FOOTNOTES:

[1] See page 63.

[2] See page 69.

[3] See Contract Form, page 22.

[4] See Contract Form, page 22.

[5] See Contract Form, page 20.

[6] See comments on page 65.

[7] See Contract Form, page 21.

[8] See Contract Form, page 22.

[9] See Contract Form, page 21.

[10] See qualifications later.

[11] See comments on page 17.

[12] See comments on page 15.

[13] See comments on page 18.

[14] See comments on page 31.

[15] See comments on page 16.

[16] See comments on page 17.

[17] This varies from five to twelve copies.

[18] Usually one-third discount from retail price.

[19] See comments on pages 13-14.

[20] See comments on page 13.

[21] The bracketed words show the alternative arrangement on basis of semi-annual royalty accounting. See comments on page 29.

[22] See Contract Form, page 21, §4, I.

[23] The notice of copyright must consist either of the word "Copyright" or the abbreviation "Copr." accompanied by the name of the copyright proprietor, and if the work be a printed literary, musical, or dramatic work, the notice shall include also the year in which the copyright was secured by publication. In case, however, of copies of (f) Maps; (g) Works of art; models or designs for works of art; (h) Reproductions of a work of art; (i) Drawings or plastic works of a scientific or technical character; (j) Photographs; (k) Prints and pictorial illustrations, the notice may consist of the letter C inclosed within a circle, thus: ©, accompanied by the initials, monogram, mark or symbol of the copyright proprietor: Provided, that on some accessible portion of such copies or of the margin, back, permanent base or pedestal, or of the substance on which such copies shall be mounted, his name shall appear.

The notice of copyright must be applied in the case of a book or other printed publication, upon its title-page or the page immediately following [the back of the title-page], or if a periodical either upon the title-page or upon the first page of text of each separate number or under the title heading, or if a musical work either upon its title-page or the first page of music; but one notice of copyright in each volume or in each number of a newspaper or periodical published is sufficient.

[24] See page 38 for advice about procedure in case of periodicals themselves.

[25] On the following page is given a reduced facsimile of both sides of the Application Blank filled out ready to be sworn to.

[26] See page 43.

[27] No special registration beyond that to secure the American and the English copyright is required in countries with whom the United States has copyright treaties.

[28] See page 34.

[29] See page 10.

[30] For estimating, see page 69.

[31] See page 4.

[32] See page 10.

[33] See page 88.

[34] A chapter usually begins with a sinkage of one-quarter page from the top, and the last page of a chapter is usually but partially filled with printed matter.

[35] The word "leaded" is used here to indicate a six-to-pica or 2-point lead. See page 62.

[36] See Glossary of Terms.

[37] See Glossary of Terms.

[38] See Glossary of Terms.

[39] See Glossary of Terms.

[40] See Glossary of Terms.

[41] See Glossary of Terms.

[42] See Glossary of Terms.

[43] See page 70.

[44] When a volume is left with uncut edges it is to be assumed that its binding is of a temporary nature, and that the purchaser will rebind it to suit his taste.

[45] See Glossary of Terms.

[46] For the form and location of this notice as required by law see page 34.

[47] This is often an important matter in the case of unbound sheets shipped to England, as the "country of origin" must be printed on all such sheets, and the printer's imprint must contain the letters "U.S.A."

[48] These can be purchased at such stores as the Dennison Mfg. Co. at a small price.

[49] This pamphlet is issued by the Government, and copies may be secured from the Superintendent of Documents, Government Printing Office, Washington, D.C., at twenty cents a copy.

[50] The British Museum enters British noblemen under the family name. The reasons for entry under the title are that British noblemen are always so spoken of, and always sign by their titles only. The reasons against it are that the founders of noble families are often as well known—sometimes even better—by their family name as by their titles (e.g., Charles Jenkinson afterwards Lord Liverpool, Sir Robert Walpole, afterwards Earl of Oxford); that the same man bears different titles in different parts of his life thus Philip Stanhope published his "History of England from the Peace of Utrecht" as Lord Mahon, and his "Reign of Queen Anne" as Earl Stanhope; that it separates members of the same family (Lord Chancellor Eldon would be under Eldon and his father and all his brothers and sisters under the family name Scott), and brings together members of different families (thus the earldom of Bath has been held by members of the families of Shaunde, Bourchier, Granville, and Pulteney, and the family name of the present Marquis of Bath is Thynne), which last argument would be more to the point in planning a family history. The same objections apply to the entry of French noblemen under their titles, about which there can be no hesitation. The strongest argument in favor of the Museum rule is that it is well-established, and that it is desirable that there should be some uniform rule.

[51] See page 109.

[52] So that Thomas de Insula and Thomas Insulanus may not be separated.

[53] Here the transposed The is non-existent for the arranger.


Transcriber's Note:

Variable spelling and hyphenation have been retained. Minor punctuation inconsistencies have been silently repaired.

Corrections.

The first line indicates the original, the second the correction.

p. 19:

p. 162:

Errata.

The first line indicates the original, the second how it should read.

p. 140:

p. 144:

p. 150: