Gore Map of Leonardo da Vinci, ca. 1515.
Fig. 135. Gore Map of Leonardo da Vinci, ca. 1515.
Fig. 136. Anonymous Globe Gores in Plane
Map Construction, ca. 1550.
In referring to unusual forms in gore construction attention
may again be called to the map of Alonso de Santa
Cruz and to that of Antonius Florianus, in which maps the
plan was hemispherical,199 the central point in the construction
of each hemisphere, a northern and a southern, being
the pole, the circumference of the circle in which the thirty-six
gores were drawn, representing the equator. But again
we do not know that such a gore map was ever employed in
globe construction though the method, it seems, would lend
itself to that end.
It can be readily understood that numerous modifications
in the matter of globe-gore construction and their application
to the surface of the sphere, more or less detailed in
character, were introduced as the years passed, but the modifications
were by no means at all times in the line of improvement.200
The technical skill of the present day does not
surpass that which one occasionally finds exhibited in the
work of some three hundred years ago.
In the matter of geographical record terrestrial globe
maps stand with the plane maps of the same period. While
they are by no means as numerous as the plane maps, there
attaches to them an importance no less historically significant.
Not infrequently they give us records not to be found
elsewhere. In their general features, differences can hardly
be said to exist between plane maps and globe maps. In the
matter of adornment there is similarity; each following the
practice of the time when constructed. As pictures and
legends hold a place of prominence, particularly on mediaeval
maps,201 so even to the close of the period we have had
under consideration, that is, the end of the eighteenth century,
these adornments have place on globe maps, sometimes
few, sometimes many, the same, if in picture, exhibiting the
inhabitants of land and sea, if merely a legend, giving
information of geographical importance on the terrestrial
globe and of astronomical importance on the celestial, these
legends being often placed in an artistic cartouch.
To the printed or engraved globe map, color was generally
added by hand with an effect often very artistic, in contrast
with which the modern machine methods of color printing
are deplorably crude.
On most terrestrial globe maps meridian circles are represented
at intervals of ten, twenty, or thirty degrees, the
prime meridian on which the degrees of latitude are marked
being usually made very conspicuous, and to the close of the
period under consideration usually made to pass through the
Cape Verde Islands or the Canaries, a point always to be
carefully noted in attempting to get a reading for the longitude
of any particular place. Parallels are usually drawn at
intervals similar to those of meridians, the equator on which
the degrees of longitude are marked, the tropics, and the
polar circles being always conspicuous. The ecliptic or
zodiac is usually indicated encircling the globe from the
solstitial point on the tropics, intersecting the equator at
the two opposite equinoctial points, through which as
through the solstitial points the colures are made to pass.
Hues states that “Those lines which a ship, following the
direction of the Magnetic Needle, describeth on the surface
of the Sea, Petrus Nonius calleth in the Latin Rumbos,
borrowing the appellation of his Countrymen the Portugals;
which word, since it is now generally received by learned
writers to express them by, we also will use the same,” that
is, rhumbs or rhumb-lines.
These were represented on the globe, first by Mercator,
by greater or lesser circles or “winding lines,” and were
intended to be of aid to seamen in navigating from port to
port across the great oceans. In their representation on the
globe map cognizance was taken of the fact that all meridians
of all places pass through both poles, crossing the
equator therefore at right angles and all other circles parallel
to it, and that if the navigator’s course is in any other direction
than toward one of the poles he is continually changing
his horizon and his meridian. The rhumbs as drawn were
made to cut all meridians of all places at equal angles and
to respect the same quarters of the world, that is, direction,
whatever the horizon. Rhumbs can represent great circles
only when they coincide with the equator or with any
meridian.202
In the matter of draughting, printing, and mounting celestial
globe gore maps the method employed may in general
be said to be identical with that followed in terrestrial
globe construction. It should, however, be noted that in
pasting the gores on the surface of the sphere they were
often so applied as to have their points or angles meet at
the pole of the ecliptic, in what may be called the ecliptic
system, instead of applying them to meet at the poles of
the equator, the globe itself being generally so mounted
as to revolve in the equatorial system, its poles of revolution
being attached to the meridian circle.203
The figures of the several constellations were usually
drawn with care, occasionally with high artistic taste, as
those drawn by Hevelius (Fig. 137) and copied by Gerhard
and Leonhard Valk for their celestial globes (Fig.
138). The several stars represented on the map, the majority
of them being either lettered or named, were usually from
the first to the sixth magnitude, each represented in its proportional
size, while an explanatory table for the several
magnitudes was usually given on some one of the gores.
The stars and the figures of the several constellations, let it
be noted, were not made to appear on the surface of the
sphere, with rare exceptions, in their relative location as
they appear to the observer who beholds them from his
position on the surface of the earth, but are reversed. To
the astronomer the earth is but a point in space, to the layman,
so far as mere appearance is concerned, it is the center
about which the starry heavens appear to revolve. With the
pole (north for us in the northern hemisphere) as the center
of the dial face the stars appear to move in a direction the
reverse of that in which the hands of a clock are made to
move. The astronomer, that is, the celestial globe maker,
thinks of himself as placed beyond the vaulted heavens
in which the stars appear to be located, and as looking down
upon this vaulted dome as on the surface of his celestial
globe. An illustration may here well serve us. As one observes
serves Ursa Major on any starry night, which constellation
we commonly call the Great Dipper, the bowl of the dipper,
which is located in the body and flank of the bear, leads
in its apparent motion around the pole star, being followed
by the handle of the dipper or the tail of the bear (Fig.
139). On the surface of the celestial sphere, however, the
position of bowl and handle was usually reversed, the constellation
appearing as it would to the beholder who finds
himself beyond the stars. Naturally the planets could not be
represented on the surface of a solid celestial sphere; only
in the armillary sphere or the orrery could they find place. In
these instruments we generally find them represented, each
with its circle or orbit properly given, and relatively
properly placed.
Portrait of Johann Hevelius (Hevel).
Fig. 137. Portrait of Johann Hevelius (Hevel).
Constellation Ursa Major.
Fig. 138. Constellation Ursa Major.
Constellation of Orion by Hevelius.
Fig. 139. Constellation of Orion by Hevelius.
In the geographical records as they appear on the several
terrestrial globe maps, it is to be admitted that the authors,
with rare exceptions, undertook to set down what they
thought to be fact, shall we say the real tangible geographical
fact or facts. The maker of the star map, on the contrary,
clearly gave his imagination play, not in his attempt
to mark in the proper location the several stars as they came
to be known and catalogued, but in the draughting of the
figures of the several constellations. The imaginative figures
of the ancients, of Eudoxus, of Aratus, of Ptolemy and
others survived throughout the period we have had under
consideration, and to the forty-eight constellations of
Ptolemy others from time to time were added until more
than one hundred have been named and figured. In general
the several constellations, as the various astronomers and
makers of star maps have conceived them, may be said to
be identical, while some of the names which have been proposed
have been accepted but for a time only and then rejected.
Some of the groups to which names have been given
have later been divided, thus giving rise to a new group
name and to the draughting of an appropriate figure for this
new group.204
Attention has been called to certain suggested changes in
the names of constellations as given by the ancients, as for
example those suggested by the Venerable Bede, by Johannes
Bayer, by Julius Schiller proposing that biblical or
Christian names should be substituted for pagan names, and
for these changes there was of course suggested an appropriate
change in the figures for the several constellations.
The proposal of Erhard Weigel has likewise been noted urging
a substitution of the several coats of arms or heraldic
devices of the European dynasties for the figures which had
been so long and so generally accepted. There seems scarcely
to be the need of stating that the names and figures of the
ancients remain.205
A comparison of the work of the several artists who have
set their hand to the draughting of figures for the numerous
constellations is not without interest. Attention may here
be directed in passing to the decidedly oriental cast of these
figures as they appear on Arabic globes.206
It is to be regretted that in the present very practical or
scientific day the star map, wanting the figures of the constellations
or giving them in but the faintest outline, has
come to supplant the artistic and not unscientific creations
of earlier years.
The earliest references we have to globes, that is, to solid
balls or spheres, make mention of their mountings, that is,
to their encasing circles and their bases. The simplest mounting
consisted of but a meridian and a horizon circle with
probably a simple supporting base. The earliest spheres
were doubtless made to revolve just as the globes of today,
around their polar axes which turn within sockets firmly
attached to the meridian circle. This meridian circle of
brass or wood was usually graduated from one to ninety
degrees, that is, from the equator to the poles, and being
adjustable relative to the horizon circle, a globe could be
set with a polar elevation for any desired latitude. Those
who have had occasion to refer to the construction and the
uses of the globe more or less in detail, make mention of
what they call its threefold position. In the first of these
positions either pole may be at the vertical point, the equator
and the horizon being parallel or coinciding. This they
termed a parallel sphere. In the second position the equator
and the horizon circle are set at right angles. This they
called a right sphere. In the third position, which was
called an oblique sphere, the pole could be set at any elevation
from zero to ninety degrees, counting from the horizon
circle. In illustration of this third position it may be
said that for the latitude of New York City, the north pole
More conspicuous by reason of its width and importance
in the mounting of the globe than the meridian is the horizon
circle. It is through notches in this circle at the north and
south points that the meridian circle passes, the notches also
serving as gauges to keep the meridian from inclining more
to the one side of the horizon circle than to the other. On
the upper surface of this circle there were usually represented
several concentric circles, the same being either engraved
thereon, if it were of metal, and printed or pasted thereon
if of wood, just as the globe map proper which covered the
surface of the sphere. The number of concentric circles, and
the information carried in each, varied, nor was the order
of the circles invariably the same. Those globes giving fullest
information exhibit ten or more of these circles. That
one which was innermost and next to the body of the globe
was divided into twelve parts, each part carrying the name
of one of the signs of the zodiac with its character, and each
divided into thirty equal parts or degrees, these being numbered
by tens, as 0, 10, 20, 30. Next to the circle of signs,
always remembering that the order might vary, was that
containing the calendar including the names of the months,
as January, February, March, etc., the days of the week
being either distinguished by numbers or names. The old
calendar was likewise usually given and so represented as
to show the beginning of each month ten days earlier than
in the new calendar. Here also were given the names of the
church festival days. In the next circle were the names of
the winds or directions, and first the Greek, Latin or Italian
names of the eight, twelve or sixteen winds, as Greco,
Libeccio, Ponente, Maestro, and next the names or initials
of the thirty-two compass directions, the same generally in
English or Dutch abbreviations. It may further be noted
that a compass was often fixed in the horizon circle’s upper
face.
of the globe should be elevated 40 degrees 48 minutes above
this circle.
A complete globe was further furnished with a quadrant
of altitude, ninety degrees in length, this being attached at
one end to the meridian circle, yet movable to any degree
of the meridian, though commonly set at the zenith. This
quadrant served for measuring altitudes or for finding amplitudes
or azimuths.
The small hour circle,207 fitted to the meridian, its center
being the pole and for us the north, was marked with the
twenty-four hours of the day, each hour being again divided
into halves and quarters. An index attached to the axis of the
globe pointed out successively the hours as the globe was
revolved. The use of this hour circle was to indicate the
time of the successive mutations, including the rising and
the setting of the celestial bodies and the time of their
passing successively the meridians.
As a compass was often set into the horizon circle so
also we frequently find a large or small compass set into
that plate which in certain globes was employed as a support,
tying together, as it were, the lower extremities of the
base columns.208
It will have been noted that the globes referred to in the
preceding pages varied greatly as to size, from the small
ball representing the earth, and but a few centimeters in
diameter, to be found in the center of those armillary spheres
representing the Ptolemaic geocentric system, to the great
globe of Coronelli fifteen feet in diameter constructed for
Louis XIV of France. With rare exceptions metal globes
were made small in size. Those globe balls or spheres, in the
construction of which a mould was employed, usually had a
diameter under 50 cm., although we find some of them
twice this size. Such spheres had the advantage of lightness
though often were frail in structure and liable to lose their
perfect sphericity.
Fig. 140. Terrestrial Globe Gores by Johannes
Oterschaden, ca. 1675.
In the matter of special ornamentation or decoration, to
be observed in globe mountings, individual taste was given
unlimited freedom to express itself, and in certain instances
it will have been noted that these mountings were exceedingly
elaborate.
Primarily we may say that globes were constructed for
the useful purpose of promoting geographical and astronomical
studies, generally recording the latest and best
geographical or astronomical information and in form superior
to that which could be set down on the plane map, but
they also had a place of importance, secondary we may call
it, on account of their decorative value. They came to be
considered almost essential as adornments for the libraries
of princes, of prosperous patricians, and of plodding students,
and their mountings were often especially fashioned
for the places they were to occupy. They seemed to lend an
air of scholarly respectability; to suggest that their possessors
wished to pay, certainly a modicum of homage to
the sciences which globes were calculated to promote.
A brief concluding word may well be added touching
those globes which may of course be classed as celestial,
but which are known as moon globes and planetariums
or orreries. There could be no practical value in an attempt
to set forth a map of the surface of the stars, nor of the
planets while our knowledge is so limited, although Schiaparelli
has undertaken, with measurable success, to map the
surface of Mars,209 and it would be next in order to construct
a Mars globe. Of the surface of our moon much is
known and maps of it have been constructed, as indeed have
been moon globes. We are informed that about the middle
of the seventeenth century the Danish astronomer, Hevelius,
who designed so successfully star maps, entertained the
idea of constructing a moon globe,210 but we do not know
that he set his hand to the work. A century later it appears
that the French astronomer La Hire actually completed a
moon globe,211 but it has been possible to obtain only the
briefest reference to it.
Tobias Mayer of Nürnberg, a contemporary of La Hire,
set himself to the draughting of gore maps212 intended for use
in the manufacture of moon globes. Mayer found employment
in the Homann establishment of Nürnberg, being regarded
as an exceedingly skilful draughtsman, able to sketch
on his draughting sheet that which he saw through his telescope.
His plan contemplated the making of twelve gores
or segments, six for the northern half of the moon and six
for the southern. His plan, of course, would enable him to
represent but one side of the moon,—that turned toward
the earth,—although it appeared that he contemplated the
addition of two segments on which, in at least a fragmentary
manner, he was to represent what we may call the
border of the opposite side of the moon. Mayer seems not
to have completed his work, since we find nowhere an
example of his finished product.
It was not until near the close of the eighteenth that we
again meet with an attempt to construct a moon globe and
it seems that the task was accomplished by the Englishman,
John Russel. It was in the year 1796 that he proposed
to raise by subscription the necessary funds for making his
undertaking a success. His globe has a diameter of 12
inches,213 and was furnished with the necessary adjustable
shield that the moon’s waxing and waning could be represented.
That this moon globe was actually constructed,
although no copy has been located, we are informed by
Wolf. Such attempts as were made in the nineteenth century
with a good measure of success do not here call for
consideration.
It has been previously noted that the so-called globe of
Archimedes may have been a sort of planetarium, and that
during the middle ages such instruments were constructed
and employed in astronomical instruction. None, however,
have come down to us out of those early years. Astronomers
of the seventeenth and eighteenth centuries, as we know,
made frequent use of planetariums, such for example as
were constructed by the Dutch astronomer, Christiaan
Haygens (1629-1695) for the illustration of planetary
motion according to the Copernican system. Each of the
planets was represented in his machine by a small ball,
attached to an arm, which could be made to move through
an orbit around the sun. In the more complicated machines
the several planetary moons, such as the moons of Jupiter,
were represented and were made to perform their proper
motions.
Fig. 141. Celestial Globe Gores by Johannes
Oterschaden, ca. 1675.
Engraved Sections for Globe Horizon Circle by Johannes Oterschaden, ca. 1675.
Fig. 142. Engraved Sections for Globe Horizon Circle by
Johannes Oterschaden, ca. 1675.
In the eighteenth century the instrument maker, George
Graham (1675-1751), constructed a complicated planetarium,
in honor of Charles Boyle, Earl of Orrery (1676-1731),
which he called an orrery. His machines, varying
much in the character of construction, were especially popular
in the eighteenth century. The nineteenth century saw
them frequently in use for purposes of instruction and the
regret may well be expressed that for serious purposes they
seem to have lost favor.
Fig. 143. The Orrery.
NOTES
Printer’s Mark of the Blaeu Press.
Bibliographical List
THE following bibliographical list includes the works referred
to in the body of the foregoing pages, with certain additions of
those touching incidentally globe making and globe makers. It is a
suggestive list, not one that can be called exhaustive. Practically all
those works in which the subject of geography and of astronomy has
been treated historically may be consulted with interest and profit.
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Akerman, A. Globes céleste et terrestre de vingt-deux pouces. Upsala,
1766.
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Albertus Magnus (Albert of Bollstädt). Opera omnia. Ed. by P. Jammy.
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Alfonso X. Libros del Saber de Astronomia del Rey D. Alfonso X de
Castilla. Ed. by Don Manuel Rico y Sinobas. Madrid, 1863-1867. 5 vols.
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Allen, R. H. Star names and their meanings. New York, 1899.
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Allgemeine Geographische Ephemeriden. See Zach, F. v.
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Amari, M. Storia dei Musulmani di Sicilia. Firenze, 1868.
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American Scenic and Historic Preservation Society. Fifteenth Annual
Report. New York, 1910.
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Andrea, M. J. L. Zweifache Sternkugel oder Himmelskugel. n. p., 1724.
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Annales de Géographie. Paris, 1891—.
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Annuario Astro-Meteorologico con efemeridi nautichi. Venezia, 1882—.
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Anonymous. W. J. Blaeus Antheil an der Bestimmung der Erdlangen.
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Portraits des hommes et des femmes illustrés par renaissance, n. p.,
1792.
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Archaeologia. London, 1865.
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Archer, G. M. Henry Hudson, the Navigator. (In: Hakluyt Society
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Arco, C. de. Delle arti e degli artifici di Mantova. Mantova, 1857.
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Aristotle. De Coelo. Tr. by T. Taylor, with title On the Heavens from
the Greek with copious elucidations. London, 1807.
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Arx, J. V. Geschichte des Kantons St. Gallen. St. Gallen, 1810.
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Aschbach, J. Die Wiener Universität und ihre Humanisten im Zeitalters
Kaiser Maximilians I. Wien, 1877.
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Assemani, G. Globus coelestis cufico-arabicus Veliterni Musei
Borgiani. Patavii, 1790.
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Ausland, Das. Stuttgart, 1828—.
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Averdunk, H. And Muller-reinhard, J. Gerhard Mercator und die
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Avezac, M. A. P. de. Notice des découvertes faites au moyen âge dans
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Martin Hylacomylus Waltzemüller, ses ouvrages et ses collaborateurs.
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Bacon, R. Opus Maius. Oxford, 1897.
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La bottega di Alesandro di Francisco Rosselli merciaje e stampatore
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Del Badia, J. Egnazio Danti cosmografo e matematico. Firenze, 1882.
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Baglione, G. Le vite de pittori, scultori, architetti et intagliatori
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Bayer, J. Uranometria, sive omnium asterismorum schemata quinquaginta
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instruments de mathématique. Paris, 1752.
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sphères. Amstelodami, 1642.
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caelestium ac terrestrium. Amsterdam, 1655. Ed. by J. Blaeu.
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sterren. Amsterdam, 1625.
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1663-1671. 12 vols.
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