Fig. 82. Silenus taking Dionysus to School
111. The Wanderings of Bacchus. After the death of Semele,[145] Jove took the infant Bacchus and gave him in charge to the Nysæan nymphs, who nourished his infancy and childhood and for their care were placed by Jupiter, as the Hyades, among the stars. Another guardian and tutor of young Bacchus was the pot-bellied, jovial Silenus, son of Pan and a nymph, and oldest of the Satyrs. Silenus was probably an indulgent preceptor. He was generally tipsy and would have broken his neck early in his career, had not the Satyrs held him on his ass's back as he reeled along in the train of his pupil. After Bacchus was of age, he discovered the culture of the vine and the mode of extracting its precious juice; but Juno struck him with madness and drove him forth a wanderer through various parts of the earth. In Phrygia the goddess Rhea cured him and taught him her religious rites; and then he set out on a progress through Asia, teaching the people the cultivation of the vine. The most famous part of his wanderings is his expedition to India, which is said to have lasted several years. Returning in triumph, he undertook to introduce his worship into Greece, but was opposed by certain princes who dreaded the disorders and madness it brought with it. Finally, he approached his native city Thebes, where his own cousin, Pentheus, son of Agave and grandson of Harmonia and Cadmus, was king. Pentheus, however, had no respect for the new worship and forbade its rites to be performed.[146] But when it was known that Bacchus was advancing, men and women, young and old, poured forth to meet him and to join his triumphal march.
Fig. 83. Bearded Dionysus and Satyr
It was in vain Pentheus remonstrated, commanded, and threatened. His nearest friends and wisest counselors begged him not to oppose the god. Their remonstrances only made him the more violent.
112. The Story of Acetes. Soon the attendants returned who had been dispatched to seize Bacchus. They had succeeded in taking one of the Bacchanals prisoner, whom, with his hands tied behind him, they brought before the king. Pentheus, threatening him with death, commanded him to tell who he was and what these new rites were that he presumed to celebrate.
Fig. 84. Satyr and Mænad with Child Dionysus
The prisoner, unterrified, replied that he was Acetes of Mæonia; that his parents, being poor, had left him their fisherman's trade, which he had followed till he had acquired the pilot's art of steering his course by the stars. It once happened that he had touched at the island of Dia and had sent his men ashore for fresh water. They returned, bringing with them a lad of delicate appearance whom they had found asleep. Judging him to be a noble youth, they thought to detain him in the hope of liberal ransom. But Acetes suspected that some god was concealed under the youth's exterior, and asked pardon for the violence done. Whereupon the sailors, enraged by their lust of gain, exclaimed, "Spare thy prayers for us!" and, in spite of the resistance offered by Acetes, thrust the captive youth on board and set sail.
Then Bacchus (for the youth was indeed he), as if shaking off his drowsiness, asked what the trouble was and whither they were carrying him. One of the mariners replied, "Fear nothing; tell us where thou wouldst go, and we will convey thee thither." "Naxos is my home," said Bacchus; "take me there, and ye shall be well rewarded." They promised so to do; but, preventing the pilot from steering toward Naxos, they bore away for Egypt, where they might sell the lad into slavery. Soon the god looked out over the sea and said in a voice of weeping, "Sailors, these are not the shores ye promised me; yonder island is not my home. It is small glory ye shall gain by cheating a poor boy." Acetes wept to hear him, but the crew laughed at both of them and sped the vessel fast over the sea. All at once it stopped in mid-sea, as fast as if it were fixed on the ground. The men, astonished, pulled at their oars and spread more sail, but all in vain. Ivy twined round the oars and clung to the sails, with heavy clusters of berries. A vine laden with grapes ran up the mast and along the sides of the vessel. The sound of flutes was heard, and the odor of fragrant wine spread all around. The god himself had a chaplet of vine leaves and bore in his hand a spear wreathed with ivy. Tigers crouched at his feet, and forms of lynxes and spotted panthers played around him. The whole crew became dolphins and swam about the ship. Of twenty men Acetes alone was left. "Fear not," said the god; "steer towards Naxos." The pilot obeyed, and when they arrived there, kindled the altars and celebrated the sacred rites of Bacchus.
Fig. 85. Dionysus at Sea
So far had Acetes advanced in his narrative, when Pentheus, interrupting, ordered him off to his death. But from this fate the pilot, rendered invisible by his patron deity, was straightway rescued.
Meanwhile, the mountain Cithæron seemed alive with worshipers, and the cries of the Bacchanals resounded on every side. Pentheus, angered by the noise, penetrated through the wood and reached an open space where the chief scene of the orgies met his eyes. At the same moment the women saw him, among them his mother Agave, and Autonoë and Ino, her sisters. Taking him for a wild boar, they rushed upon him and tore him to pieces,—his mother shouting, "Victory! Victory! the glory is ours!"
So the worship of Bacchus was established in Greece.
It was on the island of Naxos that Bacchus afterward found Ariadne, the daughter of Minos, king of Crete, who had been deserted by her lover, Theseus. How Bacchus comforted her is related in another section. How the god himself is worshiped is told by Edmund Gosse in the poem from which the following extracts are taken:
Fig. 86. Bacchic Procession
Fig. 87. Dionysus visiting a Poet
113. The Choice of King Midas.[149] Once Silenus, having wandered from the company of Bacchus in an intoxicated condition, was found by some peasants, who carried him to their king, Midas. Midas entertained him royally and on the eleventh day restored him in safety to his divine pupil. Whereupon Bacchus offered Midas his choice of a reward. The king asked that whatever he might touch should be changed into gold. Bacchus consented. Midas hastened to put his new-acquired power to the test. A twig of an oak, which he plucked from the branch, became gold in his hand. He took up a stone; it changed to gold. He touched a sod with the same result. He took an apple from the tree; you would have thought he had robbed the garden of the Hesperides. He ordered his servants, then, to set an excellent meal on the table. But, to his dismay, when he touched bread, it hardened in his hand; when he put a morsel to his lips, it defied his teeth. He took a glass of wine, but it flowed down his throat like melted gold.
He strove to divest himself of his power; he hated the gift he had lately coveted. He raised his arms, all shining with gold, in prayer to Bacchus, begging to be delivered from this glittering destruction. The merciful deity heard and sent him to wash away his fault and its punishment in the fountainhead of the river Pactolus. Scarce had Midas touched the waters, before the gold-creating power passed into them, and the river sands became golden, as they remain to this day.
Thenceforth Midas, hating wealth and splendor, dwelt in the country and became a worshiper of Pan, the god of the fields. But that he had not gained common sense is shown by the decision that he delivered somewhat later in favor of Pan's superiority, as a musician, over Apollo.[150]
[145] § 60.
[146] Ovid, Metam. 3, 511-733.
[147] Longfellow, Drinking Song.
[148] From The Praise of Dionysus.
[149] Ovid, Metam. 11, 85-145.
[150] See § 85.
Fig. 88. Rape of Proserpina
114. Myths of Ceres, Pluto, and Proserpine. The search of Ceres for Proserpine, and of Orpheus for Eurydice, are stories pertaining both to Earth and Hades.
115. The Rape of Proserpine.[151] When the giants were imprisoned by Jupiter under Mount Ætna, Pluto (Hades) feared lest the shock of their fall might expose his kingdom to the light of day. Under this apprehension, he mounted his chariot drawn by black horses, and made a circuit of inspection to satisfy himself of the extent of the damage. While he was thus engaged, Venus, who was sitting on Mount Eryx playing with her boy Cupid, espied him and said, "My son, take thy darts which subdue all, even Jove himself, and send one into the breast of yonder dark monarch, who rules the realm of Tartarus. Dost thou not see that even in heaven some despise our power? Minerva and Diana defy us; and there is that daughter of Ceres, goddess of earth, who threatens to follow their example. Now, if thou regardest thine own interest or mine, join these two in one." The boy selected his sharpest and truest arrow, and sped it right to the heart of Pluto.
In the vale of Enna is a lake embowered in woods, where Spring reigns perpetual. Here Proserpine (Persephone) was playing with her companions, gathering lilies and violets, and singing, one may imagine, such words as our poet Shelley puts into her mouth:
Pluto saw her, loved her, and carried her off. She screamed for help to her mother and her companions; but the ravisher urged on his steeds and outdistanced pursuit. When he reached the river Cyane, it opposed his passage, whereupon he struck the bank with his trident, and the earth opened and gave him a passage to Tartarus.
116. The Wanderings of Ceres.[153] Ceres (Demeter) sought her daughter all the world over. Bright-haired Aurora, when she came forth in the morning, and Hesperus, when he led out the stars in the evening, found her still busy in the search. At length, weary and sad, she sat down upon a stone, and remained nine days and nights in the open air, under the sunlight and moonlight and falling showers. It was where now stands the city of Eleusis, near the home of an old man named Celeus. His little girl, pitying the old woman, said to her, "Mother,"—and the name was sweet to the ears of Ceres,—"why sittest thou here alone upon the rocks?" The old man begged her to come into his cottage. She declined. He urged her. "Go in peace," she replied, "and be happy in thy daughter; I have lost mine." But their compassion finally prevailed. Ceres rose from the stone and went with them. As they walked, Celeus said that his only son lay sick of a fever. The goddess stooped and gathered some poppies. Then, entering the cottage, where all was in distress,—for the boy Triptolemus seemed past recovery,—she restored the child to life and health with a kiss. In grateful happiness the family spread the table and put upon it curds and cream, apples, and honey in the comb. While they ate, Ceres mingled poppy juice in the milk of the boy. When night came, she arose and, taking the sleeping boy, molded his limbs with her hands, and uttered over him three times a solemn charm, then went and laid him in the ashes. His mother, who had been watching what her guest was doing, sprang forward with a cry and snatched the child from the fire. Then Ceres assumed her own form, and a divine splendor shone all around. While they were overcome with astonishment, she said, "Mother, thou hast been cruel in thy fondness; for I would have made thy son immortal. Nevertheless, he shall be great and useful. He shall teach men the use of the plow and the rewards which labor can win from the soil." So saying, she wrapped a cloud about her and mounting her chariot rode away.
Fig. 89. Hades and Persephone
Ceres continued her search for her daughter till at length she returned to Sicily, whence she first had set out, and stood by the banks of the river Cyane. The river nymph would have told the goddess all she had witnessed, but dared not, for fear of Pluto; so she ventured merely to take up the girdle which Proserpine had dropped in her flight, and float it to the feet of the mother. Ceres, seeing this, laid her curse on the innocent earth in which her daughter had disappeared. Then succeeded drought and famine, flood and plague, until, at last, the fountain Arethusa made intercession for the land. For she had seen that it opened only unwillingly to the might of Pluto; and she had also, in her flight from Alpheüs through the lower regions of the earth, beheld the missing Proserpine. She said that the daughter of Ceres seemed sad, but no longer showed alarm in her countenance. Her look was such as became a queen,—the queen of Erebus; the powerful bride of the monarch of the realms of the dead.
Fig. 90. Sacrifice to Demeter and Persephone
When Ceres heard this, she stood awhile like one stupefied; then she implored Jupiter to interfere to procure the restitution of her daughter. Jupiter consented on condition that Proserpine should not during her stay in the lower world have taken any food; otherwise, the Fates forbade her release. Accordingly, Mercury was sent, accompanied by Spring, to demand Proserpine of Pluto. The wily monarch consented; but alas! the maiden had taken a pomegranate which Pluto offered her, and had sucked the sweet pulp from a few of the seeds. A compromise, however, was effected by which she was to pass half the time with her mother, and the rest with the lord of Hades.
Of modern poems upon the story of the maiden seized in the vale of Enna, none conveys a lesson more serene of the beauty of that dark lover of all fair life, Death, than the Proserpine of Woodberry, from which we quote the three following stanzas. "I pick," says the poet wandering through the vale of Enna,
Fig. 91. Triptolemus and the Eleusinian Deities
117. Triptolemus and the Eleusinian Mysteries. Ceres, pacified with this arrangement, restored the earth to her favor. Now she remembered, also, Celeus and his family, and her promise to his infant son Triptolemus. She taught the boy the use of the plow and how to sow the seed. She took him in her chariot, drawn by winged dragons, through all the countries of the earth; and under her guidance he imparted to mankind valuable grains and the knowledge of agriculture. After his return Triptolemus built a temple to Ceres in Eleusis and established the worship of the goddess under the name of the Eleusinian mysteries, which in the splendor and solemnity of their observance surpassed all other religious celebrations among the Greeks.
Fig. 92. Demeter, Triptolemus, and Proserpina
118. Orpheus and Eurydice.[155] Of mortals who have visited Hades and returned, none has a sweeter or sadder history than Orpheus, son of Apollo and the Muse Calliope. Presented by his father with a lyre and taught to play upon it, he became the most famous of musicians, and not only his fellow mortals but even the wild beasts were softened by his strains. The very trees and rocks were sensible to the charm. And so also was Eurydice,—whom he loved and won.
Fig. 93. Orpheus and Eurydice
From the painting by Lord Leighton
Hymen was called to bless with his presence the nuptials of Orpheus with Eurydice, but he conveyed no happy omens with him. His torch smoked and brought tears into the eyes. In keeping with such sad prognostics, Eurydice, shortly after her marriage, was seen by the shepherd Aristæus, who was struck with her beauty and made advances to her. As she fled she trod upon a snake in the grass, and was bitten in the foot. She died. Orpheus sang his grief to all who breathed the upper air, both gods and men, and finding his complaint of no avail, resolved to seek his wife in the regions of the dead. He descended by a cave situated on the side of the promontory of Tænarus, and arrived in the Stygian realm. He passed through crowds of ghosts and presented himself before the throne of Pluto and Proserpine. Accompanying his words with the lyre, he sang his petition for his wife. Without her he would not return. In such tender strains he sang that the very ghosts shed tears. Tantalus, in spite of his thirst, stopped for a moment his efforts for water, Ixion's wheel stood still, the vulture ceased to tear the giant's liver, the daughters of Danaüs rested from their task of drawing water in a sieve, and Sisyphus sat on his rock to listen.[156] Then for the first time, it is said, the cheeks of the Furies were wet with tears. Proserpine could not resist and Pluto himself gave way. Eurydice was called. She came from among the new-arrived ghosts, limping with her wounded foot. Orpheus was permitted to take her away with him on condition that he should not turn round to look at her till they should have reached the upper air. Under this condition they proceeded on their way, he leading, she following. Mindful of his promise, without let or hindrance the bard passed through the horrors of hell. All Hades held its breath.
Fig. 94. Farewell of Orpheus and Eurydice
The Thracian maidens tried their best to captivate him, but he repulsed their advances. Finally, excited by the rites of Bacchus, one of them exclaimed, "See yonder our despiser!" and threw at him her javelin. The weapon, as soon as it came within the sound of his lyre, fell harmless at his feet; so also the stones that they threw at him. But the women, raising a scream, drowned the voice of the music, and overwhelmed him with their missiles. Like maniacs they tore him limb from limb; then cast his head and lyre into the river Hebrus, down which they floated, murmuring sad music to which the shores responded. The Muses buried the fragments of his body at Libethra, where the nightingale is said to sing over his grave more sweetly than in any other part of Greece. His lyre was placed by Jupiter among the stars; but the shade of the bard passed a second time to Tartarus and rejoined Eurydice.
Other mortals who visited the Stygian realm and returned were Hercules, Theseus, Ulysses, and Æneas.[158]
[151] Ovid, Metam. 5, 341-347.
[152] Song of Proserpine, while gathering flowers on the plain of Enna.
[153] Ovid, Metam. 5. 440, 642; Apollodorus, 1, 5, § 2; Hyginus, Fab. 147.
[154] From Proserpine, stanzas written by Lake Pergusa; by George E. Woodberry (Century Magazine, July, 1909).
[155] Ovid, Metam. 10, 1-77.
[156] See Commentary
[157] From W. S. Landor's Orpheus and Eurydice in Dry Sticks.
[158] See Index.
Fig. 95. Poseidon
119. Lord of the Sea. Neptune (Poseidon) was lord both of salt waters and of fresh. The myths that turn on his life as lord of the sea illustrate his defiant invasions of lands belonging to other gods, or his character as earth shaker and earth protector. Of his contests with other gods, that with Minerva for Athens has been related. He contested Corinth with Helios, Argos with Juno, Ægina with Jove, Naxos with Bacchus, and Delphi with Apollo. That he did not always make encroachments in person upon the land that he desired to possess or to punish, but sent some monster instead, will be seen in the myth of Andromeda[159] and in the following story of Hesione,[160] the daughter of Laomedon of Troy.
Neptune and Apollo had fallen under the displeasure of Jupiter after the overthrow of the giants. They were compelled, it is said, to resign for a season their respective functions and to serve Laomedon, then about to build the city of Troy. They aided the king in erecting the walls of the city but were refused the wages agreed upon. Justly offended, Neptune ravaged the land by floods and sent against it a sea monster, to satiate the appetite of which the desperate Laomedon was driven to offer his daughter Hesione. But Hercules appeared upon the scene, killed the monster, and rescued the maiden. Neptune, however, nursed his wrath; and it was still warm when the Greeks marched against Troy.
Of a like impetuous and ungovernable temper were the sons of Neptune by mortal mothers. From him were sprung the savage Læstrygonians, Orion, the Cyclops Polyphemus, the giant Antæus whom Hercules slew, Procrustes, and many another redoubtable being whose fortunes are elsewhere recounted.[161]
120. Lord of Streams and Fountains. As earth shaker, the ruler of the deep was known to effect convulsions of nature that made Pluto leap from his throne lest the firmament of the underworld might be falling about his ears. But as god of the streams and fountains, Neptune displayed milder characteristics. When Amymone, sent by her father Danaüs to draw water, was pursued by a satyr, Neptune gave ear to her cry for help, dispatched the satyr, made love to the maiden, and boring the earth with his trident called forth the spring that still bears the Danaïd's name. He loved the goddess Ceres also, through whose pastures his rivers strayed; and Arne the shepherdess, daughter of King Æolus, by whom he became the forefather of the Bœotians. His children, Pelias and Neleus, by the princess Tyro, whom he wooed in the form of her lover Enipeus, became keepers of horses—animals especially dear to Neptune. Perhaps it was the similarity of horse-taming to wave-taming that attracted the god to these quadrupeds; perhaps it was because they increased in beauty and speed on the pastures watered by his streams. It is said, indeed, that the first and fleetest of horses, Arion, was the offspring of Neptune and Ceres, or of Neptune and a Fury.
121. Pelops and Hippodamia.[162] To Pelops, brother of Niobe, Neptune imparted skill in training and driving horses,—and with good effect. For it happened that Pelops fell in love with Hippodamia, daughter of Œnomaüs, king of Elis and son of Mars,—a girl of whom it was reported that none could win her save by worsting the father in a chariot race, and that none might fail in that race and come off alive. Since an oracle, too, had warned Œnomaüs to beware of the future husband of his daughter, he had provided himself with horses whose speed was like the cyclone. But Pelops, obtaining from Neptune winged steeds, entered the race and won it,—whether by the speed of his horses or by the aid of Hippodamia, who, it is said, bribed her father's charioteer, Myrtilus, to take a bolt out of the chariot of Œnomaüs, is uncertain. At any rate, Pelops married Hippodamia. He was so injudicious, however, as to throw Myrtilus into the sea; and from that treachery sprang the misfortunes of the house of Pelops. For Myrtilus, dying, cursed the murderer and his race.
Fig. 96. Pelops winning the Race, Hippodamia looking on
[159] § 154.
[160] Iliad, 5, 649; Apollodorus, 3, 12, § 7.
[161] See Index.
[162] Hyginus, Fab. 84, 253; Pindar, Olymp. 1, 114.
122. Myths of Stars and Winds. The tales of Stars and Winds and the other lesser powers of the celestial regions are closely interwoven. That the winds which sweep heaven should kiss the stars is easy to understand. The stories of Aurora (Eos) and of Aura, of Phosphor and of Halcyone, form, therefore, a ready sequence.
Fig. 97. Phosphor, Eos, and Helios (the Sun) rising from the Sea
123. Cephalus and Procris.[163] Aurora, the goddess of the dawn, fell in love with Cephalus, a young huntsman. She stole him away, lavished her love upon him, tried to content him, but in vain. He cared for his young wife Procris more than for the goddess. Finally, Aurora dismissed him in displeasure, saying, "Go, ungrateful mortal, keep thy wife; but thou shalt one day be sorry that thou didst ever see her again."
Cephalus returned and was as happy as before in his wife. She, being a favorite of Diana, had received from her for the chase a dog and a javelin, which she handed over to her husband. Of the dog it is told that when about to catch the swiftest fox in the country, he was changed with his victim into stone. For the heavenly powers, who had made both and rejoiced in the speed of both, were not willing that either should conquer. The javelin was destined to a sad office. It appears that Cephalus, when weary of the chase, was wont to stretch himself in a certain shady nook to enjoy the breeze. Sometimes he would say aloud, "Come, gentle Aura, sweet goddess of the breeze, come and allay the heat that burns me." Some one, foolishly believing that he addressed a maiden, told the secret to Procris. Hoping against hope, she stole out after him the next morning and concealed herself in the place which the informer had indicated. Cephalus, when tired with sport, stretched himself on the green bank and summoned fair Aura as usual. Suddenly he heard, or thought he heard, a sound as of a sob in the bushes. Supposing it to proceed from some wild animal, he threw his javelin at the spot. A cry told him that the weapon had too surely met its mark. He rushed to the place and raised his wounded Procris from the earth. She, at last, opened her feeble eyes and forced herself to utter these words: "I implore thee, if thou hast ever loved me, if I have ever deserved kindness at thy hands, my husband, grant me this last request; marry not that odious Breeze!" So saying, she expired in her lover's arms.
Fig. 98. Sun, rising, preceded by Dawn
From the painting by Guido Reni
Fig. 99. Sunrise; Eos pursuing Cephalus
124. Dobson's The Death of Procris. A different version of the story is given in the following:
125. Ceyx and Halcyone. The son of Aurora and Cephalus was Phosphor, the Star of Morning. His son Ceyx, king of Trachis in Thessaly, had married Halcyone, daughter of Æolus.[164] Their reign was happy until the brother of Ceyx met his death. The direful prodigies that followed this event made Ceyx feel that the gods were hostile to him. He thought best therefore to make a voyage to Claros in Ionia to consult the oracle of Apollo. In spite of his wife's entreaties (for as daughter of the god of winds she knew how dreadful a thing a storm at sea was), Ceyx set sail. He was shipwrecked and drowned. His last prayer was that the waves might bear his body to the sight of Halcyone, and that it might receive burial at her hands.
In the meanwhile, Halcyone counted the days till her husband's promised return. To all the gods she offered frequent incense, but more than all to Juno. The goddess, at last, could not bear to be further pleaded with for one already dead. Calling Iris, she enjoined her to approach the drowsy dwelling of Somnus and bid him send a vision to Halcyone in the form of Ceyx, to reveal the sad event.