[122] The influence of these men is astonishing. They have the mind, body, and outward estate of their proselytes under their absolute direction; all their assertions are considered as prophecies, and every request has the force of a command.

Men seem to have a natural tendency to a belief in divination; and we have many instances where the commanders of armies have made great use of this easy faith. When Cromwell was in Scotland, a soldier stood with Lilly's Almanac in his hand, and as the troops passed him, roared out, "Lo! hear what Lilly saith: you are promised victory! Fight it out, brave boys; and when you have conquered—read the month's prediction."

[123] Whosoever wisheth to know more of this Surrey Semiramis and her brood of rabbits, may consult the Memoirs of M. St. Andre, and some twelve or fifteen ingenious pamphlets, published about the year 1726, at which time a number of surgeons subscribed a guinea each to Mr. Hogarth, for a print from a whimsical design he had previously made on this very philosophical subject.

[124] The figure is, I believe, intended for the boy of Bilson, who, with an ostrich-like appetite, swallowed as many tenpenny nails as would have furnished a petty ironmonger's shop. This young gentleman, who in his day deceived a whole county, was only thirteen years of age. His extraordinary fits, agitations, and the surprising distempers with which he seemed to be afflicted, induced those who saw him to believe he was bewitched, and possessed with a devil. During the time he was in fits, he appeared both deaf and blind; writhing, groaning, and panting; and although often pinched, pricked with needles, tickled, severely whipped, and otherwise corrected, never seemed sensible of what was done to him. When he was thought to be out of his fits, he digested nothing that was given him for nourishment, but would often astonish those present by bringing up thread, straw, crooked pins, nails, needles, etc. At this period his throat swelled, his tongue grew rigid, and he appeared to be incapable of speaking.

This juvenile impostor accused a poor honest industrious old woman of witchcraft, and asserted that she had bewitched him. By his artful behaviour when she was brought into the room where he was, he raised in the minds of those about him a strong presumption of his accusations being founded. Under these impressions, the woman was tried at Stafford assizes, but the jury had sense enough to acquit her. By the judge's recommendation, the boy was committed to the care of the Bishop of Lichfield and Coventry, who happened to be present in court. His Grace took him to his palace at Eccleshall, and there, having the previous advice of several physicians, intended to try the effect of severity; but being in the meantime informed that the boy always fell into violent agitations upon hearing that verse of St. John's Gospel, "In the beginning was the Word," etc., resolved to try another experiment. Assuming a grave and austere countenance, he thus addressed him:—

"Boy, it is either thou thyself or the devil that abhorrest these words of the Gospel; and if it be the devil, there is no doubt of his understanding all languages, so that he cannot but know and show his abhorrence when I recite the same sentence out of the Gospel in the Greek text; but if it be thyself, then thou art an execrable wretch, who playest the devil's part in loathing that portion of the Gospel of Christ, which above all other scripture doth express the admirable union of the Godhead in one Christ and Saviour, which union is the arch pillar of man's salvation. Wherefore look unto thyself, for now thou art to be put unto trial, and mark diligently whether it be the same scripture which shall be read unto thee out of the Greek Testament, at the reading whereof in the English tongue thou dost seem to be so much troubled and tormented."

This experiment succeeded, for neither the boy nor the devil understood the Greek version.

[125] It was deemed an approved remedy for witchcraft, to put a small wax model of any one under this baneful influence into a quart bottle with water, cork it up to confine the spirit, and place it before the fire. Notwithstanding all these precautions, the spirit sometimes forced the cork, and cast the contents of the bottle a considerable height.

[126] Of the writings of this paragon of English monarchs—so wise that he was called the Solomon of Great Britain—it has been truly said, "They are to be found in chandlers' shops even unto this day."

[127] A very grave historian relates, that the ghost of Sir George Villiers appeared to one who had been his servant, charging him to inform his son of the plan laid to destroy him! The servant obeyed his instructions, and informed his Grace, but the Duke wanted faith—was negligent—and was assassinated: though it does not seem probable that the crazed enthusiast who committed the murder had sufficient coherence of mind to lay any regular plan.

[128] Drelincourt's Defence against the Fears of Death is well written; and in the confidence that a translation would sell, the bookseller struck off a very large impression. They lay undisturbed in his warehouse until Daniel Defoe added this ridiculous narrative, which carried the book through one-and-twenty editions.

[129] This drummer was in the early part of his life a trooper in Cromwell's army; and as almost all this regiment of saints considered themselves in St. Paul's dragoons, our drummer occasionally preached, exhorted, and expounded. When the Parliamentary army was disbanded, or put under other commanders, the manners of the people had a sudden and violent change; extreme strictness was succeeded by universal dissipation, and the whole nation displayed their abhorrence of their late rulers, and loyalty to their new sovereign, by general licentiousness. A drum beat to a psalm tune would no longer attract an audience; but still it was a favourite instrument, and our heroic trooper, being free from military engagements, drummed his way through the kingdom with a forged pass. Happening to beat up in the neighbourhood of Tedworth, he attracted the notice of a Mr. Mompesson, who seized the martial instrument, and punished the bearer. From that time his ears were assailed by a perpetual drumming, and his house for two or three years haunted by apparitions. It attracted the notice of several of the neighbouring clergy, and his Majesty Charles the Second, wishing to be satisfied about every particular, sent down a number of persons to converse with this noisy spirit; but during the time they stayed no spirit appeared, neither was the sound of a drum heard. Notwithstanding this, poor dub-a-dub was tried at Salisbury assizes, found guilty of being a wizard, and luckily escaped with only transportation for life.

Upon this story was founded Addison's play of The Drummer, or the Haunted House, which has too much good sense to be generally relished at the theatres.

The Cock Lane ghost was engaged in scratching and hammering a very short time before the plate was published. This ridiculous imposture attracted the notice of many respectable characters. That one man, whose writings are a mirror of truth and philosophy, and whose life was an honour to human nature, should be so far under the influence of superstition as to attend this nocturnal nonsense, draws a pitying sigh.

[130] On the late John Wesley's particular opinions I do not presume to make any comment; but his zealous and unremitting exertions in what he deemed a good cause, added to the primitive simplicity of his manners, entitled him to high respect.

Mr. Glanville was the patriarch of witchcraft, and therefore a very proper high priest in the temple of credulity. As his book gained him a good benefice, and as a number of his proselytes consider Sadducismus Triumphatus entitled to equal credence with holy writ, I have subjoined a few extracts for the edification of those who may not think the volume from which they are taken worth perusal. It abounds with examples of barbarity, flowing from a blind and bigoted credulity, at which human nature shudders.

A relation of the strange witchcraft, discovered in the village of Mohra, in Swedeland, about the year 1670:—

"The news of this witchcraft coming to the king's ear, his Majesty was pleased to appoint commissioners, some of the clergy and some of the laity, to make a journey to the town above mentioned to examine the whole business. The commissioners met on the 12th of August at the parson's house, and to them the minister and several people of fashion complained, with tears in their eyes, of the miserable condition they were in, and therefore begged of them to think of some way whereby they might be delivered from that calamity. They gave the commissioners very strange instances of the devil's tyranny among them: how, by the help of witches, he had drawn some hundreds of children to him, and made them subject to his power; how he hath been seen to go in a visible shape through the country, and appeared daily to the people; how he had wrought upon the poorer sort, by presenting them with meat and drink, and this way allured them to himself; with other circumstances to be mentioned hereafter. They therefore begged of the Lords Commissioners to root out this hellish crew, that they might regain their former rest and quietness; and the rather, because the children, which used to be carried away in the country or district of Esdaile, since some witches had been burnt there, remained unmolested.

"Examination being made, there were discovered no less than three-score and ten witches in the village aforesaid; three-and-twenty of which, freely confessing their crimes, were condemned to die; the rest, one pretending she was with child, and the others denying, and pleading not guilty, were sent to Faluna, where most of them were afterwards executed.

"Fifteen children, which likewise confessed they were engaged in this witchery, died as the rest; six-and-thirty of them, between nine and sixteen years, who had been less guilty, were forced to run the gauntlet: twenty more, who had no great inclination, yet had been seduced to these hellish enterprises, because they were very young, were condemned to be lashed with rods upon their hands for three Sundays together, at the church door; and the aforesaid six-and-thirty were also doomed to be lashed this way once a week for a whole year together. The number of seduced children was about three hundred, etc. The above narrative is taken out of the public register, where all this, with more circumstances, is related."—Glanville, p. 494.

"At Stockholm, in the year 1676, a young woman accused her mother of being a witch, and swore positively that she had carried her away at night; whereupon both the judges and ministers of the town exhorted the old woman to confession and repentance. But she stiffly denied the allegations, pleaded innocence; and though they burnt another witch before her face, and lighted the fire she was to burn in before her, yet she still justified herself, and continued to do so till the last; and remaining obstinate, was burnt. A fortnight or three weeks after, her daughter, who had accused her, came to the judges in open court (weeping and howling), confessed that she had accused her mother falsely, out of a spleen she had against her for not gratifying her in a thing she desired, and had charged her with a crime of which she was perfectly innocent. Hereupon the judges gave orders for her immediate execution."—Horneck's Introduction to a Narrative of Witchcraft, etc.Glanville, p. 481.

These are the horrid effects of credulity. For the dreadful devastations made among the human race by superstition, we may read the history of the Inquisition. Among myriads of examples, I was much struck by the following:—

"Along with the Jews that were to be burnt at an auto-da-fe, there was a girl not seventeen years of age, who, standing on that side where the queen sat, petitioned for mercy. She was wonderfully pretty; and looking at the queen, while her eyes streamed with tears, in a most pathetic tone of voice exclaimed, 'Will not the presence of my sovereign make an alteration in my fate? Consider how short a period I have lived, and that I suffer for adherence to a religion which I imbibed with my mother's milk. Mercy! mercy! mercy!' The queen turned away her eyes,—was evidently moved by compassion, but—durst not ask the holy fathers for even a respite."—M. d'Aunoy, p. 66.

What unlimited power! A queen dares not intercede for the pardon of a young girl, guilty of no other crime than adhering to the faith of her ancestors!

One of the most shocking circumstances that attend these consecrated murders, is the indulgences which the Roman pontiffs have attached to the executioners. Those who lead the poor condemned wretches to the fire, and throw them into the flames, gain indulgences for one hundred years. They who content themselves with only seeing them executed, obtain fifty. What horror! The most detestable crimes, the most unnatural cruelties, are made a means of obtaining pardons from the God of mercy!

[131] Whitfield's Hymns, p. 130.

[132] See Mr. Burke's pamphlet on the French Revolution.

[133] This is a fair representation of what the Guards were then. The highly-disciplined troop commanded by his Royal Highness of York defy satire.

[134] See John Wilkes' history of the man after God's own heart.

[135] Hogarth seems to have thought that Mr. Pitt wished to be a perpetual dictator; and, in truth, the Secretary's own assertion in some degree justified the supposition: "He would not be responsible for measures which he was no longer allowed to guide." Whether the artist was right or wrong in his opinion, I do not presume to assert: I have endeavoured to describe characters as he has delineated them; but with respect to this great man, the safest way will be to quote his contemporaries. I have subjoined two portraits, drawn in his own day; let the reader adopt that which pleases him best. They prove how difficult it is to ascertain what were the abilities of a statesman from any accounts given during his life. One party assert that Mr. Pitt unites, with the eloquence of Cicero and the force of Demosthenes, the conciseness of Sallust and the polished periods of Isocrates! Another,—but to extract a part is not doing justice to the writers.

Chatham.

"As this lord has long been dead to the world, we shall speak of him as a man that has been.

"A remarkable reflection, arising from the character of Lord Chatham, strikes us: No statesman was ever more successful, and no statesman ever deserved less to have been so.

"This man entered into the army very early in life, and there he ought to have remained. His enterprise, his rashness, and his scrupulous sense of honour, were qualities extremely proper in the profession of arms, and would have adorned any military station, except that of a chief commander. But the field he renounced for the Cabinet, and ceased to be a good soldier that he might be a bad statesman. In nature, he was rash, impetuous, haughty, and uncontrollable; and these dangerous properties were neither tempered nor improved by education. To those advantages which are acquired by study, and those great views which are communicated by habits of reflection, he was entirely a stranger. His quickness was not corrected by judgment, and his mind frequently was tired of the objects presented to it before it could perceive or comprehend them. In a country where eloquence is little known, his noise and vociferation acquired that name; and without the experience of common sense, he was extolled as superior to Demosthenes or Tully. His speeches were not wanting in fire, but they were innocent of thought. He was perhaps the only man of his time who could harangue for many hours without communicating one distinct and well-digested idea to his audience. In estimating his own merit he knew no bounds. His vanity was excessive: he saw every man inferior to himself: on every man, therefore, he lavished his contempt. Capricious to the most boyish excess, he was perpetually forming resolutions, which he abandoned before he could put them in execution. Yet his instability, through a fortuitous and whimsical concurrence of circumstances, generally led the way to success. The happy blunders of his administration procured him a reputation to which he had no title. Every scheme he planned ought to have miscarried. We admire his good fortune, not his wisdom. Popularity was the idol to which he bowed—a certain proof that his conduct was not influenced by those superior ideas which arise in high, liberal, and virtuous minds. Yet to this idol he would have sacrificed everything: it would have sacrificed everything to him. He possessed that intemperate pride which, instead of guarding him from indecent errors, led him to indiscretions; and a respectable character was seldom a security from the licentious fury of his tongue. In private life he was restless, fretful, unsocial, and perpetually affecting complaints which he did not feel: in public life he was weak, headstrong, imprudent, and had no quality of a good minister but enterprise. If he had continued in his first profession, he might have served his country with honour; but his ambition prompted him to assume the character of a statesman, and he abused it.

"On the whole, he possessed virtues; but his passions hurried them into excess, and he did not even wish to restrain them."

Hear the other side:—

Character of the late Earl of Chatham.

"The Secretary stood alone; modern degeneracy had not reached him; original and unaccommodating—the features of his character had the hardihood of antiquity. No State chicanery, no narrow system of vicious politics, no idle contest for ministerial victories, sunk him to the vulgar level of the great; but overbearing and persuasive, his object was—England; his ambition—fame! Without dividing, he destroyed party; without corrupting, he made a venal age unanimous. France sunk beneath him. With one hand he smote the house of Bourbon, and wielded with the other the democracy of England. The sight of his mind was infinite; and his schemes were to affect, not England and the present age only, but Europe and posterity. Wonderful were the means by which these schemes were accomplished; always seasonable, always adequate, the suggestion of an understanding animated by ardour, and enlightened by prophecy. The ordinary feelings which make life amiable and indolent—those sensations which allure and vulgarize—were unknown to him. A character so exalted, so strenuous, so various, so authoritative, astonished a corrupt age, and the Treasury trembled at the name of Pitt through all her classes of venality. Corruption imagined, indeed, that she found defects in this statesman, and talked much of the inconsistency of his glory, and much of the ruin of his victories; but the history of his country and the calamity of his enemies answered and refuted her. Nor were his political abilities his only talents; his eloquence was an era in the senate, peculiar and spontaneous, familiarly expressing gigantic sentiments and instinctive wisdom: not like the torrent of Demosthenes, or the conflagration of Tully; it resembled sometimes the thunder and sometimes the music of the spheres. He did not conduct the understanding through the painful subtlety of argumentation; nor was he for ever on the rack of exertion, but rather lightened on the subject, and reached the point by the flashings of the mind, which, like those of his eye, were felt, but could not be followed. Upon the whole, there was in this man something that could create, reform, or subvert; an understanding, a spirit, and an eloquence to summon mankind to society, or to break the bonds of slavery asunder, and rule the wildness of free minds with unbounded authority: something that could establish or overwhelm empire, and strike a blow in the world that should resound through the universe."

At the time of Lord Chatham being interred, it was intimated in the public prints that an epitaph descriptive of his talents and services was to be inscribed on his tombstone; and that any one writing such an epitaph would render an acceptable service to the committee who had the management of his monument. The following was sent, but as it was unkindly rejected by them, it is here inserted:—

"HERE LIES THE BODY OF WILLIAM PITT, EARL OF CHATHAM;
A GREAT AND ELOQUENT STATESMAN,
WHOM THE KING DID NOT CONSULT OR EMPLOY,
AND WHOM THE KING WAS RESOLVED NEVER TO CONSULT
OR EMPLOY;
A MOST INFORMED AND ENLIGHTENED SENATOR,
A MOST CONVINCING AND PERSUASIVE ORATOR,
WHOSE OPINIONS AND ADVICE THE PARLIAMENT HEARD WITH MOST
ILLIBERAL IMPATIENCE,
AND WHOSE ARGUMENTS THEY TREATED WITH MOST
SOVEREIGN CONTEMPT.
THESE WERE THE SENTIMENTS,
AND THIS THE CONDUCT, OF BOTH KING AND PARLIAMENT.
TO PERPETUATE THE MEMORY OF HIS ABILITIES,
AND THEIR WISDOM,
THAT KING AND THAT PARLIAMENT HAVE
ERECTED THIS MONUMENT.
"

[136] It has been generally called a Cheshire cheese. Having never seen this pride of the English dairy with a hole bored through the middle, I have ventured to pronounce it a millstone.

[137] Lord Bute is said to be personified by one of the Highlanders: as I cannot ascertain which, my reader must discover it—if he can. The fireman is probably intended for the Duke of Bedford.

[138] If Hogarth must be so unmercifully abused for what he inserted, he is entitled to some credit for what he erased. I hope this blot in his original design will not be considered as an additional blot on his escutcheon.

[139] The small pyramid upon a little pedestal immediately behind him is, I think, an afterthought. It much resembles the ornament inscribed "Cyprus," which was painted on Hogarth's chariot, and might possibly be intended to carry some allusion to himself, for the stream of water from one of the garretteers just touches the point.

[140] Hogarth seems to have had a strong antipathy to the politics of this year. In later impressions of Plate 8 of "The Rake's Progress" will be found a halfpenny with the same date, in which Britannia is represented in the character of a maniac, with dishevelled hair, etc.

[141] If this sign of the Castle were not inscribed "Newcastle Inn," we should take it for a very old castle indeed. Its being in so ruinous a state, the frame shattered, and off one hook, describes the Duke's interest at that time. His Grace might be termed a Father of the Church, for he had promoted almost every bishop in the kingdom, and during the continuance of his administration an archbishop's levee could not have a more sable appearance. He resigned, or was turned out, which the reader pleaseth; and at his succeeding levee—there was not one ecclesiastic!

[142] Lord Besborough and the Honourable Robert Hampden were, I think, joint Postmasters-General this year; a short time after, Lord Egmont had the situation of Lord Besborough, but soon resigned.

[143] The Prince of Wales was born on the 12th of August 1762. Just after her Majesty was safely in her bed, the waggons with the treasure of the Hermione entered Saint James's Street, on which the king and the nobility went to the window over the palace gate to see them, and joined their acclamations on two such joyful occasions. From hence the procession, consisting of twenty waggons, etc., proceeded to the tower.—Annual Register, 1762, Art. August.

[144] In the London Magazine for September 1762, I find the following explanation:—

"The subject of this print is, as its title expresses it, 'The Times.' The first object is a quarter of the globe on fire, supposed to be Europe; and France, Germany, and Spain, denoted by their respective arms, are represented in flames, which appear to be extending themselves to Great Britain itself. And this desolation is continued and increased by Mr. P——, who is represented by the figure of Henry VIII., with a pair of bellows blowing up those flames which others are endeavouring to extinguish. He is mounted on the stilts of the populace. There is a Cheshire cheese hanging between his legs, and round the same '£3000 per annum.' The manager of the engine-pipe is L—— B——, who is assisted in working the engine by sailors, English soldiers, and Highlanders; but their good offices are impeded by a man with a wheel-barrow, overladen with Monitors and North Britons, brought to be thrown in to keep up the flame. The respectable body depictured under Mr. P——, are the m—— of London, who are worshipping the idol they had formerly set up; whilst a German prince, who alone is sure to profit by the war, is amusing himself with a violin among his miserable countrymen. It is sufficiently apparent who is meant by the fine gentleman at the dining-room window of the Temple Coffeehouse, who is squirting at the director of the engine-pipe, whilst his garretteers are engaged in the same employment. The picture of the Indian alludes to the advocates for the retaining our West India conquests, which, they say, will only increase excess and debauchery; and the breaking down the Newcastle Arms, and the drawing up the patriotic ones, refer to the resignation of a noble Duke, and the appointment of a successor. The Dutchman smoking his pipe, with a fox peeping out beneath him, the emblem of cunning, waiting the issue; the waggon with the treasures of the Hermione; the unnecessary marching of the militia, signified by the Norfolk jig; the dove with the olive branch; and the miseries of war, are obvious, and need no explication."

In a newspaper of the day is the following whimsical description of the characters the writer chooses to say were really intended:—

"The principal figure, in the character of Henry VIII., appears to be not Mr. P——, but another person, whose power is signified by his bulk of carcase, treading on Mr. P——, represented by 3000. The bellows may signify his well-meant though ineffectual endeavours to extinguish the fire by wind, which, though it will put out a small flame, will cherish a large one. The guider of the engine-pipe I should think can only mean his M——, who unweariedly tries, by a more proper method, to stop the flames of war, in which he is assisted by all his good subjects both by sea and land, notwithstanding any interruption from Auditors or Britons, Monitors or North Britons. The respectable body at the bottom can never mean the magistrates of London: Mr. H—— has more sense than to abuse so respectable a body. Much less can it mean the judges. I think it may as likely be the Court of Session in Scotland, either in the attitude of adoration, or with outspread arms, intending to catch their patron should his stilts give way. The Frenchman may very well sit at his ease among his miserable countrywomen, as he is not unacquainted that France has always gained by negotiating what she lost in fighting. The fine gentleman at the window, with his garretteers, and the barrow of periodical papers, refers to the present contending parties of every denomination. The breaking of the Newcastle Arms alludes to the resignation of a great personage; and the replacing of them by the sign of the Four Clenched Fists may be thought emblematical of the great economy of his successor. The Norfolk jig signifies in a lively manner the alacrity of all his Majesty's forces during the war; and G. T. (George Townshend) fecit, is an opportune compliment paid to Lord Townshend, who, in conjunction with Mr. Wyndham, published A Plan of Discipline for the use of the Norfolk Militia, quarto, and had been the greatest advocate for the establishment of our present militia. The picture of the Indian alive from America, is a satire on our late uncivilised behaviour to the three chiefs of the Cherokee nation who were lately in this kingdom, and the bags of money set this in a still clearer point of view, signifying the sums gained by showing them at our public gardens. The sly Dutchman with his pipe seems pleased with the combustion, from which he thinks he shall be a gainer; and the Duke of Nivernois, under the figure of a dove, is coming from France to give a cessation of hostilities to Europe."

[145] In the first impressions, considering Mr. Pitt as a tyrant, he introduced him in the character of Henry VIII.; this was afterwards properly altered.

[146] "There are strong prejudices in favour of straight lines, as constituting true beauty in the human form, where they never should appear. A middling connoisseur thinks no profile has beauty without a very straight nose; and if the forehead be continued straight with it, he thinks it is still more sublime. The common notion that a person should be straight as an arrow, and perfectly erect, is of this kind. If a dancing-master were to see his scholar in the easy and gracefully turned attitude of the Antinous, he would cry shame on him, and tell him he looked as crooked as a ram's horn, and bid him hold up his head as he himself did."—Preface to the Analysis of Beauty, p. 8.

[147] Of Ramsay's manner, Churchill had an opinion similar to Hogarth's. Speaking of Scotland, he says,

"From thence the Ramsays, men of 'special note,

Of whom one paints as well as t'other wrote."

Prophecy of Famine.

[148] The British Lion seems by no means delighted at the distribution he is forced to make. The strong arm, drawing a long lever, has distorted his mouth, and, though gagged, his wry face shows his agony.

[149] Among the admirable things recorded as Mr. Wilkes' jests, is a remark upon this same red book: "Sir, it is the only book now red" (read).

[150] See the North Briton.

[151] As a paint-pot and brushes are placed in the corner, it is supposed Hogarth intended to represent Himself as one of the group: perhaps this may be the figure.

[152] The porter with his knot upon his head, and a pipe in his mouth, leans against the pillory.

[153] Let it be observed, that in this, as well as in many more of Mr. Hogarth's prints, the buildings are reversed: in the drawing from whence the engraving was made they were right.

[154] To be told that I am wrong in some of their names will not surprise me. The figure presenting a snuff-box, I judged to be Earl Temple, from his face having been originally etched without features, and a nose and chin added. Another with a riband, whose back only is seen, from its similarity to an engraving after the design of a noble marquis, I have denominated Lord Winchelsea. A higher figure, on his left hand, is possibly the Duke of Bedford; the interrogating profile, with a hat on, somewhat lower, has the air of Mr. Rigby.[155] I have conjectured that a gentleman remarkably rotund is intended for Lord Melcombe; the noble lord beneath him may be designed for the Duke of Devonshire; and the grave senator in spectacles, above the ear-trumpet, is perhaps Earl Bath.

[155] The rail, which I have said was perhaps intended to divide the Commons from the Lords, might yet be designed to divide the men most active in the Opposition from the Ministry. To either supposition there are objections which I cannot solve.

[156] A man in a porter-house, classing himself as an eminent literary character, was asked by one of his companions what right he had to assume such a title? the reply was remarkable: "Sir, I'd have you know, I had the honour of chalking Number 45 upon every door between Temple Bar and Hyde Park Corner."

[157] The public must certainly have had the same opinion, for at that period Mr. Wilkes was in the meridian of his popularity. Though not exactly like Gay's hare in the fable, he had many friends, and Mr. Nichols relates, that a copperplate printer informed him near four thousand copies of this etching were worked off in a few weeks. These must necessarily have been sold, and we may naturally infer were bought by his friends.

[158] Equally memorable was his reply to a friend who requested him to sit to Sir Joshua Reynolds, and have his portrait placed in Guildhall, being then so popular a character that the Court of Aldermen would willingly have paid the expense. "No," replied he, "No! they shall never have a delineation of my face, that will carry to posterity so damning a proof of what it was. Who knows but a time may come when some future Horace Walpole will treat the world with another quarto volume of historic doubts, in which he may prove that the numerous squinting portraits on tobacco papers and halfpenny ballads, inscribed with the name of John Wilkes, are 'a weak invention of the enemy,' for that I was not only unlike them, but, if any inference can be drawn from the general partiality of the fair sex, the handsomest man of the age I lived in."

[159] If Hogarth at first intended it for a caricature, who knows but the old lion might have repented himself, for he afterwards threw the original drawing into the fire; it was snatched out by Mrs. Lewis.

[160] That Hogarth should be unseen by all, and yet seen by Virtue, if not a blunder, is very nearly allied to it.

[161] This remark extends no further than to the figure of Churchill. In the little design on a palette, which was added some time after the print was published, there is much wit.

[162] These angry strains had, I suppose, their origin in Hogarth having on some occasion charged Churchill with falsehood. The accusation might probably allude to personal satire, and the bard's warmest admirers must admit, that though his characters are highly drawn, and still more highly coloured, they are rather political than historical, rather poetical than biographical. An uneducated painter, who had not taste enough to conceive that poetry, however animated, could make that truth which he knew to be falsehood, might possibly give his opinion in very displeasing terms.

[163] Porter was the poet's favourite beverage; but though he quaffed more entire butt than bard beseems, he drank still deeper draughts from the fountain of Helicon. Many of his stanzas breathe inspiration.

[164] Much wretched writing, in both verse and prose, concerning this contest between the pencil and the pen, was inserted in the prints of the day. The following explanation, indifferent as it may be thought, is the best I happen to have seen:—

"The bear with a tattered band represents the former strength and abilities of Mr. Hogarth; the full pot of beer likewise shows that he was in a land of plenty. The stump of a headless tree, with the notches, and on it written 'Lie,' signifies Mr. Hogarth's former art, and the many productions thereof, wherein he has excelled even nature itself, and which of course must be but lies, flattery, and fallacy, the painter's prerogative; and the stump of a tree only being left, shows that there can be no more fruit expected from thence, but that it only stands as a record of his former services. The butcher's dog trampling on Mr. Churchill's Epistle alludes to the present state of Mr. Hogarth, who is now reduced from the strength of a bear to a blind butcher's dog, not able to distinguish, but degrading, his best friends; or perhaps giving the public a hint to read that Epistle, where his case is more fully laid before them. The next matter to be explained is the subscription-box, and under it is a book said to contain A List of Subscribers to the North Briton, as well as one of A New Way to Pay Old Debts. Mr. Hogarth mentioned the North Briton to avoid the censure of the rabble in the street, who he knew would neither pity nor relieve him; and as Mr. Churchill was reputed to be the writer of that paper, it would seem to give a colour in their eyes of its being intended against Mr. Churchill. Mr. Hogarth meant only to show his necessity, and that a book entitled A List of Subscribers to the North Briton contained in fact a list of those who should contribute to the support of Mr. Hogarth in old age. By the book entitled A New Way to Pay Old Debts, he can only mean this, that when a man is become disabled to get his livelihood and much in debt, the only shift he has left is to go a-begging to his creditors.

"There are likewise in this print some of his old tools, without any hand to use them."

[165] This thought might possibly be suggested by one of Shakspeare's witches:

"Sleep shall neither night nor day

Hang upon his pent-house lid,

He shall live a man forbid," etc.

How admirable a contrast is formed by Robert Lloyd's description of an opposite character!

"Dull folly,—not the wanton wild,

Imagination's younger child,

Had taken lodgings in his face,

As finding that a vacant place."

[166] "Little did the sportive satirist imagine that the power of pleasing was so soon to cease in both! Hogarth died in four weeks after the publication of this poem, and Churchill survived him but nine days. In some lines which were printed in November 1764, the compiler of these anecdotes took occasion to lament that

"'Scarce had the friendly tear,

For Hogarth shed, escap'd the generous eye

Of feeling pity, when again it flow'd

For Churchill's fate. Ill can we bear the loss

Of Fancy's twin-born offspring, close allied

In energy of thought, though different paths

They sought for fame!—Though jarring passions sway'd

The living artists, let the funeral wreath

Unite their memory!'"

Nichols' Biographical Anecdotes of Hogarth.

[167] In Mr. Churchill's will was the following item:—

"I desire my dear friend John Wilkes, Esq., to collect and publish my works, with the remarks and explanations he has prepared, and any other he thinks proper to make."

Could Mr. Churchill really think it was possible that notes by Mr. Wilkes, or any other man, would justify his malignant attack upon Hogarth?

[168] What a satire upon himself! What an apology for Hogarth's print!