The ovoid vase shown in plate 23 is 11 inches high by 6¹/₂ inches in diameter at its widest part. It is of very fine pottery, with decorations in red, black, and reddish yellow on a background of light yellow. The outer surface is divided by double black lines into three zones. The uppermost and narrowest zone contains, between a broad red band above and two narrow black bands below, a row of 10 glyphs surrounding the edge of the vase. The middle zone, the broadest, contains upon one side (unfortunately the decoration upon the other side has been almost obliterated by time or wear) a human figure, in a crouching position, the right hand extended, the left resting upon the ground. The face is in profile, and around the left eye is seen the ornament usually associated with the representation of a god. This may be intended to represent Schellhas's God D of the Codices, known as the Roman-nosed God, probably Itzamna, as this peculiar eye ornament is often associated with him. The headdress is exceedingly elaborate, projecting far in front of and behind the head, and is decorated with plumes of feathers. The whole figure strongly suggests the bas-relief on the side of the door of the altar at Palenque, which is undoubtedly a representation of the god Itzamna. The curious eye ornaments, the construction of the elaborate headdress, the contour, of the face, and the platted objects hanging down in front of and behind the chest, from the neck, are similar in both. The lowest zone is decorated with vases having handles at the sides, narrow necks, and flaring rims from which project flame-like tongues; on the outer surface of each is depicted an "Ahau" sign. The vases alternate with curious objects which might represent bales of merchandise; the whole, indeed, closely resembles the tribute count of some Aztec city.

EXPLANATION OF PLATE 24

The cylindrical vase shown in plate 24 is 6 inches in diameter by 11 inches high. It is divided into three zones, the uppermost of which contains a single row of hieroglyphics, in fair preservation, between a broad red band above and two narrow black bands below. The middle zone, by far the broadest, contains two very spirited representations of the Long-nosed God, one on each side of the vase, done in red, black, white, and dark yellow. The Long-nosed God, called by Schellhas in his "Representation of Deities of the Maya Manuscripts" God B, is usually identified with Cuculcan, the feathered serpent; the Aztec Quetzalcoatl. This god is usually represented with a long pendulous nose and one or two projecting tusks, and is almost in variably associated with the serpent. The head of the god is often held between the serpent's open jaws, or has added to it a serpentine body; again the god may be encircled by intertwining serpents, or may hold the reptile's body in his hand, like a wand. Though the serpentine attributes of the god are in this instance conspicuous by their absence, and the tapir attributes are emphasized, there can be little doubt that the painting is meant to represent God B, as the long pendulous nose and projecting tusks are highly characteristic of that god. The lowest and narrowest zone of this vase is covered with alternating red and black lines.

The cylindrical vase shown in plate 25 is 7¹/₂ inches in height by 4¹/₂ inches in diameter. The whole of the decoration upon it is in light and dark red on a light yellow background, and, like the two previously described vases, it is divided into three decorative zones. The uppermost zone contains a single row of glyphs, almost indecipherable, apparently from constant use of the vase before it was buried. The middle zone contains two very remarkable mythological creatures, one on each side, whose feather-covered bodies, long legs, and large feet are suggestive of the ostrich. The necks are long and covered with flame-like projections, and both they and the heads, with their huge elongated jaws, are evidently intended for those of feathered serpents. The lowest zone of the vase is narrow, and contains only a narrow and a broad red stripe.

EXPLANATION OF PLATES 26, 27, AND 28

The pottery cylinder shown in plates 26, 27, and 28 is 10¹/₂ inches high by 4 inches in diameter and is without a bottom. It is most exquisitely decorated in light and dark red and dark yellow on a light yellow background, and is also divided into three decorative zones. The uppermost zone contains only a single row of hieroglyphs, very much defaced, among which may still be recognized several of the Maya day signs. The middle zone, by far the broadest, is covered by a most intricate design, containing human and mythological figures and hieroglyphs, with ornamental plumes, plats, and pendants; the whole, owing to the partial obliteration of the design, being extremely difficult to make out. On one side is seen a highly conventional representation of what is undoubtedly intended for the feathered serpent, with tail bent around to join the upper part of the head. The feathered serpent appears to permeate all Maya art in this section of the Maya area; whether painted on pottery or stucco, or incised on bone, pottery, or other material, one encounters him at every step. The serpent rests upon a row of glyphs, very much defaced, and below this is a mass of bows, knots, plumes, and glyphs. Farther along is a fierce-faced human figure, probably a warrior, with lofty and elaborate headdress, ornamented with many long feather plumes. Between the warrior and the serpent is a row of eight cartouches, superimposed one upon the other, each containing glyphs, a good deal defaced, among which the "Ahau" sign may still be clearly made out. The opening glyph in this panel may refer to the katun 8 Ahau. This katun can end in 8 Ahau only once in 260 years, or twice in the ninth cycle, namely, on 9.0.0.0.0.8 Ahau, 3 Ceh, and on 9.13.0.0.0.8 Ahau, 8 Uo; and it is reasonable to suppose that if this is a calendar record it refers to some date in the ninth cycle. Naranjo, the nearest ancient Maya city to Yalloch, was occupied for a period of approximately 12 katuns, or 240 years,[62] between 9.7.10.0.0 and 9.19.10.0.0; if this glyph, therefore, refers to a katun ending in 8 Ahau in the ninth cycle, the date 9.13.0.0.0 is certainly indicated.

AUTHORITIES CITED

INDEX