Arms of Beverley
Minster.
Each of two East Riding villages, Harpham and Cherry Burton, claims to be the birthplace of Saint John of Beverley. His date of birth is even more uncertain than his place of birth; but we know that he was sent to school at the monastery at Canterbury, and afterwards became an inmate of the famous monastery of St. Hilda at Whitby. Then he was for nineteen years Bishop of Hexham, and finally, in 705 or 706, was ‘translated’ to York, and thus became the fifth in the long line of eighty-nine Archbishops from Paulinus to Cosmo Lang.
While John was Bishop of Hexham he purchased a plot of ground in Beverley, and on it built a church which he placed in charge of a small number of canons. The surrounding country was then nothing but swamp and forest—the swamps of the river Hull and the wild woodland whose name has come down to us as ‘Beverley Westwood.’ So fond of this church was John, that in 718 he gave up his Archbishopric and retired to Beverley, where he died three years later.
John’s church suffered the fate which came to nearly all the monasteries and churches of those far-off times. The ravaging Northmen fell upon it, and it was not till the reign of King Aethelstan that it recovered from their attacks.
Then its fame began to grow. In 934 Aethelstan was marching north to make war upon the Scots, and when at Lincoln met—so the story runs—a band of pilgrims who joyously declared that they had been healed of all manner of diseases by visiting the tomb of the blessed John of Beverley. Their story induced the King to pay a visit to the same tomb; so he journeyed directly north, crossed the Humber, and went on to Beverley, while his army went round by the longer branch of the old Roman road to York.
Arriving at Beverley, Aethelstan besought the aid of the holy Bishop John, and placed his knife on the high altar as a pledge of the rewards that he would bestow upon the church if he were successful in his journey. Thereupon a vision of John of Beverley appeared before his eyes, and he heard the words, ‘Pass fearlessly with your army, for you shall conquer’—words which certainly came true enough.
Believing that his success was due entirely to the power of the holy Bishop whose banner he had brought with him from Beverley, the King, on his return, liberally fulfilled his pledge, and endowed John’s church with grants of lands, tolls, and the right of Sanctuary.
is the way in which a charter of much later date than the time of Aethelstan describes the King’s gifts to John of Beverley’s church.
Beverley Minster in the Eighteenth Century, from the North-East.
So great after this became the fame of the miracles performed at the tomb of the founder of the church, that in 1037 the Pope ordered that John of Beverley should thenceforth be ranked as a Saint. His bones and other relics were then laid in a magnificent shrine in front of the high altar, and the story of the fate which came upon the sacrilegious Toustain in 1069 is sufficient evidence of their power.[33]
The charter of Aethelstan was renewed by Edward the Confessor, Henry I., and Stephen; and in the reign of the last-named King the banner of St. John was for the second time in the forefront of a battle against the Scots. This was the Battle of the Standard, when the banners of the four northern Saints—St. Peter of York, St. Cuthbert of Durham, St. Wilfrid of Ripon, and St. John of Beverley—brought victory to the English host.
| Photo by] | [C.W. Mason |
| ‘Early English.’ Doorway in the South Transept of Beverley Minster. | |
Once again an English King visited Beverley and carried north with him the banner of St. John. The King was Edward I., the ‘Hammer of the Scots,’ and the Household Accounts of his reign show that in 1299 there was paid:
To master Gilbert de Grimsby, vicar of the collegiate church of St. John de Beverley, for his wages, from the 25th day of November, on which day he left Beverley to proceed, by command of the King, with the standard of St. John, in the King’s suite aforesaid, to various parts of Scotland, until the 9th day of January, both computed, 46 days, at 8½d. per diem ...
| Photo by] | [C.W. Mason |
| Small ‘Decorated’ Doorway at the west end of Beverley Minster. | |
Edward II., Henry IV., Henry V., and Henry VI. all paid visits to the shrine of St. John of Beverley, and his power was once more demonstrated in the victory of the English army at the battle of Agincourt. For during the time that the battle was being waged, did not the tomb of the Saint sweat drops of holy oil? So at least said the pilgrims to the shrine, and certainly they ought to have known whether it did or not.
Royal gifts and pilgrims’ offerings brought great prosperity to the church of St. John of Beverley. But evil days were fast approaching, and in 1547 Royal Commissioners were sent to report on it. They reported that there were attached to the church a Provost, 9 Canons, 7 Parsons, 9 Vicars, 15 Chantry Priests, 4 Sacristans, 2 Incense Bearers, 8 Choristers, and 22 others, a total of 77 officers, who shared among them an income of £900 derived from lands and tithes. Two years later its revenues were declared confiscated to the Crown, and its inmates reduced in number to 1 Vicar and 3 Assistants.
Of the building as it was in its earliest days we know little. In Aethelstan’s time it was probably entirely of wood. The erection of a stone church is believed to have taken place in the reign of Edward the Confessor, but we know that in 1188 the chancel and transepts of this church were destroyed by fire.
Rebuilding was commenced shortly afterwards, and a lofty tower was built on the weak foundations of the older one. As a result the new tower soon fell, and about 1225 the building of an entirely new church was taken in hand. This was the time when what we call the Early English style of building was in vogue, and there is nothing of this style in all England finer than the chancel and transepts of Beverley Minster.[34]
If you look at the old engraving of the Minster given on page 137 you will notice that this one style of building was not followed throughout the church. Just past the transepts the style changes into the Decorated style. The reason is that there was a long interval of nearly one hundred years during which the canons had not enough money to continue their building operations, so that the work came to a standstill. Meanwhile the Norman nave was still standing; and when at last money again became plentiful, a larger nave in the new and fashionable style was built around the old one. A curious result of this mode of building is seen to-day in that the pillars of the nave are not exactly opposite to one another, because the builders were not able to measure directly across from one to the other.
| Photo by] | [C.W. Mason |
| Part of the Arcading on the south side of the Nave in Beverley Minster, showing the change of style from ‘Early English’ to ‘Decorated.’ | |
Another glance at the old engraving will show that a further change in men’s ideas of building took place before the church was finished. The ravages of the ‘Black Death’ stopped progress for a time; and when the great twin towers of the west end were built, the Perpendicular style of building had become fashionable. Then, in order that the east window should be in fashion with the west window, it was rebuilt ‘in the latest style.’ Thus we have in the church three successive styles of building, quite different from one another, and yet so blended that they make one harmonious whole.
After the confiscation of the church property in 1549, the Minster fell, naturally, into sad disrepair. Its beautiful octagonal chapter house was sold and pulled down. One hundred and ten years ago the Minster was reported to be almost a ruin. So bad was its condition that the beautiful gable of the north transept had bulged outwards no less than four feet, and was saved from destruction only by the skill of a carpenter named Thornton, who erected a huge screen of timber, and forced the wall back to its upright position.
‘Hey-diddle-diddle,
The cat and the fiddle.’
A Wood-Carving in Beverley Minster.
In 1886 a great architect, Sir Gilbert Scott, was employed to make necessary restorations. First of all he took down the dome-like roof, with gilded ball above it, seen in the old engraving of the Minster. True, the Minster still lacks the central tower which, like the cathedrals of York, Durham, and Lincoln, it was originally planned to have; but better none at all than the unsuitable dome which our ancestors built a century ago. The beautiful choir screen was designed also by Sir Gilbert Scott, and was carved by a Beverley craftsman, Mr. James Elwell.
Since 1886 the main work of restoration has been the filling in of the numerous niches around the walls, each of which before the Reformation had its statue, great or small. Only one of these ancient statues remains, a statue of one of the Percy family, on a buttress of the north face of the north tower. There are now in position on the walls of the Minster 182 statues—108 outside and 74 inside—most of which have been provided through the generosity of Canon Nolloth.
PLAN OF BEVERLEY MINSTER
There is much of interest to see around the Minster. The best view of the great towers is obtained from the entrance to Minster Moorgate; that of the interior of the nave from the upper floor at the west end, which is reached by a staircase in the north tower.
Climb to the top of the tower and you will, if the day is fine, be rewarded with a wide-reaching view over Beverley Westwood and the Plain of Holderness. Go into the chancel and examine the Percy Tomb. You are looking at the most magnificent stonework of the fourteenth century in the whole of Europe. Lift up the seats in the canons’ stalls and you will see the best collection of carved miserere seats in England. Sit in the ancient Frith-Stool and you can imagine yourself to be either an innocent victim of oppression or a criminal of the deepest dye—whichever you prefer. Stand before the great east window, and admire the beauty of the old stained glass of which it is composed. Or stand before the great west window and you will see portrayed in its coloured glass Augustine and Aethelberht of Kent and St. John of Beverley, the marriage of Edwin and Ethelburga, the baptism of Edwin by Paulinus, and Coifi, the heathen high priest, with his broken idols—an epitome of the early church history of our country.