July 24th.
Dearest Daddy-Long-Legs,
Is n’t it fun to work—or don’t you ever do it?
It ’s especially fun when your kind of work is the thing
you ’d rather do more than anything else in the world.
I ’ve been writing as fast as my pen would go every day this
summer, and my only quarrel with life is that the days are n’t
long enough to write all the beautiful and valuable and entertaining
thoughts I ’m thinking.
I ’ve finished the second draft of my book and am going to
begin the third to-morrow morning at half-past seven. It ’s the
sweetest book you ever saw—it is, truly. I think of nothing
else. I can barely wait in the morning to dress and eat before
beginning; then I write and write and write till suddenly I ’m so
tired that I ’m limp all over.
Then I go out with Colin (the new sheep dog) and romp through the fields
and get a fresh supply of ideas for the next day. It ’s the most
beautiful book you ever saw—Oh, pardon—I said that
before.
You don’t think me conceited, do you, Daddy dear?
I ’m not, really, only just now I ’m in the
enthusiastic stage. Maybe later on I ’ll get cold and critical
and sniffy. No, I ’m sure I won’t! This time I ’ve written
a real book. Just wait till you see it.
I ’ll try for a minute to talk about something else. I never
told you, did I, that Amasai and Carry got married last May?
They are still working here, but so far as I can see it has spoiled them
both. She used just to laugh when he tramped in mud or dropped ashes on
the floor, but now—you should hear her scold! And she
does n’t curl her hair any longer. Amasai, who used to be so
obliging about beating rugs and carrying wood, grumbles if you suggest
such
a thing. Also his neckties are quite dingy—black and brown, where
they used to be scarlet and purple. I ’ve determined never to
marry. It ’s a deteriorating process, evidently.
There is n’t much of any farm news. The animals are all in the
best of health. The pigs are unusually fat, the cows seem contented and
the hens are laying well. Are you interested in poultry? If so, let me
recommend that invaluable little work, “200 Eggs per Hen per Year.”
I am thinking of starting an incubator next spring and raising
broilers. You see I ’m settled at Lock Willow permanently.
I have decided to stay until I ’ve written 114 novels like
Anthony Trollope’s mother. Then I shall have completed my life work and
can retire and travel.
Mr. James McBride spent last Sunday with us. Fried chicken and
ice-cream for dinner, both of which he appeared to appreciate.
I was awfully glad to see him; he brought a momentary reminder that the
world at large exists. Poor Jimmie is having a hard time peddling his
bonds. The Farmers’ National at the Corners would n’t have
anything to do with them in spite of the fact that they pay six per
cent. interest and sometimes seven. I think he ’ll end by
going home to Worcester and taking a job in his father’s factory.
He ’s too open and confiding and kind-hearted ever to make a
successful financier. But to be the manager of a flourishing overall
factory is a very desirable position, don’t you think? Just now he turns
up his nose at overalls, but he ’ll come to them.
I hope you appreciate the fact that this is a long letter from a
person with writer’s cramp. But I still love you, Daddy dear, and
I ’m very happy. With beautiful scenery all about, and lots to
eat and a comfortable four-post bed and a ream of blank
paper and a pint of ink—what more does one want in the world?
Yours, as always,
Judy.
P. S. The postman arrives with some more news. We are to expect Master
Jervie on Friday next to spend a week. That ’s a very pleasant
prospect—only I am afraid my poor book will suffer. Master Jervie
is very demanding.
August 27th.
Dear Daddy-Long-Legs,
Where are you, I wonder?
I never know what part of the world you are in, but I hope
you ’re not in New York during this awful weather. I hope
you ’re on a mountain peak (but not in Switzerland; somewhere
nearer) looking at the snow and thinking about me. Please be thinking
about me. I ’m quite lonely and I want to be thought about. Oh,
Daddy, I wish I knew you! Then when we were unhappy we could cheer
each other up.
I don’t think I can stand much more of Lock Willow. I ’m
thinking of moving. Sallie is going to do settlement work in Boston next
winter. Don’t you think it would be nice for me to go with her, then we
could have a studio together? I could write while
she settled and we could be together in the evenings. Evenings
are very long when there ’s no one but the Semples and Carrie and
Amasai to talk to. I know ahead of time that you won’t like my
studio idea. I can read your secretary’s letter now:
“Miss Jerusha Abbott.
“Dear Madam,
“Mr. Smith prefers that you remain at Lock Willow.
“Yours truly,
“Elmer H. Griggs”.
I hate your secretary. I am certain that a man named Elmer H. Griggs
must be horrid. But truly, Daddy, I think I shall have to go to
Boston. I can’t stay here. If something does n’t happen
soon, I shall throw myself into the silo pit out of sheer
desperation.
Mercy! but it ’s hot. All the grass is
burnt up and the brooks are dry and the roads are dusty. It
has n’t rained for weeks and weeks.
This letter sounds as though I had hydrophobia, but I
have n’t. I just want some family.
Good-by, my dearest Daddy.
I wish I knew you.
Judy.
Lock Willow,
September 19th.
Dear Daddy,
Something has happened and I need advice. I need it from you, and
from nobody else in the world. Would n’t it be possible for me to
see you? It ’s so much easier to talk than to write; and
I ’m afraid your secretary might open the letter.
Judy.
P. S. I ’m very unhappy.
Lock Willow,
October 3d.
Dear Daddy-Long-Legs,
Your note written in your own hand—and a pretty wobbly
hand!—came this morning. I am so sorry that you have been
ill; I would n’t have bothered you with my affairs if I had
known. Yes, I will tell you the trouble, but it ’s sort of
complicated to write, and very private. Please don’t keep this
letter, but burn it.
Before I begin—here ’s a check for one thousand dollars.
It seems funny, does n’t it, for me to be sending a check to you?
Where do you think I got it?
I ’ve sold my story, Daddy. It ’s going to be published
serially in seven parts, and then in a book! You might think I ’d
be
wild with joy, but I ’m not. I ’m entirely apathetic. Of
course I ’m glad to begin paying you—I owe you over two
thousand more. It ’s coming in instalments. Now don’t be horrid,
please, about taking it, because it makes me happy to return it.
I owe you a great deal more than the mere money, and the rest I
will continue to pay all my life in gratitude and affection.
And now, Daddy, about the other thing; please give me your most
worldly advice, whether you think I ’ll like it or not.
You know that I ’ve always had a very special feeling toward
you; you sort of represented my whole family; but you won’t mind, will
you, if I tell you that I have a very much more special feeling for
another man? You can probably guess without much trouble who he is.
I suspect that my letters have been very full of Master Jervie for
a very long time.
I wish I could make you understand what he is like and how entirely
companionable
we are. We think the same about everything—I am afraid I have a
tendency to make over my ideas to match his! But he is almost always
right; he ought to be, you know, for he has fourteen years’ start of me.
In other ways, though, he ’s just an overgrown boy, and he does
need looking after—he has n’t any sense about wearing
rubbers when it rains. He and I always think the same things are funny,
and that is such a lot; it ’s dreadful when two people’s senses
of humor are antagonistic. I don’t believe there ’s any
bridging that gulf!
And he is—Oh, well! He is just himself, and I miss him, and
miss him, and miss him. The whole world seems empty and aching.
I hate the moonlight because it ’s beautiful and he
is n’t here to see it with me. But maybe you ’ve loved
somebody, too, and you know? If you have, I don’t need to explain;
if you have n’t, I can’t explain.
Anyway, that ’s the way I feel—and I ’ve refused
to marry him.
I did n’t tell him why; I was just dumb and miserable. I
could n’t think of anything to say. And now he has gone away
imagining that I want to marry Jimmie McBride—I don’t in the
least, I would n’t think of marrying Jimmie; he
is n’t grown up enough. But Master Jervie and I got into a
dreadful muddle of misunderstanding, and we both hurt each other’s
feelings. The reason I sent him away was not because I did n’t
care for him, but because I cared for him so much. I was afraid he
would regret it in the future—and I could n’t stand that!
It did n’t seem right for a person of my lack of antecedents to
marry into any such family as his. I never told him about the
orphan asylum, and I hated to explain that I did n’t know who I
was. I may be dreadful, you know. And his family are
proud—and I ’m proud, too!
Also, I felt sort of bound to you. After
having been educated to be a writer, I must at least try to be one; it
would scarcely be fair to accept your education and then go off and not
use it. But now that I am going to be able to pay back the money,
I feel that I have partially discharged that debt—besides,
I suppose I could keep on being a writer even if I did marry. The
two professions are not necessarily exclusive.
I ’ve been thinking very hard about it. Of course he is a
Socialist, and he has unconventional ideas; maybe he would n’t
mind marrying into the proletariat so much as some men might. Perhaps
when two people are exactly in accord, and always happy when together
and lonely when apart, they ought not to let anything in the world stand
between them. Of course I want to believe that! But I ’d
like to get your unemotional opinion. You probably belong to a Family
also, and will look at it from a worldly point of view and not just a
sympathetic, human
point of view—so you see how brave I am to lay it before you.
Suppose I go to him and explain that the trouble is n’t
Jimmie, but is the John Grier Home—would that be a dreadful thing
for me to do? It would take a great deal of courage. I ’d almost
rather be miserable for the rest of my life.
This happened nearly two months ago; I have n’t heard a word
from him since he was here. I was just getting sort of acclimated
to the feeling of a broken heart, when a letter came from Julia that
stirred me all up again. She said—very casually—that “Uncle
Jervis” had been caught out all night in a storm when he was hunting in
Canada, and had been ill ever since with pneumonia. And I never knew it.
I was feeling hurt because he had just disappeared into blankness
without a word. I think he ’s pretty unhappy, and I know I
am!
What seems to you the right thing for me to do?
Judy.
October 6th.
Dearest Daddy-Long-Legs,
Yes, certainly I ’ll come—at half-past four next
Wednesday afternoon. Of course I can find the way. I ’ve
been in New York three times and am not quite a baby. I can’t
believe that I am really going to see you—I ’ve been just
thinking you so long that it hardly seems as though you are a
tangible flesh-and-blood person.
You are awfully good, Daddy, to bother yourself with me, when
you ’re not strong. Take care and don’t catch cold. These fall
rains are very damp.
Affectionately,
Judy.
P. S. I ’ve just had an awful thought. Have you a butler?
I ’m afraid of butlers,
and if one opens the door I shall faint upon the step. What can I say to
him? You did n’t tell me your name. Shall I ask for Mr.
Smith?
Thursday Morning.
My very dearest Master-Jervie-Daddy-Long-Legs-Pendleton-Smith,
Did you sleep last night? I did n’t. Not a single wink. I was
too amazed and excited and bewildered and happy. I don’t believe I
ever shall sleep again—or eat either. But I hope you slept; you
must, you know, because then you will get well faster and can come to
me.
Dear Man, I can’t bear to think how ill you ’ve been—and
all the time I never knew it. When the doctor came down yesterday to put
me in the cab, he told me that for three days they gave you up. Oh,
dearest, if that had happened, the light would have gone out of the
world for me. I suppose that some day—in the far
future—one of us must leave the other; but at least we shall
have had our happiness and there will be memories to live with.
I meant to cheer you up—and instead I have to cheer myself. For
in spite of being happier than I ever dreamed I could be, I ’m
also soberer. The fear that something may happen to you rests like a
shadow on my heart. Always before I could be frivolous and care-free and
unconcerned, because I had nothing precious to lose. But now—I
shall have a Great Big Worry all the rest of my life. Whenever you are
away from me I shall be thinking of all the automobiles that can run
over you, or the sign-boards that can fall on your head or the dreadful,
squirmy germs that you may be swallowing. My peace of mind is gone
forever—but anyway, I never cared much for just plain
peace.
Judy embraces Jervie
THE IDENTITY OF DADDY-LONG-LEGS IS ESTABLISHED.
Please get well—fast—fast—fast. I want to have you
close by where I can touch you and make sure you are tangible. Such a
little half hour we had together! I ’m afraid maybe I dreamed it.
If I were only
a member of your family (a very distant fourth cousin) then I could come
and visit you every day, and read aloud and plump up your pillow and
smooth out those two little wrinkles in your forehead and make the
corners of your mouth turn up in a nice cheerful smile. But you are
cheerful again, are n’t you? You were yesterday before I left.
The doctor said I must be a good nurse, that you looked ten years
younger. I hope that being in love does n’t make every one
ten years younger. Will you still care for me, darling, if I turn out to
be only eleven?
Yesterday was the most wonderful day that could ever happen. If I
live to be ninety-nine I shall never forget the tiniest detail. The girl
that left Lock Willow at dawn was a very different person from the one
who came back at night. Mrs. Semple called me at half-past four.
I started wide awake in the darkness and the first thought that
popped into my head was, “I am going
to see Daddy-Long-Legs!” I ate breakfast in the kitchen by candle-light,
and then drove the five miles to the station through the most glorious
October coloring. The sun came up on the way, and the swamp maples and
dogwood glowed crimson and orange and the stone walls and cornfields
sparkled with hoar frost; the air was keen and clear and full of
promise. I knew something was going to happen. All the way
in the train the rails kept singing, “You ’re going to see
Daddy-Long-Legs.” It made me feel secure. I had such faith in
Daddy’s ability to set things right. And I knew that somewhere another
man—dearer than Daddy—was wanting to see me, and somehow I
had a feeling that before the journey ended I should meet him, too. And
you see!
When I came to the house on Madison Avenue it looked so big and brown
and forbidding that I did n’t dare go in, so I walked around the
block to get up my courage. But
I need n’t have been a bit afraid; your butler is such a nice,
fatherly old man that he made me feel at home at once. “Is this Miss
Abbott?” he said to me, and I said, “Yes,” so I did n’t have to
ask for Mr. Smith after all. He told me to wait in the drawing-room. It
was a very somber, magnificent, man’s sort of room. I sat down on
the edge of a big upholstered chair and kept saying to myself:
“I ’m going to see Daddy-Long-Legs! I ’m going to see
Daddy-Long-Legs!”
Then presently the man came back and asked me please to step up to
the library. I was so excited that really and truly my feet would
hardly take me up. Outside the door he turned and whispered,
“He ’s been very ill, Miss. This is the first day he ’s
been allowed to sit up. You ’ll not stay long enough to excite
him?” I knew from the way he said it that he loved you—and I
think he ’s an old dear!
Then he knocked and said, “Miss Abbott,” and I went in and the door
closed behind me.
It was so dim coming in from the brightly lighted hall that for a
moment I could scarcely make out anything; then I saw a big easy chair
before the fire and a shining tea table with a smaller chair beside it.
And I realized that a man was sitting in the big chair propped up by
pillows with a rug over his knees. Before I could stop him he
rose—sort of shakily—and steadied himself by the back of the
chair and just looked at me without a word. And then—and
then—I saw it was you! But even with that I did n’t
understand. I thought Daddy had had you come there to meet me for a
surprise.
Then you laughed and held out your hand and said, “Dear little Judy,
could n’t you guess that I was Daddy-Long-Legs?”
In an instant it flashed over me. Oh, but I have been stupid!
A hundred little things
might have told me, if I had had any wits. I would n’t make
a very good detective, would I, Daddy?—Jervie? What must I
call you? Just plain Jervie sounds disrespectful, and I can’t be
disrespectful to you!
It was a very sweet half hour before your doctor came and sent me
away. I was so dazed when I got to the station that I almost took a
train for St. Louis. And you were pretty dazed, too. You forgot to give
me any tea. But we ’re both very, very happy, are n’t we?
I drove back to Lock Willow in the dark—but oh, how the stars
were shining! And this morning I ’ve been out with Colin visiting
all the places that you and I went to together, and remembering what you
said and how you looked. The woods to-day are burnished bronze and the
air is full of frost. It ’s climbing weather. I wish
you were here to climb the hills with me. I am missing you
dreadfully, Jervie dear, but it ’s a happy kind of missing;
we ’ll be together soon. We belong to each other
now really and truly, no make-believe. Does n’t it seem queer for
me to belong to some one at last? It seems very, very sweet.
And I shall never let you be sorry for a single instant.
Yours, forever and ever,
Judy.
P. S. This is the first love letter I ever wrote. Is n’t it funny
that I know how?
THE END
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WHEN PATTY WENT TO COLLEGE, By Jean
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Illustrated by C. D. Williams.
One of the best stories of life in a girl’s college that has ever been
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JUST PATTY, By Jean Webster.
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Patty is full of the joy of living, fun-loving, given to ingenious
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NEW CHRONICLES OF REBECCA, By Kate Douglas
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Additional episodes in the girlhood of this delightful heroine that
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REBECCA MARY, By Annie Hamilton
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This author possesses the rare gift of portraying all the grotesque
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EMMY LOU: Her Book and Heart, By George
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THE HARVESTER
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“The Harvester,” David Langston, is a man of the woods and fields, who
draws his living from the prodigal hand of Mother Nature herself. If the
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knowledge of nature secrets, it would be notable. But when the Girl
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which has come to him—there begins a romance, troubled and
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FRECKLES. Decorations by E. Stetson
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Freckles is a nameless waif when the tale opens, but the way in which he
takes hold of life; the nature friendships he forms in the great
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the charm of his engaging personality; and his love-story with “The
Angel” are full of real sentiment.
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The story of a girl of the Michigan woods; a buoyant, lovable type of
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It is an inspiring story of a life worth while and the rich beauties of
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LAVENDER AND OLD LACE.
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the young people on the staff of a newspaper—and it is one of the
prettiest, sweetest and quaintest of old fashioned love stories,
* * * a rare book, exquisite in spirit and conception,
full of delicate fancy, of tenderness, of delightful humor and
spontaniety.
A SPINNER IN THE SUN.
Miss Myrtle Reed may always be depended upon to write a story in which
poetry, charm, tenderness and humor are combined into a clever and
entertaining book. Her characters are delightful and she always displays
a quaint humor of expression and a quiet feeling of pathos which give a
touch of active realism to all her writings. In “A Spinner in the
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in solitude and whose features her neighbors have never seen. There is a
mystery at the heart of the book that throws over it the glamour of
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THE MASTER’S VIOLIN,
A love story in a musical atmosphere. A picturesque, old German virtuoso
is the reverent possessor of a genuine “Cremona.” He consents to take
for his pupil a handsome youth who proves to have an aptitude for
technique, but not the soul of an artist. The youth has led the happy,
careless life of a modern, well-to-do young American and he cannot, with
his meagre past, express the love, the passion and the tragedies of life
and all its happy phases as can the master who has lived life in all its
fulness. But a girl comes into his life—a beautiful bit of human
driftwood that his aunt had taken into her heart and home, and through
his passionate love for her, he learns the lessons that life has to
give—and his soul awakes.
Founded on a fact that all artists realize.
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THE BOW OF ORANGE RIBBON. With
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THE MAID OF MAIDEN LANE; A Love Story. With
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SHEILA VEDDER. Frontispiece in colors by
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A love story set in the Shetland Islands.
Among the simple, homely folk who dwelt there Jan Vedder was raised; and
to this island came lovely Sheila Jarrow. Jan knew, when first he beheld
her, that she was the one woman in all the world for him, and to the
winning of her love he set himself. The long days of summer by the sea,
the nights under the marvelously soft radiance of Shetland moonlight
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traditions, adjusted themselves to each other. And the day came when Jan
and Sheila wed, and then a sweeter love story is told.
TRINITY BELLS. With eight Illustrations by
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The story centers around the life of little Katryntje Van Clyffe, who,
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JEWEL: A Chapter in Her Life.
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CLEVER BETSY.
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SWEET CLOVER: A Romance of the White
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THE OPENED SHUTTERS.
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A summer haunt on an island in Casco Bay is the background for this
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lives, all to ultimate good, makes a story both humorous and rich in
sentiment.
THE LEAVEN OF LOVE.
Frontispiece by Harrison Fisher.
At a Southern California resort a world-weary woman, young and beautiful
but disillusioned, meets a girl who has learned the art of
living—of tasting life in all its richness, opulence and joy. The
story hinges upon the change wrought in the soul of the blasè woman by
this glimpse into a cheery life.
Ask for complete free list of G. & D. Popular Copyrighted
Fiction
JOHN FOX, JR’S.
STORIES OF THE KENTUCKY MOUNTAINS
May be had wherever books are sold. Ask for Grosset and Dunlap’s
list.
picture of book
THE TRAIL OF THE LONESOME PINE.
Illustrated by F. C. Yohn.
The “lonesome pine” from which the story takes its name was a tall tree
that stood in solitary splendor on a mountain top. The fame of the pine
lured a young engineer through Kentucky to catch the trail, and when he
finally climbed to its shelter he found not only the pine but the
foot-prints of a girl. And the girl proved to be lovely, piquant,
and the trail of these girlish foot-prints led the young engineer a
madder chase than “the trail of the lonesome pine.”
THE LITTLE SHEPHERD OF KINGDOM COME
Illustrated by F. C. Yohn.
This is a story of Kentucky, in a settlement known as “Kingdom Come.” It
is a life rude, semi-barbarous; but natural and honest, from which often
springs the flower of civilization.
“Chad.” the “little shepherd” did not know who he was nor whence he
came—he had just wandered from door to door since early childhood,
seeking shelter with kindly mountaineers who gladly fathered and
mothered this waif about whom there was such a mystery—a charming
waif, by the way, who could play the banjo better that anyone else in
the mountains.
A KNIGHT OF THE CUMBERLAND.
Illustrated by F. C. Yohn.
The scenes are laid along the waters of the Cumberland, the lair of
moonshiner and feudsman. The knight is a moonshiner’s son, and the
heroine a beautiful girl perversely christened “The Blight.” Two
impetuous young Southerners’ fall under the spell of “The Blight’s”
charms and she learns what a large part jealousy and pistols have in the
love making of the mountaineers.
Included in this volume is “Hell fer-Sartain” and other stories, some of
Mr. Fox’s most entertaining Cumberland valley narratives.
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Fiction
Large 12 mos. Handsomely bound in cloth. Illustrated
CHIP, OF THE FLYING U
A breezy wholesome tale, wherein the love affairs of Chip and Della
Whitman are charmingly and humorously told. Chip’s jealousy of Dr. Cecil
Grantham, who turns out to be a big, blue eyed young woman is very
amusing. A clever, realistic story of the American Cow-puncher.
THE HAPPY FAMILY
A lively and amusing story, dealing with the adventures of eighteen
jovial, big hearted Montana cowboys. Foremost amongst them, we find
Ananias Green, known as Andy, whose imaginative powers cause many lively
and exciting adventures.
HER PRAIRIE KNIGHT
A realistic story of the plains, describing a gay party of Easterners
who exchange a cottage at Newport for the rough homeliness of a Montana
ranch-house. The merry-hearted cowboys, the fascinating Beatrice, and
the effusive Sir Redmond, become living, breathing personalities.
THE RANGE DWELLERS
Here are everyday, genuine cowboys, just as they really exist. Spirited
action, a range feud between two families, and a Romeo and Juliet
courtship make this a bright, jolly, entertaining story, without a dull
page.
THE LURE OF DIM TRAILS
A vivid portrayal of the experience of an Eastern author, among the
cowboys of the West, in search of “local color” for a new novel. “Bud”
Thurston learns many a lesson while following “the lure of the dim
trails” but the hardest, and probably the most welcome, is that of
love.
THE LONESOME TRAIL
“Weary” Davidson leaves the ranch for Portland, where conventional city
life palls on him. A little branch of sage brush, pungent with the
atmosphere of the prairie, and the recollection of a pair of large brown
eyes soon compel his return. A wholesome love story.
THE LONG SHADOW
A vigorous Western story, sparkling with the free, outdoor, life of a
mountain ranch. Its scenes shift rapidly and its actors play the game of
life fearlessly and like men. It is a fine love story from start to
finish.
Ask for a complete free list of G. & D. Popular Copyrighted
Fiction.
Full of originality and humor, kindliness and cheer
THE OLD PEABODY PEW. Large Octavo.
Decorative text pages, printed in two colors. Illustrations by Alice
Barber Stephens.
One of the prettiest romances that has ever come from this author’s pen
is made to bloom on Christmas Eve in the sweet freshness of an old New
England meeting house.
PENELOPE’S PROGRESS. Attractive cover
design in colors.
Scotland is the background for the merry doings of three very clever and
original American girls. Their adventures in adjusting themselves to the
Scot and his land are full of humor.
PENELOPE’S IRISH EXPERIENCES. Uniform in
style
with “Penelope’s Progress.”
The trio of clever girls who rambled over Scotland cross the border to
the Emerald Isle, and again they sharpen their wits against new
conditions, and revel in the land of laughter and wit.
REBECCA OF SUNNYBROOK FARM.
One of the most beautiful studies of childhood—Rebecca’s artistic,
unusual and quaintly charming qualities stand out midst a circle of
austere New Englanders. The stage version is making a phenomenal
dramatic record.
NEW CHRONICLES OF REBECCA. With
illustrations by F. C. Yohn.
Some more quaintly amusing chronicles that carry Rebecca through various
stages to her eighteenth birthday.
ROSE O’ THE RIVER. With illustrations by
George Wright.
The simple story of Rose, a country girl and Stephen a sturdy young
farmer, The girl’s fancy for a city man interrupts their love and merges
the story into an emotional strain where the reader follows the events
with rapt attention.