[354] Prisse, Histoire de l'Égypte, text, p. 146.

[355] Semper (G.), Der Stil in den Technischen und Tektonischen Künsten, oder Praktische Æsthetik. Munich, 1860-3, 2 vols. 8vo, with 22 plates, some coloured, and numerous engravings in the text.

[356] Prisse, Histoire de l'Art Égyptien, text, p. 418.

[357] Dumischen, Resultate der Archæologisch-photographischen Expedition. Berlin, 1869, folio, part i. plate 8.

[358] Prisse, Histoire de l'Art Égyptien, text, p. 369.

[359] Lepsius, Denkmæler, part iii. plate 62. Prisse, Histoire de l'Art Égyptien, atlas, plate lettered Frises Fleuronnées.

[360] Description, Antiquités, vol. ii. p. 533.

[361] There is one of these books in the Louvre (Salle Funéraire, case Z); the gold leaf which it contains differs from that now in use only in its greater thickness.

[362] The oldest representation of the potter's wheel yet discovered is in one of the paintings at Beni-Hassan. It is reproduced in Birch's Ancient Pottery, p. 14.

[363] S. Birch, A History of Ancient Pottery, Egyptian, Assyrian, Greek, Etruscan, and Roman, 1 vol. 8vo, 1873. London, Murray.

[364] Lepsius, Denkmæler, part ii. pl. 153.

[365] Birch, Ancient Pottery, p. 37.

[366] Birch, Ancient Pottery, Figs. 23 and 25.

[367] Brongniart, Histoire de la Ceramique, vol. ii. p. 95.

[368] See also Lepsius, Denkmæler, part ii. pl. 2, and the Verzeichniss der Ægyptischen Alterthümer of the Berlin Museum, 1879, p. 25.

[369] We owe our ability to give these curious details to the kindness of M. Conze and the officers of the Egyptian museum at Berlin. One of the original fragments brought home by Lepsius was lent to us.

[370] Birch, Ancient Pottery, p. 50.

[371] I am told that a circular base, like that of a column of a table for offerings, was discovered in the same building. It is entirely covered with this same faience.

[372] Description, Antiquités, vol. v. p. 543, and Atlas, vol. v. plate 87, Fig. 1.

[373] The collection of M. Gustave Posno, which will, we hope, be soon absorbed into that of the Louvre, contains many enamelled bricks from decorative compositions like those in the stepped pyramid and the temple of Rameses III. (Nos. 8, 9, 11, 20, 58, 59, 60, 61 of the Catalogue published at Cairo in 1874). One of these, which has a yellow enamel, bears in relief the oval and the royal banner of Papi, of the sixth dynasty. Another has the name Seti I.; others those of Rameses III. and Sheshonk. The reliefs upon which prisoners' heads appear must have come from Tell-el-Yahoudeh.

[374] Mariette, Notice du Musée de Boulak, p. 69.

[375] Wilkinson, Manners and Customs, vol. ii. p. 140.

[376] Strabo, xvi. ch. ii. § 25.

[377] Prisse, Histoire de l'Art Égyptien, text, p. 313.

[378] Mariette, De la Galerie de l'Égypte Ancienne à l'Exposition Rétrospective du Trocadéro, 1878, pp. 111, 112. Wilkinson, The Manners and Customs of the Ancient Egyptians, etc. vol. ii. p. 261.

[379] Herodotus, ii. 86.

[380] See page 197.

[381] See Birch, notes to Wilkinson's Manners and Customs, vol. ii. p. 232, edition of 1878.

[382] Mariette, Itineraire, p. 210.

[383] Wilkinson, Manners and Customs, etc. vol. ii. pp. 232 and 401.

[384] Ibid. Vol. II. PP. 250, 251.

[385] Wilkinson, Manners and Customs, vol. ii. pp. 233-237.

[386] Belzoni, Narrative, etc. vol. i. p. 277.

[387] Mariette, Notice du Musée de Boulak, Nos. 810-839. Coloured reproductions of them are published in M. César Daly's Revue de l'Architecture, a sequel to the Histoire d'Égypte d'après les Monuments (published in 1860) of M. Ernest Desjardins.

[388] Pierret, Catalogue de la Salle Historique, Louvre, No. 521. This jewel is reproduced, with many others from the same tomb, in two fine coloured plates in Mariette's unfinished work, Le Sérapéum de Memphis. Folio, 1857.

[389] Pierret, Catalogue de la Salle Historique, Louvre, No. 535.

[390] Ibid. No. 534.

[391] Mariette, Notice du Musée de Boulak, No. 388. Galerie de l'Égypte Ancienne au Trocadéro, pp. 114, 115.

[392] Mariette, Notice du Musée, Nos. 107, 108, 131.

[393] Transactions of the Society of Biblical Archæology, v. part ii. 1877.

[394] See two plates of Prisse entitled: "Art Industriel. Vases en Or Émaillé; Rhytons et autres Vases."

[395] Mariette, Notice du Musée, No. 93.

[396] Lepsius, Denkmæler, part ii. plates 36 and 90.

[397] Among such objects is a table for libations, which was found in a tomb at Sakkarah. It is supported by two lions, whose pendent tails are twisted round a vase. Mariette, Notice du Musée, No. 93.

[398] See the illustration which Ebers calls A Reception in Ancient Egypt. (Ægypten, vol. ii. p. 276.)

[399] This figure is reproduced in Rayet's Monuments de l'Art Antique and described by M. Maspero. (Cuillers de Toilette en Bois.)

[400] Martial, Epigrammata, xiv. 150. Lucan, X. v. 141.

[401] Champollion, Lettres d'Égypte et de Nubie, p. 113.

[402] Rhoné, L'Égypte Antique, extract from L'Art Ancien à l'Exposition de 1878.

[403] Maspero, La trouvaille de Deir-el-Bahari, Cairo, 1882, 4to.

[404] Ibid.

[405] See Miss A. B. Edward'S account of these gentlemen in Harper's Magazine for July, 1882. Her paper is illustrated with woodcuts after some of the more interesting objects found, and a plan of the locale.

[406] See page 29, Vol. I.

[407] For a description of these jewels by Dr. Birch, and reproductions of them in their actual colours, see Facsimile of the Egyptian Relics Discovered in the Tomb of Queen Aah-hotep. London: 1863, 4to. See also above, page 380, footnote 387, of the present volume.

[408] These measurements are taken from The Funeral Canopy of an Egyptian Queen, by the Hon. H. Villiers Stuart: Murray, 1882. 8vo.

[409] Mr. Villiers Stuart gives a facsimile in colour of the canopy, and a fanciful illustration of it in place, upon a boat copied from one in the Tombs of the Queens.

[410] Miss A. B. Edwards, Lying in State in Cairo, in Harper's Magazine for July, 1882.

[411] See Maspero, Une Enquète Judiciare à Thèbes, Paris, 1871, 4to.