To the Editor of "The Pall Mall Gazette."
Sir: I see you are writing of criticism;[152] some of your readers may, perhaps, be interested in hearing the notions of a man who has dabbled in it a good many years. I believe, in a word, that criticism is as impertinent in the world as it is in a drawing-room. In a kindly and well-bred company, if anybody tries to please them, they try to be pleased; if anybody tries to astonish them, they have the courtesy to be astonished; if people become tiresome, they ask somebody else to play, or sing, or what not, but they don't criticise. For the rest, a bad critic is probably the most mischievous person in the world (Swift's Goddess of Criticism in the "Tale of a Tub" seems what need be represented on that subject[153]), and a good one the most helpless and unhappy: the more he knows, the less he is trusted, and it is too likely he may become morose in his unacknowledged power. A good executant, in any art, gives pleasure to multitudes, and breathes an atmosphere of praise, but a strong critic is every man's adversary—men feel that he knows their foibles, and cannot conceive that he knows more. His praise, to be acceptable, must be always unqualified; his equity is an offence instead of a virtue; and the art of correction, which he has learned so laboriously, only fills his hearers with disgust.
I am, Sir, your faithful servant,
John Ruskin.
Brantwood, Jan. 18.
[152] Since the correspondence already mentioned, the Gazette of January 14 and 18 had contained two long letters on the subject from "A Reviewer."
[153] The Goddess of Criticism, with Ignorance and Pride for her parents, Opinion for her sister, and for her children Noise and Impudence, Dulness and Vanity, Positiveness, Pedantry, and Ill-manners, is described in the "Battle of the Books"—the paper which follows, and is a companion to the "Tale of a Tub."