PRINCE ROBERT,

NEVER BEFORE PUBLISHED.

FROM THE RECITATION OF A LADY, NEARLY RELATED TO THE EDITOR.

KING HENRIE.

THE ANCIENT COPY.

This ballad is edited from the MS. of Mrs Brown, corrected by a recited fragment. A modernized copy has been published, under the title of "Courteous King Jamie."—Tales of Wonder, Vol. II. p. 451.

The legend will remind the reader of the "Marriage of Sir Gawain," in the Reliques of Ancient Poetry, and of the "Wife of Bath's Tale," in Father Chaucer. But the original, as appears from the following quotation from Torfœus, is to be found in an Icelandic Saga:

"Hellgius, Rex Daniæ, mœrore ob amissam conjugem vexatus, solus agebat, et subducens se hominum commercio, segregem domum, omnis famulitii impatiens, incolebat. Accidit autem, ut nocte concubia, lamentabilis cujusdam ante fores ejulantis sonus auribus ejus obreperet. Expergefactus igitur, recluso ostio, informe quoddam mulieris simulacrum, "habitu corporis fœdum, veste squalore obsita, pallore, macie frigorisque tyrannide prope modum peremptum, deprehendit; quod precibus obsecratus, ut qui jam miserorum ærumnas ex propria calamitate pensare didicisset, in domum intromisit; ipse lectum petit. At mulier, ne hac quidem benignitate contenta, thori consortium obnixè flagitabat, addens id tanti referre, ut nisi impetraret, omnino sibi moriendum esset. Quod, ea lege, ne ipsum attingeret, concessum est. Ideo nec complexu eam dignatus rex, avertit sese. Cum autem prima luce forte oculos ultro citroque converteret, eximiæ formæ virginem lecto receptam animadvertit; quæ statim ipsi placere cœpit: causam igitur tam repentinæ mutationis curiosius indaganti, respondit virgo, se unam e subterraneorum hominum genere diris novercalibus devotam, tam tetra et execrabili specie, quali primo comparuit, damnatam, quoad thori cujusdam principis socia fieret, multos reges hac de re sollicitasse. Jam actis pro præstito beneficio gratiis, discessum maturans, a rege formæ ejus illecebris capto comprimitur. Deinde petit, si prolem ex hoc congressu progigni contigerit, sequente hyeme, eodem anni tempore, ante fores positam in ædes reciperet, seque ejus patrem profiteri non gravaretur, secus non leve infortunium insecuturum prædixit: a quo præcepto cum rex postea exorbitasset, nec præ foribus jacentem infantem pro suo agnoscere voluisset, ad eum iterum, sed corrugata fronte, accessit, obque violatam fidem acrius objurgatum ab imminente periculo, præstiti olim beneficii gratia, exempturam pollicebatur, ita tamen ut tota ultionis rabies in filium ejus "effusa graves aliquando levitatis illius pænas exigeret. Ex hac tam dissimilium naturarum commixtione, Skulda, versuti et versatilis animi mulier, nata fuisse memoratur; quæ utramque naturam participans prodigiosorum operum effectrix perhibetur."—Hrolffi Krakii, Hist. p. 49, Hafn. 1715.

KING HENRIE.

ANCIENT COPY.

ANNAN WATER.

NEVER BEFORE PUBLISHED.

The following verses are the original words of the tune of "Allan Water," by which name the song is mentioned in Ramsay's Tea Table Miscellany. The ballad is given from tradition; and it is said, that a bridge, over the Annan, was built in consequence of the melancholy catastrophe which it narrates. Two verses are added in this edition, from another copy of the ballad, in which the conclusion proves fortunate. By the Gatehope Slack, is perhaps meant the Gate Slack, a pass in Annandale. The Annan, and the Frith of Solway, into which it falls, are the frequent scenes of tragical accidents. The editor trusts he will be pardoned for inserting the following awfully impressive account of such an event, contained in a letter from Dr Currie, of Liverpool, by whose correspondence, while in the course of preparing these volumes for the press, he has been alike honoured and instructed. After stating, that he had some recollection of the ballad which follows, the biographer of Burns proceeds thus: "I once in my early days heard (for it was night, and I could not see) a traveller drowning; not in the Annan itself, but in the Frith of Solway, close by the mouth of that river. The influx of the tide had unhorsed him, in the night, as he was passing the sands from Cumberland. The west wind blew a tempest, and, according to the common expression, brought in the water, three foot a-breast. The traveller got upon a standing net, a little way from the shore. There he lashed himself to the post, shouting for half an hour for assistance—till the tide rose over his head! In the darkness of night, and amid the pauses of the hurricane, his voice, heard at intervals, was exquisitely mournful. No one could go to his assistance—no one knew where he was—the sound seemed to proceed from the spirit of the waters. But morning rose—the tide had ebbed—and the poor traveller was found lashed to the pole of the net, and bleaching in the wind."

ANNAN WATER.

THE CRUEL SISTER.

This ballad differs essentially from that which has been published in various collections, under the title of Binnorie. It is compiled from a copy in Mrs Brown's MSS., intermixed with a beautiful fragment, of fourteen verses, transmitted to the editor by J. C. Walker, Esq. the ingenious historian of the Irish bards. Mr Walker, at the same time, favoured the editor with the following note:—"I am indebted to my departed friend, Miss Brook, for the foregoing pathetic fragment. Her account of it was as follows: This song was transcribed, several years ago, from the memory of an old woman, who had no recollection of the concluding verses: probably the beginning may also be lost, as it seems to commence abruptly." The first verse and burden of the fragment run thus:—

The first part of this chorus seems to be corrupted from the common burden of Hey, Nonny, Nonny, alluded to in the song, beginning, "Sigh no more, ladye." The chorus, retained in this edition, is the most common and popular; but Mrs Brown's copy bears a yet different burden, beginning thus:—

THE CRUEL SISTER.

THE QUEEN'S MARIE.

NEVER BEFORE PUBLISHED.

"In the very time of the General Assembly, there comes to public knowledge a haynous murther, committed in the court; yea, not far from the queen's lap: for a French woman, that served in the queen's chamber, had played the whore with the queen's own apothecary.—The woman conceived and bare a childe, whom, with common consent, the father and mother murthered; yet were the cries of a new-borne childe hearde, searche was made, the childe and the mother were both apprehended, and so was the man and the woman condemned to be hanged in the publicke street of Edinburgh.—The punishment was suitable, because the crime was haynous. But yet was not the court purged of whores and whoredoms, which was the fountaine of such enormities; for it was well known that shame hasted marriage betwixt John Sempill, called the Dancer, and Mary Leringston[20], sirnamed the Lusty. What bruit the Maries, and the rest of the dancers of the court had, the ballads of that age do witnesse, which we, for modestie's sake, omit: but this was the common complaint of all godly and wise men, that, if they thought such a court could long continue, and if they looked for no better life to come, they would have wished their sonnes and daughters rather to have been brought up with fiddlers and dancers, and to have been exercised with flinging upon a floore, and in the rest that thereof followes, than to have been exercised in the company of the godly, and exercised in virtue, which, in that court was hated, and filthenesse not only maintained, but also rewarded; witnesse the abbey of Abercorne, the barony of Auchvermuchtie, and divers others, pertaining to the patrimony of the crown, given in heritage to skippers and dancers, and dalliers with dames. This was the beginning of the regiment of Mary, queen of Scots, and these were the fruits that she brought forth of France.—Lord! look on our miseries! and deliver us from the wickednesse of this corrupt court!"—Knox's History of the Reformation, p. 373-4.

Such seems to be the subject of the following ballad, as narrated by the stern apostle of presbytery. It will readily strike the reader, that the tale has suffered great alterations, as handed down by tradition; the French waiting-woman being changed into Mary Hamilton,[21] and the queen's apothecary, into Henry Darnley. Yet this is less surprising, when we recollect, that one of the heaviest of the queen's complaints against her ill-fated husband, was his infidelity, and that even with her personal attendants. I have been enabled to publish the following complete edition of the ballad, by copies from various quarters; that principally used, was communicated to me, in the most polite manner, by Mr Kirkpatricke Sharpe, of Hoddom, to whom I am indebted for many similar favours.

THE QUEEN'S MARIE.