst or by submersion. Here I sit as usual, at any rate, holding on to you—also as usual—while the clock ticks in the stillness.—I can't tell you how happily inspired I feel it to have been of you to remember our erstwhile pilgrimage to the Maeterlinck house and moat and peacocks and ladies—for that's how—as a moated Maeterlinck matter—the whole impression of our old visit, yours and mine and Miss Reubell's comes back to me. I rejoice that they are still en place, and how glad they must have been to see you! Willingly would I too taste again the sweet old impression—which your letter charmingly expresses. But I seem to travel, to peregrinate, less and less—and I am reduced to living on my past accumulations. I wish they were larger. But I make the most of them. They include very closely you and Mrs. You. To them I do seem reduced with you. What with our so far separated country settlements and present absence of a London common centre (save the Bond St. corner of which J. S. is the pivot!) memories and sighs, echoes and ghosts are our terms of intercourse. You oughtn't, you know, to have driven in stakes in your merciless Midland. This southern shore, twinkling and twittering, with a semi-foreign light, a kind of familiar wink in the air, would have favoured your health, your spirits, and heaven knows your being here would have favoured mine. I breakfast all these weeks, mostly, with my window open to the garden and a flood of sunshine pouring in. It's really meridional. It would—Rye would—remind you of Granada—more or less. But I hope, after Xmas, to be in town for three or four months. You will surely pass and repass there. When I, at intervals, go up, on some practical urgency, for three or four hours, I always see the abysmal Jon. He usually has some news of you to give; and when he hasn't it's not for want of—on my part—solemn invocation. However, I must now solemnly invoke slumber. Good-night—good-morning. I bless your house, its glorious mistress and its innocent heir.
Yours always and ever,
HENRY JAMES.
Lamb House, Rye.
December 23rd, 1900.
My dear Norris,
I greatly desire that this shall not fail to convey you my sentiments on this solemn Xmas morn; so I sit here planning and plotting, and making well-meant pattes de mouche, to that genial end. A white sea-fog closes us in (in which I've walked healthily, with my young niece, out to the links—with the sense of being less of a golfist than ever;) the clock ticks and the fire crackles during the period between tea and dinner; the young niece aforesaid (my only companion this season of mirth, with her parents abroad and a scant snatch of school holidays to spend with me) sits near me immersed in Redgauntlet; so the moment seems to lend itself to my letting off this signal in such a manner as may, even in these troublous times (when my nerves are all gone and I feel as if anything shall easily happen,) catch your indulgent eye. I feel as if I hadn't caught your eye, for all its indulgence, for a long and weary time, and I daresay you won't gainsay my confession. May the red glow of the Yuletide log diffuse itself at Underbank (with plenty of fenders and fireguards and raking out at night,) in a good old jovial manner. I think of you all on the Lincombes, &c., in these months, as a very high-feeding, champagne-quaffing, orchid-arranging society; and my gaze wanders a little wistfully toward you—away from my plain broth and barley-water. I in fact, some three weeks ago, fled from that Spartan diet up to town, hoping to be in the mood to remain there till Easter, and the experience is still going on, with this week here inserted as a picturesque parenthesis. I asked my young niece in the glow of last August not to fail to spend her Xmas with me, as I then expected to be, Promethean-like, on my rock; and I've returned to my rock not to leave her in the lurch. And I find a niece does temper solitude....
London, at all events, seems to me, after long expatriation, rather thrilling—all the more that I have the thrill, the quite anxious throb, of a new little habitation—which makes, alas, the third that I am actually master of! I've taken (with 34 De Vere Gardens still on my hands, but blessedly let for another year to come, and then to be wriggled out of with heaven's help) a permanent room at a club (Reform,) which seems to solve the problem of town on easy terms. They are let by the year only, and one waits one's turn long—(for years;) but when mine the other day came round I went it blind instead of letting it pass. One has to furnish and do all one's self—but the results, and conditions, generally, repay. My cell is spacious, southern, looking over Carlton Gardens: and tranquil, utterly, and singularly well-serviced; and I find I can work there—there being ample margin for a type-writer and its priest, or even priestess. It all hung by that—but I think I am not deceived; so I bear up. And the next time you come to perch at a neighbouring establishment, I shall sweep down on you from my eyrie. It's astonishing how remote, cumbrous and expensive it makes 34 De Vere Gardens seem. Worse luck that that millstone still dangles gracefully from my neck!...
I've now dined, and re-established my niece with the second volume of Redgauntlet—besides plying her, at dessert, with delicacies brought down, à son intention, from Fortnum & Mason; and thus with a good conscience I prepare to close this and to sally forth into the sea-fog to post it with my own hand—if it's to reach you at any congruous moment. I yesterday dismissed a servant at an hour's notice—the house of the Lamb scarce knew itself and felt like that of the Wolf—so that, with reduced resources, I make myself generally useful. Besides, at little, huddled, neighbourly Rye, even a white December sea-fog is a cosy and convenient thing.
So good night and all blessings on your tropic home. May your table groan with the memorials of friendship, and may Miss Effie's midnight masses not make her late for breakfast and her share of them—which is a little even in these poor words from yours, my dear Norris, always,
HENRY JAMES.
Lamb House, Rye.
December 29th, 1900.
Dear and splendid Tony!
They are all admirable and exquisite—for I seem to have received so much from you that "all" is the only indication comprehensive enough. I came down from ten days in town the other day to find L'Aiglon, and within three or four the beautiful little pocket-diary has added itself to that obligation. Dear and splendid Tony, let me not even (scarcely) speak of my obligations. That way lies prostration, the sense of deep unworthyness (wrongly spelled—to show how unworthi I am:) the memory and vision of a little library of Bond St. booklets that collectors (toward the end of 1901) will cut each others' throats for: and what do I know besides? I am more touched than I can say, in short, by your fidelity in every particular. L'Aiglon, now that we at last have the glittering text, has been a joy to me, of the finest kind, here by the Xmas fireside. I haven't seen the thing done—and I don't hugely want to: I so represent it to myself as I go. The talent, the effect, the art, the mastery, the brilliancy, are all prodigious. The man really has talent like an attack of smallpox—I mean it rages with as purple an intensity, and might almost (one vainly feels as one reads) be contagious. You have given me, by your admirable consideration, an exquisite pleasure. I wish we could talk of these things: but we are like the buckets in the well.... Make me a preliminary sign the first time you pass. For the present good-night. My Xmas letters are still mainly unwritten and they are many and much. I greet you and Mrs. Tony very constantly: I wish you a big slice of the new century: and I am yours ever so gratefully,
HENRY JAMES.
Lamb House, Rye.
Dec. 29, 1900.
Dearest Lady Wolseley,
This is a very faint and meagre little word, addressed to you late of a terrifically windy winter's night by an old friend who doesn't happen[B] to be in very good physical case (only for the moment, thank goodness, probably!) and yet who doesn't want the New Year to edge an hour nearer before he has made you Both—made you all Three—a sign of affectionate remembrance amounting to tenderness pure and simple. I wish there were a benediction I could call down on your house and your associated life in sufficiently immediate and visible form: you would then see it flutter into your midst and perch upon your table even while you read these lines. I have thought of you constantly these past weeks, and have only not written to you from the fear of appearing to assume that your retirement has been to you woeful or in any degree heart-breaking. I couldn't congratulate you positively, on the event, and yet I hated to condole, in the case of people so gallant and distinguished. So I have been hovering about you in thought like an anxious mother armed, in the evening air, with a shawl or extra wrap, for a pair of belated but high-spirited children liable to feel a chill, but not quite venturing to approach the young people and clap the article on their shoulders. I have remained in short with my warm shawl on my hands, but if I were near you I should clap it straight on your shoulders at the first symptom of a shiver, and wrap it close round and tuck it thoroughly in. Forgive this feeble image of the confirmed devotion I hold at your service. To see you will be a joy and a relief—the next time I go up to town: I mean if it so befalls that you are then in residence at the Palace. I do go up on the 31st—Monday next—to stay till Easter: where my address is 105 Pall Mall, S. W., and if you should be at Hampton Court the least sign from you would bring me begging for a cup of tea. I hope, meanwhile, with all my heart, that these weeks spent in looking, after so many years, Comparative Leisure in the face, have had somewhat the effect of mitigating the austerity of that countenance. There are opportunities always lurking in it—the opportunity, heaven-sent, in Lord Wolseley's case—as I venture to think of it—of sitting down again to the engaging Marlborough. But here I am talking as if you wouldn't know what to do! Whatever you do, or don't, please believe, both of you, in the great personal affection that prompts this and that calls toward you, to the threshold of the New Year, every pleasant possibility and all ease and honour and, so far as you will consent to it, rest.
Yours, dear Lady Wolseley, always and ever, and more than ever,
HENRY JAMES.
[B] This to attenuate his feebleness of hand!
The news had just arrived of the death of F. W. H. Myers at Rome, where William James was spending the winter.
Reform Club, Pall Mall, S. W.
Jan. 24, 1901.
My dear William,
A laggard in response you and Alice will indeed feel that I have become. I've had for three or four days your so interesting and relieving letter dictated to Alice at the hour of poor Myers's death, and though it greatly eased me off (as to my fears that the whole thing would have worn you out,) yet till this moment my hand has been stayed. I wrote you very briefly, moreover, as soon as the papers here gave the news. Blessed seems it to have been that everything round about Myers was so sane and comfortable; the reasonableness and serenity of his wife and children etc., not to speak of his own high philosophy, which it must have been fine to see in operation. But I hope the sequel hasn't been prolonged, and have been supposing that, by the necessary quick departure of his "party," you will have been left independent again and not too exhausted. We here, on our side, have been gathering close round the poor old dying and dead Queen, and are plunged in universal mourning tokens—which accounts for my black-edged paper. It has really been, the event, most moving, interesting and picturesque. I have felt more moved, much, than I should have expected (such is community of sentiment,) and one has realized all sorts of things about the brave old woman's beneficent duration and holding-together virtue. The thing has been journalistically overdone, of course—greatly; but the people have appeared to advantage—serious and sincere and decent—really caring. Meanwhile the drama of the accession, new reign, &c., has its lively spectacular interest—even with the P. of W. for hero. I dined last night in company with some Privy Councillors who had met him ceremonially, in the a.m., and they said (John Morley in particular said) that he made a very good impression. Speriamo!
I find London answering very well, but with so much more crowdedness on one's hours and minutes than in the country that I shall be glad indeed when the end comes. Meanwhile, however, work proceeds.... The war has doubled the income tax here; it is hideous.
Ever tenderly your
HENRY.