CHAPTER XXIII.

472. What is the refraction of light?

When rays of light fall obliquely upon the surface of any transparent medium, they are slightly diverted from their course. This alteration of the course of the rays is called refraction, and the degree of refraction is influenced by the difference between the densities of the mediums through which light is transmitted.


"Let your light so shine before men, that they may see your good works, and glorify your father which is in heaven."—Matt. v.


473. If a ray of light falls in a straight line upon a transparent surface, is it then refracted?

In that case the ray pursues its course—there is no refraction.

474. Is the direction in which the rays are bent, or refracted, influenced by the relative densities of the media?

A ray of light falling slantingly upon a window, in passing through it is slightly brought to the perpendicular; and if it then falls upon the surface of water, it is still further brought to the perpendicular in passing through the water.

475. Is light refracted in passing from a dense medium to a thinner one?

It is; but the direction of the refraction is just the opposite to the instance just given; a ray of light passing through water into air, does not take a more perpendicular course, but becomes more oblique.

Fig. 11.

476. Why, if a rod or a spoon be set in an empty basin, will it appear straight, or of its usual shape?

Because the rays of light that are reflected from it all pass through the same medium, the air.

477. Why if water be poured into the basin will the rod or spoon appear bent?

Because the rays of light that pass through the water are reflected in a different degree to those that pass through the air.


"Evening, and morning, and at noon, will I pray, and cry aloud; and he shall hear my voice."—Psalm lv.


Place in the bottom of an empty basin (Fig. 11.) a shilling; then stand in such a position at the point B that the line of sight, over the edge of the basin, just excludes the shilling from view. Then request some one to pour water into the basin, until it is filled to C (Fig. 12.), keeping your eye fixed upon the spot. The shilling will gradually appear, and will soon come entirely in view. Not only will the shilling be brought in view, but also portions of the basin before concealed. This is owing to the rays of light passing from the bottom through the water in a direction more perpendicular than they would have done through the air; but on leaving the water they become more oblique, and hence they convey the image of the shilling over the edge of the basin, which otherwise would have obstructed the view.

Fig. 12.

478. Why is it that in cloudy and showery days we see the sun's rays bursting through the clouds in different directions?

Because, in passing through clouds of different densities the rays are bent out of their course.

479. Why is the apparent depth of water always deceptive?

Because the light reflected from the objects at the bottom is refracted as it leaves the water.

480. How much deeper is water than it appears to be?

About one-third. A person bathing, and being unable to swim, should calculate before jumping into the water, that if it looks two feet deep, it is quite three feet.

481. Why can we seldom at the first attempt touch anything lying at the bottom of the water with a stick?

Because we do not allow for the different refractive powers of water and of air.


"I do set my bow in the cloud, and it shall be for a token of a covenant between me and the earth."


482. Why do we see the sun before sunrise, and after sunset?

Because of the refractive effects of the atmosphere. Rays of light, passing obliquely from the sun through the air to the earth, are refracted three or four times by the varying density of the medium. Each refraction bends the rays towards the perpendicular; and hence we see the sun before it rises and after it sets.

Fig. 13.—DIAGRAM EXHIBITING THE REFRACTION OF THE SUN'S RAYS IN PASSING THROUGH THE ATMOSPHERE.

483. Why do figures, viewed through the hot air proceeding from furnaces, and from lime-kilns, appear distorted and tremulous?

Because the ever varying density of the air which is flying away in hot currents, and succeeded by cold, constantly changes the refractive power of the medium through which the figures are viewed.

484. Why do the stars twinkle?

Because their light reaches us through variously heated and moving currents of air. In this case the earth is the kiln, and the stars the object that is viewed through the refractive medium.

485. Why does much twinkling of the stars foretell bad weather?

Because it denotes that there are various ærial currents of different temperatures and densities, producing atmospheric disturbance.


"And it shall come to pass, when I bring a cloud over the earth, that the bow shall be seen in the cloud."—Genesis ix.


486. What causes the rainbow?

The refraction of the sun's rays by the falling rain.

487. Why does the rainbow exhibit various colours?

The colours belong to the elementary rays of light; and these rays having different degrees of refrangibility, some of them are bent more than others; they are therefore separated into distinct rays of different colours.

488. Why are there sometimes two rainbows?

Because the rays of refracted light, reflected upon other drops of rain, are again refracted, and then reflected again, forming a secondary bow.

489. Why are the colours of the secondary bow arrayed in the reverse order of the primary bow?

Because the secondary bow is a reflection of the primary bow, and, like all reflections, is reversed.

490. Why are reflections reversed?

Because those rays which first reach the reflecting surface are the first returned. If you hold your open hand towards the looking-glass, the light passing from the point of your finger will reach the reflector and be returned before the rays that pass from the back parts of the hand. Hence the image of the hand will present the reflection of the finger point towards the point of the finger.

491. Why are the colours of the secondary rainbow fainter than those of the primary?

Because they are derived from the refraction and reflection of rays which have already been refracted and reflected, and thereby their intensity has been diminished.

492. What is a lunar rainbow?

A lunar rainbow is caused by the light of the moon, in the same manner as the solar rainbow is caused by the light of the sun.


"I am come a light into the world, that whosoever believeth in me should not abide in darkness."—John xiii.


493. Why is the lunar rainbow fainter than a solar rainbow?

Because the light of the moon is the reflected light of the sun, and is therefore less intense.

494. What is a halo?

A halo is a luminous ring, which forms between the eye of the observer and a luminous body.

Haloes may appear around the disc of the sun, moon, or stars. But in this country the lunar haloes are the most remarkable and frequent.

495. What is the cause of the luminous ring?

The refraction of light as it passes through an intervening cloud, or a stratum of moist and cold air.

496. Why are haloes sometimes large and at other times small?

Because they are sometimes formed very high in the atmosphere, at other times very low. Being high, and farther removed from the spectator, and nearer the source of light, they appear smaller; while the nearer they are, the larger they appear.

497. Why do haloes foretell wet weather?

Because they show that there is a great amount of atmospheric moisture, which will probably form rain.

498. Why do glass lustres and chandeliers exhibit "rainbow colours"?

Because they refract the rays of light in the same manner as the rain drops.

499. Why does a soap bubble show the prismatic colours?

Because, like a large rain drop, it refracts the rays of light, and shows the elementary rays.

500. What causes the rich tints displayed by "mother-of-pearl?"

The refraction of the light that falls upon the surface of the pearl.


"Light is sown for the righteous, and gladness for the upright in heart."—Psalm xcvii.


501. What causes the brilliant colours of the diamond?

The refraction of the rays of light by the various facets of the diamond.

The refraction of light, and the production of prismatic colours, surrounds us with most interesting phenomena. The laundress, whose active labours raise over the wash-tub a soapy froth, performs inadvertently one of the most delicate operations of chemistry—the chemistry of the imponderable agents—and the result of her manipulations manifests itself in the delicate colours that dance like a fairy light over the glassy films that follow the motion of her arms. The laughing child, throwing a bubble from the bowl of a tobacco pipe into the air, performs the same experiment, and produces a result such as that which filled the philosophic Newton with unbounded joy. The foam of the seashore, the plumage of birds, the various films that float upon the surface of waters, the delicate tints of flowers, and the rich hues of luscious fruits, all combine to remind us, that every ray of light comes like an angelic artist sent from heaven, bearing upon his palette the most celestial tints, with which to beautify the earth, and show the illimitable glory of God.


CHAPTER XXIV.

502. What is the difference between the refraction and the reflection of light?

Refraction is the deviation of rays of light from their course through the interference of a different medium; reflection is the return of rays of light which, having fallen upon a surface, are repelled by it.

503. What is the radiation of light?

The radiation of light is its emission in rays from the surface of a luminous body.

504. Do all bodies radiate light?

All bodies radiate light; but those that are not in themselves primary sources of light, are said to reflect it.

505. Do black bodies reflect any light?

Black bodies absorb the light that falls upon them. But they reflect a very small degree of light.

506. Why is glass transparent?

Because its atoms are so arranged that they allow the vibrations of light to continue through their substance.


"As in water face answereth to face, so the heart of man to man."—Proverbs xxvii.


507. Does glass obstruct the passage of any portion of light?

Glass reflects (sends back) a very small portion of light. This may be observed by holding a piece of paper, or a hand, a few inches from a window, when a faint reflection of it will be visible. Probably the small amount of light reflected by transparent glass, which gives a passage to the greater part of the rays, may serve to illustrate the small amount of light reflected from black surfaces, which absorbs the greater portion of light.

Instead of a piece of white paper, hold a piece of black cloth two or three inches from the window-pane, and you will have two reflections so weak that the image of the cloth will be almost lost. The first reflection is that of the very small amount of light from the black surface on to the glass, and the second reflection is that of the inconceivably small amount returned by the glass, and by which the faint image of the black cloth is produced. But put the black cloth outside of the window-pane, and then hold an object before them, and you will find that the two weak reflectors, acting together, produce an improved image, or reflection.

508. Why, if a book is held between a candle-light and the wall, does a shadow fall upon the wall?

Because the rays of light are intercepted by the book.

509. Why do the rays pass over the edges of the book in a direct line with the flame of the candle?

Because light always travels in straight lines.

510. Why is there some amount of light even where shadows fall?

Because, as all objects reflect light, some of them throw their light into the field of the shadow.

511. Why are some substances opaque to light?

Because the arrangement of their particles will not admit of the vibrations of the luminous ether passing through them.

Opaque—impervious to rays of light.

512. Why do we see our faces reflected in mirrors?

Because the rays of light from our faces are reflected by the surface of the quicksilver at the back of the glass.


"The day is thine, the night also is thine: thou hast prepared the light and the sun."—Psalm lxxiv.


513. Why does the quicksilver reflect the rays of light?

Because, being densely opaque to light, and presenting also a bright surface, it is a good reflector, and it throws back the whole of the rays.

514. What has the glass to do with the reflection?

The glass has nothing to do with the reflection, except that it affords a field upon which the reflecting surface of the quicksilver is spread; and it keeps the air and dirt from dulling the quicksilver.

The parts of a mirror from which the quicksilver is rubbed away give no reflection that could assist the reflecting power of the quicksilver. That the surface of the glass does not reflect the image, is shown by the fact, that if you put the point of any object against the glass, the thickness between the point and the place where the reflection of it begins, will show the exact thickness of the glass.

515. Why does a compound mirror (a multiplying mirror) exhibit a large number of images of one object.

Because all objects reflect rays of light in every direction, and therefore the different mirrors, being at various angles, receive each a reflection of the same object.

516. Why does a window-pane appear to be a better reflector by candle-light than by day-light?

The reflecting power of glass is precisely the same by night as by day, and is always very feeble. But it appears to be greater by night, because the surrounding darkness increases the apparent strength of the reflection.

517. How do we know that objects reflect light in every direction?

Because if we prick a hole in a card with a pin, and then look through that small hole upon a landscape, we can see some miles of country, and some thousands of objects; every part of every object throughout the whole scene, must have sent rays of light the small hole pricked in the card.


"Such knowledge is too wonderful for me; it is high, I cannot attain unto it."—Psalm cxxxix.


At one extremity of the landscape, viewed through the hole in the card, there may be a forest of trees; in the distance there may be hills bathed in golden light, and overhung with glittering clouds; in the mid-distance there may be a river winding its course along, as though it loved the earth through which it ran, and wished, by wandering to and fro, to refresh the thirsty soil; in the foreground may be a church, covered by a million ivy leaves; and grouping towards the sacred edifice may be hundreds of intending worshippers, old and young, rich and poor; flowers may adorn the path-ways, and butterflies spangle the air with their beauties; yet every one of those objects—the forest, the hills, the clouds, the river, the church, the ivy, the people, the flowers, the butterflies—must have sent rays of light, which found their way through the little hole in the card, and entered to paint the picture upon the curtain of the eye.

This is one of the most striking instances that can be afforded of the wonderful properties of light, and of the infinitude of those luminous rays that attend the majestic rising of the sun. Not only does light fly from the grand "ruler of the day" with a velocity which is a million and a half times greater than the speed of a cannon-ball, but it darts from every reflecting surface with a like velocity, and reaches the tender structure of the eye so gently that, as it falls upon the little curtain of nerves which is there spread to receive it, it imparts the most pleasing sensations, and tells its story of the outer world with a minuteness of detail, and a holiness of truth. Philosophers once sought to weigh the sunbeam; they constructed a most delicate balance, and suddenly let in upon it a beam of light; the lever of the balance was so delicately hung that the fluttering of a fly would have disturbed it. Everything prepared, the grave men took their places, and with keen eyes watched the result. The sunbeam that was to decide the experiment had left the sun eight minutes prior to pass the ordeal. It had flown through ninety-five millions of miles of space in that short measure of time, and it shot upon the balance with unabated velocity: but the lever moved not, and the philosophers were mute.


CHAPTER XXV.

518. Why, when we move before a mirror, does the image draw near to the reflecting surface as we draw near to it, and retire when we retire?

Because the lines and angles of reflection are always equal to the lines and angles of incidence.

519. What is the line of incidence?

If a person stands in a direct line before a mirror, the line through which the light travels from him to the mirror is the line of incidence.

Incidence—falling on.


"Blessed be the Lord, who daily loadeth us with benefits, even the God of our salvation."—Psalm lxviii.


520. What is the line of reflection?

The line of reflection is the line in which the rays of light are returned from the image formed in the glass to the eye of the observer.

Reflection—a turning back.

521. What is the angle of incidence?

The angle of incidence is the angle which rays of light, falling on a reflecting surface, make with a line perpendicular to that surface.

Fig. 14.—EXPLAINING THE LINES AND ANGLES OF INCIDENCE AND OF REFLECTION.

522. What is the angle of reflection?

The angle of reflection is the angle which is formed by the returning rays of light, and a line perpendicular to the reflecting surface. It is always equivalent to the angle of incidence.

Take a marble and roll it across the floor, so that it shall strike the wainscot obliquely. Let A in the diagram represent the point from which the marble is sent. The marble will not return to the hand, nor will it travel to the line B, but will bound off, or be reflected, to C. Now B is an imaginary line, perpendicular to the reflecting surface; and it will be found that the path described by the marble in rolling to the surface and rebounding from it, form, with the line B, two angles that are equal. These represent the angles of incidence and of reflection, and explain why the reflection of a person standing at A before a mirror, would be seen by another person standing at C. This simple law in optics explains a great many interesting phenomena, and therefore it should be clearly impressed upon the memory.


"And God made two great lights; the greater light to rule the day, and the lesser light to rule the night: he made the stars also."—Gen. i.


523. Why do windows reflect the sun in the evening?

Because the eye of the observer is in the line of the reflection.

524. Why do windows not reflect the sun at noon?

They do, but our eyes are not then in the line of the reflection.

Fig. 15.—SHOWING THE LINES OF INCIDENCE AND REFLECTION OF THE SUN'S RAYS AT NOON AND AT EVENING.

It is obvious from the foregoing diagram that the evening rays of reflection fall upon the eyes of spectators, while the reflections at noon are so perpendicular that they are lost.

525. Why do the sun and moon appear smaller when near the meridian, than when near the horizon?

Because, when near the horizon, they are brought into comparison with the sizes of terrestrial objects; but when near the meridian they occupy the centre of a vast field of sky, and as there are no objects of comparison surrounding them, they appear smaller.

This is one "Reason Why," assigned by some observers. But there is also another reason to be found in the fact that, when the sun or moon is near the horizon, we view it through a greater depth of atmosphere than we do when at the meridian. (See Fig. 13.) A straight line passed upward through the air, would not be so long as that which passes to S. Consequently, as the air is generally impregnated with moisture, at the time when these effects are observed, the rays of light are caused to diverge more, and the disc of the sun or moon appears magnified. Probably both of these reasons contribute to the effect. This latter reason also explains why the disc of the sun or moon may sometimes appear oval in shape, the lower stratum of air being more loaded with moisture than that through which we view the upper part of the disc.


"There is no darkness nor shadow of death, where the workers of iniquity may hide themselves."—Job xxxiv.


526. Why do our shadows lengthen as the sun goes down?

Because light travels only in straight lines, and as the sun descends, the direction of his rays becomes more oblique, thereby causing longer shadows.

527. What is the cause of the optical illusions frequently observed in nature?

There are various kinds of natural optical illusions:—

The mirage, in which landscapes are seen reflected in burning sands.

The fata morgana, in which two or three reflections of objects occur at the same time.

The ærial spectra, or ærial reflections, &c.

Fig. 16.—ILLUSTRATING THE APPEARANCE OF PHANTOM SHIPS.

The optical illusions above enumerated owe their origin to various atmospheric conditions, in which refractions and reflections are multiplied by the different densities of atmospheric layers. They chiefly occur in hot countries, where, from the varying effects of heat, the conditions of atmospheric refraction and reflection frequently prevail in their highest degree.


"In the morning ye say, it will be foul weather to-day, for the sky is red and lowering."—Matt. xvi.


528. Why do we have twilight mornings and evenings?

Because the coming and the departing rays of the sun are refracted and reflected by the upper portions of the atmosphere. (See Fig. 13.)

529. How long before the sun appears above the horizon does the reflection of his light reach us?

The time varies with the refracting and reflecting power of the atmosphere, from twenty minutes to sixty minutes. But the sun's position is usually eighteen degrees below the horizon when twilight begins or ends.

530. Why is the sky blue?

The white light of the sun falls upon the earth without change; it is then reflected back by the earth, and as it passes through the atmosphere portions of it are again returned to us, and this double reflection produces a polarised condition of light which imparts to vision the sensation of a delicate blue. (See 549.)

531. Why do the clouds appear white?

Because they reflect back to us the solar beam unchanged.

532. Why does the sky appear red at sunset?

Because the light vapours of the air, which are condensed as the sun sets, refract the rays of light, and produce red rays. The refraction which produces red requires only a moderate degree of density.

533. Why do the clouds sometimes appear yellow?

Because there is a larger amount of vapour in the air, which produces a different degree of refraction, resulting in yellow.

534. Why does a yellow sunset foretell wet weather?

Because it shows that the air is heavy with vapours. The refraction that produces yellow requires a greater degree of density.


"When it is evening ye say it will be fair weather, for the sky is red."—Matt. xvi.


535. Why does a red sunset foretell fine weather?

Because the redness shows that the vapours in the air towards the West, or wet quarter, are light, as is evidenced by the degree of refraction of the sun's rays.

536. Why does a red sunrise foretell wet?

Because it shows that towards the East, or dry quarter, the air is charged with vapour, and therefore probably at other points the air has reached saturation.

537. Why does a grey sunrise foretell a dry day?

Because it shows that the vapours in the air are not very dense.

538. Why is "a rainbow in the morning the shepherd's warning?"

Because it shows that in the West, or wet quarter, the air is saturated to the rain point.

539. Why is "a rainbow at night the shepherd's delight?"

Because it shows that the rain is falling in the East, and as that is a dry quarter, it will soon be over. Rainbows are always seen in opposition to the sun.


CHAPTER XXVI.

540. What is the difference between light and heat?

The most obvious distinction is, that light acts upon vision, and heat upon sensation, or feeling.

Another distinction is, that heat expands all bodies, and alters their atomic condition; while light, though usually attended by heat, does not display the same expansive force, but produces various effects which are peculiar to itself.


"Ye are the light of the world. A city that is set on a hill cannot be hid."—Matthew v.


541. Are light and heat combined in the solar ray?

Yes. A ray of light, as well as containing elementary rays that produce colours under refraction, contains also chemical rays, and heat rays.

542. How do we know that light and heat are separate elements?

Because we have heat rays, as from dark hot iron, from various chemical actions, and from friction, which are unattended by the development of light. And we have light, or luminosity, such as that of phosophoresence, which is unaccompanied by any appreciable degree of heat.

But, besides this confirmation, further proof is afforded by the fact, that in passing rays of solar light through media that are transparent to heat, but not to light, the heat rays may be separated from the luminous rays, and vice versa.

Black glass, and black mica, which are nearly opaque to light, are transparent to heat to the extent of ninety degrees out of a hundred. While pale green glass, coloured by oxide of copper, and covered with a coating of water, or a thin coating of alum, will be perfectly transparent to light, but will be almost quite opaque to heat. These remarks apply, in a greater or less degree, to various other substances.

543. In what respects are light and heat similar?

Both heat and light have been referred to minute vibratory motions which occur, under exciting causes, in a very subtile elastic medium.

They are both united in the sun's rays.

They are both subject to laws of absorption, radiation, reflection, and refraction.

They are both essential to life, whether animal or vegetable.

Both may be developed in their greatest intensity by electricity.

They are both imponderable.


"When I consider thy heavens, the work of thy fingers, the moon and the stars which thou hast ordained:"


544. In what respects are light and heat dissimilar?

Heat frequently exists without light.

Light is usually attended with heat.

Light may be instantly extinguished, but Heat can only be more gradually reduced, by diffusion.

The solar rays deliver heat to the earth by day, and the heat remains with the earth when the light has departed.

Heat diffuses itself in all directions.

Light travels only in straight lines.

The colours that absorb and radiate both light and heat do not act in the same degree upon them both. Black, which does not radiate light, is a good radiator of heat, &c., &c.

The oxy-hydrogen light emits a most intense heat, but glass which will transmit the rays of light, will afford no passage to the rays of the heat.

Heat is latent in all bodies, but no satisfactory proof has been found that light is latent in substances.

These are only a few of the analogies and distinctions that exist between the two mysterious agents, light and heat. But they are sufficient to supply the starting points of investigation.

The importance of the heat that attends the solar rays may be illustrated by the experiments performed a few years ago, by Mr. Baker, of Fleet-street, London, who made a large burning lens, three feet and a half in diameter, and employed another lens to reduce the rays of the first to a focus of half an inch in diameter. The heat produced was so great that iron plates, gold, and stones were instantly melted; and sulphur, pitch, and resinous bodies, were melted under water.

545. What is the point of heat at which bodies become luminous?

The point of heat at which the eye begins to discover luminosity has been estimated at 1,000 deg.

546. What is the velocity of artificial light?

The light of a fire, or of a candle, or gas, travels with the same velocity as the light of the sun,—a velocity which would convey light eight times round the world while a person could count "one."

547. At what rate of velocity does the light of the stars travel?

At the same velocity as all other light. And yet there are stars so distant that, although the light of the sun reaches the earth in eight minutes and a half, it requires hundreds of years to bring their light to us.


"What is man, that thou art mindful of him? and the son of man that thou visitest him?"—Psalm viii.


548. What is the relative intensity of primary and reflected light?

The intensity of a reflection depends upon the power of the reflecting surface. But, taking the sun and moon as the great examples of primary and reflected light, the intensity of the sun's light is 801,072 times greater than that of the moon.

549. What is polarized light?

Polarized light is light which has been subjected to compound refraction, and which, after polarization, exhibits a new series of phenomena, differing materially from those that pertain to the primary conditions of light.

550. What are the chief deductions from the phenomena observed under the polarization of light?

The polarization of light appears to confirm in a high degree the vibratory theory of light; and to show that the vibrations of light have two planes or directions of motion. The mast of a ship, for instance, has two motions: it progresses vertically as the ship is impelled forward, and it rolls laterally through the motion of the billows.

Something like this occurs in the vibrations of light, only the vertical vibration is the condition of one ray, and the lateral vibration is the condition of another ray, and the vibrations of these two rays intersect each other in the solar ray. When these vibrations occur together, the ray has certain properties and powers. But by polarization the rays may be separated, and the result is two distinct rays, having different vibrations.

It then appears that various bodies are transparent to these polarized rays only in certain directions. And this fact is supposed to show that bodies are made up of their atoms arranged in certain planes, through or between which the lateral or the vertical waves of light, together or singly, can or cannot pass; and that the transparency or the opacity of a body is determined by the relation of its atomic planes to the planes of the vibrations of light.

Ordinary light, passing through transparent media, produces no very remarkable effect in its course; but polarized light appears to illuminate every atom of the permeated substance, and by surrounding it with a prismatic clothing, to afford an illustration of its molecular arrangement.


"A man that is called Jesus made clay, and anointed mine eyes, and said unto me, Go to the pool of Siloam, and wash: and I went and washed, and I received sight."—John ix.


551. Why are two persons able to see each other?

Because rays of light flow from their bodies to each other's eyes, and convey an impression of their respective conditions.

In some popular works that have come under our notice, we find that the student is told that "we cannot absolutely see each other—we only see the rays of light reflected from each other." The statement is erroneous as expressed. We do not see the rays of light, for if we did so, the effect of vision would be destroyed, and all bodies would appear to be in a state of incandesence, or of phosphoresence. Rays of light, which are in themselves invisible, radiate from the objects we look upon, enter the pupil of the eye, and impress the seat of vision in a manner which conveys to the mind a knowledge of the form, colour, and relative size and position of the figure we look upon. If this is not seeing the object—what is? It would be just as reasonable to say, that we cannot hear a person speak—that we only hear the vibrations of the air. But as the vibrations are imparted to the air by the organs of voice of the speaker, as he sets the air in motion, and makes the air his messenger to us, we certainly hear him, and can dispense with any logical myths that confound the understanding, and contribute to no good result.

552. What is actinism?

Actinism is the chemical property of light.

Actinism—ray power.

553. Why does silver tarnish when exposed to light?

Because of the actinic, or chemical power of the rays of the sun.

554. Why do some colours fade, and others darken, when exposed to the sun?

Because of the chemical power of the sun's rays.

555. Why can pictures be taken by the sun's rays?

Because of the actinic powers that accompany the solar light.

556. What is the particular chemical effect of light exhibited in the production of photographic pictures?

Simply the darkening of preparations of silver, by the actinic rays.

557. Why are photographic studios usually glazed with blue glass?

Because blue glass obstructs many of the luminous rays, but it is perfectly transparent to actinism.


"The hay appeareth, and the tender grass showeth itself, and herbs of the mountain are gathered."—Prov. xxvii.


558. Why do plants become scorched under the unclouded sun?

Because the heat rays are in excess. The clouds shut off the scorching light; but, like the blue glass of the photographer's studio, they transmit actinism.

559. What effect has actinism upon vegetation?

It quickens the germination of seeds; and assists in the formation of the colouring matter of leaves. Seeds and cuttings, which are required to germinate quickly, will do so under the effect of blue glass (which is equivalent to saying, the effect of an increased proportion of actinism), in half the time they would otherwise require.

560. In what season of the year is the actinic power of light the greatest?

In the spring, when the germination of plants demands its vitalising aid. In summer, when the maturing process advances, light and heat increase, and actinism relatively declines. In the autumn, when the ripening period arrives, light and actinism give way to a greater ratio of heat.


"But as it is written, Eye hath not seen, nor ear heard, neither have entered into the heart of man, the things which God hath prepared for them that love him."—Corinth. Book i., ii.


We shall have frequently, in the progress of our lessons, to refer to light in its connection with the chemistry of nature, and with organic life. But let us now invite the student to pause, and for a moment contemplate the wonders of a sunbeam. How great is its velocity—how vast its power—how varied its parts—yet how ethereal! First, let us contemplate it as a simple beam in which light and heat are associated. How deep the darkness of the night, and how that darkness clings to the recesses of the earth. But the day beams, and darkness flies before it, until every atom that meets the face of day is lit up with radiance. That which before lay buried in the shade of night is itself now a radiator of the luminous fluid. Mark the genial warmth that comes as the sister of light; then stand by the side of the experimentalist and watch the point on which he directs the shining focus, and in an instant see iron melt and stones run like water, under the fervent heat! Now look upward to the heavens, where the falling drops of rain have formed a natural prism in the rainbow, and shown that the beam of pure whiteness, refracted into various rays, glows with all the tints that adorn the garden of nature. These are the visible effects of light. But follow it into the crust of the earth, where it is, by another power, which is neither light nor heat, quickening the seed into life; watch it as the germ springs up, and the plant puts forth its tender parts, touching them from day to day with deeper dyes, until the floral picture is complete. Follow it unto the sea, where it gives prismatic tints to the anemone, and imparts the richest colours to the various algae. Think of the millions of pictures that it paints daily upon the eyes of living things. Contemplate the people of a vast city when, attracted by some floating toy in the air, a million eyes look up to watch its progress. The sun paints a million images of the same object, and each observer has a perfect picture. It makes common to all mankind the beauties of nature, and paints as richly for the peasant as for the king. The Siamese twins were united by a living cord which joined their systems, and gave unity and sympathy to their sensations. In the great flood of light that daily bathes the world, we have a bond of union, giving the like pleasures and inspirations to millions of people at the same instant. And that which floods the world with beauty, should no less be a bond of unity and love.


CHAPTER XXVII.

561. What is electricity?

Electricity is a property of force which resides in all matter, and which constantly seeks to establish an equilibrium.

562. Why is it called electricity?

Because it first revealed itself to human observation through a substance called, in the Greek language, electrum. This substance is known to us as amber.

563. In what way did electrum induce attention to this property of force in matter?

Thales, a Greek philosopher, observed that, by briskly rubbing electrum, it acquired the property of attracting light particles of matter, which moved towards the amber, and attached themselves to its surface, evidently under the influence of a force excited in the amber.

564. What is amber?

It is a resinous substance, hard, bitter, tasteless, and glossy. It has been variously supposed to be a vegetable gum, a fossil, and an animal product. It is probably formed by a species of ant that inhabit pine forests. The bodies of ants are frequently found in its substance.


"He made darkness his secret place: his pavilion round about him were dark waters and thick clouds of the skies."


565. Why does the rubbing of a stick of sealing-wax cause it to attract small particles of matter?

Because it excites in the sealing wax that force which was first observed in the amber. Sealing-wax, therefore, is called an electric (amber-like) body.

566. Why do we hear of the electric fluid?

Simply because the term fluid is the most convenient that can be found to express our ideas when speaking of the phenomena of electric force. But of the nature of electricity, except through its observed effects, nothing is known.

567. What substances are electric?

All substances in nature, from the metals to the gases. But they differ very widely in their electrical qualities.

568. What is positive electricity?

Electricity, when it exists, or is excited, in any body, to an amount which is in excess of the amount natural to that body, is called positive (called also vitreous).

569. What is negative electricity?

Electricity, when it exists, or is excited, in any body, in an amount which is less than is the amount natural to that body, is called negative (called also resinous).

570. Why is "positive" electricity called also "vitreous," and "negative" electricity called also "resinous"?

Because some philosophers believe that there is but one electricity, but that it is liable to variations of quantity or state, which they distinguish by positive and negative; while other philosophers believe that there are two electricities, which they name vitreous and resinous, because they may be induced respectively from vitreous and resinous substances, and they display forces of attraction and repulsion.

571. Upon what do the electrical phenomena of nature depend?

Upon the tendency of electricity to find an equilibrium between its positive and negative states (assuming there to be but one fluid); or upon the tendency of vitreous electricity to seek out and combine with resinous electricity (assuming that there are two fluids).


"The Lord also thundered in the heavens, and the Highest gave his voice; hailstones and coals of fire."


572. How does the equilibrium of electricity become disturbed?

By changes in the condition of matter. As electricity resides in all substances, and is, perhaps, an essential ingredient in their condition, so every change in the state of matter—whether from heat to cold, or from cold to heat; from a state of rest to that of motion; from the solid to the liquid, or the æriform condition, or vice versa; or whether substances combine chemically and produce new compounds—in every change the electrical equilibrium is disturbed; and, in proportion to the degree of disturbance, is the force exerted by electricity to resume its balance in the scale of nature.

573. How does electricity seek to regain equilibrium?

By passing through substances that are favourable to its diffusion; therefore they are called conducting or non-conducting bodies, according as they favour or oppose the transmission of the electrical current.

574. What substances are conductors of electricity?

Metals, charcoal, animal fluids, water, vegetable bodies, animal bodies, flame, smoke, vapour, &c.

575. What substances are non-conductors?

Rust, oils, phosphorous, lime, chalk, caoutchouc, gutta percha, camphor, marble, porcelain, dry gases and air, feathers, hair, wool, silk, glass, transparent stones, vitrefactions, wax, amber, &c. These bodies are also called insulators. Some of these substances, as chalk, feathers, hair, wool, silk, &c., though non-conductors when dry, become conductors when wetted.

Insulating—preventing from escaping.

576. Why are amber and wax classed among the non-conductors, when they have been pointed out as electrics, and used to illustrate electrical force?

It is because they are non-conductors that they have displayed, under excitement, the attractive force shown in respect to the particles of matter which were drawn towards their substances. If a bar of iron were excited, instead of a stick of wax, electricity would be equally developed; but the iron, being a good conductor, would pass the electricity to the hand of the operator as fast as it accumulated, and the equilibrium would be undisturbed.


"Yea, he sent out his arrows, and scattered them; and he shot out lightnings and discomfited them."—Psalm xviii.


577. What is the effect when electricity, in considerable force, seeks its equilibrium, but meets with insulating bodies?

The result is a violent action in which, intense heat and light are developed, and in the evolution of which the electric force becomes expended.

578. What is the cause of electric sparks?

The electric force, passing through a conducting body to find its equilibrium, is checked in its course by an insulator, and emits a spark.

579. What produces the electric light?

Currents of electricity pass towards each other along wires at the ends of which two charcoal points are placed. As long as the charcoal points remain in contact, the electric communication is complete, and no light is emitted, but, when they are drawn apart, intense heat and light are evolved.