Swiss Air.[9]
THE PENITENT CHILD.
B.
B.
THE BLOSSOM.
B.
Questions and details relating to the history of Moses, are very profitable and instructive to children. Bible histories, well told, have a powerful influence upon their minds.
The music found in the preceding pages, may suffice in some measure for training and exercising the voices of young children. Care should be taken that the child pronounces his words with distinctness and precision. The vowels also should be formed in the throat and not in the mouth or nose. The manner of uttering the vowels, is that which gives a pleasant or unpleasant tone of voice to the singer. Properly speaking, we are never to sing the consonants, but to articulate them instantly, much as in speech, though louder and with greater precision. We sing only the vowels, and hence our manner of treating them is almost the only circumstance that gives sweetness and polish to the voice.
The music which here follows, is not intended for drilling exercises. The little songs or hymns are strictly devotional; and should as far as practicable, be accompanied with devotional associations of thought and feeling. This is a principle of unspeakable importance; and one that ought every where to pervade the cultivation of devotional song.
AT NIGHT.
Watts.
IN THE MORNING.
EVENING.
L. H. S.
MORNING.
L. H. S.
THE TEMPEST.
MORNING.
H. S. M.
EVENING.
B.
THE STORM.
THE LORD'S PRAYER.
SELF-CONSECRATION.
[1] The judicious mother, however fond of her infant son, will not desire him to understand this sentiment.
[2] The boy alluded to in this instance, is supposed not to be within hearing of the song.
[3] This process, by the way, is often performed so roughly as to occasion no inconsiderable pain.
[4] This must of course be understood as the language of affectionate solicitude, and not as the expression of peevishness or ill natured censure.
[5] The thoughts contained in this song may suggest a profitable method of teaching the doctrines of native depravity; and salvation through a bleeding Savior. The pure example of Christ also, when frequently presented to the infantile mind, operates as a powerful restraint.
[6] In connexion with this song, the ten commandments may be recited, in such a manner as to show their meaning, and illustrate the thoughts contained in the hymn.
[7] This is an excellent lesson for children who are prone to be talkative; especially those who have a little advanced beyond the period of early infancy.
[8] Great care should here be taken, that the sounds of the SCALE are accurately tuned; and that the suggestions given in the song, in reference to the formation of the voice, be successfully reduced to practice.
[9] The slurs are applied chiefly to the second stanza.