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Title: Kotto: Being Japanese Curios, with Sundry Cobwebs

Author: Lafcadio Hearn

Illustrator: Genjiro Yeto

Release date: September 1, 2017 [eBook #55473]
Most recently updated: October 23, 2024

Language: English

Credits: Produced by Marc D'Hooghe at Free Literature (online soon
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*** START OF THE PROJECT GUTENBERG EBOOK KOTTO: BEING JAPANESE CURIOS, WITH SUNDRY COBWEBS ***

KOTTŌ

BEING JAPANESE CURIOS, WITH
SUNDRY COBWEBS

COLLECTED BY

LAFCADIO HEARN

Lecturer on Literature in the Imperial University of Tōkyō, Japan

WITH ILLUSTRATIONS BY

GENJIRO YETO

New York
THE MACMILLAN COMPANY
LONDON: MACMILLAN & CO. LTD.
1903


TO

SIR EDWIN ARNOLD

IN

GRATEFUL REMEMBRANCE

OF

KIND WORDS


Contents

Old Stories:
The Legend of Yurei-Daki
In a Cup of Tea
Common Sense
Ikiryō
Shiryō
The Story of O-Kamé
Story of a Fly
Story of a Pheasant
The Story of Chūgorō

A Woman's Diary
Heiké-gani
Fireflies
A Drop of Dew
Gaki
A Matter of Custom
Revery
Pathological
In the Dead of the Night
Kusa-Hibari
The Eater of Dreams


Old Stories

The following nine tales have been selected from the "Shin-Chomon-Shū" "Hyaku Monogatari," "Uji-Jūi-Monogatari-Shō," and other old Japanese books, to illustrate some strange beliefs. They are only Curios.


The Legend of Yurei-Daki



Near the village of Kurosaka, in the province of Hōki, there is a waterfall called Yurei-Daki, or The Cascade of Ghosts. Why it is so called I do not know. Near the foot of the fall there is a small Shintō shrine of the god of the locality, whom the people name Taki-Daimyōjin; and in front of the shrine is a little wooden money-box—saisen-bako—to receive the offerings of believers. And there is a story about that money-box.

*

One icy winter's evening, thirty-five years ago, the women and girls employed at a certain asa-toriba, or hemp-factory, in Kurosaka, gathered around the big brazier in the spinning-room after their day's work had been done. Then they amused themselves by telling ghost-stories. By the time that a dozen stories had been told, most of the gathering felt uncomfortable; and a girl cried out, just to heighten the pleasure of fear, "Only think of going this night, all by one's self, to the Yurei-Daki!" The suggestion provoked a general scream, followed by nervous bursts of laughter.... "I'll give all the hemp I spun to-day," mockingly said one of the party, "to the person who goes!" "So will I," exclaimed another. "And I," said a third. "All of us," affirmed a fourth.... Then from among the spinners stood up one Yasumoto O-Katsu, the wife of a carpenter;—she had her only son, a boy of two years old, snugly wrapped up and asleep upon her back. "Listen," said O-Katsu; "if you will all really agree to make over to me all the hemp spun to-day, I will go to the Yurei-Daki." Her proposal was received with cries of astonishment and of defiance. But after having been several times repeated, it was seriously taken. Each of the spinners in turn agreed to give up her share of the day's work to O-Katsu, providing that O-Katsu should go to the Yurei-Daki. "But how are we to know if she really goes there?" a sharp voice asked. "Why, let her bring back the money-box of the god," answered an old woman whom the spinners called Obaa-San, the Grandmother; "that will be proof enough." "I'll bring it," cried O-Katsu. And out she darted into the street, with her sleeping boy upon her back.

*

The night, was frosty, but clear. Down the empty street O-Katsu hurried; and she saw that all the house fronts were tightly closed, because of the piercing cold. Out of the village, and along the high road she ran—pichà-pichà—with the great silence of frozen rice-fields on either hand, and only the stars to light her. Half an hour she followed the open road; then she turned down a narrower way, winding under cliffs. Darker and rougher the path became as she proceeded; but she knew it well, and she soon heard the dull roar of the water. A few minutes more, and the way widened into a glen,—and the dull roar suddenly became a loud clamor,—and before her she saw, looming against a mass of blackness, the long glimmering of the fall. Dimly she perceived the shrine,—the money-box. She rushed forward,—put out her hand....

"Oi! O-Katsu-San!"[1] suddenly called a warning voice above the crash of the water.

O-Katsu stood motionless,—stupefied by terror.

"Oi! O-Katsu-San!" again pealed the voice,—this time with more of menace in its tone.

But O-Katsu was really a bold woman. At once recovering from her stupefaction, she snatched up the money-box and ran. She neither heard nor saw anything more to alarm her until she reached the highroad, where she stopped a moment to take breath. Then she ran on steadily,—pichà-pichà,—till she got to Kurosaka, and thumped at the door of the asa-toriba.

*

How the women and the girls cried out as she entered, panting, with the money-box of the god in her hand! Breathlessly they heard her story; sympathetically they screeched when she told them of the Voice that had called her name, twice, out of the haunted water.... What a woman! Brave O-Katsu!—well had she earned the hemp!... "But your boy must be cold, O-Katsu!" cried the Obaa-San, "let us have him here by the fire!"

"He ought to be hungry," exclaimed the mother; "I must give him his milk presently."... "Poor O-Katsu!" said the Obaa-San, helping to remove the wraps in which the boy had been carried,—"why, you are all wet behind!" Then, with a husky scream, the helper vociferated, "Arà! it is blood!"

And out of the wrappings unfastened there fell to the floor a blood-soaked bundle of baby clothes that left exposed two very small brown feet, and two very small brown hands—nothing more. The child's head had been torn off!...


[1] The exclamation Oi! is used to call the attention of a person: it is the Japanese equivalent for such English exclamations as "Halloa!" "Ho, there!" etc.


In a Cup of Tea



Have you ever attempted to mount some old tower stairway, spiring up through darkness, and in the heart of that darkness found yourself at the cobwebbed edge of nothing? Or have you followed some coast path, cut along the face of a cliff, only to discover yourself, at a turn, on the jagged verge of a break? The emotional worth of such experience—from a literary point of view—is proved by the force of the sensations aroused, and by the vividness with which they are remembered.

Now there have been curiously preserved, in old Japanese story-books, certain fragments of fiction that produce an almost similar emotional experience.... Perhaps the writer was lazy; perhaps he had a quarrel with the publisher; perhaps he was suddenly called away from his little table, and never came back; perhaps death stopped the writing-brush in the very middle of a sentence. But no mortal man can ever tell us exactly why these things were left unfinished.... I select a typical example.

*

On the fourth day of the first month of the third Tenwa,—that is to say, about two hundred and twenty years ago,—the lord Nakagawa Sado, while on his way to make a New Year's visit, halted with his train at a tea-house in Hakusan, in the Hongō district of Yedo. While the party were resting there, one of the lord's attendants,—a wakatō[1] named Sekinai,—feeling very thirsty, filled for himself a large water-cup with tea. He was raising the cup to his lips when he suddenly perceived, in the transparent yellow infusion, the image or reflection of a face that was not his own. Startled, he looked around, but could see no one near him. The face in the tea appeared, from the coiffure, to be the face of a young samurai: it was strangely distinct, and very handsome,—delicate as the face of a girl. And it seemed the reflection of a living face; for the eyes and the lips were moving. Bewildered by this mysterious apparition, Sekinai threw away the tea, and carefully examined the cup. It proved to be a very cheap water-cup, with no artistic devices of any sort. He found and filled another cup; and again the face appeared in the tea. He then ordered fresh tea, and refilled the cup; and once more the strange face appeared,—this time with a mocking smile. But Sekinai did not allow himself to be frightened. "Whoever you are," he muttered, "you shall delude me no further!"—then he swallowed the tea, face and all, and went his way, wondering whether he had swallowed a ghost.

*

Late in the evening of the same day, while on watch in the palace of the lord Nakagawa, Sekinai was surprised by the soundless coming of a stranger into the apartment. This stranger, a richly dressed young samurai, seated himself directly in front of Sekinai, and, saluting the wakatō with a slight bow, observed:—

"I am Shikibu Heinai—met you to-day for the first time.... You do not seem to recognize me."

He spoke in a very low, but penetrating voice. And Sekinai was astonished to find before him the same sinister, handsome face of which he had seen, and swallowed, the apparition in a cup of tea. It was smiling now, as the phantom had smiled; but the steady gaze of the eyes, above the smiling lips, was at once a challenge and an insult.

"No, I do not recognize you," returned Sekinai, angry but cool;—"and perhaps you will now be good enough to inform me how you obtained admission to this house?"

[In feudal times the residence of a lord was strictly guarded at all hours; and no one could enter unannounced, except through some unpardonable negligence on the part of the armed watch.]

"Ah, you do not recognize me!" exclaimed the visitor, in a tone of irony, drawing a little nearer as he spoke. "No, you do not recognize me! Yet you took upon yourself this morning to do me a deadly injury!..."

Sekinai instantly seized the tantō[2] at his girdle, and made a fierce thrust at the throat of the man. But the blade seemed to touch no substance. Simultaneously and soundlessly the intruder leaped sideward to the chamber-wall, and through it! ... The wall showed no trace of his exit. He had traversed it only as the light of a candle passes through lantern-paper.

*

When Sekinai made report of the incident, his recital astonished and puzzled the retainers. No stranger had been seen either to enter or to leave the palace at the hour of the occurrence; and no one in the service of the lord Nakagawa had ever heard of the name "Shikibu Heinai."

*

On the following night Sekinai was off duty, and remained at home with his parents. At a rather late hour he was informed that some strangers had called at the house, and desired to speak with him for a moment. Taking his sword, he went to the entrance, and there found three armed men,—apparently retainers,—waiting in front of the doorstep. The three bowed respectfully to Sekinai; and one of them said:—

"Our names are Matsuoka Bungō, Tsuchibashi Bungō, and Okamura Heiroku. We are retainers of the noble Shikibu Heinai. When our master last night deigned to pay you a visit, you struck him with a sword. He was much will hurt, and has been obliged to go to the hot springs, where his wound is now being treated. But on the sixteenth day of the coming month he will return; and he will then fitly repay you for the injury done him...."

Without waiting to hear more, Sekinai leaped out, sword in hand, and slashed right and left, at the strangers. But the three men sprang to the wall of the adjoining building, and flitted up the wall like shadows, and....

Here the old narrative breaks off; the rest of the story existed only in some brain that has been dust for a century.

I am able to imagine several possible endings; but none of them would satisfy an Occidental imagination. I prefer to let the reader attempt to decide for himself the probable consequence of swallowing a Soul.


[1] The armed attendant of a samurai was thus called. The relation of the wakatō to the samurai was that of squire to knight.

[2] The shorter of the two swords carried by samurai. The longer sword was called katana.


Common Sense



Once there lived upon the mountain called Atagoyama, near Kyoto, a certain learned priest who devoted all his time to meditation and the study of the sacred books. The little temple in which he dwelt was far from any village; and he could not, in such a solitude, have obtained without help the common necessaries of life. But several devout country people regularly contributed to his maintenance, bringing him each month supplies of vegetables and of rice.

Among these good folk there was a certain hunter, who sometimes visited the mountain in search of game. One day, when this hunter had brought a bag of rice to the temple, the priest said to him:—

"Friend, I must tell you that wonderful things have happened here since the last time I saw you. I do not certainly know why such things should have happened in my unworthy presence. But you are aware that I have been meditating, and reciting the sûtras daily, for many years; and it is possible that what has been vouchsafed me is due to the merit obtained through these religious exercises. I am not sure of this. But I am sure that Fugen Bosatsu[1] comes nightly to this temple, riding upon his elephant.... Stay here with me this night, friend; then you will be able to see and to worship the Buddha."

"To witness so holy a vision," the hunter replied, "were a privilege indeed! Most gladly I shall stay, and worship with you."

So the hunter remained at the temple. But while the priest was engaged in his religious exercises, the hunter began to think about the promised miracle, and to doubt whether such a thing could be. And the more he thought, the more he doubted. There was a little boy in the temple,—an acolyte,—and the hunter found an opportunity to question the boy.

"The priest told me," said the hunter, "that Fugen Bosatsu comes to this temple every night. Have you also seen Fugen Bosatsu?"

"Six times, already," the acolyte replied, "I have seen and reverently worshipped Fugen Bosatsu." This declaration only served to increase the hunter's suspicions, though he did not in the least doubt the truthfulness of the boy. He reflected, however, that he would probably be able to see whatever the boy had seen; and he waited with eagerness for the hour of the promised vision.

*

Shortly before midnight the priest announced that it was time to prepare for the coming of Fugen Bosatsu. The doors of the little temple were thrown open; and the priest knelt down at the threshold, with his face to the east. The acolyte knelt at his left hand, and the hunter respectfully placed himself behind the priest.

It was the night of the twentieth of the ninth month,—a dreary, dark, and very windy night; and the three waited a long time for the coming of Fugen Bosatsu. But at last a point of white light appeared, like a star, in the direction of the east; and this light approached quickly,—growing larger and larger as it came, and illuminating all the slope of the mountain. Presently the light took shape—the shape of a being divine, riding upon a snow-white elephant with six tusks. And, in another moment, the elephant with its shining rider arrived before the temple, and there stood towering, like a mountain of moonlight,—wonderful and weird.

Then the priest and the boy, prostrating themselves, began with exceeding fervour to repeat the holy invocation to Fugen Bosatsu. But suddenly the hunter rose up behind them, bow in hand; and, bending his bow to the full, he sent a long arrow whizzing straight at the luminous Buddha, into whose breast it sank up to the very feathers. Immediately, with a sound like a thunder-clap, the white light vanished, and the vision disappeared. Before the temple there was nothing but windy darkness.

"O miserable man!" cried out the priest, with tears of shame and despair, "O most wretched and wicked man! what have you done?—what have you done?"

But the hunter received the reproaches of the priest without any sign of compunction or of anger. Then he said, very gently:—

"Reverend sir, please try to calm yourself, and listen to me. You thought that you were able to see Fugen Bosatsu because of some merit obtained through your constant meditations and your recitation of the sûtras. But if that had been the case, the Buddha would have appeared to you only—not to me, nor even to the boy. I am an ignorant hunter, and my occupation is to kill;—and the taking of life is hateful to the Buddhas. How then should I be able to see Fugen Bosatsu? I have been taught that the Buddhas are everywhere about us, and that we remain unable to see them because of our ignorance and our imperfections. You—being a learned priest of pure life—might indeed acquire such enlightenment as would enable you to see the Buddhas; but how should a man who kills animals for his livelihood find the power to see the divine? Both I and this little boy could see all that you saw. And let me now assure you, reverend sir, that what you saw was not Fugen Bosatsu, but a goblinry intended to deceive you—perhaps even to destroy you. I beg that you will try to control your feelings until daybreak. Then I will prove to you the truth of what I have said."

At sunrise the hunter and the priest examined the spot where the vision had been standing, and they discovered a thin trail of blood. And after having followed this trail to a hollow some hundred paces away, they came upon the body of a great badger, transfixed by the hunter's arrow.

*

The priest, although a learned and pious person, had easily been deceived by a badger. But the hunter, an ignorant and irreligious man, was gifted with strong common sense: and by mother-wit alone he was able at once to detect and to destroy a dangerous illusion.


[1] Samantabhadra Bodhisattva.


Ikiryō[1]



Formerly, in the quarter of Reiganjima, in Yedo, there was a great porcelain shop called the Setomonodana, kept by a rich man named Kihei. Kihei had in his employ, for many years, a head clerk named Rokubei. Under Rokubei's care the business prospered;—and at last it grew so large that Rokubei found himself unable to manage it without help. He therefore asked and obtained permission to hire an experienced assistant; and he then engaged one of his own nephews,—a young man about twenty-two years old, who had learned the porcelain trade in Osaka.

The nephew proved a very capable assistant,—shrewder in business than his experienced uncle. His enterprise extended the trade of the house, and Kihei was greatly pleased. But about seven months after his engagement, the young man became very ill, and seemed likely to die. The best physicians in Yedo were summoned to attend him; but none of them could understand the nature of his sickness. They prescribed no medicine, and expressed the opinion that such a sickness could only have been caused by some secret grief.

Rokubei imagined that it might be a case of lovesickness. He therefore said to his nephew:—

"I have been thinking that, as you are still very young, you might have formed some secret attachment which is making you unhappy,—perhaps even making you ill. If this be the truth, you certainly ought to tell me all about your troubles. Here I stand to you in the place of a father, as you are far away from your parents; and if you have any anxiety or sorrow, I am ready to do for you whatever a father should do. If money can help you, do not be ashamed to tell me, even though the amount be large. I think that I could assist you; and I am sure that Kihei would be glad to do anything to make you happy and well."

The sick youth appeared to be embarrassed by these kindly assurances; and for some little time he remained silent. At last he answered:—

"Never in this world can I forget those generous words. But I have no secret attachment—no longing for any woman. This sickness of mine is not a sickness that doctors can cure; and money could not help me in the least. The truth is, that I have been so persecuted in this house that I scarcely care to live. Everywhere—by day and by night, whether in the shop or in my room, whether alone or in company—I have been unceasingly followed and tormented by the Shadow of a woman. And it is long, long since I have been able to get even one night's rest. For so soon as I close my eyes, the Shadow of the woman takes me by the throat and strives to strangle me. So I cannot sleep...."

"And why did you not tell me this before?" asked Rokubei.

"Because I thought," the nephew answered, "that it would be of no use to tell you. The Shadow is not the ghost of a dead person. It is made by the hatred of a living person—a person whom you very well know."

"What person?" questioned Rokubei, in great astonishment.[2]

"The mistress of this house," whispered the youth,—"the wife of Kihei Sama.. .. She wishes to kill me."

*

Rokubei was bewildered by this confession. He doubted nothing of what his nephew had said; but he could not imagine a reason for the haunting. An ikiryō might be caused by disappointed love, or by violent hate,—without the knowledge of the person from whom it had emanated. To suppose any love in this case was impossible;—the wife of Kihei was considerably more than fifty years of age. But, on the other hand, what could the young clerk have done to provoke hatred,—a hatred capable of producing an ikiryō? He had been irreproachably well conducted, unfailingly courteous, and earnestly devoted to his duties. The mystery troubled Rokubei; but, after careful reflection, he decided to tell everything to Kihei, and to request an investigation.

Kihei was astounded; but in the time of forty years he had never had the least reason to doubt the word of Rokubei. He therefore summoned his wife at once, and carefully questioned her, telling her, at the same time, what the sick clerk had said. At first she turned pale, and wept; but, after some hesitation, she answered frankly:—

"I suppose that what the new clerk has said about the ikiryō is true,—though I really tried never to betray, by word or look, the dislike which I could not help feeling for him. You know that he is very skilful in commerce,—very shrewd in everything that he does. And you have given him much authority in this house—power over the apprentices and the servants. But our only son, who should inherit this business, is very simple-hearted and easily deceived; and I have long been thinking that your clever new clerk might so delude our boy as to get possession of all this property. Indeed, I am certain that your clerk could at any time, without the least difficulty, and without the least risk to himself, ruin our business and ruin our son. And with this certainty in my mind, I cannot help fearing and hating the man. I have often and often wished that he were dead; I have even wished that it were in my own power to kill him. ... Yes, I know that it is wrong to hate any one in such a way; but I could not check the feeling. Night and day I have been wishing evil to that clerk. So I cannot doubt that he has really seen the thing of which he spoke to Rokubei."

"How absurd of you," exclaimed Kihei, "to torment yourself thus! Up to the present time that clerk has done no single thing for which he could be blamed; and you have caused him to suffer cruelly.... Now if I should send him away, with his uncle, to another town, to establish a branch business, could you not endeavour to think more kindly of him?"

"If I do not see his face or hear his voice," the wife answered,—"if you will only send him away from this house,—then I think that I shall be able to conquer my hatred of him."

"Try to do so," said Kihei;—"for, if you continue to hate him as you have been hating him, he will certainly die, and you will then be guilty of having caused the death of a man who has done us nothing but good. He has been, in every way, a most excellent servant."

Then Kihei quickly made arrangements for the establishment of a branch house in another city; and he sent Rokubei there with the clerk, to take charge. And thereafter the ikiryō ceased to torment the young man, who soon recovered his health.


[1] Literally, "living spirit,"—that is to say, the ghost of a person still alive. An ikiryō may detach itself from the body under the influence of anger, and proceed to haunt and torment the individual by whom the anger was caused.

[2] An ikiryō is seen only by the person haunted.—For another illustration of this curious belief, see the paper entitled "The Stone Buddha" in my Out of the East, p. 171.


Shiryō[1]



On the death of Nomoto Yajiyémon, a daikwan[2] in the province of Echizen, his clerks entered into a conspiracy to defraud the family of their late master. Under pretext of paying some of the daikwan's debts, they took possession of all the money, valuables, and furniture in his house; and they furthermore prepared a false report to make it appear that he had unlawfully contracted obligations exceeding the worth of his estate. This false report they sent to the Saishō,[3] and the Saishō thereupon issued a decree banishing the widow and the children of Nomoto from the province of Echizen. For in those times the family of a daikwan were held in part responsible, even after his death, for any malfeasance proved against him.

But at the moment when the order of banishment was officially announced to the widow of Nomoto, a strange thing happened to a maid-servant in the house. She was seized with convulsions and shudderings, like a person possessed; and when the convulsions passed, she rose up, and cried out to the officers of the Saishō, and to the clerks of her late master:—

"Now listen to me! It is not a girl who is speaking to you; it is I,—Yajiyémon, Nomoto Yajiyémon,—returned to you from the dead. In grief and great anger do I return—grief and anger caused me by those in whom I vainly put my trust!... O you infamous and ungrateful clerks! how could you so forget the favours bestowed upon you, as thus to ruin my property, and to disgrace my name?... Here, now, in my presence, let the accounts of my office and of my house be made; and let a servant be sent for the books of the Metsuké,[4] so that the estimates may be compared!"

As the maid uttered these words, all present were filled with astonishment; for her voice and her manner were the voice and the manner of Nomoto Yajiyémon. The guilty clerks turned pale. But the representatives of the Saishō at once commanded that the desire expressed by the girl should be fully granted. All the account-books of the office were promptly placed before her,—and the books of the Metsuké were brought in; and she began the reckoning. Without making a single error, she went through all the accounts, writing down the totals and correcting every false entry. And her writing, as she wrote, was seen to be the very writing of Nomoto Yajiyémon.

Now this reëxamination of the accounts not only proved that there had been no indebtedness, but also showed that there had been a surplus in the office treasury at the time of the daikwan's death. Thus the villany of the clerks became manifest.

And when all the accounts had been made up, the girl said, speaking in the very voice of Nomoto Yajiyémon:—

"Now everything is finished; and I can do nothing further in the matter. So I shall go back to the place from which I came."

Then she lay down, and instantly fell asleep; and she slept like a dead person during two days and two nights. [For great weariness and deep sleep fall upon the possessed, when the possessing spirit passes from them.] When she again awoke, her voice and her manner were the voice and the manner of a young girl; and neither at that time, nor at any time after, could she remember what had happened while she was possessed by the ghost or Nomoto Yajiyémon.

A report of this event was promptly sent to the Saishō; and the Saishō, in consequence, not only revoked the order of banishment, but made large gifts to the family of the daikwan. Later on, various posthumous honours were conferred upon Nomoto Yajiyémon; and for many subsequent years his house was favoured by the Government, so that it prospered greatly. But the clerks received the punishment which they deserved.


[1] The term shiryō, "dead ghost,"—that is to say, the ghost of a dead person,—is used in contradistinction to the term ikiryō, signifying the apparition of a living person. Yūrei is a more generic name for ghosts of any sort.

[2] A daikwan was a district governor under the direct control of the Shōgunate. His functions were both civil and judicial.

[3] The Saishō was a high official of the Shōgunate, with duties corresponding to those of a prime minister.

[4] The Metsuké was a government official, charged with the duty of keeping watch over the conduct of local governors or district judges, and of inspecting their accounts.


The Story of O-Kamé



O-Kamé, daughter of the rich Gonyémon of Nagoshi, in the province of Tosa, was very fond of her husband, Hachiyémon. She was twenty-two, and Hachiyémon twenty-five. She was so fond of him that people imagined her to be jealous. But he never gave her the least cause for jealousy; and it is certain that no single unkind word was ever spoken between them.

Unfortunately the health of O-Kamé was feeble. Within less than two years after her marriage she was attacked by a disease, then prevalent in Tosa, and the best doctors were not able to cure her. Persons seized by this malady could not eat or drink; they remained constantly drowsy and languid, and troubled by strange fancies. And, in spite of constant care, O-Kamé grew weaker and weaker, day by day, until it became evident, even to herself, that she was going to die. Then she called her husband, and said to him:—

"I cannot tell you how good you have been to me during this miserable sickness of mine. Surely no one could have been more kind. But that only makes it all the harder for me to leave you now.... Think! I am not yet even twenty-five,—and I have the best husband in all this world,—and yet I must die!... Oh, no, no! it is useless to talk to me about hope; the best Chinese doctors could do nothing for me. I did think to live a few months longer; but when I saw my face this morning in the mirror, I knew that I must die to-day,—yes, this very day. And there is something that I want to beg you to do for me—if you wish me to die quite happy."

"Only tell me what it is," Hachiyémon answered; "and if it be in my power to do, I shall be more than glad to do it."

"No, no—you will not be glad to do it," she returned: "you are still so young! It is difficult—very, very difficult—even to ask you to do such a thing; yet the wish for it is like a fire burning in my breast. I must speak it before I die.... My dear, you know that sooner or later, after I am dead, they will want you to take another wife. Will you promise me—can you promise me—not to marry again?..."

"Only that!" Hachiyémon exclaimed. "Why, if that be all that you wanted to ask for, your wish is very easily granted. With all my heart I promise you that no one shall ever take your place."

"Aa! uréshiya!" cried O-Kamé, half-rising from her couch;—"oh, how happy you have made me!"

And she fell back dead.

*

Now the health of Hachiyémon appeared to fail after the death of O-Kamé. At first the change in his aspect was attributed to natural grief, and the villagers only said, "How fond of her he must have been!" But, as the months went by, he grew paler and weaker, until at last he became so thin and wan that he looked more like a ghost than a man. Then people began to suspect that sorrow alone could not explain this sudden decline of a man so young. The doctors said that Hachiyémon was not suffering from any known form of disease: they could not account for his condition; but they suggested that it might have been caused by some very unusual trouble of mind. Hachiyémon's parents questioned him in vain;—he had no cause for sorrow, he said, other than what they already knew. They counselled him to remarry; but he protested that nothing could ever induce him to break his promise to the dead.

*

Thereafter Hachiyémon continued to grow visibly weaker, day by day; and his family despaired of his life. But one day his mother, who felt sure that he had been concealing something from her, adjured him so earnestly to tell her the real cause of his decline, and wept so bitterly before him, that he was not able to resist her entreaties.

"Mother," he said, "it is very difficult to speak about this matter, either to you or to any one; and, perhaps, when I have told you everything, you will not be able to believe me. But the truth is that O-Kamé can find no rest in the other world, and that the Buddhist services repeated for her have been said in vain. Perhaps she will never be able to rest unless I go with her on the long black journey. For every night she returns, and lies down by my side. Every night, since the day of her funeral, she has come back. And sometimes I doubt if she be really dead; for she looks and acts just as when she lived,—except that she talks to me only in whispers. And she always bids me tell no one that she comes. It may be that she wants me to die; and I should not care to live for my own sake only. But it is true, as you have said, that my body really belongs to my parents, and that I owe to them the first duty. So now, mother, I tell you the whole truth.. .. Yes: every night she comes, just as I am about to sleep; and she remains until dawn. As soon as she hears the temple-bell, she goes away."

*

When the mother of Hachiyémon had heard these things, she was greatly alarmed; and, hastening at once to the parish-temple, she told the priest all that her son had confessed, and begged for ghostly help. The priest, who was a man of great age and experience, listened without surprise to the recital, and then said to her:—

"It is not the first time that I have known such a thing to happen; and I think that I shall be able to save your son. But he is really in great danger. I have seen the shadow of death upon his face; and, if O-Kamé return but once again, he will never behold another sunrise. Whatever can be done for him must be done quickly. Say nothing of the matter to your son; but assemble the members of both families as soon as possible, and tell them to come to the temple without delay. For your son's sake it will be necessary to open the grave of O-Kamé."

*

So the relatives assembled at the temple; and when the priest had obtained their consent to the opening of the sepulchre, he led the way to the cemetery. Then, under his direction, the tombstone of O-Kamé was shifted, the grave opened, and the coffin raised. And when the coffin-lid had been removed, all present were startled; for O-Kamé sat before them with a smile upon her face, seeming as comely as before the time of her sickness; and there was not any sign of death upon her. But when the priest told his assistants to lift the dead woman out of the coffin, the astonishment changed to fear; for the corpse was blood-warm to the touch, and still flexible as in life, notwithstanding the squatting posture in which it had remained so long.[1]

It was borne to the mortuary chapel; and there the priest, with a writing-brush, traced upon the brow and breast and limbs of the body the Sanscrit characters (Bonji) of certain holy talismanic words. And he performed a Ségaki-service for the spirit of O-Kamé, before suffering her corpse to be restored to the ground.

She never again visited her husband; and Hachiyémon gradually recovered his health and strength. But whether he always kept his promise, the Japanese story-teller does not say.