The Works Of Charles and Mary Lamb, Miscellaneous Prose, A Project Gutenberg eBook, by Charles and Mary Lamb.

The text of the "Confessions," as it stands in The Philanthropist, bears evident traces of Mill's editorial hand; the verbal changes smack of those precise and literal modes of thought and expression which Lamb found so uncongenial in the Scotsman. "They seemed to have something noble about them," writes Lamb of the friends of 1801. "But moral qualities are not external to us, they are resident in us," objects Mill; and so "about" is struck out and "in" substituted. "Avoid the bottle as you would fly your greatest destruction," says Lamb. "But," interposes the precisian, "the idea of destruction does not admit of more or less; besides, 'to fly' is properly a verb intransitive"—and thus the sentence is rewritten: "... fly from certain destruction." "The pain of the self-denial is all one"—"is equal," substitutes the Scot. "I scarce knew what it was to ail anything"—"to have an ailment," corrects the lover of plain words; and so on. Of the sixth paragraph of the essay only the opening sentence ("Why should I hesitate," etc.) is suffered to stand. The rest is cancelled—doubtless as at variance with Utilitarian views. Again the close of the fourteenth paragraph ("But he is too hard for us," etc., onwards) is struck out—either by Mill, as too broadly implying the existence of the "muckle deil," or by Allen, as too flippant an allusion to that fearsome personage. Lastly, the second paragraph is wanting and the third reduced by half, the conclusion (from "Trample not," etc., on), in which the miracle of the raising of Lazarus is referred to, being omitted.

I cannot, however, quite accept Mr. Hutchinson's theory that Lamb wrote the "Confessions" as a joke at the expense of the seriousness of the Quaker editor and his Benthamite assistant. Mr. Hutchinson writes: "We can fancy with what glee the sly humorist, who found the world as it was so lovable and good to live in, prepared to hoax the fussy John Amend-All of Plough Court and his fiery lieutenant, James Mill," and he adds later, "An amusing feature of the 'Confessions' is the introduction, twice over, of the sacred Benthamite catchword, 'Springs of Action,' and, once, of its equivalent, the 'Springs of the Will,' a plausible device to bribe the judgment of the editors." But Lamb's jokes were always jokes, and it is difficult, sitting down to these "Confessions" with what anticipation we will of humour or whimsicality, to rise from them in anything but sadness. They are too real for a "flam." Of this, however, more below.

The "Confessions" made their second appearance in Basil Montagu's collection of arguments in favour of teetotalism—Some Enquiries into the Effects of Fermented Liquors. By a Water Drinker. 1814; and second edition, 1818. This volume was divided into sections, Lamb's contribution being ranged under the question, "Do Fermented Liquors Contribute to Moral Excellence?" Montagu's book was reprinted in 1841, when Lamb's contribution was acknowledged as from the Essays of Elia by Charles Lamb (more properly the Last Essays). Lamb's "Confessions" were also reprinted separately in a series of tracts called "Beacon Lights," in 1854, as being a true statement of their unhappy author's case, under the title, "Charles Lamb's Confessions." This misrepresentation led to some correspondence in the press, and the tract was withdrawn, a new edition being substituted in 1856 with the harrowing story of poor Hartley Coleridge in the place of Lamb's essay.

The "Confessions" were reprinted in the London Magazine, August, 1822, under the following circumstances. In the summer of 1822 Lamb and his sister visited the Kenneys at Versailles—an absence which interrupted the regular course of the Elia essays. The Editor therefore reprinted one or two of Lamb's old papers, the first being these "Confessions," advising his readers of his action in a note in which Lamb's own hand is plainly apparent. This is the note:—

"Reprints of Elia.—Many are the sayings of Elia, painful and frequent his lucubrations, set forth for the most part (such his modesty!) without a name, scattered about in obscure periodicals and forgotten miscellanies. From the dust of some of these, it is our intention, occasionally, to revive a Tract or two, that shall seem worthy of a better fate; especially, at a time like the present, when the pen of our industrious Contributor, engaged in a laborious digest of his recent Continental Tour, may haply want the leisure to expatiate in more miscellaneous speculations. We have been induced, in the first instance, to re-print a Thing, which he put forth in a friend's volume some years since, entitled the Confessions of a Drunkard, seeing that Messieurs the Quarterly Reviewers have chosen to embellish their last dry pages with fruitful quotations therefrom; adding, from their peculiar brains, the gratuitous affirmation, that they have reason to believe that the describer (in his delineations of a drunkard forsooth!) partly sate for his own picture. The truth is, that our friend had been reading among the Essays of a contemporary, who has perversely been confounded with him, a paper in which Edax (or the Great Eater) humorously complaineth of an inordinate appetite; and it struck him, that a better paper—of deeper interest, and wider usefulness—might be made out of the imagined experiences of a Great Drinker. Accordingly he set to work, and with that mock fervor, and counterfeit earnestness, with which he is too apt to over-realise his descriptions, has given us—a frightful picture indeed—but no more resembling the man Elia, than the fictitious Edax may be supposed to identify itself with Mr. L., its author. It is indeed a compound extracted out of his long observations of the effects of drinking upon all the world about him; and this accumulated mass of misery he hath centered (as the custom is with judicious essayists) in a single figure. We deny not that a portion of his own experiences may have passed into the picture, (as who, that is not a washy fellow, but must at some times have felt the after-operation of a too generous cup?)—but then how heightened! how exaggerated!—how little within the sense of the Review, where a part, in their slanderous usage, must be understood to stand for the whole!—but it is useless to expostulate with this Quarterly slime, brood of Nilus, watery heads with hearts of jelly, spawned under the sign of Aquarius, incapable of Bacchus, and therefore cold, washy, spiteful, bloodless.——Elia shall string them up one day, and show their colours—or rather how colourless and vapid the whole fry—when he putteth forth his long promised, but unaccountably hitherto delayed, Confessions of a Water-drinker."

The remarks in the Quarterly Review, to which Lamb very naturally objected, and which are believed to have been written by Dr. Robert Gooch (1784-1830), a friend of Southey, had occurred in an article, in the number for April, 1822, on Reid's Essays on Hypochondriasis and other Nervous Affections. There, in a passage introducing quotations from Lamb's "Confessions of a Drunkard," the reviewer says:—

In a collection of tracts "On the Effects of Spirituous Liquors," by an eminent living barrister, there is a paper entitled the "Confessions of a Drunkard," which affords a fearful picture of the consequences of intemperance, and which we have reason to know is a true tale.

It was, we may suppose, as a kind of challenge to this statement that Lamb authorised the republication of his "Confessions." It cannot be denied, however, that the circumstantiality of the story gave a handle to the Quarterly's theory. For example, twelve years before 1813 (when the essay was probably first written), Lamb had completed his twenty-sixth year. He was known to have an impediment in his speech. He was known also to have been in bondage to tobacco. The two sets of friends (see pp. 156 and 157) correspond to Fenwick, Fell & Co., and the Burney whist players.

If a portion of the "Confessions" was true, it was more likely to be true in 1812-1813 than at any time in Lamb's life. He was then between thirty-seven and thirty-nine, a critical age. He had apparently abandoned most of his literary ambition and was beginning the least productive period of his life; if a man is at all given to seeking alcoholic stimulant he resorts to it more when his ambition sleeps than when it is lively. In 1812-1813 Lamb was hard worked at the East India House; and with the failure of The Reflector, to which he was an important contributor, immediately behind him, the failure of John Woodvil (in which he had believed) more remotely behind him, his children's book vein dry, and little but office routine and disappointment to look forward to, he may conceivably have indulged now and then, after a festive night with his friends, in some such gloomy thoughts as are expressed in this essay. Crabb Robinson, indeed, who saw much of Lamb at this season, records in his unpublished Diary that the "Confessions" seemed to him sadly true. Robinson, however, was disposed to be rather a severe judge of any weakness, and we may perhaps discount such an impression; but the fact remains that among Lamb's friends there was one who, wishing him all happiness, looked on the "Confessions" in this way.

Yet whatever proportion of truth may have been in the "Confessions" when they were written (possibly when Mary Lamb was ill and hope was with Lamb at its lowest) Lamb soon recovered. We may feel confident of that. He remained to the end conscious of the stimulating effect of wine and spirits and too easily influenced by them, as are so many persons of sensitive habit and quick imagination: that is all. As Talfourd wrote:—

Drinking with him [Lamb], except so far as it cooled a feverish thirst, was not a sensual but an intellectual pleasure; it lighted up his fading fancy, enriched his humour, and impelled the struggling thought or beautiful image into day.

One of the best proofs of the untruth of the "Confessions" is urged by Charles Robert Leslie, the painter, and it becomes particularly cogent when we remember the case of Tommy Bye, described by Lamb in two of his letters, who was reduced to a paltry income at the East India House as a punishment for insobriety. Leslie wrote in his Autobiographical Recollections, 1860:—

I have noticed that Lamb sometimes did himself injustice by his odd sayings and actions, and he now and then did the same by his writings. His "Confessions of a Drunkard" greatly exaggerate any habits of excess he may ever have indulged. The regularity of his attendance at the India House, and the liberal manner in which he was rewarded for that attendance, proved that he never could have been a drunkard. Well, indeed, would it be for the world if such extraordinary virtues as he possessed were often found in company with so very few faults.

In all modern editions of Lamb the "Confessions of a Drunkard" are included with the Last Essays of Elia. But Lamb did not himself originally place them there. Apparently his intention was not to reprint them after their appearance in the London Magazine in 1822. When, however, the Last Essays of Elia was published, in 1833, the paper called "A Death-Bed" was objected to by Mrs. Randal Norris, as bearing too publicly upon her poverty. When, therefore, the next edition was preparing, "A Death-Bed" was taken out, and the "Confessions" put in its place, but whether Lamb made the substitution, or whether it was decided upon after his death, I do not know.

Page 160. Footnote. Poor M——. Probably George Morland, who died a drunkard in 1804. In The Life of George Morland, by George Dawe (Lamb's "Royal Academician"), we read: "When he [Morland] arose in the morning his hand trembled so as to render him incapable of guiding the pencil, until he had recruited his spirits with his fatal remedy."

This article was first printed in the Gentleman's Magazine for June, 1813, and in the supplement for that year, under the title "On Christ's Hospital and the Character of the Christ's Hospital Boys." In that place it had the following opening, which, having lost its timeliness, was discarded when in 1818 the essay was printed in the Works:—

"A great deal has been said about the Governors of this Hospital abusing their right of presentation, by presenting the children of opulent parents to the Institution. This may have been the case in an instance or two; and what wonder, in an establishment consisting, in town and country, of upwards of a thousand boys! But I believe there is no great danger of an abuse of this sort ever becoming very general. There is an old quality in human nature, which will perpetually present an adequate preventive to this evil. While the coarse blue coat and the yellow hose shall continue to be the costume of the school, (and never may modern refinement innovate upon the venerable fashion!) the sons of the Aristocracy of this country, cleric or laic, will not often be obtruded upon this seminary.

"I own, I wish there was more room for such complaints. I cannot but think that a sprinkling of the sons of respectable parents among them has an admirable tendency to liberalize the whole mass; and that to the great proportion of Clergymen's children in particular which are to be found among them it is owing, that the foundation has not long since degenerated into a mere Charity-school, as it must do, upon the plan so hotly recommended by some reformists, of recruiting its ranks from the offspring of none but the very lowest of the people.

"I am not learned enough in the history of the Hospital to say by what steps it may have departed from the letter of its original charter; but believing it, as it is at present constituted, to be a great practical benefit, I am not anxious to revert to first principles, to overturn a positive good, under pretence of restoring something which existed in the days of Edward the Sixth, when the face of every thing around us was as different as can be from the present. Since that time the opportunities of instruction to the very lowest classes (of as much instruction as may be beneficial and not pernicious to them) have multiplied beyond what the prophetic spirit of the first suggester of this charity [64] could have predicted, or the wishes of that holy man have even aspired to. There are parochial schools, and Bell's and Lancaster's, with their arms open to receive every son of ignorance, and disperse the last fog of uninstructed darkness which dwells upon the land. What harm, then, if in the heart of this noble City there should be left one receptacle, where parents of rather more liberal views, but whose time-straitened circumstances do not admit of affording their children that better sort of education which they themselves, not without cost to their parents, have received, may without cost send their sons? For such Christ's Hospital unfolds her bounty.

"To comfort, &c."

Concerning this original opening a few words are necessary. Lamb had found the impetus to write his article in the public charges of favouritism and the undue distribution of influence, that were made by Robert Waithman (1764-1833), the reformer, against the governors of Christ's Hospital, in an open letter to those gentlemen in 1808. The newspapers naturally had much to say on the question, which was for some time a prominent one. The Examiner, for example, edited by Leigh Hunt—himself an old Christ's Hospitaller—spoke thus strongly (December 25, 1808): "That hundreds of unfortunate objects have applied in vain for admission is sufficiently notorious; and that many persons with abundant means of educating and providing for their children and relatives have obtained their admission into the School is also equally well known." The son of the Vicar of Edmonton, Mr. Dawson Warren, and a boy named Carysfoot Proby, whose father had two livings as well as his own and his wife's fortune, were the chief scapegoats.

Coleridge also wrote an article on the subject, which appeared in The Courier—a vigorous denial of Waithman's contention that the Hospital was intended for the poorest children, and the expression of a wish that the governors would permit no influence to change its aforetime policy. At the same time Coleridge expressed disapproval of the admission of boys whose fathers were in easy circumstances.

The Gentleman's Magazine version of Lamb's essay had one other difference from that of 1818. The second paragraph of the essay as it now stands did not then end at the words "would do well to go a little out of their way to see" (page 163). At the word "see" was a colon, and then came this passage:—

"let those judge, I say, who have compared this scene with the abject countenances, the squalid mirth, the broken-down spirit, and crouching, or else fierce and brutal deportment to strangers, of the very different sets of little beings who range round the precincts of common orphan schools and places of charity."

Lamb's essay was also printed in a quaint little book entitled A Brief History of Christ's Hospital from its Foundation by King Edward the Sixth to the Present Time, by J. I. W[ilson], published in 1820. It is there credited to Mr. Charles Lambe. In 1835, it was reissued as a pamphlet by some of Lamb's schoolfellows and friends "in testimony of their respect for the author, and of their regard for the Institution."

Christ's Hospital was founded in 1552 by Edward VI. in response to a sermon on charity by Ridley; his charge to Ridley being:—

To take out of the streets all the fatherless children and other poor men's children that were not able to keep them, and to bring them to the late dissolved house of the Greyfriars, which they devised to be a Hospital for them, where they should have meat, drink, and clothes, lodging and learning, and officers to attend upon them.

Later, this intention was somewhat modified, with the purpose of benefiting rather the reduced or embarrassed parents than the very poor.

The London history of the school is now ended. The boys have gone to Sussex, where, near Horsham, the new buildings have been erected, and the old Newgate Street structure has been demolished to make room for offices, warehouses, and an extension of St. Bartholomew's Hospital.

John Lamb's appeal for his son Charles to be received into Christ's Hospital is dated March 30, 1781, and it states that the petitioner has "a Wife and three Children, and he finds it difficult to maintain and educate his Family without some Assistance." One of the children, John Lamb jr., then aged nearly eighteen, should, however, have been practically self-supporting. The presentation was made by Timothy Yeats, a friend of Samuel Salt, who himself signed the necessary bond for £100 and made himself responsible for the boy's discharge. Lamb was admitted July 17, 1782, and clothed October 9, 1782; he remained until November 23, 1789.

The notes that follow apply solely to the few points in the text that call for remark. More exhaustive comments on Lamb and Christ's Hospital will be found in the notes to the Elia essay on the same subject.

Page 163, line 23. The old Grey Friars. This monastery had been suppressed by Henry VIII. It was reinhabited by the Christ's Hospital boys; but was in great part destroyed in the Fire of London, the cloisters alone remaining. The other old part of Christ's Hospital, as this generation knows it, dates from after the Fire.

Page 165, line 9 from foot. Philip Quarll's Island. One of the imitations of Robinson Crusoe. The full title ran: The Hermit: or the unparalleled sufferings and surprising adventures of Mr. Philip Quarll, an Englishman, who was lately discovered by Mr. Dorrington, a Bristol Merchant, upon an uninhabited island in the South Seas; where he has lived above Fifty Years, without any human assistance, still continues to reside, and will not come away, 1727. Lamb refers again to these excursions in his Elia essay on "Newspapers."

Page 168, line 8 from foot. The Rev. James Boyer. Lamb writes more fully of his old schoolmaster in the Elia essay. Boyer was elected 1776, and retired in 1799, when the governors presented him with a staff. He died in 1814.

Page 170, line 4 from foot. Grecians. Lamb writes more fully of the Grecians in his Elia essay. He was himself never more than Deputy-Grecian.

Page 171, line 4 from foot. William Wales. William Wales was appointed 1776, and died 1798. The King's Boys are now called "Mathemats," i.e., Members of the Royal Mathematical Foundation for Sea Service. Leigh Hunt says of William Wales in his Autobiography: "He was a good man, of plain, simple manners, with a heavy large person and a benign countenance. When he was at Otaheite, the natives played him a trick while bathing, and stole his small-clothes; which we used to think a liberty scarcely credible."

Page 172, line 5 from foot. Processions ... at Easter. The boys when in London visited the Lord Mayor on Easter Tuesday.

Page 173, line 4. St. Matthew's day. September 21. Speech Day is now at the end of the Summer Term.

Page 173, line 8. Barnes ... Markland ... Camden. Joshua Barnes (1654-1712), Greek scholar and antiquary; Jeremiah Markland (1693-1776), Greek scholar; and William Camden (1551-1623), the antiquary—all Christ's Hospital boys.

Page 173, line 18. The carol. I cannot give the words of this particular carol. Mr. E. H. Pearce, the latest historian of Christ's Hospital, tells me that it was probably not a school carol peculiar to Christ's Hospital, like the Easter anthems (which were composed annually), but an ordinary Christmas hymn. "An old Crug," i.e., Old Christ's Hospitaller, wrote to Notes and Queries, December 22, 1855, asking if any reader could supply the missing stanzas of a Christmas carol which the Blue Coat boys used to sing fifty years before. This was one stanza (from memory):—

In 1813 Leigh Hunt added to his paper, The Examiner, a more or less regular collection of notes under the heading "Table-Talk." At first they were unsigned, but on May 30 he announced that each contributor would in future have his own mark. From unmistakable evidence—for example, the similarity between the "Playhouse Memoranda" on page 184, and the Elia essay "My First Play"—we may confidently consider Lamb to be the author of all those pieces signed, like that, ‡, seven of which are here included. The first contribution thus signed was the note on "Reynolds and Leonardo da Vinci," on page 174, usually printed in editions of Lamb's works as "The Reynolds Gallery."

Lamb had other signatures in The Examiner. The Dramatic Criticisms and Reviews of Books, pages 217 to 234, were signed with four stars; the notice of "Don Giovanni in London" (see page 215) was signed †, and "Valentine's Day" (in Elia) was signed * * *.

Lamb had very little admiration for Sir Joshua Reynolds. See also his remarks in the essay on "Hogarth," page 88 for example.

Page 174, line 1 of essay. The Reynolds' Gallery. The exhibition of 142 of Sir Joshua Reynolds' works, held in 1813 at the Shakespeare Gallery in Pall Mall, afterwards the British Institution. The Marlborough Club now stands on its site. Reynolds had died in 1792.

Page 174, line 9 of essay. Mrs. Anne Clark. The notorious Mary Anne Clarke (1776-1852), the mistress of Frederick, Duke of York. After keeping London society in a state of ferment for some years, by reason of her disclosures and claims, she was, in 1813, condemned to nine months' imprisonment for libel. Lamb has a very humorous passage about this lady in a letter to Manning on March 28, 1809. Reynolds, it need hardly be said, did not paint her, since, when he died, she was but sixteen and a nobody.—Kitty Fisher was Catherine Maria Fisher, who died in 1767, and was painted by Sir Joshua several times. A very notorious person in her early days; afterwards she married an M.P.

Page 174, line 7 from foot. Mrs. Long. Mrs. Long was Amelia Long, wife of Charles Long, afterwards first Baron Farnborough.—Reynolds painted a number of Infant Jupiters and Bacchuses. His "Infant Samuel" is well known. Few pictures of that time have been more often reproduced.

This note adds still another to Lamb's many remarks on the stage, and stands as a kind of trial sketch for the papers on "The Old Actors," which Lamb contributed to the London Magazine nine years later. "The New Acting" is also noteworthy in containing Lamb's earliest praises of Miss Kelly, the favourite actress of his later years, of whom he always wrote so finely.

Page 176, line 4 of essay. Parsons and Dodd. William Parsons (1736-1795), the comedian. Foresight in Congreve's "Love for Love" was one of his best parts. James William Dodd (1740?-1796), famous for his Aguecheek, in "Twelfth Night," which Lamb extols in "The Old Actors."

Page 176, line 10 of essay. Bannister and Dowton. Two actors of a later generation. John Bannister (1760-1836), whom Lamb admired as Walter in Morton's "Children in the Wood," left the stage in 1815; William Dowton (1764-1851), famous as Falstaff, left the stage in 1836.

Page 176, line 6 from foot. Russell's Jerry Sneak. Samuel Thomas Russell (1769?-1845), celebrated for his Jerry Sneak in Foote's "Mayor of Garratt." Russell left the stage in 1842.

Page 177, line 8. Liston's Lord Grizzle. John Liston (1776?-1846), the comedian, whose bogus biography by Lamb will be found at page 292 of this volume. Lord Grizzle is a character in Fielding's "Tom Thumb."

Page 177, line 12. Nicolaus Klimius. Baron Holberg's Nicolai Klimii Iter Subterraneum was translated into English under the title A Journey to the World Underground, 1742. It describes the surprising subterranean adventures of a Norwegian divinity student.

Page 177, line 19. Mrs. Mattocks, Miss Pope and Mrs. Jordan. Isabella Mattocks (1746-1826), comedienne, took leave of the stage in 1808; Jane Pope (1742-1818), famous as Audrey in "As You Like It," retired in the same year; and Dorothea Jordan (1762-1816), the greatest comedienne of her time, left the London stage in 1814.

Page 177, line 24. Mrs. Abingdon ... Mrs. Cibber, etc. Frances Abington (1737-1815) left the stage in 1799. Mrs. Susannah Maria Cibber (1714-1766) and Anne (or Nance) Oldfield (1683-1730) were, of course, before Lamb's time.

Page 177, line 25. Whole artillery of charms. Lamb is here recalling Colley Cibber's account of Mrs. Bountiful's Melantha in Marriage a la Mode in his Apology.

Page 177, line 34. Miss Kelly. Lamb's friend, Frances Maria Kelly (1790-1882), of whom he wrote so much (see pages 217 to 223 of the present volume, and "Barbara S——" in Elia essays. See also note to "Miss Kelly at Bath," page 486).

Page 177, at foot. The Glovers ... Johnstons ... St. Legers. Mrs. Julia Glover (1779-1850), the original Alhadra in Coleridge's "Remorse" in 1813. Mrs. Johnstone, a well-known Elvira in "Pizarro." She made her London début in 1797. Mrs. Saint Ledger (née Williams) made her London début in 1799, and began well, but declined into pantomime.

Page 178, line 1. Miss Candour. Probably a misprint for Mrs. Candour in "The School for Scandal," a part created by Miss Pope.

The Examiner, July 18, 1813. Reprinted by Leigh Hunt in The Indicator, December 13, 1820, under the title of Table Talk, together with the notes on "Gray's Bard" and "Playhouse Memoranda," on pages 181 and 184 of the present volume. Leigh Hunt thus introduced these reprints:—

It has been a great relief to us during our illness (from which, we trust, we are now recovering) to find that the re-publication of some former pieces from other periodical works has not been disapproved. Being still compelled to make up our numbers in this way, we have the pleasure of supplying the greater part of the present one with some Table-Talk, with which a friend entertained us on a similar occasion a few years ago in The Examiner. To the reader who happens not to be acquainted with them they will be acceptable for very obvious reasons: those who remember them, will be glad to read them again; and as for ourselves, besides the other reasons for being gratified, we feel particular satisfaction in recalling to the author's memory as well as our own, some genuine morsels of writing which he appears to have forgotten.

Page 178, line 11., Patrick's "Pilgrim." The Parable of the Pilgrim, 1664, by Simon Patrick, Bishop of Ely (1626-1707), which bears a curious accidental likeness to Bunyan's Pilgrim's Progress. Writing to Wordsworth, in 1815, Lamb says: "Did you ever read Charron on Wisdom or Patrick's Pilgrim? If neither, you have two great pleasures to come." The particular passage quoted from Patrick is in one of Lamb's Commonplace Books.

Page 178, line 22. Single-Speech Hamiltons. William Gerard Hamilton (1729-1796). He entered Parliament in 1754, and made his famous maiden speech in 1755. It was not, however, by any means his only speech, although his nickname still prevails.

Page 178, line 24. Killigrew's play. "The Parson's Wedding," a comedy, by Thomas Killigrew (1612-1683). Lamb included this speech of the Fine Lady under the heading Facetiæ in his extracts from the Garrick plays in Hone's Table Book, 1827.

Page 178, line 32. Charron on "Wisdom." Two translations of the Sieur de Charron, De la Sagesse, might have been read by Lamb: Dean Stanhope's (1697) and Samson Lennard's (1612). Probably it was Lennard's, since the passage may be found on page 129 of his 1670 edition, a quarto, and page 145 in the 1640 edition, whereas in Stanhope it is page 371. Lennard's translation runs thus (Book I., Chap. 39):—

The action of planting and making man is shameful, and all the parts thereof; the congredients, the preparations, the instruments, and whatsoever serves thereunto is called and accounted shameful; and there is nothing more unclean, in the whole Nature of man. The action of destroying and killing him [is] honorable, and that which serves thereunto glorious: we guild it, we enrich it, we adorn ourselves with it, we carry it by our sides, in our hands, upon our shoulders. We disdain to go to the birth of man; every man runs to see him die, whether it be in his bed, or in some public place, or in the field. When we go about to make a man, we hide ourselves, we put out the candle, we do it by stealth. It is a glory and pomp to unmake a man, to kill himself; we light the candles to see him die, we execute him at high noon, we sound a trumpet, we enter the combat, and we slaughter him when the sun is at highest. There is but one way to beget, to make a man, a thousand and a thousand means, inventions, arts to destroy him. There is no reward, honour or recompense assigned to those that know how to encrease, to preserve human nature; all honour, greatness, riches, dignities, empires, triumphs, trophies are appointed for those that know how to afflict, trouble, destroy it.

It has been held that Pope called Charron more sage because he somewhat mitigated the excessive fatalism (Pyrrhonism) of Montaigne.

The Examiner, September 12, 1813. Reprinted in The Indicator, January 3, 1821. We know it to be Lamb's by the signature ‡; also from a sentence in Leigh Hunt's essay on the "Suburbs of Genoa," in The Literary Examiner, August 23, 1823, where, speaking of an expected sight, he says: "C. L. could not have been more startled when he saw the chimney-sweeper reclining in Richmond meadows."

This note is another contribution to Lamb's many remarks on London. Allsop, in his reminiscences of Lamb in his Letters, Conversations and Recollections of S. T. Coleridge, 1836, remarks:—

Somerset House, Whitehall Chapel (the old Banqueting Hall), the church at Limehouse and the new church at Chelsea, with the Bell house at Chelsea College, which always reminded him of Trinity College, Cambridge, were the objects most interesting to him [Lamb] in London.

The Examiner, September 12, 1813. Signed ‡. Reprinted by Leigh Hunt under the above title in The Indicator, December 13, 1820. In the Appendix (pages 425-6) will be found other critical comments upon Gray, which I conjecture to be Lamb's.

Gray himself noted the Miltonic anticipation of this line (see Gosse's edition, 1884). The lines Lamb quotes are from Paradise Lost, I., lines 536-537.

Page 181, line 6 of essay. Heywood's old play. "The Four 'Prentices of London," by Thomas Heywood. The speech is that of Turnus respecting the Persian Sophy. It is copied in one of Lamb's Commonplace Books.

The Examiner, September 26, 1813. Signed ‡. Reprinted under the above title by Leigh Hunt in The Indicator, January 3, 1821.

Page 182, line 1 of essay. A curious volume. Hazlitt's Handbook to the Popular, Poetical and Dramatic Literature of Great Britain, 1867, gives the title as Alexandri Fultoni Scoti Epigrammatum Libri Quimque. Perth, 1679. 8vo.

Page 182, line 9. "The master of a seminary ... at Islington." This was the Rev. John Evans, a Baptist minister, whose school was in Pullin's Row, Islington. Gray's Elegy was published as Lamb indicates in 1806. The headline covering the first three stanzas is "Interesting Silence."

Page 183, line 3. Jeremy Collier. Jeremy Collier (1650-1726), the nonjuror and controversialist. His Essays upon Several Moral Subjects, Part II., were published in 1697. The passage quoted is from that "On Musick," the second essay in Part II. I have restored his italics and capitals.

Page 183, at foot. "His genius...." Collier's words are: "His genius was jocular, but when disposed he could be very serious."

The Examiner, December 19, 1813. Signed ‡. Leigh Hunt reprinted it in The Indicator, December 13, 1820.

The paper, towards the end, becomes a first sketch for the Elia essay "My First Play," 1821. As a whole it is hardly less charming than that essay, while its analysis of the Theatre audience gives it an independent interest and value.

Page 185, line 3. They had come to see Mr. C——. It was George Frederick Cooke, of whom Lamb writes in the criticism on page 41, that they had come to see. Possibly the Cooke they saw was T. P. Cooke (1786-1864), afterwards famous for his sailor parts; but more probably an obscure Cooke who never rose to fame. A Mr. Cook played a small part in Lamb's "Mr. H." in 1806.

Page 186, line 6. The system of Lucretius. Lucretius, in De Rerum Natura, imagined the gods to be above passion or emotion, heedless of this world's concerns, figures of absolute peace.

Page 186, line 22. It was "Artaxerxes." An opera by Thomas Augustine Arne, produced in 1762, founded upon Metastasio's "Artaserse." From the other particulars of Lamb's early play-going, given in the Elia essay "My First Play," we know the date of this performance to be December 1, 1780, that being the only occasion in that or the next season when "Artaxerxes" was followed by "Harlequin's Invasion." But none of the singers named by Lamb were in the caste on that occasion. "Who played, or who sang in it, I know not," he says; merely setting down likely and well-known names at random. As a matter of fact Artaxerxes was played by Mrs. Baddeley, Arbaces by Miss Pruden, and Mandane by "a young lady." Mr. Beard was John Beard (1716?-1791), the tenor. Leoni was the discoverer and instructor of Braham. He made his début in "Artaxerxes" in 1775. Mrs. Kennedy, formerly Mrs. Farrell, was a contralto. She died in 1793.