I cannot succeed even in writing a letter as I would like to do; I often say something entirely different; certain portions develop immeasurably, others dwindle away till they become imperceptible, and very often the idea I had it in my mind to express is not there at all, or is in a postscript.

When I began to write you I certainly did not intend to say the half of what I have said.—I simply intended to inform you that we were going to give a play; but one word leads to a sentence; parentheses are big with other little parentheses, which in their turn have others in their wombs all ready to be born. There is no reason why this should end, why it should not go on to two hundred folio volumes—which would certainly be too much.

As soon as I take up a pen, there is a great humming and rustling of wings in my brain, as if millions of June-bugs had been let loose inside. They bump against the walls of my skull and turn and fly up and down with a horrible uproar; they are my thoughts, trying to fly away and seeking an outlet;—all of them struggle to get free at once; more than one of them breaks his paws and tears the down from his wings; sometimes the door is so blocked that not one succeeds in crossing the threshold and reaching the paper.

That is the way I am made: it is not what can be called well made, I agree, but what would you have? the fault is with the gods and not with me, a poor devil who cannot help himself. I do not need to ask your indulgence, my dear Silvio; it is accorded me in advance, and you are kind enough to read my undecipherable scrawls to the end, my headless and tailless musings; however disjointed and absurd they may be, they always interest you, because they come from me, and anything that is a part of me, even when it is worthless, is not without some value to you.

I can let you see the thing that most offends the common herd: honest pride.—But let us cry truce for a while to all these exalted topics, and as I am writing on the subject of the play we are to give, let us return to it and talk about it a little.

The rehearsal took place to-day:—never in my life have I been so upset,—not because of the embarrassment that one always feels in reciting anything before a number of people, but from an entirely different cause. We were in costume and ready to begin; Théodore alone had not appeared; we sent to his room to see what delayed him; he replied that he was almost ready and would come down in a moment.

He came; I heard his step in the corridor long before he appeared, and yet no one on earth has a lighter step than Théodore; but my feeling of sympathy for him is so strong that I divine his movements through the walls, and when I felt that he was about to put his hand on the door-knob, I began to tremble and my heart beat with horrible force. It seemed to me that something of importance in my life was about to be decided, and that I had reached a solemn, long-expected moment.

The folding-doors slowly opened and closed.

There was a general cry of admiration.—The men applauded, the women turned scarlet. Rosette alone became extremely pale and leaned against the wall, as if a sudden revelation were passing through her brain; she went through the same experience as myself in the opposite direction.—I have always suspected her of loving Théodore.

I have no doubt that, at that moment, she believed as I did that the pretended Rosalind was nothing less than a young and lovely woman, and the fragile card-house of her hope suddenly collapsed, while mine rose on its ruins; at least that is what I thought; I may be mistaken, for I was hardly in a condition to make accurate observations.

Aside from Rosette, there were three or four pretty women present; they looked disgustingly ugly.—Beside that sun, the star of their beauty was suddenly eclipsed, and every one wondered how he could ever have thought them passable. Men who, before that moment, would have deemed themselves very fortunate to have them for mistresses, would hardly have taken them for servants.

The image which hitherto had been drawn only faintly and with vague outlines, the adored, vainly-pursued phantom was there, before my eyes, living, palpable, no longer in half light and haze, but bathed in floods of white light; not in a fruitless disguise, but in her true costume; not in the mocking guise of a young man, but with the features of the loveliest of women.

I experienced a sensation of unbounded well-being, as if a mountain or two had been lifted off my chest.—I felt my horror of myself vanish and I was delivered from the tiresome duty of regarding myself as a monster. I began to form an altogether pastoral opinion of myself and all the violets of spring bloomed anew in my heart.

He, or rather she—for I wish to forget that I was stupid enough to take her for a man—remained a moment motionless on the threshold, as if to give the assemblage time to utter its first exclamation. A brilliant light shone upon her from head to foot, and against the dark background of the corridor that stretched away behind her, the carved doorway serving as a frame, she glowed as if the light emanated from herself instead of being reflected simply, and you would have taken her for a marvellous product of the brush rather than a human creature made of flesh and blood.


Chapter XI — The folding-doors slowly opened and closed.

There was a general cry of admiration.—The men applauded, the women turned scarlet. Rosette alone became extremely pale and leaned against the wall, as if a sudden revelation were passing through her brain; * * * I have always suspected her of loving Théodore.


Her long dark hair, mingled with ropes of huge pearls, fell in natural ringlets beside her lovely cheeks! her shoulders and her breast were bare, and I never saw anything so beautiful in the world; the finest marble would not compare with that exquisite perfection.—How the life rushes beneath that dark transparent skin! how white the flesh and at the same time how richly colored! and how happily the changing golden tints soften the transition from the skin to the hair! what a fascinating poem in the graceful undulations of those contours, more supple and velvety than a swan's neck!—If there were words to express what I feel, I would write you a description fifty pages long; but languages were made by some donkeys or other who had never looked closely at a woman's back or breast, and we haven't half enough of the most indispensable terms.

I really think that I must become a sculptor; for to have seen such beauty and to be unable to reproduce it in one form or another is enough to make one a raving maniac. I have written twenty sonnets on those shoulders, but that is not enough: I would like something exactly similar which I could touch with my finger; verses reproduce only the phantom of beauty and not beauty itself. The painter produces a more exact likeness, but it is only a likeness. Sculpture has all the reality that a thing absolutely false can have; it can be looked at on every side, it casts a shadow, and you can touch it. Your carved mistress differs from the genuine only in that she is a little harder and cannot speak, two very trifling drawbacks.

Her dress was made of some material of changing color, azure in the light, golden in the shadow; a close-fitting buskin was tightly laced about a foot that needed not that to make it too small, and scarlet silk stockings clung amorously about the most perfectly moulded and most tempting of legs; her arms were bare to the elbows, where they emerged from a mass of lace, round and plump and white, gleaming like polished silver and of unimaginable fineness of texture; her hands, laden with rings, languorously waved a great fan of fantastically-colored feathers, like a little pocket rainbow.

She walked into the room, her cheeks slightly flushed with a color that was not paint, and every one went into ecstasies and exclaimed and wondered if it was possible that it was really he, Théodore de Sérannes, the daring horseman, the consummate duellist, the determined hunter, and if they could be perfectly sure that it was not his twin sister.

"Why, you would have said he had never worn any other costume in his life! he is not in the least embarrassed in his movements, he walks very well and doesn't stumble over his train; he plays with his eyes and fan to perfection; and such a slender figure he has!—you could clasp it with your fingers!—It's a most extraordinary thing! it's unconceivable!—The illusion is as complete as possible: one would almost say that he has a bosom, his neck is so fat and well filled out; and not a single hair of beard, not one; and how soft his voice is! Oh! what a lovely Rosalind! who would not be her Orlando?"

Aye—who would not be Orlando to such a Rosalind, even at the price of the torments I suffered?—To love as I loved with a monstrous, unavowable passion, which, however, one cannot uproot from his heart; to be condemned to maintain the most profound silence and not to dare to say what the most prudent and respectful lover would say without fear to the most prudish and rigid of women; to feel one's self consumed by an insensate flame, unjustifiable even in the eyes of the most confirmed libertines;—what are ordinary passions beside that—a passion which is shameful in itself and hopeless, and, which, even in the improbable event of its success, would be a crime and would kill you with shame? To be reduced to hope for failure, to dread favorable chances and opportunities, and to avoid them as another would seek them—such was my fate.

The most profound discouragement had taken possession of me; I viewed myself with horror mingled with surprise and curiosity. The thing that shocked me most was the thought that I had never loved before, and that this was the first effervescence of my youth, the first daisy of my springtime of love.

In my case this monstrosity replaced the refreshing, modest illusions of adolescence; my dreams of tender affection, so fondly cherished as I walked at evening on the edge of the woods, through the narrow blushing paths, or along the white marble terraces beside the lake in the park, were to be metamorphosed into this deceitful sphinx with the equivocal smile, the ambiguous voice, before whom I stood speechless, afraid to undertake the solution of the enigma! To interpret it falsely would have caused my death; for alas! it is the only bond that attaches me to the world; when it is broken, all will be over. Take that gleam of light away from me and I shall be more silent and inanimate than the embalmed mummy of the first of the Pharaohs. At the moments when I felt most violently drawn toward Théodore, I threw myself back in dismay into Rosette's arms, although I had an indescribable feeling of repulsion for her; I tried to place her between Théodore and myself as a shield and barrier—and when I lay beside her, I felt a secret satisfaction in the thought that she at all events was unquestionably a woman, and that, even if I did not love her, she still loved me enough to prevent our liaison from degenerating into intrigue and debauchery.

I felt in my heart, however, through it all, a sort of regret at being thus unfaithful to the idea of my impossible passion; I blamed myself for it as for an act of treachery, and although I was well aware that I should never possess the object of my love, I was displeased with myself, and was cold to Rosette once more.

The rehearsal was much more successful than I hoped; Théodore, especially, was admirable; the others thought that I, too, acted extremely well.—It is not that I have the essential qualities of a good actor, and it would be a very great mistake to think that I am capable of taking other parts in the same way; but, by a strange chance, the words I had to say fitted in so well with my situation, that it seemed to me as if I had written them rather than learned them by heart from a book.—If my memory had failed me for a moment, I certainly should not have hesitated before filling the void with an improvised phrase. Orlando was myself quite as much as I was Orlando, and it is impossible to imagine a more extraordinary coincidence.

In the scene with the wrestler, when Théodore took the chain from his neck and gave it to me, as the play requires, he bestowed a glance on me so soft and languorous, so full of promise, and he pronounced with such grace and nobility of utterance the phrase: "Gentleman, wear this for me; one out of suits with fortune; that could give more but that her hand lacks means,"—that I was really confused, and was hardly able to say: "What passion hangs these weights upon my tongue? I cannot speak to her, yet she urged conference. O poor Orlando!"

In the third act Rosalind, dressed as a man, reappeared under the name of Ganymede, with her cousin Celia, who has changed her name to Aliena.

That disguise made an unpleasant impression on me;—I was so accustomed already to the female costume which allowed my desires to hope, and which encouraged me, in a treacherous but seductive error! One becomes accustomed very quickly to regard his desires as realities on the strength of the most fleeting appearances, and I became very sombre when Théodore appeared in his male costume, more sombre than I had been before; for joy serves only to make grief more bitter, the sun shines only to make us more fully appreciate the horrors of darkness, and the cheerful aspect of white has no other object than to bring out all the melancholy of black.

His coat was the most coquettish and fascinating garment in the world, of a dainty, fanciful cut, all decked out with knots and ribbons, very much in the style reflected by the dandies of the court of Louis XIII.; a pointed hat, with a long curled feather, shaded the curls of his beautiful hair, and a damascened sword raised the hem of his travelling cloak.

He was dressed, however, in a way to make one feel that the virile garments had a feminine lining; something broader at the hips and fuller at the breast, an indefinable undulation that we do not see in cloth fitted to a man's body, left but faint doubts as to the sex of the individual.

His demeanor was half deliberate, half timid, and entertaining to the last degree, and with infinite skill he made himself appear as ill at ease in a costume to which he was accustomed, as he had seemed to be at home in clothes that were not his.

My serenity gradually returned, and I convinced myself anew that he was really a woman.—I recovered sufficient self-possession to carry out my rôle properly.

Do you know the play? perhaps not. As I have done nothing but read and declaim it for a fortnight I know it by heart from beginning to end, and I cannot realize that everybody is not as familiar as myself with the plot and the intrigue; it is an error into which I am very apt to fall, to think that, when I am drunk, everybody else is drunk and trying to knock down the walls, and if I knew Hebrew, I certainly should ask my valet for my dressing-gown and slippers in that tongue, and should be very much surprised if he did not understand me.—You can read it if you choose; I assume that you have read it and touch only on those passages that have some connection with my position.

Rosalind, walking in the forest with her cousin, is greatly surprised to find that the bushes bear, instead of blackberries and wild plums, madrigals in her praise; strange fruits which luckily are not accustomed to grow on bramble bushes; for when one is thirsty it is more satisfactory to find good berries on the branches than bad sonnets. She is much disturbed to know who has spoiled the bark of the young trees by carving her initials on them.—Celia, who has already met Orlando, tells her, after long urging, that the rhymer is no other than the young man who vanquished Charles the wrestler, the duke's athlete.

Soon Orlando himself appears and Rosalind enters into conversation with him by asking him the time.—Surely an extremely simple beginning; one can imagine nothing more commonplace.—But have no fear; from that trite, commonplace phrase you will see an unlooked-for crop spring up of witty conceits, overflowing with curious flowers and comparisons, as if from the richest and most thoroughly fertilized soil.

After a few lines of sparkling dialogue in which each word, as it falls upon the phrase, sends out to right and left millions of dancing sparks, like a hammer falling upon a red hot bar of iron, Rosalind asks Orlando if by chance he knows the man who hangs odes on hawthorn bushes and elegies on brambles, and who seems to be afflicted with the quotidian of love, which she knows how to cure. Orlando confesses that he is the man who is tortured by love, and as she has boasted of having several infallible remedies for that disease, begs her to do him the favor of telling him one.—"You in love?" replies Rosalind, "you have none of the marks whereby a lover is recognized; you have neither a lean cheek nor a sunken eye, your hose is not ungartered nor your sleeve unbuttoned, and your shoe is tied with much grace; if you are in love with any one, it is certainly with yourself, and you have need of none of my remedies."

It was not without genuine emotion that I replied in these exact words:

"Fair youth, I would I could make thee believe I love thee."[2]

This reply, so unexpected, so strange, to which nothing leads up and which seemed to have been written expressly for me as if by a sort of prevision on the part of the poet, produced a great effect upon me when I repeated it before Théodore, whose divine lips were still slightly curled with the ironical expression of the passage he had just repeated, while his eyes smiled with inexpressible sweetness, and a bright beam of kindliness gilded all the upper part of his young and lovely face.

"Me believe it! you may as soon make her that you love believe it; which, I warrant, she is apter to do than to confess she does; that is one of the points in which women still give the lie to their consciences. But, in good sooth, are you he that hangs the verses on the trees, wherein Rosalind is so admired, and do you truly need remedies for your madness?"

When she is fully persuaded that it is Orlando himself and no other who has written the beautiful lines that walk upon so many feet, the fair Rosalind consents to tell him her remedy. This is the gist of it: she has pretended to be the lovesick swain's beloved, and compelled him to pay court to her as to his own mistress; and, to sicken him of his passion, she gave full sway to the most extravagant caprices; sometimes she laughed, sometimes she wept; one day she received him kindly, another day cruelly; she scratched him, she spat in his face; she was not herself for a single moment; affected, inconstant, prudish, languorous, she was everything by turns, and whatever ennui, the vapors and the blue devils can instil in the way of extraordinary whims in the hollow head of a silly woman, the poor devil must needs endure and carry out.—An imp, a monkey, and an attorney in conjunction could have invented no more mischievous tricks.—This miraculous treatment did not fail to produce its effect;—the patient was driven from his "mad humor of love to a living humor of madness; which was, to forswear the full stream of the world, and to live in a nook merely monastic;" a most satisfactory result and one which might readily be anticipated, by the way.

Orlando, as you may believe, is little disposed to recover his health by such means; but Rosalind insists and wishes to undertake the cure.—And she uttered these words: "I would cure you, if you would but call me Rosalind, and come every day to my cote and woo me," with such significant, palpable meaning, and accompanied with such a strange glance, that it was impossible for me not to attach to them a more extended significance than that of the words themselves and not to see therein an indirect warning to declare my real sentiments.—And when Orlando replied: "With all my heart, good youth," she exclaimed, with even more significance, and as if annoyed at her failure to make herself understood: "Nay, you must call me Rosalind."

Perhaps I was mistaken and imagined that I saw what did not really exist, but it seemed to me that Théodore had noticed my passion, although you may be sure I have never lisped a word of it, and that, through the veil of those borrowed expressions, behind that stage-mask, in those hermaphroditic words, he was alluding to his real sex and to our reciprocal positions. It is impossible that so bright a woman as she is, who knows so much of the world as she, should not have detected from the very first what was going on in my heart:—in default of my tongue, my eyes and my mental disturbance have spoken loud enough, and the veil of warm friendship which I had thrown over my love was not so impenetrable that a watchful and interested observer could not easily look through it.—The most innocent and least experienced girl on earth would not have been deceived by it for one moment.

Some important motive, doubtless, which I may not know, compels the beauty to adopt this infernal disguise, which has been the cause of all my suffering and has been on the verge of making me a strange sort of lover: except for that, everything would have run as smoothly and easily as a carriage whose wheels are well greased, over a level road covered with fine gravel; I could have abandoned myself in sweet security to the most amorously vagabond reveries and have taken my divinity's little soft white hand in mine without shuddering with horror and recoiling twenty paces as if I had been touched with a red-hot iron, or felt the claws of Beelzebub in person.

Instead of falling into despair and raging inwardly like a genuine maniac, of beating my breast because I could not escape remorse, and lamenting because I had none, I should have said to myself with a feeling of duty well done and conscience satisfied:—"I am in love!"—a sentence as agreeable to say to one's self in the morning, under nice warm bedclothes with your head on a soft pillow, as any other conceivable sentence of the same length—always excepting this: "I have money."

After leaving my bed I could have taken my place in front of my mirror, and there, looking at myself with a sort of respect, I should have been touched, as I combed my hair, by my poetic pallor, promising myself that I would turn it to good advantage and make the most of it, for nothing is so low as to make love with a scarlet face; and when one has the ill-luck to be red-faced and in love, as may happen, I am of the opinion that he should have his face powdered every day or else renounce all idea of gentility in his appearance and turn his attention to the Margots and Toinons.

Then I could have breakfasted with suitable gravity, in order to nourish this dear body, this precious casket of passion, to manufacture with the juice of meats and game, good, amorous chyle and warm, quick blood, and to maintain it in a condition to give pleasure to charitable souls.

And after breakfast, as I picked my teeth, I would have tossed together a few irregular rhymes, by way of sonnet, all in honor of my mistress; I would have invented a thousand similes, each more novel than the last, and infinitely gallant; in the first quatrain there would have been a dance of suns, and in the second a minuet of the cardinal virtues; the two triplets would have been in equally good taste; Helen would have been treated as a bar-maid and Paris as an idiot; the magnificence of the metaphors would have left the Orient nothing to desire; the last line would have been particularly admirable and would have contained at least two witty conceits per syllable; for the poison of the scorpion is in his tail and the merit of the sonnet is in its last line.—The sonnet completed and well and duly transcribed upon laid and perfumed paper, I would have gone forth from my house a hundred cubits tall, bending my head for fear of striking against the sky and catching on the clouds—a wise precaution—and I would have declaimed my new production to all my friends and all my enemies, then to children at the breast and their nurses, then to the horses and donkeys, then to the walls and trees, to ascertain the opinion of all creation as to this last product of my vein.

In society I would have talked with women with a dogmatic air, and upheld sentimental theories in a solemn, measured voice, like a man who knows much more than he cares to say about the subject in hand, and who did not learn what he knows from books;—which inevitably produces a most prodigious effect, and makes all the women in the company who don't tell their ages and the few young girls who haven't been asked to dance, gasp for breath like carp stranded on the beach.

I might have led the happiest life imaginable, trodden on the poodle's tail without too great an outcry from his mistress, overturned small tables covered with porcelain, and eaten the best bits at table, leaving none for the rest of the company; it would all have been forgiven in view of the well-known absentmindedness of lovers; and when they saw me thus swallowing everything with a terrified mien, everybody would have clasped his hands and said; "Poor fellow!"

And then, the dreaming, mournful air, the hair in tears, the untidy stockings, the loose cravat, the long hanging arms I should have had! how I should have walked about the avenues in the park, now with great strides, now with short steps, after the manner of a man whose reason has gone completely astray! How I should have gazed at the moon between her two eyes, and made circles in the water with the utmost tranquillity!

But the gods ordered otherwise.

I have fallen in love with a beauty in doublet and boots, a haughty Bradamante who disdains the garments of her sex and leaves you at times in the most disquieting uncertainty and perplexity;—her features and body are the features and body of a woman, but her mind is incontestably the mind of a man.

My mistress is most expert with the sword and could give lessons to the most experienced fencing-master; she has fought I know not how many duels, and killed or wounded three or four persons; in the saddle she leaps ditches ten feet wide and hunts like an old country squire:—strange qualities for a mistress! such things never happen to anybody but me.

I jest, but there certainly is no reason for it, for I have never suffered so much, and these last two months have seemed to me like two years, two centuries rather. There has been an inflow and outflow of uncertainties in my head, well adapted to confuse the strongest brain; I have been so violently agitated and pulled in every direction, I have had such frenzied impulses, such deathly prostration, such extravagant hopes, and such profound despair that I really do not know why it has not killed me. That idea has engrossed me and filled my thoughts so completely that I have wondered that it could not be seen clearly through my body, like a candle in a lantern, and I have been in mortal fear that some one would discover who was the object of this insensate passion.—However, Rosette, who is the one person in the world who has the most interest in watching the movements of my heart, has not seemed to notice anything; I think that she has been too much absorbed herself in her love for Théodore to observe my coldness to her; or else I must be a past-master in the art of dissimulation and I am not conceited enough to think that.—Théodore himself has never shown until to-day that he had the slightest suspicion of the state of my mind, and he has always talked with me in a friendly, familiar way, as a well-bred young man talks with a young man of his own age—nothing more.—His conversation with me has touched indifferently upon all sorts of subjects, art, poetry and other kindred matters; but nothing private or with a direct reference to him or myself.

Perhaps the motives that forced him to adopt this disguise no longer exist and he proposes soon to resume his proper attire: that I cannot say; it is a fact, however, that Rosalind delivered certain sentences with a significant intonation and emphasized in a very marked way all those passages in her part which were of ambiguous meaning and could be twisted in that direction.

In the scene of the rendezvous, from the moment when she reproaches Orlando for not having arrived two hours earlier, as becomes a genuine lover, but two hours after, to the dolorous sigh she utters, terrified at the extent of her passion, as she throws herself into Aliena's arms: "O coz, coz, coz, my pretty little coz, that thou didst know how many fathoms deep I am in love!" she displayed miraculous talent. There was an irresistible mixture of tenderness, melancholy, and love; her voice trembled with emotion, and behind the laugh one could feel that the most violent love was ready to explode; add to this all the piquancy and peculiarity of the transposition, and the novelty of seeing a young man pay court to his mistress, whom he takes for a man and who has every appearance of being one.

Expressions which would have seemed ordinary and commonplace enough under other circumstances, assumed peculiar significance then, and all the small change of similes and amorous protestations, which is current on the stage, seemed to have been recoined with new dies; indeed if the thoughts, instead of being unique and charming as they are, had been as threadbare as a judge's gown or the saddle-cloth of a hired donkey, the way in which they were expressed would have made them seem wonderfully keen and bright and in the best possible taste.

I have forgotten to tell you that Rosette, after declining the rôle of Rosalind, had good-humoredly undertaken the secondary rôle of Phœbe; Phœbe is a shepherdess in the forest of Arden, madly loved by the shepherd Sylvius, whom she cannot endure and whom she treats with consistent and crushing cruelty. Phœbe is as cold as the moon for whom she is named; she has a heart of snow that does not melt in the fire of the most ardent sighs, but whose frozen crust grows thicker and thicker and becomes as hard as the diamond; but she has no sooner seen Rosalind in the costume of the comely page, Ganymede, than all that ice dissolves in tears and the diamond becomes softer than wax. The haughty Phœbe, who laughed at love, is in love herself; she suffers now the torments she had inflicted on others. Her pride humbles itself so far as to make all the advances, and she sends to Rosalind, by poor Sylvius, a burning letter which contains a declaration of her passion in most humble and suppliant terms. Rosalind, moved to pity for Sylvius, and having, moreover, most excellent reasons for not responding to Phœbe's love, subjects her to the most cruel treatment and makes sport of her with unparalleled mercilessness and ferocity. Phœbe prefers these insults, however, to the most touching and most passionate flattery of her unhappy shepherd; she follows the fair stranger everywhere and with all her importunity succeeds in extorting from him nothing but the promise that if he ever marries a woman she shall surely be the one; meanwhile he urges her to treat Sylvius kindly and not depend upon a too flattering hope.

Rosette acted her part with a melancholy and caressing grace, a sorrowful, resigned tone that went to the heart;—and when Rosalind said to her: "I would love you, if I could," the tears were ready to overflow, and she could hardly hold them back, for Phœbe's story is her own, as Orlando's is mine, with this difference, that everything turns out happily for Orlando, and that Phœbe, disappointed in her love, is compelled to marry Sylvius instead of the charming ideal she longed to embrace. Such is life: that which affords happiness to one necessarily causes another unhappiness. It is very fortunate for me that Théodore is a woman, it is very unfortunate for Rosette that he is not a man, and she is now wallowing in the slough of amorous impossibilities in which I recently went astray.

At the end of the play Rosalind lays aside the doublet of the page Ganymede for the garments of her own sex, is recognized by her father as his daughter, by Orlando as his mistress: the god Hymen arrives with his saffron-colored livery and his legitimate torches.—Three weddings take place.—Orlando marries Rosalind, Phœbe Sylvius, and the clown Touchstone the artless Audrey.—Then the epilogue has its say and the curtain falls.

All this has interested us exceedingly and engrossed our minds; there was, in a certain sense, a play within the play, a drama invisible to the other spectators and unsuspected by them, which we played for ourselves alone, and which, in symbolic phrases, summed up our whole lives and expressed our most secret desires.—Except for Rosalind's strange prescription I should be sicker than ever, having not even a distant hope of cure, and I should have continued to wander sadly through the winding paths of the dark forest.

And yet I have only a moral certainty; I lack proofs and I can remain no longer in this state of uncertainty; I absolutely must speak to Théodore in more definite terms. I have approached him twenty times with a sentence ready on my lips, but have not succeeded in saying it to him—I dare not; I have many opportunities to speak to him alone, either in the park or in my room, or in his, for he comes to see me and I go to see him, but I let them pass without profiting by them, although the next moment I feel a mortal regret and fly into a terrible rage with myself. I open my mouth, and in spite of all I can do, other words take the places of the words I intended to say; instead of declaring my love, I discourse upon the rain, the fine weather or some other similarly stupid subject. And the season is drawing to a close and soon we shall return to the town; the facilities which present themselves according to my wishes here will be renewed nowhere else:—perhaps we shall lose sight of each other and opposite currents will carry us in opposite directions, I doubt not.

The free and easy life of the country is such a delightful and convenient thing! the trees, even though the foliage is not quite so dense in the autumn, afford such delicious shade for the reveries of nascent love! it is difficult to resist the lovely natural surroundings! the birds sing so languorously, the flowers give forth such intoxicating odors, the turf is so soft and so golden on the hillsides! Solitude inspires countless voluptuous thoughts which the hurly-burly of the world would have scattered here and there, and the instinctive impulse of two creatures who hear their hearts beat in the silence of a deserted country-side, is to entwine their arms more tightly and to cleave to each other as if they were in truth the only living creatures in the world.

I took a walk this morning; the air was soft and damp, not the slightest particle of blue sky could be seen, and yet it was neither dark nor threatening. Two or three different shades of pearl-gray, harmoniously blended, enveloped the sky from horizon to horizon, and against that vaporous background fleecy clouds floated slowly like great pieces of wadding; they were impelled by the dying breath of a light breeze, hardly strong enough to move the tops of the most restless aspens: patches of mist rose between the tall chestnuts and indicated the course of the stream in the distance. When the breeze took breath once more, a few dry red leaves blew excitedly about and ran along the path before me like swarms of timid sparrows; then as the breeze fell, they subsided a few steps farther on: a true image of those winds that one mistakes for birds flying freely with wings outspread, but which are, after all, naught but leaves withered by the morning frost, which the slightest passing breeze takes for its plaything and its sport.

Distant points were so blurred by vapors, and the fringes of the horizon tapered away so on the edges, that it was hardly possible to tell where the sky began and the earth ended: a little darker gray, a little denser haze, indicated vaguely the separation and dividing line between the two. Through that curtain, the willows with their ashen heads seemed more like spectral trees than real trees; the irregularities of the hills resembled rather the undulations of a mass of heaped-up clouds than the lay of solid ground. The outlines of objects trembled as you looked at them, and a sort of gray woof of indescribable fineness, like a spider's web, stretched between the foreground of the landscape and the receding depths of the atmosphere; in shaded places the lines stood out much more clearly, and allowed the meshes of the net to be seen; where the light was brighter, the streak of mist was imperceptible and lost itself in a diffused light. There was in the air something drowsy, something warm and soft and dull that predisposed one strangely to melancholy.

As I walked I reflected that autumn had come for me also, and that the radiant summer had passed, never to return; the tree of my mind was even more stripped of its leaves perhaps than the trees in the forest; hardly one tiny green leaf remained on the topmost branch, swaying to and fro and trembling, all sad to see its sisters leave it one by one.

Remain upon the tree, O little leaf of the color of hope, cling to the branch with all the strength of thy nerves and fibres; be not alarmed by the whistling of the wind, O dear little leaf! for when thou hast left me, who will be able to distinguish whether I am a dead or living tree, and who will prevent the wood-cutter from cutting through my foot with his axe and making firewood of my branches?—It is not yet the time when the trees shed all their leaves, and the sun may still throw off the swaddling-clothes of mist that surround it.

The spectacles of the dying season made a deep impression upon me. I reflected that time was passing swiftly and that I might die without having pressed my ideal to my heart.

When I returned to my room I had formed a resolution.—As I cannot make up my mind to speak, I wrote my whole destiny upon a slip of paper.—It is absurd perhaps to write to a person who is living in the same house with yourself, whom you can see every day, at any hour; but I am beyond caring whether it is absurd or not.

I sealed my letter, not without trembling and changing color; then, selecting a moment when Théodore had gone out, I placed it in the middle of his table and fled, as disturbed as if I had committed a most outrageous act.

[1] As You Like It.

[2] The last word in this quotation, which justifies the succeeding epithets, is not in the English version of the play.


XII

I promised you the sequel of my adventures; but really I am so sluggish about writing that I must love you as the apple of my eye and know you to be more curious than Eve or Psyche, to place myself in front of a table with a huge sheet of white paper which I must make black, and an inkstand deeper than the sea, each drop in which is destined to turn into thoughts, or at least into something resembling thoughts, without forming a sudden resolution to mount my horse and ride at full speed the eighty endless leagues that lie between us, in order to tell you viva voce what I propose to write in imperceptible fly-tracks, so that I may not be dismayed myself by the prodigious volume of my picaresque odyssey.

Eighty leagues! to think that there is all that space between myself and the person I love best in the world!—I have an intense longing to tear up my letter and order my horse to be saddled.—But I will think no more of it—with the clothes I am wearing, I could not approach you and resume the familiar life we led together when we were very artless and innocent little girls; if ever I go back to my petticoats it will certainly be for that purpose.

I left you, I believe, as we were leaving the inn where I passed such an amusing night and where my virtue thought it was going to be shipwrecked upon leaving the harbor.—We rode away together, going in the same direction.—My companions went into ecstasies over the beauty of my horse, which is a thoroughbred and one of the fastest horses in the world;—that fact increased my stature at least half a cubit in their estimation, and they added the merits of my steed to my own merits.—They seemed to be afraid, however, that he was too frisky and high-spirited for me.—I told them they need have no fear, and to show them that there was no danger I made him prance and curvet—then I jumped a wall of considerable height and put him at a gallop.

The party tried in vain to overtake me; I turned when I was some distance ahead of them and rode back at full speed; just before I met them, I checked my horse when all four feet were in the air and stopped him short: which is, as you may or may not know, a genuine feat.

From esteem they passed without transition to the most profound respect. They did not suspect that a young student, recently graduated from the University, was so accomplished a horseman as that. That discovery served me better than if they had discovered in me all the cardinal virtues; instead of treating me as a boy, they addressed in a tone of obsequious familiarity that pleased me.

In laying aside my clothing, I had not laid aside my pride:—being a woman no longer, I determined to be a thorough man and not to be content to have simply the external appearance of one.—I had determined to achieve as a cavalier, the triumphs I could no longer aspire to as a woman. What disturbed me most was to ascertain how I should set about procuring a stock of courage; for courage and skill in bodily exercises are the means by which a man most easily establishes a reputation. It is not that I am timid for a woman, and I have not the idiotic pusillanimity that we see in some women; but it is a long distance to the reckless, fierce brutality that is the glory of the men, and it was my intention to become a young blood, a swash-buckler, like my gentlemen of the upper circles, in order to secure a good footing in society and to enjoy all the advantages of my metamorphosis.

But I saw in the sequel that nothing was easier and that the receipt was of the simplest.

I will not tell you, according to the custom of travellers, that I made so many leagues on such a day, that I went from this place to another place, that the roast meat I ate at the Cheval-Blanc or Croix-de-Fer inn was raw or burned; that the wine was sour and the bed I slept in had curtains with flowered or figured designs: those are very important details which should be preserved for posterity; but posterity will have to do without them this time, and you must resign yourself to be left in ignorance of the number of dishes of which my dinner was composed, and whether I slept well or ill during my wanderings. Nor shall I give you an accurate description of the different landscapes, the fields of grain, the forests, the various crops and the hillsides covered with villages which have passed successively before my eyes; those things are easily imagined; take a little earth, plant a few trees and a few blades of grass, daub behind it all a bit of gray or pale-blue sky, and you will have a very adequate idea of the changing background against which our little caravan moved on.—If I went into some details of this nature in my first letter, pray excuse me, I will not fall into the same error again: as I had never been abroad before, the most trivial things seemed to me of vast importance.

One of the party, my bedfellow, he whose sleeve I came so near pulling on the memorable night whose agonies I have described to you at length, conceived an ardent passion for me and kept his horse beside mine all the time.

With the exception that I would not have taken him for a lover even if he had brought me the fairest crown on earth, I did not find him particularly disagreeable; he was well-informed and lacked neither wit nor good-humor: but, when he spoke of women, it was in a disdainful, ironical tone, for which I could readily have torn the eyes out of his head, especially as there were many things in what he said that were cruelly true, although exaggerated, and my male costume compelled me to acknowledge their accuracy.

He asked me so urgently and so persistently to go with him to see one of his sisters, who was just at the end of her mourning for her husband, and was at that moment living with an aunt in an old chateau, that I could not refuse.—I made some objections for form's sake, for in reality I was as ready to go there as anywhere, and I could attain my object in that way as well as any other; and as he told me that he should take it very ill of me if I did not give him at least a fortnight, I answered that I would gladly do so, and that it was a bargain.

At a fork in the road, my friend said to me, pointing to the right arm of the natural Y: "That is our road."—The others shook hands with us and went in the other direction.

After riding for some hours we reached our destination.

A ditch of considerable width, but filled with dense and abundant vegetation instead of water, separated the park from the high road; the walls were of a hewn stone and, at the angles, bristled with gigantic iron artichokes and thistles which seemed to have grown like natural plants between the disjointed blocks of the wall; a small bridge of a single arch crossed this dry canal and led to the park gate.

An avenue of tall elms, rounded like a cradle-top and trimmed in the old style, was the first thing I saw; and after following it for some time, we came to a sort of circular clearing.

The trees had the appearance of being old-fashioned rather than old; they seemed to wear wigs and to be powdered; only a little circle of foliage had been preserved at the top of their heads; all the rest was carefully pruned, so that you might have taken them for plumes of abnormal size stuck in the ground at regular intervals.

Having crossed the clearing, which was covered with fine grass carefully rolled, we had to pass under another curious arrangement of foliage adorned with pots of fire, pyramids, and columns of a rustic order, all done by skilful handling of scissors and sickles in a great clump of boxwood.—Through different vistas you could see, at the right and left, a half-ruined chateau, the moss-covered stairway of a dry cascade, or it might be a vase or a statue of a nymph or a shepherd with nose and fingers broken and with doves perching on the head and shoulders.

A large flower-garden on the French plan was laid out in front of the chateau; all the squares were marked out with holly and box with absolute symmetry; it had quite as much the appearance of a carpet as of a garden: huge flowers in ball-dresses with majestic carriage and serene expression, like duchesses preparing to dance a minuet, bent their heads slightly as you passed. Others, apparently less courteous, stood straight and stiff, like dowagers embroidering. Shrubs of all possible shapes, excepting always their natural shape, round, square, pointed, triangular, in green and gray boxes, seemed to march in procession along the broad avenue and to lead you by the hand to the first steps of the entrance.

A few turrets, half surrounded by more recent buildings, towered above the roof-line of the main structure to the height of their slate-covered, extinguisher-like peaks, and their zinc vanes, cut in the shape of swallows' tails, bore witness to an honorable antiquity. The windows of the central building all opened upon a common balcony with an iron balustrade of elaborate workmanship and great beauty, and the other windows were set in stone frames with carved ciphers and figures.

Four or five huge dogs ran out, barking at the top of their lungs and leaping wildly about. They gambolled around the horses and jumped at their noses: they paid especial attention to my companion's horse, which they probably visited frequently in the stable or accompanied on the road.

All this uproar finally called out a sort of valet, half laborer, half groom, who took our horses by the reins and led them away.—I had not as yet seen a living being except a little peasant girl, timid and wild as a deer, who ran away at sight of us and crouched in a furrow behind some hemp, although we called her several times and did everything in our power to reassure her.

No one appeared at the windows; you would have said the chateau was uninhabited, or that its only occupants were spirits; for not the slightest sound could be heard outside.

We were beginning to ascend the steps, making considerable noise with our spurs, for our legs were a little tired, when we heard a sound as of doors opening and shutting within, as if some one were hurrying to meet us.

In a moment a young woman appeared at the top of the steps, rushed down to my companion and threw herself on his neck. He kissed her very affectionately and, putting his arm about her waist, lifted her up and carried her so to the landing.

"Do you know that you are very amiable and gallant for a brother, my dear Alcibiades?—Surely, monsieur, it is altogether useless for me to tell you that he's my brother, for he really does not stand on ceremony?" said the young woman, turning to me.

To which I replied that it was possible to misinterpret his actions, and that it was in a certain sense a misfortune to be her brother and thus to be excluded from the category of her adorers; that, as for myself, if I were her brother, I should be at once the unhappiest and the happiest cavalier on earth."—Whereat she smiled sweetly.

Conversing thus we entered a hall, the walls of which were hung with high warp Flemish tapestry.—Tall trees with pointed leaves were covered with flocks of fanciful birds; the colors, faded by time, presented strange transpositions of shades; the sky was green, the trees royal blue with yellow streaks, and in the draperies of the figures the shadow was often of a directly opposite color to that of the background of the material;—the flesh resembled wood, and the nymphs walking under the faded shadows of the forest looked like unswathed mummies; their mouths alone, which had retained their original purple tint, smiled with an appearance of life. In the foreground were tall plants of a strange shade of green with great striped flowers, whose pistils resembled a peacock's crest. Sober-faced, pensive herons, their heads buried in their shoulders, their long beaks resting on their swollen crops, stood philosophically on one of their slim legs, in stagnant, black water, streaked with lines of tarnished silver; through the vistas in the foliage, one could see in the distance small chateaux with turrets like pepper-boxes and balconies crowded with lovely women in grand attire, watching processions or hunting-parties pass.

Fantastically-jagged rocks, over which foamed torrents of white wool, blended insensibly with fleecy clouds at the horizon line.

One of the things that impressed me most was the figure of a huntress shooting a bird.—Her open fingers had just released the string, and the arrow had flown; but as that part of the tapestry was in a corner, the arrow was on the other wall, having described a great curve; as for the bird, he was flying away on motionless wings and seemed to be headed for a neighboring branch.

That feathered arrow, armed with a golden tip, always in the air and never reaching its destination, had a most curious effect; it was like a melancholy, sorrowful symbol of human destiny, and the more I looked at it the more mysterious and sinister meanings I discovered in it.—The huntress stood there, her foot put forward, her leg bent, her eye with its silken lid wide open, and yet unable to see her arrow which had deviated from its path; she seemed to be looking anxiously for the flamingo with the gorgeous plumage, that she desired to bring down and expected to see fall at her feet, pierced through and through.—I do not know whether it is an error on the part of my imagination, but I detected upon that face an expression as forlorn and desperate as that of a poet who dies without having written the work upon which he expected to found his reputation, and who is seized with the pitiless death-rattle just as he is trying to dictate it.

I have written at great length about this tapestry, at greater length certainly than it deserves;—but the fanciful world created by those who work on the high warp has always had a strange fascination for me.

I am passionately fond of the imaginary vegetation, the flowers and plants that have no real existence, the forests of strange trees peopled with unicorns, caprimulgæ. and snow-white stags with a golden crucifix between their horns, generally pursued by red-bearded huntsmen in the costumes of Saracens.

When I was small I hardly ever entered a room hung with tapestry without a sort of shudder, and I hardly dared move.

All those figures standing against the wall, to which the undulation of the material and the play of the light imparted a sort of fantastic life, seemed to me like so many spies watching my actions in order to report them at the proper time and place, and I would not have eaten a stolen apple or cake in their presence.

What tales those solemn creatures would have to tell if they could open their red silk lips, and if sounds could penetrate the drum of their embroidered ears. Of how many murders, treasons, infamous adulteries and monstrous deeds of all sorts have they been silent, impassive witnesses!—

But let us leave the tapestry and return to our story.

"Alcibiades, I will go and tell my aunt of your arrival."

"Oh! there's no hurry about that, sister; let us sit down and talk a little while first. Allow me to introduce my young friend Théodore de Sérannes, who will pass some time here. I do not need to urge you to make him welcome;—he is his own sufficient recommendation."—I tell you what he said; do not be in a hurry to accuse me of self-conceit.—

The young lady nodded slightly as if in assent, and we talked of other things.

As we talked I made a more detailed and more careful examination of her than I had been able to do before.

She seemed to be some twenty-three or twenty-four years old and her mourning was most becoming to her; to tell the truth, her manner was not very lugubrious or desolate and I suspect that she had eaten the ashes of her Mausolus in her soup by way of rhubarb.—I do not know whether she had grieved overmuch for her defunct spouse; if she had done it, she hardly showed it now, at all events, and the pretty cambric handkerchief she had in her hand was as perfectly dry as possible.

Her eyes were not red, on the contrary they were the clearest and brightest eyes in the world, and you would have sought in vain on her cheeks the furrow through which tears had flowed; indeed, there was nothing there save two little dimples formed by the habit of smiling, and it is fair to say that, for a widow, she displayed her teeth very frequently; and it was certainly not an unpleasant spectacle, for they were small and even. I esteemed her, first of all, for not having felt obliged, just because some poor devil of a husband had died, to blacken her eyes and make her nose red: I was grateful to her also for not affecting any little mournful airs and for talking naturally with her silvery, ringing voice, without dragging out her words and interlarding her sentences with virtuous sighs.

It seemed to me in extremely good taste; I set her down at once as a woman of intelligence, which she is in fact.

She was well built, with a foot and hand well suited to her figure; her black dress was arranged with all possible coquetry and so daintily that you entirely forgot the lugubriousness of the color, and she might have gone to a ball in that costume without causing any remark. If I ever marry and am left a widow, I shall ask her for a pattern of her dress, for she looks like an angel in it.

After some little talk, we went up to the old aunt's room.

We found her sitting in a great easy-chair with a sloping back, a little stool under her feet and beside her an old blear-eyed, ugly-looking dog, who raised his black muzzle when we appeared and welcomed us with a far from amiable growl.

I have always looked upon old women with horror. My mother died very young; doubtless, if I had seen her grow old slowly, and her features change imperceptibly, I should have become accustomed to it without a shock.—In my childhood I was surrounded by none but youthful, laughing faces, so that I have retained an insurmountable antipathy for old people. So it was that I shuddered when the lovely widow touched the dowager's yellow brow with her pure vermilion lips.—It was something I wouldn't have taken upon myself to do. I know that I shall look like that when I am sixty; but I can do nothing to prevent it, and I pray God that I may die young like my mother.

However, the old lady had retained some simple and majestic features of her former beauty which prevented her from attaining the baked-apple stage of ugliness that is the lot of women who have been simply pretty or fresh and healthy: her eyes, although they had crow's feet at the corners and were covered by great, flabby lids, still retained some sparks of their former fire, and you could see that, under the reign of the late king, they might have emitted dazzling flashes of passion. Her fine and thin nose, slightly hooked like the beak of a bird of prey, gave to her profile a sort of solemn grandeur, tempered by the indulgent smile upon her protruding Austrian lip, which was touched with carmine according to the fashion of the last generation.

Her costume was old-fashioned without being absurd, and was in perfect harmony with her face; her head-dress was a simple white cap with a narrow lace border; her long, emaciated hands, which you could see had once been beautiful, were encased in mittens with no fingers or thumbs; a dress of the color of dead leaves, with flowered work of a deeper shade, a black mantle and a paduasoy apron of changing color completed her toilet.

Old women ought always to dress in that way and respect their approaching death sufficiently to avoid decking themselves out with feathers and wreaths of flowers, ribbons of delicate shades and the countless gewgaws that are suited only to extreme youth. It is of no use for them to make advances to life; life will have nothing to do with them; they have their pains for their trouble, like the superannuated courtesans who plaster themselves with red and white paint and whom drunken mule-drivers repulse with insults and kicks.

The old lady welcomed us with the ease of manner and exquisite courtesy characteristic of those people who were of the old court, the secret of which we seem to be losing from day to day, like so many other valuable secrets—and in a voice which, though broken and trembling, was still extremely sweet.

She seemed much pleased with me and looked at me very attentively for a long while, apparently much moved.—A tear gathered in the corner of her eye and rolled slowly down one of the deep wrinkles, where it dried up and disappeared. She begged me to excuse her and said that I greatly resembled a son who was killed in the army.

All the time that I remained at the chateau, I was treated by the dear old lady with extraordinary, altogether motherly kindness because of that resemblance, real or imaginary. I found more charm in that condition of things than I anticipated at first, for the greatest favor that elderly people can confer upon me is never to speak to me and to leave the room when I enter it.

I will not tell you in detail what I did each day at R—. If I have lingered a little over all this preliminary matter and have drawn with some care these two or three physiognomies of persons and of places, it is because I had there some very strange adventures, albeit very natural and just what I ought to have foreseen when I donned the garb of a man.

My natural light-headedness led me into an imprudence which I bitterly repent, for it has brought trouble to a kind and loving heart, trouble which I cannot allay without disclosing what I am and compromising myself seriously.

In order to acquire masculine manners perfectly and to divert myself a little, I could think of nothing better than to pay court to my friend's sister.—It seemed very amusing to me to fall upon all fours when she dropped her glove and to return it to her with humble reverences, to lean over the back of her chair with an adorably languorous expression, to whisper in her ear a thousand and one flattering speeches of the most seductive description. Whenever she passed from one room to another I gracefully offered my hand; if she rode, I held her stirrup, and in walking I was always at her side; in the evening I read to her and sang with her;—in short, I performed with scrupulous accuracy all the functions of a cicisbeo.

I did everything that I had seen young men in love do, which amused me and made me laugh like the genuine madcap that I am, when I was alone in my chamber and reflected on all the impertinent remarks I had made in the most serious tone imaginable.

Alcibiades and the old marchioness seemed to look upon the intimacy with pleasure and left us together very often. I sometimes regretted that I was not a man in order to take advantage of the tête-à-tête; if I had been, it would have depended entirely upon me, for our charming widow seemed to have forgotten the defunct entirely, or, if she remembered him, she would readily have been unfaithful to his memory.

Having begun upon that line I could hardly draw back with honor, and it was very difficult to effect a retreat with arms and stores; I could not go beyond a certain limit, however, and I could hardly be affectionate except in words:—I hoped to reach without mishap the end of the month I was to pass at R—, and to retire with a promise to return, intending to do nothing of the kind.—I thought that when I had gone the fair widow would readily be consoled, and would soon forget me when I was out of her sight.

But, while seeking only my own amusement, I had aroused a serious passion, and things turned out differently:—which goes to prove a truth that has long been well known, to wit, that one must never play with fire or with love.

Before she fell in with me, Rosette had not known what love is. Married very young to a man many years her senior, she had felt only a sort of filial affection for him;—courted she had been, I doubt not, but she had had no lover, incredible as it may appear: either the gallants who had hitherto shown her attention were but moderately attractive, or else, which is more probable, her hour had not yet come.—The petty aristocrats and country squires who talked of nothing but fertilizers and fumets, young boars and seven-year stags, hunting cries and antlers, with an admixture of charades out of the almanac and compliments moss-grown with age, were certainly not made to commend themselves to her, and her virtue had not had to exert itself overmuch in order not to yield to them.—Moreover, the natural gaiety and playfulness of her disposition were a sufficient defence against love, that sentimental passion that takes such strong hold of dreamers and melancholy folk; the idea of sensual pleasure that her old Tithonus had been able to give her was probably not sufficient to arouse any great temptation to try it again, and she enjoyed in a mild way the pleasure of being left a widow so early in life and of having so many years to be pretty.

But on my arrival, there was a great change.—I thought at first that if I had kept strictly within the limits of cold and scrupulous courtesy, she would not have taken any notice of me; but really I was obliged to admit afterward that it would have made no difference at all, and that that supposition, although very modest, was entirely without foundation.—Alas! nothing can turn aside the fatal horoscope, and no one can avoid the influence, whether benignant or malignant, of his star.

It was Rosette's destiny to love but once in her life, and with an impossible passion; she must and she will accomplish her destiny.

I have been loved, O Graciosa, and it is a sweet experience, although I have been loved only by a woman, and in such an unnatural love there is something painful that there certainly cannot be in the other;—oh! it is a very sweet experience!—When you wake in the night and rest upon your elbow, to say to yourself: "Some one is thinking or dreaming of me; my life is of interest to somebody; a movement of my eyes or my mouth causes joy or sadness to another creature; a word I have let fall at random is carefully treasured up, commented upon and dissected for hours at a time; I am the pole toward which a restless magnet tends; my eye is a heaven, my mouth a paradise more ardently longed for than the real; if I should die, a warm shower of tears would keep my ashes warm, my grave would be brighter with flowers than a wedding-feast; if I were in danger, some one would throw himself between the point of the sword and my breast and sacrifice himself for me!"—it is lovely, and I cannot think what more one can desire in this world.

This thought caused me a feeling of pleasure for which I blamed myself, for I had nothing to give in exchange for it all, and I was in the position of a poor person who accepts presents from a rich and generous friend, with no hope of ever being able to repay them. It delighted me to be so adored and at times I gave myself up to it with strange complaisance. By dint of hearing everybody call me monsieur and of being treated as if I were a man, I gradually forgot that I was a woman; my disguise seemed to be my natural attire, and I forgot that I had ever worn any other; I ceased to reflect that I was, after all, only a little empty-headed creature who had made a sword of her needle and a pair of breeches out of one of her petticoats.

Many men are more like women than I am.—There is little of the woman about me except the breast, some more rounded outlines and more delicate hands; the petticoat is on my hips, not in my mind. It often happens that the sex of the mind is different from that of the body, and that is a contradiction that cannot fail to produce much confusion.—For example, if I myself had not made this resolution, insane in appearance but very wise in reality, to renounce the costume of a sex which is mine only materially and by accident, I should have been very unhappy: I love horses, fencing, all violent exercises, I like to climb and run about like a young boy; it tires me to sit with my feet close together, my elbows glued to my sides, to lower my eyes modestly, to speak in a little soft, sweet voice, and to pass worsted through the holes in a piece of canvas ten million times;—I do not like to obey the laws of society, and the words that are most frequently on my tongue are: "I will."—Behind my smooth brow and beneath my silky hair, strong and virile thoughts are constantly in motion; all the precious nonsense that generally is most attractive to women has never produced any but the slightest effect upon me, and, like Achilles disguised as a girl, I would gladly lay aside my mirror for a sword.—The only thing about women that attracts me is their beauty;—notwithstanding the inconveniences that result from it, I would not willingly give up my figure, although it is ill-sorted with the spirit it encloses.

Such an intrigue was something novel and alluring, and I should have been greatly entertained by it if it had not been taken so seriously by poor Rosette. She set about loving me with admirable naïveté and earnestness, with all the force of her dear, loving heart—with a love of the sort that men do not understand, of which they cannot form even a remote idea, a refined, ardent love; she loved me as I would like to be loved if I should ever meet the reality of my dream. What a priceless treasure wasted, what white, transparent pearls, such as divers will never find in the jewel-chest of the sea! what sweet breath, what soft sighs scattered through the air, which might have been gathered by pure, loving lips!

That passion might have made a young man so happy! so many unfortunate youths, handsome, charming, well endowed, full of heart and spirit, have pleaded vainly on their knees with insensible, lifeless idols! so many loving, tender souls have thrown themselves in despair into the arms of prostitutes, or have burned out silently like a lamp in a tomb, who might have been saved from debauchery and death by a sincere passion!

What a strange thing is human destiny! and what an inveterate joker is chance.

The thing that so many others had ardently desired came to me, who did not, could not, want it. A whimsical young woman takes a fancy to travel about the country in a man's clothes in order to find out a little something as to what she is to expect on the part of her future lovers; she sleeps at an inn with an excellent brother who leads her by the end of the finger to his sister, who has nothing better to do than to fall in love with her like a cat, like a dove, like whatever is most amorous and languorous on earth.—It is very clear that, if I had been a young man, and this condition of things could have been of any service to me, it would have turned out very differently and the lady would have taken a violent dislike to me.—Fortune loves to give slippers to those who have wooden legs and gloves to those who have no hands;—the inheritance that would have enabled you to live at your ease, ordinarily falls in on the day of your death.

I went sometimes, not as often as she would have liked, to see Rosette in her bed; although she does not usually receive until she is dressed, an exception is made in my favor.—An exception would have been made in my favor in many other respects, if I had wished;—but, as the saying is, the most beautiful woman can give only what she has, and what I had would have been of little service to Rosette.

She would give me her little hand to kiss;—I confess that it afforded me some pleasure to kiss it, for it is very smooth, very white, exquisitely perfumed, and made softer by a nascent moisture; I felt it shiver and contract under my lips, whose pressure I maliciously prolonged.—Thereupon Rosette, deeply moved and with a supplicating air, would look up at me with her great eyes laden with desire and flooded with a humid, transparent light, then she would let her pretty head, which she had raised a little, the better to receive me, fall back upon the pillow.—I could see her restless bosom rise and fall under the sheet and her whole body suddenly begin to tremble.—Certainly any one who was in a condition to dare might have dared much, and it is equally certain that she would have been grateful to him for his daring and would have thanked him for skipping a few chapters of the novel.

I remained an hour or two with her, not releasing her hand which I had rested on the coverlid; we had interminable, fascinating conversations; for, although Rosette was much engrossed by her love, she believed herself to be too sure of success, not to retain almost all her freedom and playfulness of mind.—From time to time, however, her passion cast a transparent veil of gentle melancholy over her gaiety, which made her even more seductive.

Indeed, it might well have seemed an incredible thing that a young beginner, as I seemed to be, should not be overjoyed at such good fortune and profit by it to the utmost. Rosette was not so made that she was likely to meet with very cruel rebuffs, and knowing no more than she did about me, she relied upon her charms and upon my youth, in default of my love.

However, as the situation was beginning to be prolonged a little beyond the natural limits, she became anxious, and I had difficulty in restoring her former feeling of security by redoubling my flattering phrases and fine protestations. Two things about me surprised her, and she noticed contradictions in my conduct which she could not reconcile:—those two things were the warmth of my words and the coldness of my actions.

You know better than any one, my dear Graciosa, that my friendship has all the characteristics of a passion; it is sudden, ardent, intense, exclusive, it has almost everything of love even to jealousy, and I had for Rosette a friendship almost equal to my friendship for you.—One might easily misunderstand it.—Rosette misunderstood it the more completely because the coat I wore made it impossible for her to have any other idea.

As I have never loved any man, the overflow of my affection has in some sort spread through my friendships with girls and young men; I plunge into them with the same earnestness and exaltation that I put into everything I do, for it is impossible for me to be moderate in anything, especially in anything touching the heart. In my eyes there are only two classes of people, those I adore and those I abhor; all others are to me as if they did not exist, and I would drive my horse over them as I drive him over the high road; in my mind they stand on the same footing with pavements and milestones.

I am naturally expansive and I have a very caressing manner.—Sometimes, forgetting all that such demonstrations might seem to mean, when I went to walk with Rosette I would put my arm about her waist, as I used to do when you and I walked together in the deserted path at the foot of my uncle's garden; or, as I leaned over the back of her chair while she embroidered, I would twine around my fingers the little stray hairs that grew upon her plump, round neck, or stroke with the back of my hand her lovely hair held in place by the comb, and increase its lustre—or indulge in some other of the endearments to which, as you know, I am much addicted with my dear friends.