The beginning of the more important Viking expeditions is usually referred to the end of the eighth century, or, indeed, to a particular year, 793. But we may conclude from historical sources[217] that as early as the sixth century Viking voyages certainly took place over the North Sea from Denmark to the land of the Franks, and doubtless also to southern Britain,[218] and perhaps by the beginning of the seventh century the Norwegians had established themselves in Shetland and even plundered the Hebrides and the north-west of Ireland (in 612).[219] We know further from historical sources that as early as the third century and until the close of the fifth century the roving Eruli sailed from Scandinavia, sometimes in company with Saxon pirates, over the seas of Western Europe, ravaging the coasts of Gaul and Spain, and indeed penetrating in 455 into the Mediterranean as far as Lucca in Italy.[220] From these historical facts we are able to conclude that long before that time there had been intercommunication by sea between the countries of Northern Europe. Scandinavia, and especially Norway, was in those days very sparsely inhabited, and all development of culture that was not due to direct influence from without must have taken place with extreme slowness at such an early period of history, even where intercourse was more active than in the North. As we are not acquainted with any other European people who at that time possessed anything like the necessary skill in navigation to have been the instructors of the Scandinavians, we are forced to suppose that it was after centuries of gradual training and development in seamanship that the latter attained the superiority at sea which they held at the beginning of the Viking age, when they took large fleets over the North Sea and the Arctic Ocean as though these were their home waters. When we further consider how, since that time, the type of ships, rigging and sails has persisted almost without a change for eleven hundred years, to the ten-oared and eight-oared boats of our own day—which until a few years ago were the almost universal form of boat in the whole of northern Norway—it will appear improbable that the type of ship and the corresponding skill in seamanship required a much shorter time for their development.[221]
Rock-carvings in Bohuslen
The first literary mention of the Scandinavians’ boats occurs in Tacitus, who speaks of the fleets and rowing-boats without sails of the Suiones (see above, p. 110). But long before that time we find ships commonly represented on the rock-carvings which are especially frequent in Bohuslen and in the districts east of Christiania Fjord. If these were naturalistic representations they would give us valuable information about the form and size of the ships of those remote times. But the distinct and characteristic features which are common to all these pictures of ships, from Bohuslen to as far north as Beitstaden, show them to be conventional figures, and we cannot therefore draw any certain conclusions from them with regard to the appearance of the ships.
Dr. Andr. M. Hansen [1908], with his usual imaginativeness, has pointed out the resemblance between the rock-carvings and the vase-paintings of the Dipylon period in Attica, and thinks there is a direct connection between them. It appears highly probable that the style of the rock-carvings is not a wholly native northern art, but is due more or less to influence from the countries of the Mediterranean or the East, in the same way as we have seen that the burial customs (dolmens, chambered barrows, etc.) came from these. Dr. Hansen has, however, exaggerated the resemblance between the Dipylon art and the rock-carvings; many of the resemblances are clearly due to the fact that the same subjects are represented (e.g., spear-throwing, fighting with raised weapons, rowers, horsemen, chariots, etc.); it may also be mentioned that such signs as the wheel or the solar symbol (the eye) are common to wide regions of culture. On the other hand, there are differences in other important features; thus, the mode of representing human beings is not the same, as asserted by Hansen; the characteristic “Egyptian” style of the men depicted in the Dipylon art, with broad, rectangular shoulders and narrow waists, is just what one does not find in the rock-carvings, where on the contrary men are depicted in the more naturalistic style which one recognises among many other peoples in a savage state of culture. Hansen also lays stress upon resemblances to figures from Italy. But what most interests us here is the number of representations of ships in the rock-carvings, which for the most part show a remarkable uniformity as regards their essential features, while they differ from all pictures of ships, not only in the art of the Dipylon and of the Mediterranean generally, but also in that of Egypt and Assyria-Babylonia. The boats or ships depicted in the rock-carvings are so strange-looking that doubts have been expressed whether they are boats or ships at all, or whether it is not something else that is intended, sledges, for instance. There is no indication of the oars, which are so characteristic of all delineations of ships in Greece, Italy, Egypt and Assyria; nor is there any certain indication of sails or rudders, which are also characteristic of southern art. Moreover, the lowest line, which should answer to the keel, is often separated at both ends from the upper line, which should be the top strake. On the other hand the numerous figures in the “boats” can with difficulty be regarded as anything but men, and most probably rowers, sometimes as many as fifty in number, besides the unmistakable figures of men standing, some of them armed; and it must be added that if these pictures represented nothing but sledges, it is inconceivable that there should never be any indication of draught animals. But one remarkable point about these numerous carvings is the typical form both of the prow and of the stern-post. With comparatively few exceptions the prow has two turned-up beaks, which are difficult to understand. It has been attempted to explain one of these as an imitation of the rams of Greek and Phœnician warships; but in that case it ought to be directed forward and not bent up. The shape of the stern-post is also curious: for what one must regard as the keel of the ship has in all these representations a blunt after end, curiously like a sledge-runner; while the upper line of the ship, which should correspond to the top strake, is bent upward and frequently somewhat forward, in a more or less even curve, sometimes ending in a two- or three-leaved ornament, somewhat like the stern-post of Egyptian ships (see p. 23). This mode of delineation became so uniformly fixed that besides occurring in almost all the rock-carvings it appears again in an even more carefully executed form in the knives of the later Bronze Age. Such a type of ship, with a keel ending bluntly aft, is not known in ancient times in Europe, either in the Mediterranean or in the North.[222] Egyptian, Assyro-Phœnician, Greek and Roman representations of ships (see pp. 7, 23, 35, 48, 241, 242), all show a keel which bends up to form a continuously curved stern-post; and both the Nydam boat from Sleswick (p. 110) and the Norwegian Viking ships that have been discovered agree in having a similar turned-up stern-post, which forms a continuous curve from the keel itself (pp. 246, 247); it is the same with delineations of the later Iron Age (p. 243). Even Tacitus expressly says that the ships of the Suiones were alike fore and aft. The only similar stern-posts to be found are possibly the abruptly ending ones of the ship and boats on the grave-stone from Novilara in Italy; but here the prows are quite unlike those of the rock-carvings.
Rock-carving at Björnstad in Skjeberg, Smålenene. The
length of the ship
is nearly fifteen feet (from a photograph by Professor G. Gustafson)
Bronze knife with representation of a ship, of the later Bronze Age. Denmark
Carvings on a grave-stone at Novilara, Italy
As therefore this representation of the ship’s stern-post does not correspond to any known type of ancient boat or ship, as it is also difficult to understand how the people of the rock-carvings came to represent a boat with two upturned prows, and as further there is a striking similarity between the lowest line of the keel and a sledge-runner, one might be tempted to believe that by an association of ideas these delineations have become a combination of ship and sledge. These rock-carvings may originally have been connected with burials, and the ship, which was to bear the dead, may have been imagined as gliding on the water, on ice, or through the air, to the realms of the departed, and thus unconsciously the keel may have been given the form of a runner. It may be mentioned as a parallel that in the “kennings” of the far later poetry of the Skalds a ship is called, for instance, the “ski” of the sea, or, vice versa, a ski or sledge may be called the ship of the snow. The sledge was moreover the earliest form of contrivance for transport. In this connection there may also be a certain interest in the fact that in Egypt the mummies of royal personages were borne to the grave in funereal boats upon sledges. That the rock-carvings were originally associated with burials may also be indicated by the fact that the carved stones of the Iron Age, which in a way took the place of the rock-carvings, frequently represent the dead in boats on their way to the underworld or the world beyond the grave (see illustration, p. 243). That ships played a prominent part in connection with the dead appears also from the remarkable burial-places formed by stones set up in the form of a ship, the so-called ship-settings, in Sweden and the Baltic provinces, as well as in Denmark and North Germany. These belong to the early Iron Age. The usual burial in a ship covered by a mound, in the later Iron Age, is well known. We seem thus to be able to trace a certain continuity in these customs. A certain continuity even in the representation of ships may also be indicated by the striking resemblance that exists between the two- or three-leaved, lily-like prow ornament on the rock-carvings, on the knives of the later Bronze Age, on the grave-stone of Novilara, and on such late representations as some of the ships of the Bayeux tapestry. The upturned prows of the ships of the rock-carvings also frequently end in spirals like the stern-post on the stone at Stenkyrka in Gotland (p. 243), and both prows and stern on other stones of the later Iron Age from Gotland.
Ship from the Bayeux tapestry (eleventh century), and rock-carving
All are agreed in referring the rock-carvings to the Bronze Age; but while O. Montelius, for example, puts certain of them as early as between 1450 and 1250 B.C., A. M. Hansen has sought to bring them down to as late as 500 B.C. In any case they belong to a period that is long anterior to the beginning of history in the North. From whence and by what route this art came it is difficult to say. Along the same line of coasts by which the megalithic graves, dolmens and chambered barrows made their way from the Mediterranean to the North (see p. 22) rock-carvings are also to be found scattered through North Africa, Italy (the Alps), Southern France, Spain, Portugal, Brittany, England, Ireland and Scotland. It may be reasonable to suppose that this practice of engraving figures on stone came first from Egypt at the close of the Stone Age; but the rock-carvings of the west coast of Europe and of the British Isles are distinct in their whole character from those of Scandinavia, and do not contain representations of ships[223] and men, which are such prominent features of the latter; but common to both are the characteristic cup-markings, besides the wheel, or solar signs (with a cross), foot-soles, and also spirals. There may thus be a connection, but we must suppose that the rock-carvings underwent an independent development in Scandinavia (like the Bronze Age culture as a whole)—if it could not be explained by an eastern communication with the south through Russia, which however is not probable—and as the representation of ships came to be so common, we must conclude it to be here connected with a people of strong seafaring tendencies. Since the ships depicted on the rock-carvings cannot, so far as we know at present, have been direct imitations of delineations of ships derived from abroad—even though they may be connected with forms of religion and burial customs that were more or less imported—we are, as yet at least, bound to believe that the people who made the rock-carvings had boats or ships which furnished the models for their conventional representations. And when we see that these people went to work to engrave on the rocks pictures of ships which are fifteen feet in length, and have as many as fifty rowers,[224] we are bound to believe that in any case they were able to imagine ships of this size. It is also remarkable that rock-carvings are most numerous precisely in those districts, Viken and Bohuslen, where we may expect that the seamanship of the Scandinavians first attained a higher degree of perfection if it was first imported from the south-east. With this would also agree Professor Montelius’s theory: that at a very much earlier time, about the close of the Stone Age, direct communication already existed between the west coast of Sweden and Britain, which he concludes from remarkable points of correspondence in stone cists with a hole at the end, and other features.
Shipment of tribute. From the bronze doors from Babavat, Assyria (British Museum)
Warship of Ramses III., circa 1200 B.C.
It is difficult to say how the Scandinavians at the outset arrived at their boats and ships, such as we know them from the boats found at Nydam in Sleswick and the Viking ships discovered in Norwegian burial-mounds. They are of the same type that in Norway, in the districts of Sunnmör and Nordland, has persisted to our time, and they show a mastery both in their lines and in their workmanship that must have required a long period for its development. From the accounts of many contemporaries, as well as from archæological finds, we know that even so late as the first and second centuries A.D. large canoes, made of dug-out tree trunks, were in common use on the north coast of Germany between the Elbe and the Rhine, and there can be no doubt that this was the original form of boat in the north and west of Central Europe. In England similar canoes made of the dug-out trunks of oaks have been found with a length of as much as forty-eight feet; they have also been found in Scotland, in Bremen and in Sleswick-Holstein (in many cases over thirty-eight feet long), with holes for oars. It is related of the Saxons north of the Elbe, who at an early period made piratical raids on coasts to the south of them, that they sailed in small boats made of wicker-work, with an oaken keel and covered with hides. Besides these they clearly had dug-out canoes; but in the third century A.D. it is recorded that they built ships on the Roman model. The only people north of the Mediterranean of whom we know with certainty that they had their own well-developed methods of shipbuilding are, as already mentioned (p. 39), the Veneti at the mouth of the Loire, whose powerful and seaworthy ships of oak are described by Cæsar. That the Scandinavians should have derived their methods from them cannot be regarded as probable, unless it can be proved that the intervening peoples possessed something more than primitive canoes and coracles. We must therefore believe, either that the Scandinavians developed their methods of shipbuilding quite independently, or that they had communication with the Mediterranean by some other route than the sea. Now in many important features there is such a great resemblance between the Norwegian Viking ships and pictorial representations of Greek ships, and of even earlier Egyptian and Assyrian ships, that it is difficult to avoid the conclusion that some connection must have existed. For instance, the resemblance between the strikingly lofty prows and stern-posts, sometimes bent back, with characteristic ornamentation, and animal heads, which are already to be found in Egyptian and Assyrian representations, cannot be explained offhand as coincidences occurring in types independently developed. They are decorations, and cannot have contributed to the seaworthiness of the boats or had any practical purpose, unless the animal heads were intended to frighten enemies (?). It is true that lofty and remarkable prows are to be found in boats from such a widely separated region of culture as Polynesia; but in the first place it is not impossible that here too there may be a distant connection with the Orient, and in the second, the Mediterranean and Scandinavian forms of ship are so characteristic, compared with those of other parts of the world, that we necessarily place them apart as belonging to a distinct sphere of culture. Another characteristic of these boats and ships is the oars with rowlocks (open or closed), instead of paddles. The rudder of the Viking ship (see illustrations, pp. 246, 247, 248, 250) is also in appearance and mode of use so remarkably like the Egyptian rudder of as early as circa 1600 B.C. (see illustrations, pp. 7, 23), and the Greek (p. 48),[225] that it is not easy to believe that this, together with all the other resemblances, were independent discoveries of the North. The square sail and mast of the Scandinavian boat also closely resemble those of Egyptian, Phœnician, Greek and Italian ships as depicted.
Stone from Stenkyrka in Gotland (ninth century)
It may be supposed that the communication which originally produced these resemblances did not take place by the sea-route, round the coasts of western Europe, but overland between the Black Sea and the Baltic. It is thus possible that the Scandinavian type of boat first began to be developed in the closed waters of the Baltic. It is here too that the boats of the Scandinavians (Suiones) are first mentioned in literature by Tacitus, and it is here that the earliest known boats of Scandinavian type have been found; these are the three remarkable boats of about the third century A.D. which were discovered at Nydam, near Flensburg. The best preserved of them (p. 110) is of oak, about seventy-eight feet long, with fourteen oars on each side, and it carried a crew of about forty men. The boats terminated in exactly the same way fore and aft, agreeing with what Tacitus says of the boats of the Suiones; and they could be rowed in both directions. They had rowlocks with oar-grummets like those in use on the west coast and in the northern part of Norway. There is no indication of the boats having had masts and sails, which also agrees with Tacitus. There can be no doubt that we have here the typical Scandinavian form of boat, with such fine lines and such excellent workmanship that it can only be due to an ancient culture the development of which had extended over many centuries.
From the Baltic this form of boat may have spread to Norway, where it gradually attained its greatest perfection; and it is worth remarking that in that very district where the Baltic type of boat derived from the south-east reached a coast with superior harbours, richer fisheries, and better opportunities for longer sea voyages, namely, in Bohuslen and Viken, we find also the greater number of rock-carvings with representations of ships. It is moreover a question whether the very name of “Vikings” is not connected with this district, and did not originally mean men from Viken, Vikværings; as they were specially prominent, the name finally became a common designation for all Scandinavians, as had formerly been the case with the names Eruli, Saxons, Danes.[226] In the course of their voyages towards the south-west the Scandinavians may also have met very early with ships from the Mediterranean, which, for instance, were engaged in the tin trade with the south of England, or may even have reached the amber coast, and thus fresh influence from the Mediterranean may have been added. When we see how in the fifth century roving Eruli reached as far as Italy in their ships, this will not appear impossible; and if there is any contrivance that we should expect to show a certain community of character over a wide area, it is surely the ship or boat.
Tacitus says that the fleets of the Suiones consisted of row-boats without sails. It is difficult to contest the accuracy of so definite a statement, especially as it is supported by the Nydam find, and by the circumstance that the Anglo-Saxons appear to have crossed the sea to Britain in nothing but row-boats; but Tacitus is speaking of warships in particular, and it is impossible that sails should not have been known and used in Scandinavia, and especially in Norway, at that time. There are possibly indications of sails even in the rock-carvings (see the first example in illustration, p. 236), and in the ornaments on the knives of the Bronze Age (see illustration, p. 238). In the case of a people whose lot it was to live to so great an extent on and by the sea, it is scarcely to be supposed that any very long time should elapse before they thought of making use of the wind, even if they did not originally derive the invention of sails from the Mediterranean.
Just as the Phœnicians and the Greeks had swift-sailing longships for war and piracy, and other, broader sailing-ships for trade (see p. 48), so also did the Scandinavians gradually develop two kinds of craft: the swift longships, and the broader and heavier trading-vessels, called “bosses” and “knars.”
But even if northern shipbuilding exhibits a connection with that of the Mediterranean, and thus was no more spontaneous in its growth than any other form of culture in the world, the type of ship produced by the Scandinavians was nevertheless undoubtedly superior to all that had preceded it, just as they themselves were incontestably the most skilful seamen of their time. The perfection and refinement of form, with fine lines, which we find in the three preserved boats from Nydam, and in the three ships of the beginning of the Viking age, or about the year 800, give evidence in each case of centuries of culture in this province; and when we see the richness of workmanship expended on the Oseberg ship and all the utensils that were found with it, we understand that it was no upstart race that produced all this, but a people that may well have sailed the North Sea even a thousand years earlier, in the time of Pytheas.
The preserved portion of the Viking ship from Gokstad, near Sandefjord (ninth century)
The immigration to Norway of many tribes may itself have taken place by sea. Thus the Horder and Ryger are certainly the same tribes as the “Harudes” (the “Charudes” of the emperor Augustus and of Ptolemy), dwelling in Jutland and on the Rhine (cf. Cæsar), and the “Rugii” west of the Vistula on the south coast of the Baltic (from whom possibly Rügen takes its name).[227] They came by the sea route to western Norway straight from Jutland and North Germany, and there must thus have been communication between these countries at that time; but how early we do not know; it may have been at the beginning of our era, and it may have been earlier.[228] But the fact that whole tribes were able to make so long a migration by sea indicates in any case a high development of navigation, and again it is on the Baltic that we first find it.
The Viking ship from Oseberg, near Tönsberg (ninth century)
The shipbuilding and seamanship of the Norwegians mark a new epoch in the history both of navigation and discovery, and with their voyages the knowledge of northern lands and waters was at once completely changed. As previously pointed out (p. 170), we notice this change of period already in Ottar’s communications to King Alfred, but their explorations of land and sea begin more particularly with the colonisation of Iceland, which in its turn became the starting-point for expeditions farther west.
We find accounts of these voyages of discovery in the old writings and sagas, a large part of which was put into writing in Iceland. A sombre undercurrent runs through these narratives of voyages in unknown seas; even though they may be partly legendary, they nevertheless bear witness in their terseness to the silent struggle of hardy men with ice, storms, cold and want, in the light summer and long, dark winter of the North.
Ships from the Bayeux tapestry (eleventh century)
They had neither compass, nor astronomical instruments, nor any of the appliances of our time for finding their position at sea; they could only sail by the sun, moon and stars, and it seems incomprehensible how for days and weeks, when these were invisible, they were able to find their course through fog and bad weather; but they found it, and the open craft of the Norwegian Vikings, with their square sails, fared north and west over the whole ocean, from Novaya Zemlya and Spitsbergen to Greenland, Baffin’s Bay, Newfoundland and North America, and over these lands and seas the Norsemen extended their dominion. It was not till five hundred years later that the ships of other nations were to make their way to the same regions.
Landing of William the Conqueror’s ships in England. Bayeux tapestry (eleventh century)
The lodestone, or compass, did not reach the Norwegians till the thirteenth century.[229] As to what means they had before that time for finding their course at sea, Norse-Icelandic literature contains extremely scanty statements. We see that to them, as to the Phœnicians before them, the pole-star was the lodestar, and that they sometimes used birds—ravens—to find out the direction of land; but we also hear that when they met with fog or cloudy weather they drifted without knowing where they were, and sometimes went in the opposite direction to that they expected, as in Thorstein Ericson’s attempt to make Wineland from Greenland, where they arrived off Iceland instead of off America. Even when after a long period of dull weather they saw the sun again, it could not help them to determine their direction at all accurately, unless they knew the approximate time of day; but their sense of time was certainly far keener than ours, which has been blunted by the use of clocks. Several accounts show that on land the Scandinavians knew how to observe the sun accurately, in what quarter and at what time it set, how long the day or the night lasted at the summer or winter solstice, etc. From this they formed an idea of their northern latitude. Amongst other works a treatise of the close of the thirteenth century or later included in the fourth part of the collection “Rymbegla” [1780, pp. 472 ff.] shows that they may even have understood how to take primitive measurements of the sun’s altitude at noon with a kind of quadrant. But they can scarcely have been able to take observations of this kind on board ship during their long voyages in early times, and they still less understood how to compute the latitude from such measurements except perhaps at the equinoxes and solstices. It is true that from the narrative, to be mentioned later, of a voyage in the north of Baffin’s Bay, about 1267, it appears that at sea also they attempted to get an idea of the sun’s altitude by observing where the shadow of the gunwale, on the side nearest the sun, fell on a man lying athwartships when the sun was in the south. With all its imperfection this shows that at least they observed the sun’s altitude.[230] In order to form some idea of their western or eastern longitude they cannot have had any other means than reckoning; and so long as the sun and stars were visible, and they knew in what direction they were sailing, they undoubtedly had great skill in reckoning this. In thick weather they could still manage so long as the wind held unaltered; but they could not know when it changed; they were then obliged to judge from such signs as birds, of what country they were, and in what direction they flew; we hear occasionally that they had birds from Ireland, or from Iceland, and so on. The difference in the fauna of birds might give them information. In their sailing directions it is also stated that they observed the whale; thus in the Landnámabók (Hauksbók) we read that when sailing from Norway to Greenland one should keep far enough to the south of Iceland to have birds and whales from thence. This is more difficult to understand, as the whale is not confined to the land, and the same whales are found in various parts of the northern seas. But drift-ice or ice-bergs, if they met them, might serve to show their direction, as might occasionally driftwood or floating seaweed. The colour of the sea may certainly have been of importance to such keen observers, even though we hear nothing of it; it cannot have escaped them, for instance, that the water of the Gulf Stream was of a purer blue than the rather greenish-brown water of the coastal current near Norway and in the North Sea, or in the East Iceland Polar Current; the difference between the water of the East Greenland Polar Current and in the Atlantic is also striking. It may likewise be supposed that men who were dependent to such a degree on observing every sign may have remarked the distribution in the ocean of so striking a creature as the great red jelly-fish. If so, it may often have given them valuable information of their approximate position. They used the lead, as appears, amongst other authorities, from the “Historia Norwegiæ,” where we read that Ingolf and Hjorleif found Iceland “by probing the waves with the lead.”
Seal of the town of Dover, 1284
But that it was not always easy to find their course is shown, amongst other instances, by the account of Eric the Red’s settlement in Greenland, when twenty-five ships left Iceland, but only fourteen are said to have arrived. Here, as elsewhere, it was the more capable commanders who came through.
THE NORWEGIAN SETTLEMENT IN ICELAND
The island of Iceland is mentioned, as we have seen, for the first time in literature by Dicuil, in 825, who calls it Thyle and speaks of its discovery by the Irish. As he says nothing about “Nortmannic” pirates having arrived there, whereas he mentions their having expelled the Irish monks from the Faroes, we may conclude that the Norsemen had not yet reached Iceland at that time. The first certain mention of the name Iceland is in the German poem “Meregarto” (see p. 181),[231] and in Adam of Bremen, where we find the first description of the island derived from a Scandinavian source (see p. 193).
Narratives of its discovery by the Norsemen and of their first settlement there are to be found in Norse-Icelandic literature; but they were written down 250 or 300 years after the events. These narratives of the first discoverers mentioned by name and their deeds, which were handed down by tradition for so long a time, can therefore scarcely be regarded as more than legendary; nevertheless they may give us a picture in broad outlines of how voyages of discovery were accomplished in those times.
As the Norwegians visited the Scottish islands and Ireland many centuries before they discovered Iceland, it is highly probable that they had information from the Irish of this great island to the north-west; if so, it was natural that they should afterwards search for it, although according to most Norse-Icelandic accounts it is said to have been found accidentally by mariners driven out of their course.
According to the sagas a Norwegian Viking, Grim Kamban, had established himself in the Faroes (about 800 A.D.) and had expelled thence the Irish priests; but possibly there was a Celtic population, at any rate in the southern islands (cf. p. 164). After that time there was comparatively active communication between the islands and Norway, and it was on the way to the Faroes or to the Scottish islands that certain voyagers were said to have been driven northward by a storm to the great unknown island. The earliest and, without comparison, the most trustworthy authority, Are Frode,[232] gives in his “Íslendingabók” (of about 1120-1130) no information of any such discovery, and this fact does not tend to strengthen one’s belief in it. Are tells us briefly and plainly:
“Iceland was first settled from Norway in the days of Harold Fairhair, the son of Halfdan the Black; it was at that time—according to Teit, Bishop Isleif’s son, my foster-brother, the wisest man I have known, and Thorkel Gellisson, my uncle, whose memory was long, and Thorid, Snorre Gode’s daughter, who was both exceeding wise and truthful—when Ivar, Ragnar Lodbrok’s son, caused St. Edmund, the king of the Angles [i.e., the English king], to be slain. And that was 870 winters after the birth of Christ, as it is written in his saga. Ingolf hight the Norseman of whom it is truthfully related that he first fared thence [from Norway] to Iceland, when Harold Fairhair was sixteen winters old, and for the second time a few winters later; he settled south in Reykjarvik; the place is called Ingolfshövde; Minthakseyre, where he first came to land, but Ingolfsfell, west of Ölfosså, of which he afterwards possessed himself. At that time Iceland was clothed with forest [i.e., birch forest] from the mountains to the strand. There were Christian men here, whom the Norsemen called ‘Papar’ ...” and who were Irish, as already mentioned, pp. 165 f. “And then there was great resort of men hither from Norway, until King Harold forbade it, since he thought that the land [i.e., Norway] would be deserted,” etc.
We may certainly assume that this description of Are’s is at least as trustworthy as the later statements on the same subject; but as Are probably also wrote a larger Íslendingabók, which is now lost, there is a possibility that he there related the discovery of Iceland in greater detail, and that the later authors have drawn from it.
Dragon-ship with a king and warrior (from the Flateyjarbók, circa 1390)
The next written account of the discovery of Iceland is found in the “Historia de Antiquitate regum Norwagiensium”[233] of the Norwegian monk Tjodrik (written about 1180), where we read:
“In Harold’s ninth year—some think in his tenth—certain merchants sailed to the islands which we call ‘Phariæ’ [‘Færeyjar’ == the Faroes]; there they were attacked by tempest and wearied long and sore, until at last they were driven by the sea to a far distant land, which some think to have been the island of Thule; but I cannot either confirm or deny this, as I do not know the true state of the matter. They landed and wandered far and wide; but although they climbed mountains, they nowhere found trace of human habitation. When they returned to Norway they told of the country they had found and by their praises incited many to seek it. Among them especially a chief named Ingolf, from the district that is called Hordaland; he made ready a ship, associated with himself his brother-in-law Hjorleif and many others, and sought and found the country we speak of, and began to settle it together with his companions, about the tenth year of Harold’s reign. This was the beginning of the settlement of that country which we now call Iceland—unless we take into account that certain persons, very few in number, from Ireland (that is, little Britain) are believed to have been there in older times, to judge from certain books and other articles that were found after them. Nevertheless two others preceded Ingolf in this matter; the first was named Garðar, after whom the land was at first called Garðarsholmr, the second was named Floki. But what I have related may suffice concerning this matter.”
It is probable that Tjodrik Monk was acquainted with Are Frode’s Íslendingabók, or at least had sources connected with it. In the “Historia Norwegiæ” by an unknown Norwegian author (written according to G. Storm about 1180-1190, but probably later, in the thirteenth century)[234] we read of the discovery of Iceland [Storm, 1880, p. 92]:
“Next, to the west, comes the great island which by the Italians is called Ultima Tile; but now it is inhabited by a considerable multitude, while formerly it was waste land, and unknown to men, until the time of Harold Fairhair. Then certain Norsemen, namely Ingolf and Hjorleif, fled thither from their native land, being guilty of homicide, with their wives and children, and resorted to this island, which was first discovered by Gardar and afterwards by another (?), and found it at last, by probing the waves with the lead.”