APPENDIX OF TABLES.

Table I. This table is general, comparing, by means of a percentage system, the amount of space devoted to the orchestra solo, recitative, ensemble and chorus work in the thirty-four operas considered. The date, name, composer, number of acts and number of characters is shown.

Table II. This develops column "D" of table I and shows the first the entire number of characters, and then the number of sopranos, mezzo-sopranos, altos, tenors, baritones and bass in these same thirty-four operas.

Table III. This table develops "F" of Table I showing the entire percentage of orchestration in each of the thirty-four operas, and further the division of this percentage into that devoted to overtures, ballets and interludes.

Table IV. This table develops column "G" of Table I concerning solo works. The percentage of the entire solo work is given and this is then divided into the percentage devoted to that of soprano, mezzo-soprano, alto, tenor, baritone and bass.

Table V. In this table column "H" of Table I is developed. A record is shown of the operas which contain accompanied and unaccompanied recitative of the thirty-four operas is shown, and this, in turn, is divided into that of soprano, mezzo-soprano, contralto, tenor, baritone and bass.

Table VI. Column "I" of Table I is considered here. The entire percentage of ensemble work is shown, and this is divided into that of duets, trios, quartets, quintets and sextets.

Table VII. This table develops column "J" of Table I and shows the percentage of the opera devoted to chorus work and further, the division into mixed chorus and men's and women's choruses.

TABLE I. GENERAL.

A
Date.		 B
Name.		 C
Composer.		 D
No. of
Characters.		 E
No. of
Acts		 F
% of
Orchestra		 G
% of
Solo		 H
% of
Recitative		 I
% of
Ensemble		 J
% of
Chorus
1600 Rappresebtatione de Anima Cavalieri 5 3 11.6  14.21  30.2  11.6  14.39 
1675 King Arthur Purcell 13 5 30.1  21.3   9.73 17.27  21.6  
1731 La Serva Padrona Pergolese 2 2 14.35 25.73  30.30 19.50  10.2  
1762 Orfeus Gluck 3 3 26.85 15.27  11.87 33.13  12.88 
1767 Alceste Gluck 8 3 32.92 23.5   23.82 3.163 18.71 
1784 Le Domine Noir Auber 9 3 23.6  18.68  18.62 15.91  23.19 
1787 Don Giovanni Mozart 8 2 15.91 30.13  31.43 29.31  1.582
1762 L'Amant Jaloux Gretry 7 3 4.17 6.53  .92 83.4   6.2  
1800 Les Deux Journees Cherubini 6 3 22.56 13.5   22.8  7.2   36.94 
1805 Fidelio Beethoven 7 2 26    35.17  10.11 14.66  14.06 
1816 The Barber of Seville Rossini 8 2 22.15 17.28  10.00 38.57  12.00 
1821 Der Freischütz Weber 6 3 51.03 18.9   9.06 4.7   16.31 
1831 La Somnambula Bellini 7 2 19.61 15.19  30.33 7.523 30.6  
1832 Le Postilion Lonjuneaux Adam 7 3 19.6  12.76  33.8  23.32  26.17 
1835 Lucia di Lammermoor Donizetti 7 3 8.92 39.83  5.62 10.23  35.4  
1843 The Bohemian Girl Balfe 9 3 32.6  23.7   10.42 8.38  25.7  
1847 Martha Flotow 10 4 18.85 8.73  24.03 28.77  25.95 
1866 Mignon Thomas 8 5 19.7  21.42  33.75 9.76  14.74 
1867 Romeo and Juliet Gounod 12 5 29.6  32.71  17 6.97  13.72 
1874 Aida Verdi 6 4 29.82 17.405 15.6  7.075 30.1  
1875 Carmen Bizet 10 4 31.6  26.71  15.32 15.05  9.32 
1882 Parsifal Wagner 6 3 31.2  28.67  19.82 — 10.31 
1887 Samson and Delilah Saint-Saens 8 3 35.6  25.43  19.71 4.3   15.07 
1890 Cavalleria Rusticana Mascagni 5 1 31.6  12.3   11.9  12.56  31.64 
1892 Il Pagliacci Leoncavello 5 2 15.77 40.2   11.97 9.18  19.88 
1893 Le Cid Massenet 10 4 36.31 25.83  19.78 8.33  9.75 
1894 Hansel and Gretel Humperdinck 7 3 36.2  25.47  18.1  14.91  15.38 
1896 Cricket on the Hearth Goldmark 6 3 33.6  16.86  38.40 5.54  5.6  
1900 Louise Charpentier 8 4 25.6  23.97  20.32 15.6   15.51 
1904 Madame Butterfly Puccini 10 2 33.4  12.87  24.85 4.75  10.03 
1905 Eugene Onegin Tschaikovski 10 3 32.4  33.96  15.42 2.93  15.29 
1905 Salome Strauss 6 1 19.89 46.2   31.62 .93  11.36 
1913 L'Amour dei Tre Re Montemezzi 10 3 24.6  32.24  39.62 .07  3.51 
1914 Madeleine Herbert 5 1 22.41 50.19  23.04 4.36  —

TABLE II. NUMBER AND KIND OF CHARACTERS.

A
Date.		 B
Name.		 C
Composer.		 D
No. of
Characters.		 E
No. of
Soprano		 F
No. of
Mezzo
Soprano		 G
No. of
Alto		 H
No. of
Tenor		 I
No. of
Baritone		 J
No. of
Bass
1600 Rappresentatione de Anima Cavalieri 5 2 — — 2 — 1
1675 King Arthur Purcell 13 7 — — 1 — 5
1731 La Serva Padrona Pergolese 2 1 — — — — 1
1762 Orfeus Gluck 3 2 — 1 — — —
1767 Alceste Gluck 8 1 — — 2 — 5
1784 Le Domine Noir Auber 9 2 3 — 1 — 3
1787 Don Giovanni Mozart 8 3 — — 1 1 3
1762 L'Amant Jaloux Gretry 7 3 — — 2 — 1
1800 Les Deux Journees Cherubini 6 1 — — 3 — 2
1805 Fidelio Beethoven 7 2 — — 2 — 3
1816 The Barber of Seville Rossini 8 1 — 1 1 1 4
1821 Der Freischütz Weber 6 2 — — 1 1 4
1831 La Somnambula Bellini 7 2 1 — 2 1 1
1832 Le Postilion Lonjuneaux Adam 7 1 — — 4 — 3
1835 Lucia di Lammermoor Donizetti 7 1 1 — 3 1 1
1843 The Bohemian Girl Balfe 9 3 — — 3 1 2
1847 Martha Flotow 10 2 3 — 2 — 3
1866 Mignon Thomas 8 1 1 1 2 — 3
1867 Romeo and Juliet Gounod 12 2 1 — 3 3 3
1874 Aida Verdi 6 1 1 — 2 — 2
1875 Carmen Bizet 10 3 1 — 2 1 3
1882 Parsifal Wagner 6 1 — — 1 1 3
1887 Samson and Delilah Saint-Saens 8 — 1 — 3 1 3
1890 Cavalleria Rusticana Mascagni 5 1 1 1 1 1 —
1892 Il Pagliacci Leoncavello 5 1 — — 2 — 2
1893 Le Cid Massenet 10 2 — — 2 3 3
1894 Hansel and Gretel Humperdinck 7 3 3 — — 1 —
1896 Cricket on the Hearth Goldmark 6 3 — — 1 1 1
1900 Louise Charpentier 8 1 1 3 1 2 —
1904 Madame Butterfly Puccini 10 1 2 — 2 3 2
1905 Eugene Onegin Tschaikovski 10 1 2 1 2 1 3
1905 Salome Strauss 6 1 2 — 2 1 —
1913 L'Amour dei Tre Re Montemezzi 10 3 1 — 4 2 —
1914 Madeleine Herbert 5 1 1 — 1 1 1

TABLE III. ORCHESTRATION.

A
Date.		 B
Name.		 C
Composer.		 D
% of
Entire
Orchestration.		 E
% of
Overture.		 F
% of
Ballet.		 G
% of
Interludes.
1600 Rappresentatione de Anima Cavalieri 14.39 2.07  — 12.32
1675 King Arthur Purcell 30.1  5.21  3.34 21.55
1731 La Serva Padrona Pergolese 14.35 2.45  — 11.90
1762 Orfeus Gluck 26.85 14.87  9.01 2.97
1767 Alceste Gluck 32.92 3.61  18.45 10.86
1784 Le Domine Noir Auber 23.6  10.97  — 13.6 
1787 Don Giovanni Mozart 15.91 7.39  — 8.52
1762 L'Amant Jaloux Gretry 4.17 2.64  — 1.97
1800 Les Deux Journees Cherubini 22.56 16.95  1.41 4.5 
1805 Fidelio Beethoven 26.00 7.4   — 18.6 
1816 The Barber of Seville Rossini 22.15 8.98  — 13.17
1821 Der Freischütz Weber 51.03 21.09  3.27 26.67
1831 La Somnambula Bellini 19.61 3.35  — 16.26
1832 Le Postilion Lonjuneaux Adam 19.6  4.85  — 14.85
1835 Lucia di Lammermoor Donizetti 8.92 2.33  1.45 5.14
1843 The Bohemian Girl Balfe 32.6  16.25  10.32 5.09
1847 Martha Flotow 18.85 1.293 — 17.57
1866 Mignon Thomas 19.7  6.52  — 13.2 
1867 Romeo and Juliet Gounod 29.6  2.45  3.97 22.14
1874 Aida Verdi 29.82 6.42  10.53 12.87
1875 Carmen Bizet 31.6  4.5   9.2  17.9 
1882 Parsifal Wagner 31.2  5.1   — 26.1 
1887 Samson and Delilah Saint-Saens 35.6  — 17.42 18.18
1890 Cavalleria Rusticana Mascagni 31.6  21.72  .93 8.95
1892 Il Pagliacci Leoncavello 25.77 15.15  — 10.62
1893 Le Cid Massenet 36.31 3.4   5.6  27.31
1894 Hansel and Gretel Humperdinck 36.2  16.5   — 19.7 
1896 Cricket on the Hearth Goldmark 33.6  5.29  — 28.31
1900 Louise Charpentier 25.6  4.75  — 20.85
1904 Madame Butterfly Puccini 33.4  5.42  — 28.00
1905 Eugene Onegin Tschaikovski 32.4  3.52  9.65 19.33
1905 Salome Strauss 19.89 — 7.42 12.47
1913 L'Amour dei Tre Re Montemezzi 24.6  — — 24.6 
1914 Madeleine Herbert 22.41 — — 22.41

TABLE IV. SOLOS.

A
Date.		 B
Name.		 C
Composer.		 D
% of
entire solos.		 E
% of
Soprano.		 F
% of
Mezzo Sop.		 G
% of
Alto.		 H
% of
Tenor.		 I
% of
Baritone.		 J
% of
Bass.
1600 Rappresentatione de Anima Cavalieri 14.21  10.2  — — 2.6   — 1.31 
1675 King Arthur Purcell 21.3   7.4  — 4.061 4.62  — 5.219
1731 La Serva Padrona Pergolese 25.73  19.1  — — — — 6.63 
1762 Orfeus Gluck 15.27  6.52 — 8.75  — — —
1767 Alceste Gluck 23.5   14.8  — — 4.5   — 33.6  
1784 La Domine Noir Auber 18.68  14.92 — — .92  — 2.84 
1787 Don Giovanni Mozart 30.13  15.02 — — 3.27  4.29  7.55 
1762 L'Amant Jaloux Gretry 6.53  3.98 — — .95  — 1.58 
1800 Les Deux Journees Cherubini 13.5   4.3  2.1   — 5.72  — 1.38 
1805 Fidelio Beethoven 35.17  17.06 — — 14.32  — 3.79 
1816 The Barber of Seville Rossini 17.28  3.42 — 6.68  3.813 1.52  1.847
1821 Der Freischütz Weber 18.9   8.76 — — 3.41  2.41  4.32 
1831 La Somnambula Bellini 15.19  5.35 1.07  — 4.53  2.25  1.99 
1832 Le Postillon Lonjuneaux Adam 12.76  2.67 — — 5.33  — 4.76 
1835 Lucia di Lammermoor Donizetti 39.83  13.6  4.5   — 14.12  3.25  4.36 
1843 The Bohemian Girl Balfe 23.7   4.95 — — 7.86  6.24  5.25 
1847 Martha Flotow 8.73  4.53 .414 — 2.81  — .742
1866 Mignon Thomas 21.42  5.28 5.32  — 6.71  4.11  —
1867 Romeo and Juliet Gounod 32.71  14.9  — — 7.36  3.51  6.94 
1874 Aida Verdi 17.405 5.69 5.03  — 3.56  — 3.125
1875 Carmen Bizet 26.71  9.87 — .09  7.43  1.29  8.03 
1882 Parsifal Wagner 28.67  5.24 — — 6.59  9.62  7.22 
1887 Samson and Delilah Saint-Saens 25.43  6.00 6.27  — 6.00  6.42  —
1890 Cavalleria Rusticana Mascagni 12.3   6.24 — — 5.19  .87  —
1892 Il Pagliacci Leoncavello 40.2   13.25 — — 13.9  13.07  —
1893 Le Cid Massenet 25.83  15.2  — — 5.31  1.4   3.92 
1894 Hansel and Gretel Humperdinck 25.47  5.63 12.59  — — 7.25  —
1896 Cricket on the Hearth Goldmark 16.86  10.16 — — 1.09  2.4   3.21 
1900 Louise Charpentier 23.97  5.6  .27  3.8   9.41  4.89  —
1904 Madame Butterfly Puccini 12.87  7.98 — — 3.96  .874 —
1905 Eugene Onegin Tschaikovsky 33.96  10.42 2.37  .531 3.29  8.34  8.909
1905 Salome Strauss 46.2   23.4  — — 15.27  3.5   4.03 
1913 L'Amour dei Tre Re Montemezzi 33.24  5.32 — — 9.64  9.72  7.56 
1914 Madeleine Herbert 50.19  15.06 — — 10.5   8.39  16.23 

TABLE V. RECITATIVE.

A
Date.		 B
Name.		 C
Composer.		 D
Spoken text.		 E
%
Recit.		 F
%
Soprano.		 G
%
Mezzo Sop.		 H
%
Alto.		 I
%
Tenor.		 J
%
Baritone.		 K
%
Bass.
Accom. Unaccom.
1600 Rappresentatione de Anima Cavalieri — x 30.2  6.43  — 13.21  9.27  — 1.29 
1675 King Arthur Purcell — — 9.73 5.39  — — — — 4.34 
1731 La Serva Padrona Pergolese — — 30.30 20.58  — — — — 9.72 
1762 Orfeus Gluck — — 11.87 7.56  — 4.315 — — —
1767 Alceste Gluck — — 23.82 3.32  — — 2.95  — 17.55 
1784 Le Domine Noir Auber — — 18.62 4.22  3.9  .3   1.77  — 8.43 
1787 Don Giovanni Mozart — — 31.43 9.16  — — 5.53  7.47  9.27 
1762 L'Amant Jaloux Gretry — x .92 .11  — — .95  — 1.58 
1800 Les Deux Jounees Cherubini — — 22.8  6.9   — 3.165 7.32  — 5.415
1805 Fidelio Beethoven — x 10.11 4.31  — — 2.6   — 3.3  
1816 The Barber of Seville Rossini — x 10.00 2.66  — .798 2.33  — 4.2  
1821 Der Freischütz Weber x x 9.06 2.27  — — 2.72  1.03  3.04 
1831 La Somnambula Bellini — — 30.33 5.85  3.17 — 4.78  22.2   4.33 
1832 Le Postilion de Longjuneaux Adam — — 33.80 25.71  — — 5.66  — 2.43 
1835 Lucia di Lammermoor Donizetti — — 5.62 .987 .06 — 1.76  3.09  .703
1843 Bohemian Girl Balfe — — 10.42 3.26  — — 3.5   2.91  .75 
1847 Martha Flotow — — 24.03 7.45  5.02 — 3.31  — 8.25 
1866 Mignon Thomas — x — 3.96  17.30 .725 6.36  — 5.41 
1867 Romeo and Juliet Gounod — — 17.00 3.68  .97 — 4.63  5.29  2.34 
1874 Aida Verdi — — 15.60 3.94  4.6  — 5.82  — 1.24 
1875 Carmen Bizet — — 15.32 4.52  — 1.06  5.31  2.06  8.03 
1882 Parsifal Wagner — — 19.82 3.7   .3  — 3.92  7.59  4.31 
1887 Samson and Delilah Saint Saens — — 19.71 — 4.36 — 4.3   5.1   17.95 
1890 Cavalleria Rusticana Mascagni — — 11.9  2.3   1.47 4.538 1.29  2.357 —
1893 Le Cid Massenet — — 19.78 4.31  — — 2.29  5.53  7.65 
1892 Il Pagliacci Leoncavello — — 11.97 4.63  — — 3.445 — 4.89 
1894 Hansel and Gretel Humperdinck — — 18.1  6.4   7.35 — — 4.35  —
1896 Cricket on the Hearth Goldmark — — 38.40 10.42  — — 7.31  9.44  11.23 
1900 Louise Charpentier — — 20.32 4.28  3.36 .43  6.19  6.14  —
1904 Madame Butterfly Puccini — — 24.85 18.4   4.5  — 1.2   3.2   1.6  
1905 Eugene Onegin Tschaikovsky — — 15.42 2.33  2.47 1.09  2.96  1.17  5.4  
21.62 6.39  1.6  1.4   11.27  — .96 
1913 L'Amour dei Tre Re Montemezzi — — 39.62 19.21  — — 10.43  1.5   8.48 
1914 Madeleine Herbert — — 23.04 12.27  6.02 — 1.06  1.4   2.29 

TABLE VI. ENSEMBLE

A
Date.		 B
Name.		 C
Composer.		 D
% of
Ensemble.		 E
%
Duet.		 F
%
Trio.		 G
%
Quartet.		 H
%
Quintet.		 I
%
Sextet.
1600 Rappresentatione de Anima Cavalieri 11.6   11.6   — — — —
1675 King Arthur Purcell 17.27  14.07  3.2   — — —
1731 La Serva Padrona Pergolese 19.50  19.50  — — — —
1762 Orfeus Gluck 33.13  33.13  — — — —
1767 Alceste Gluck 3.163 .833 — 2.53  — —
1784 Le Domine Noir Auber 15.91  9.59  6.32  — — —
1787 Don Giovanni Mozart 19.31  8.89  5.69  4.47  3.91  6.35
1762 L'Amant Jaloux Gretry 83.4   34.2   34.2   22.8   15.75  10.65
1800 Les Deux Journees Cherubini 7.2   2.46  2.97  .743 — 1.1 
1805 Fidelio Beethoven 14.06  8.3   1.66  4.7   — —
1816 The Barber of Seville Rossini 38.57  15.25  4.92  2.7   15.7   —
1821 Der Freishutz Weber 4.7   1.6   3.1   — — —
1831 La Somnambula Bellini 7.523 6.46  — .963 — —
1832 Le Postilion Lonjuneaux Adam 23.32  12.73  6.52  1.76  4.07  —
1835 Lucia di Lammermoor Donizetti 10.23  6.4   2.07  — — —
1843 The Bohemian Girl Balfe 8.38  3.25  2.42  2.71  — —
1847 Martha Flotow 28.778 10.68  8.50  7.89  1.708 —
1866 Mignon Thomas 9.76  5.19  4.24  .033 — —
1867 Romeo and Juliet Gounod 6.97  4.31  — 2.66  — —
1874 Aida Verdi 7.075 4.39  2.685 — — —
1875 Carmen Bizet 15.05  8.92  1.07  3.74  1.32  —
1882 Parsifal Wagner — — — — — —
1887 Samson and Delilah Saint Saens 4.3   3.9   .4   — — —
1890 Cavalieria Rusticana Mascagni 12.56  12.56  — — — —
1892 Il Pagliacci Leoncavello 9.18  8.87  .306 — — —
1893 Le Cid Massenet 8.33  4.3   1.97  2.06  — —
1894 Hansel and Gretel Humperdinck 5.54  2.09  — — 3.54  —
1896 Cricket on the Hearth Goldmark 2.09  2.09  — — — —
1900 Louise Charpentier 15.6   13.92  1.68  — — —
1904 Madame Butterfly Puccini 4.75  3.41  .134 — — —
1905 Eugene Onegin Tschaikovsky 2.93  1.42  .6   1.91  — —
1905 Salome Strauss .93  .93  — — — —
1913 L'Amour dei Tre Re Montemezzi .07  .07  — — — —
1914 Madeleine Herbert 4.36  4.36  — — — —

TABLE VII. CHORUS

A
Date.		 B
Name.		 C
Composer.		 D
% of
Chorus.		 E
% of
mixed
chorus.		 F
% of
men's
chorus.		 G
% of
women's
chorus.
1600 Rappresentatione de Anima Cavalieri 14.39  14.39  — —
1675 King Arthur Purcell 21.6   18.3   2.56  1.14
1731 La Serva Padrona Pergolese 10.2   10.2   — —
1762 Orfeus Gluck 12.88  12.88  — —
1767 Alceste Gluck 18.71  16.05  2.66  —
1784 Le Domine Noir Auber 23.19  12.7   6.09  4.3 
1787 Don Giovanni Mozart 1.582 .923 .652 —
1762 L'Amant Jaloux Gretry 6.2   — — —
1800 Les Deux Journees Cherubini 36.94  9.14  24.8   —
1805 Fidelio Beethoven 14.6   8.3   2.71  4.59
1816 The Barber of Seville Rossini 12.2   12.2   — —
1821 Der Freischütz Weber 16.31  12.2   3.15  3.85
1831 La Somnambula Bellini 30.6   30.6   — —
1832 Le Postilion Lonjuneaux Adam 26.17  13.37  — 14.85
1835 Lucia di Lammermoor Donizetti 35.4   20.99  15.21  —
1843 The Bohemian Girl Balfe 24.9   21.32  — 3.58
1847 Martha Flotow 25.957 19.9   .647 5.41
1866 Mignon Thomas 33.75  11.08  3.66  —
1867 Romeo and Juliet Gounod 13.72  9.03  2.5   2.19
1874 Aida Verdi 30.1   19.74  3.5   9.86
1875 Carmen Bizet 9.32  5.29  1.64  2.39
1882 Parsifal Wagner 10.31  5.1   3.29  1.92
1887 Smason and Delilah Saint Saens 15.07  10.43  3.21  1.43
1890 Cavalleria Rusticana Mascagni 31.64  22.78  3.46  5.4 
1892 Il Pagliacci Leoncavello 19.88  19.88  — —
1893 Le Cid Massenet 9.75  7.29  2.46  —
1894 Hansel and Gretel Humperdinck 5.38  1.27  4.21  —
1896 Cricket on the Hearth Goldmark 5.6   5.6   — —
1900 Louise Charpentier 15.51  6.29  4.3   4.96
1904 Madame Butterfly Puccini 10.03  8.48  .262 1.34
1905 Eugene Onegin Tschaikovsky 15.29  10.47  — 4.82
1905 Salome Strauss 11.36  11.36  — —
1913 L'Amour dei Tre Re Montemezzi 3.57  2.04  1.53  —
1914 Madeleine Herbert — — — —

BIBLIOGRAPHY.

Books.

1. Apthorpe, W. F. Opera, Past and Present.
2. Dannrheuther, E. Wagner and Reform.
3. Edwards, H. S. Rossini and His School.
4. Gounod, Chas. Mozart's Don Giovanni.
5. Henderson, W. J. Some Forerunners of Opera.
6. Henderson, W. J. A Comment on Opera.
7. Krehbiel, A Book of the Opera.
8. Krehbiel, Studies of Wagnerian Drama.
9. Mendelssohn Stories of the Opera.
10. Newman, E. Gluck and the Opera.
11. Newman, E. Opera.
12. Sonneck, O. G. Early Opera in America.
13. Upton, Geo. P. The Standard Operas.
14. Victor Book of the Operas.
15. Introduction—American History and Encyclopedia. H. E. Krehbiel.
16. Groves Musical Dictionary. Pages 446, 454.
17. Moore Encyclopedia of Music.
18. Naaman Zwillingsbruder. Volume II.
19. Dictionary of Music. Rieman.
20. University Music Encyclopedia.
21. W. B. Matthews. History of Music.

Program Notes.

Chicago Grand Opera Company.
Boston Grand Opera Company.

Special Articles in the Programs.

1. Brennon, Algernon St. John. Translating Opera.
2. Haexter, Hermann H., English Grand Opera in America.
3. Hackett, Karleton, (a) Madame Butterfly.
(b) Il Trovatore.
(c) Faust.
(d) Cleopatre.
(e) Thais.
(f) Thanhauser.
4. Oberdorfer, Anne Faukner, (a) Influence of Wagner.
(b) Reforms of Gluck.
(c) Monna Vanna.
(d) Louise.

Aid has been recieved from the following first hand sources.

I. Interview with Mr. C. C. Birchard of Boston.
II. Notes from class in Music II, Summer of 1916.
III. Lecture on Modern Music. Thos. Whitney Surrette.
IV. Attendance at the various operas for the past six seasons at Chicago.

Magazine Articles.

1913 Atlantic Monthly The Opera Thos. W. Surrette.
Vol. 13. Bookman Opera Season 1900-1901 E. Singleton.
Vol. 29. " Lawrence Gilman on "Chapters of the Opera" by Krehbiel.
Vol. 81. Century Acting in Lyric Drama Mary Garden.
Vol. 89. Contemporary Review "Nicolai Andreyevitch Rimski-Korsakov" A. E. Keeton.
Vol. 13. " " Gluck and Puccini A. E. Keeton.
Vol. 97. " " Two Centuries of French Opera.
Vol. 106. " " Gluck & the Reform of Opera. K. Roof.
1908 Craftsman Nationalism in Opera.
1909 " Elektra in Dresden.
Vol. 39. Current Literature Two New French Operas.
Vol. 48. " " (a) American reception of Elektra.
(b) Sorrowful Fate of Librettists.
1909 Etude Frank Moore Jeffery Bellini.
1910 " Future of Italian Opera in America Ant. Scott.
" Modern French and German Opera. Arthur Elson.
" Modern Italian Opera and Tendencies. L. C. Elson.
" Gluck's Operatic Ideas Henry T. Finck.
" Beginnings of Opera " "
" Conflict of Speech and Song Fred Corder.
Vol. 37. Forum Music Joseph Sohn.
Vol. 41. " Lesson from Wagner F. R. Burton.
Vol. 3. Fortnightly Centenary of Wagner Franklin Peterson.
" Moussorgsky's Operas.
1909 " Beaumarchais and Musicians E. Newman.
1913 " Puccini.
Vol. 54. Harper's Weekly Two New Operas L. Gilman.
" Bruneau on Opera.
" Strauss' Electra.
" Tschaikovsky's Queen of Spade
1910 " F. S. Converse.
1910 " Pipe of Desire Gilman.
Vol. 64. Independent Bel Canto Tetrazzini.
Vol. 69. " Future of the Opera Puccini.
Vol. 19. Living Age Music and Modern Opera.
1906 " Apostasy of a Wagnerian E. A. Baugham.
1910 " Electra and the Future of Music Drama.
1910 Literary Digest (a) Our Gilded Opera.
(b) Slow Growth of Shakespearean Opera.
1905 Musician New School of Music E. B. Hill.
1908 " Peleas and Melisande " " "
1910 " Group of French and Italian Composers F. H. Marling.
1910 " Synopsis of Modern French Music E. B. Hill.
1911 " (a) Music of Greek Drama
(b) Rimski-Korsakov C. A. Browne.
Vol. 18. " Opera as a factor in Music Arthur Wilson.
Vol. 9. Music (a) Wagner
(b) Gounod
" (a) Boris Godonow A. Pougin.
" (b) Balakirew and Borodine
" (c) First Greek Drama Arthur Weld.
" (d) "Mataswinthe"
Vol. 12 Music Young Russian School A. Pougin.
Vol. 13 " Puccini Alfred Vert.
Vol. 14 " Rimski-Korsakov A. Pougin.
Vol. 39 Nation German and Italian Opera.
Vol. 40 " German Opera in New York.
Vol. 90 " Massenet's Music.
Vol. 96 " Weber.
Vol. 102 " H. T. Finck.
Vol. 102 " (a) Comments on the Metroplitan Season.
(b) Shakespearean Operas.
(c) Music.
1908 19th Century Music Drama of the Future E. J. Levey.
1887 North American Boucicault and Wagner E. J. Levey.
Vol. 9 New Music Review Les Hugenote Saint Saens.
" " " Puccini Vernon Black.
Vol. 8 " " " At the Opera.
1910 " " " Königskinder.
" " " Natoma.
1910 " " " Cyrano Walter Damrosch.
" " " Conchita Riccardo Zandonai.
1895 Saturday Review Opera and Acting J. F. R.
Vol. 80 " " Weber and Wagner J. F. R.
Vol. 80 " " Italian and German Opera J. F. R.
Vol. 80 " " At the Opera J. F. R.
Vol. 84 " " Concerts at the Opera J. F. R.
Vol. 95 " " Italian Opera J. F. R.
Vol. 43 Review of Reviews } Opera.
Vol. 40 " "
Vol. 49 " "
1898 Scribner's (a) Gluck and Wagner.
(b) Tendencies of Modern Opera De Koven.
(c) Mozart's Magic Flute.
Vol. 18 World Today Chevalier Gluck and the Leading Motive.