51. [Kedārnāth has, of course, no connexion with the cedar tree. The origin of the name ‘Lord of Kedār’ is unknown; probably Kedār was an old cult title of Siva.]

52. I have before remarked that a Sanskrit etymology might be given to this word in Ila and Isa, i.e. ‘the goddess of the earth’ [?] [p. 636, note].

53. I was informed at Naples that four thousand of these were dug out of one spot, and I obtained while at Paestum many fragments and heads of this goddess.

54. Prichard’s Researches into the Physical History of Man, p. 369. [For a full discussion of ὠμοφαγία see Miss J. E. Harrison, Prolegomena to the Study of Greek Religion, 483 ff.]

55. The Buddhists of Tartary make no scruple of eating flesh.

56. Durga, ‘a fort’; as Suvarnadurg, ‘the golden castle,’ etc., etc.

57. Literally Tripoli, ‘the three cities,’ pura, polis.

58. [The double jasmin (Michelia champaka).]

59. Cupid’s bow is formed of a garland of flowers.

60. Madana, he who intoxicates with desire (kama), both epithets of the god of love. The festivals on the 13th and 14th are called Madana trayodasi (the tenth) and Chaturdasi (fourteenth).

61. Asiatic Researches, vol. iii. p. 278.

62. [Savitri-vrata means ‘the vow to Savitri,’ and has no connexion with the vata or banyan-tree. But the tree is worshipped in connexion with it on 15th light or dark fortnight of the month Jeth (Census Report, Baroda, 1901, i. 127).]

63. Ap, ‘water,’ and sara, ‘froth or essence.’ [The word means ‘going in the waters, or between the waters of the clouds.’]

64. The Romans held the calends of June (generally Jeth) sacred to the goddess Carna, significant of the sun. Carneus was the sun-god of the Celts, and a name of Apollo at Sparta, and other Grecian cities. The Karneia was a festival in honour of Apollo.

65. The story of the vigils of Parvati, preparatory to her being reunited to her lord, consequent to her sacrifice as Sati, is the counterpart of the Grecian fable of Cybele, her passion for, and marriage with, the youth Atys or Papas, the Baba, or universal father, of the Hindus.

66. How did a word of Persian growth come to signify ‘the boundless brake’ of the new world?

67. Ari, ‘a foe’; manus, ‘man.’ [Angro Mainyush, ‘destructive spirit.’]

68. [There is no reason to believe that snake-worship was not independently practised in India.]

69. This is the snake-race of India, the foes of the Pandus.

70. See p. 364.

71. I returned from three to five pieces of gold for the rakhis sent by my adopted sisters; from one of whom, the sister of the Rana, I annually received this pledge by one of her handmaids; three of them I have yet in my possession, though I never saw the donor, who is now no more. I had, likewise, some presented through the family priest, from the Bundi queen-mother, with whom I have conversed for hours, though she was invisible to me; and from the ladies of rank of the chieftains’ families, but one of whom I ever beheld, though they often called upon me for the performance of brotherly offices in consequence of such tie. There is a delicacy in this custom, with which the bond uniting the cavaliers of Europe to the service of the fair, in the days of chivalry, will not compare.

72. Sacred to Vishnu, with the title of Ananta, or infinite—Bhavishyottara. (See Asiatic Researches, vol. iii. p. 291.) Here Vishnu appears as ‘lord of the manes.’

CHAPTER 22

Khadga Sthapana, Sword Worship.

—The festival in which this imposing rite occurs is the Nauratri,[1] sacred to the god of war, commencing on the first of the month Asoj. It is essentially martial, and confined to the Rajput, who on the departure of the monsoon finds himself at liberty to indulge his passion whether for rapine or revenge, both which in these tropical regions are necessarily suspended during the rains. Arguing from the order of the passions, we may presume that the first objects of emblematic worship were connected with war [583], and we accordingly find the highest reverence paid to arms by every nation of antiquity. The Scythic warrior of Central Asia, the intrepid Gete, admitted no meaner representative of the god of battle than his own scimitar.[2] He worshipped it, he swore by it; it was buried with him, in order that he might appear before the martial divinity in the other world as became his worshipper on earth: for the Gete of Transoxiana, from the earliest ages, not only believed in the soul’s immortality, and in the doctrine of rewards and punishments hereafter, but, according to the father of history, he was a monotheist; of which fact he has left a memorable proof in the punishment of the celebrated Anacharsis, who, on his return from a visit to Thales and his brother philosophers of Greece, attempted to introduce into the land of the Saka (Sakatai) the corrupted polytheism of Athens.

If we look westward from this the central land of earliest civilization, to Dacia, Thrace, Pannonia, the seats of the Thyssagetae or western Getae, we find the same form of adoration addressed to the emblem of Mars, as mentioned by Xenophon in his memorable retreat, and practised by Alaric and his Goths, centuries afterwards, in the Acropolis of Athens. If we transport ourselves to the shores of Scandinavia, amongst the Cimbri and Getae of Jutland, to the Ultima Thule, wherever the name of Gete prevails, we shall find the same adoration paid by the Getic warrior to his sword.

The Frisian Frank also of Gothic race, adhered to this worship, and transmitted it with the other rites of the Getic warrior of the Jaxartes; such as the adoration of the steed, sacred to the sun, the great god of the Massagetae, as well as of the Rajput, who sacrificed it at the annual feast, or with his arms and wife burnt it on his funeral pile. Even the kings of the ‘second race’ kept up the religion of their Scythic sires from the Jaxartes, and the bones of the war-horse of Chilperic were exhumed with those of the monarch. These rites, as well as those long-cherished chivalrous notions, for which the Salian Franks have ever been conspicuous [584], had their birth in Central Asia; for though contact with the more polished Arab softened the harsh character of the western warrior, his thirst for glory, the romantic charm which fed his passion, and his desire to please the fair, he inherited from his ancestors on the shores of the Baltic, which were colonized from the Oxus. Whether Charlemagne addressed his sword as Joyeuse,[3] or the Scandinavian hero Angantýr as the enchanted blade Tyrfing (Hialmar’s bane), each came from one common origin, the people which invented the custom of Khadga Sthapana, or ‘adoration of the sword.’ But neither the falchion ‘made by the dwarfs for Suafurlama,’ nor the redoubled sword of Bayard with which he dubbed the first Francis,—not even the enchanted brand of Ariosto’s hero, can for a moment compare with the double-edged khanda (scimitar) annually worshipped by the chivalry of Mewar. Before I descant on this monstrous blade, I shall give an abstract of the ceremonies on each of the nine days sacred to the god of war.

The Dasahra Festival.

—On the 1st of Asoj, after fasting, ablution, and prayer on the part of the prince and his household, the double-edged khanda is removed from the hall of arms (ayudhsala), and having received the homage (puja) of the court, it is carried in procession to the Kishanpol (gate of Kishan), where it is delivered to the Raj Jogi,[4] the Mahants, and band of Jogis assembled in front of the temple of Devi ‘the goddess,’ adjoining the portal of Kishan.[5] By these, the monastic militant adorers of Hara, the god of battle, the brand emblematic of the divinity is placed[6] on the altar before the image of his divine consort. At three in the afternoon the nakkaras, or grand kettle-drums, proclaim from the Tripolia[7] the signal for the assemblage of the chiefs with their retainers; and the Rana and his cavalcade proceed direct to the stables, when a buffalo is sacrificed in honour of the war-horse. Thence the procession moves to the temple of Devi, where the Raja Krishan (Godi) has proceeded. Upon this, the Rana seats himself close to the Raj Jogi, presents two pieces of [585] silver and a coco-nut, performs homage to the sword (khadga), and returns to the palace.

Asoj 2nd. In similar state he proceeds to the Chaugan, their Champ de Mars, where a buffalo is sacrificed; and on the same day another buffalo victim is felled by the nervous arm of a Rajput, near the Toranpol, or triumphal gate. In the evening the Rana goes to the temple of Amba Mata, the universal mother, when several goats and buffaloes bleed to the goddess.

The 3rd. Procession to the Chaugan, when another buffalo is offered; and in the afternoon five buffaloes and two rams are sacrificed to Harsiddh Mata.[8]

On the 4th, as on every one of the nine days, the first visit is to the Champ de Mars: the day opens with the slaughter of a buffalo. The Rana proceeds to the temple of Devi, when he worships the sword, and the standard of the Raj Jogi, to whom, as the high-priest of Siva, the god of war, he pays homage, and makes offering of sugar, and a garland of roses. A buffalo having been previously fixed to a stake near the temple, the Rana sacrifices him with his own hand, by piercing him from his travelling throne (raised on men’s shoulders and surrounded by his vassals) with an arrow. In the days of his strength, he seldom failed almost to bury the feather in the flank of the victim; but on the last occasion his enfeebled arm made him exclaim with Prithiraj, when, captive and blind, he was brought forth to amuse the Tartar despot, “I draw not the bow as in the days of yore.”

On the 5th, after the usual sacrifice at the Chaugan, and an elephant fight, the procession marches to the temple of Asapurna (Hope); a buffalo and a ram are offered to the goddess adored by all the Rajputs, and the tutelary divinity of the Chauhans. On this day the lives of some victims are spared at the intercession of the Nagar-Seth, or chief-magistrate,[9] and those of his faith, the Jains.

On the 6th, the Rana visits the Chaugan, but makes no sacrifice. In the afternoon, prayers and victims to Devi; and in the evening the Rana visits Bhikharinath, the chief of the Kanphara Jogis, or split-ear ascetics.ascetics.

The 7th. After the daily routine at the Chaugan, and sacrifices to Devi (the goddess of destruction), the chief equerry is commanded to adorn the steeds with their new caparisons, and lead them to be bathed in the lake. At night, the sacred fire (hom) is kindled, and a buffalo and a ram are sacrificed to Devi; the Jogis [586] are called up and feasted on boiled rice and sweetmeats. On the conclusion of this day, the Rana and his chieftains visit the hermitage of Sukharia Baba, an anchorite of the Jogi sect.

8th. There is the homa, or fire-sacrifice in the palace. In the afternoon, the prince, with a select cavalcade, proceeds to the village of Samina, beyond the city walls, and visits a celebrated Gosain.[10]

9th. There is no morning procession. The horses from the royal stables, as well as those of the chieftains, are taken to the lake, and bathed by their grooms, and on returning from purification they are caparisoned in their new housings, led forth, and receive the homage of their riders, and the Rana bestows a largess on the master of the horse, the equerries, and grooms. At three in the afternoon, the nakkaras having thrice sounded, the whole State insignia, under a select band, proceed to Mount Matachal, and bring home the sword. When its arrival in the court of the palace is announced, the Rana advances and receives it with due homage from the hands of the Raj Jogi, who is presented with a khilat; while the Mahant, who has performed all the austerities during the nine days, has his patra[11] filled with gold and silver coin. The whole of the Jogis are regaled, and presents are made to their chiefs. The elephants and horses again receive homage, and the sword, the shield, and spear are worshipped within the palace. At three in the morning the prince takes repose.

The 10th, or Dasahra,[12] is a festival universally known in India, and respected by all classes, although entirely military, being commemorative of the day on which the deified Rama commenced his expedition to Lanka for the redemption of Sita;[13] the ‘tenth of Asoj’ is consequently deemed by the Rajput a fortunate day for warlike enterprise. The day commences with a visit from the [587] prince or chieftain to his spiritual guide. Tents and carpets are prepared at the Chaugan or Matachal mount, where the artillery is sent; and in the afternoon the Rana, his chiefs, and their retainers repair to the field of Mars, worship the khejra tree,[14] liberate the nilkanth or jay (sacred to Rama), and return amidst a discharge of guns.

11th. In the morning, the Rana, with all the State insignia, the kettledrums sounding in the rear, proceeds towards the Matachal mount, and takes the muster of his troops, amidst discharges of cannon, tilting, and display of horsemanship. The spectacle is imposing even in the decline of this house. The hilarity of the party, the diversified costume, the various forms, colours, and decorations of the turbans, in which some have the heron plume, or sprigs from some shrub sacred to the god of war; the clusters of lances, shining matchlocks, and black bucklers, the scarlet housings of the steeds, and waving pennons, recall forcibly the glorious days of the devoted Sanga, or the immortal Partap, who on such occasions collected round the black changi and crimson banner of Mewar a band of sixteen thousand of his own kin and clan, whose lives were their lord’s and their country’s. The shops and bazaars are ornamented with festoons of flowers and branches of trees, while the costliest cloths and brocades are extended on screens, to do honour to their prince; the toran (or triumphal arch) is placed before the tent, on a column of which he places one hand as he alights, and before entering makes several circumambulations. All present offer their nazars to the prince, the artillery fires, and the bards raise ‘the song of praise,’ celebrating the glories of the past; the fame of Samra, who fell with thirteen thousand of his kin on the Ghaggar; of Arsi and his twelve brave sons, who gave themselves as victims for the salvation of Chitor; of Kumbha, Lakha, Sanga, Partap, Amra, Raj, all descended of the blood of Rama, whose exploits, three thousand five hundred years before, they are met to celebrate. The situation of Matachal is well calculated for such a spectacle, as indeed is the whole ground from the palace through the Delhi portal to the mount, on which is erected one of the several castles commanding the approaches to the city. The fort is dedicated to Mata, though it would not long remain stable (achal) before a battery of thirty-six pounders. The guns are drawn up about the termination of the slope of the natural glacis; the Rana and his court remain on horseback [588] half up the ascent; and while every chief or vassal is at liberty to leave his ranks, and “witch the world with noble horsemanship,” there is nothing tumultuous, nothing offensive in their mirth.

The steeds purchased since the last festival are named, and as the cavalcade returns, their grooms repeat the appellations of each as the word is passed by the master of the horse; as Baj Raj, ‘the royal steed’; Hayamor, ‘the chief of horses’; Manika, ‘the gem’; Bajra, ‘the thunderbolt,’ etc., etc. On returning to the palace, gifts are presented by the Rana to his chiefs. The Chauhan chief of Kotharia claims the apparel which his prince wears on this day, in token of the fidelity of his ancestor to the minor, Udai Singh, in Akbar’s wars. To others, a fillet or balaband for the turban is presented; but all such compliments are regulated by precedent or immediate merit.

The Toran Arch.

—Thus terminates the Nauratri festival sacred to the god of war, which in every point of view is analogous to the autumnal festival of the Scythic warlike nations, when these princes took the muster of their armies, and performed the same rites to the great celestial luminary.[15] I have presented to the antiquarian reader these details, because it is in minute particulars that analogous customs are detected. Thus the temporary toran, or triumphal arch, erected in front of the tent at Mount Mataehala would scarcely claim the least notice, but that we discover even in this emblem the origin of the triumphal arches of antiquity, with many other rites which may be traced to the Indo-Scythic races of Asia. The toran in its original form consisted of two columns and an architrave, constituting the number three, sacred to Hara, the god of war. In the progress of the arts the architrave gave way to the Hindu arch, which consisted of two or more ribs without the keystone, the apex being the perpendicular junction of the archivaults; nor is the arc of the toran semicircular, or any segment of a circle, but with that graceful curvature which stamps with originality one of the arches of the Normans, who may have brought it from their ancient seats on the Oxus, whence it may also have been [589] carried within the Indus. The cromlech, or trilithic altar in the centre of all those monuments called Druidic, is most probably a toran, sacred to the Sun-god Belenus, like Har, or Balsiva, the god of battle, to whom as soon as a temple is raised the toran is erected, and many of these are exquisitely beautiful.

Gates.

—An interesting essay might be written on portes and torans, their names and attributes, and the genii presiding as their guardians. Amongst all the nations of antiquity, the portal has had its peculiar veneration: to pass it was a privilege regarded as a mark of honour. The Jew Haman, in the true Oriental style, took post at the king’s gate as an inexpugnable position. The most pompous court in Europe takes its title from its porte, where, as at Udaipur, all alight. The Tripolia, or triple portal, the entry to the magnificent terrace in front of the Rana’s palace, consists, like the Roman arcs of triumph, of three arches, still preserving the numeral sacred to the god of battle, one of whose titles is Tripura, which may be rendered Tripoli, or lord of the three places of abode, or cities, but applied in its extensive sense to the three worlds, heaven, earth, and hell. From the Sanskrit Pola we have the Greek πύλη, a gate, or pass; and in the guardian or Polia, the πυλωρός or porter; while to this langue mère our own language is indebted, not only for its portes and porters, but its doors (dwara).[16] Pylos signified also a pass; so in Sanskrit these natural barriers are called Palas, and hence the poetical epithet applied to the aboriginal mountain tribes of Rajasthan, namely, Palipati and Palindra, ‘lords of the pass.’[17]

Ganesa.

—One of the most important of the Roman divinities was Janus, whence Januae, or portals, of which he was the guardian.[18] A resemblance between the Ganesa of the Hindu pantheon and the Roman Janus has been pointed out by Sir W. Jones, but his analogy extended little beyond nominal similarity. The fable of the birth of Ganesa furnishes us with the origin of the worship of Janus, and as it has never been given, I shall transcribe it from the bard Chand. Ganesa is the chief of the genii[19] attendant on the god of war, and was expressly formed by Uma, the Hindu Juno, to guard the entrance of her caverned retreat in the [590] Caucasus, where she took refuge from the tyranny of the lord of Kailasa (Olympus), whose throne is fixed amidst eternal snows on the summit of this peak of the gigantic Caucasus (Koh-khasa).[20]

“Strife arose between Mahadeo and the faithful Parvati: she fled to the mountains and took refuge in a cave. A crystal fountain tempted her to bathe, but shame was awakened; she dreaded being seen. Rubbing her frame, she made an image of man; with her nail she sprinkled it with the water of life, and placed it as guardian at the entrance of the cave.” Engrossed with the recollection of Parvati,[21] Siva went to Karttikeya[22] for tidings of his mother, and together they searched each valley and recess, and at length reached the spot where a figure was placed at the entrance of a cavern. As the chief of the gods prepared to explore this retreat, he was stopped by the Polia. In a rage he struck off his head with his discus (chakra), and in the gloom discovered the object of his search. Surprised and dismayed, she demanded how he obtained ingress: “Was there no guardian at the entrance?” The furious Siva replied that he had cut off his head. On hearing this, the mountain-goddess was enraged, and weeping, exclaimed, “You have destroyed my child.” The god, determined to recall him to life, decollated a young elephant, replaced the head he had cut off, and naming him Ganesa, decreed that in every resolve his name should be the first invoked.

Invocation of the Bard to Ganesa.

“Oh, Ganesa! thou art a mighty lord; thy single tusk[23] is beautiful, and demands the tribute of praise from the Indra of song.[24] Thou art the chief of the human race; the destroyer of unclean spirits; the remover of fevers, whether daily or tertian. Thy bard sounds thy praise; let my work be accomplished!”

Thus Ganesa is the chief of the Di minores of the Hindu pantheon, as the etymology of the word indicates,[25] and like Janus, was entrusted with the gates of heaven [591]; while of his right to preside over peace and war, the fable related affords abundant testimony. Ganesa is the first invoked and propitiated[26] on every undertaking, whether warlike or pacific. The warrior implores his counsel; the banker indites his name at the commencement of every letter; the architect places his image in the foundation of every edifice; and the figure of Ganesa is either sculptured or painted at the door of every house as a protection against evil. Our Hindu Janus is represented as four-armed, and holding the disk (chakra), the war-shell, the club, and the lotos. Ganesa is not, however, bifrons, like the Roman guardian of portals. In every transaction he is adi, or the first, though the Hindu does not, like the Roman, open the year with his name. I shall conclude with remarking that one of the portes of every Hindu city is named the Ganesa Pol, as well as some conspicuous entrance to the palace: thus Udaipur has its Ganesa dwara, who also gives a name to the hall, the Ganesa deori; and his shrine will be found on the ascent of every sacred mount, as at Abu, where it is placed close to a fountain on the abrupt face about twelve hundred feet from the base. There is likewise a hill sacred to him in Mewar called Ganesa Gir, tantamount to the Mons Janiculum of the eternal city. The companion of this divinity is a rat, who indirectly receives a portion of homage, and with full as much right as the bird emblematic of Minerva.[27]

We have abandoned the temple of the warlike divinity (Devi), the sword of Mars, and the triumphal toran, to invoke Ganesa. It will have been remarked that the Rana aids himself to dismount by placing his hand on one of the columns of the toran, an act which is pregnant with a martial allusion, as are indeed the entire ceremonials of the “worship of the sword.”

Analogies to Western Customs. Oaths by the Sword.

—It might be deemed folly to trace the rites and superstitions of so remote an age and nation to Central Asia; but when we find the superstitions of the Indo-Scythic Getae prevailing within the Indus, in Dacia, and on the shores of the Baltic, we may assume their common origin; for although the worship of arms has prevailed among all warlike tribes, there is a peculiar respect paid to the sword amongst the Getic races. The Greeks and Romans paid devotion to their arms, and swore by them. The Greeks brought their habits from ancient Thrace, where the custom existed of presenting as the greatest gift that peculiar kind of sword called acinaces,[28] which we dare not derive from the Indo-Scythic or Sanskrit asi, a [592] sword. When Xenophon,[29] on his retreat, reached the court of Seuthes, he agreed to attach his corps to the service of the Thracian. His officers on introduction, in the true Oriental style, presented their nazars, or gifts of homage, excepting Xenophon, who, deeming himself too exalted to make the common offering, presented his sword, probably only to be touched in recognition of his services being accepted. The most powerful oath of the Rajput, next to his sovereign’s throne (gaddi ka an), is by his arms, ya silah ka an, ‘by this weapon!’ as, suiting the action to the word, he puts his hand on his dagger, never absent from his girdle. Dhal, tarwar, ka an, ‘by my sword and shield!’ The shield is deemed the only fit vessel or salver on which to present gifts; and accordingly at a Rajput court, shawls, brocades, scarfs, and jewels are always spread before the guest on bucklers.[30]

In the Runic “incantation of Hervor,” daughter of Angantýr, at the tomb of her father, she invokes the dead to deliver the enchanted brand Tyrfing, or “Hjalmr’s bane,” which, according to Getic custom, was buried in his tomb; she adjures him and his brothers “by all their arms, their shields, etc.” It is depicted with great force, and, translated, would deeply interest a Rajput, who might deem it the spell by which the Khanda of Hamira, which he annually worships, was obtained.

Incantation

Hervor—“Awake, Angantýr! Hervor, the only daughter of thee and Suafu, doth awaken thee. Give me out of the tomb the tempered sword which the dwarfs made for Suafurlama.

“Can none of Eyvors’[31] sons speak with me out of the habitations of the dead? Hervardur,[31] Hurvardur?”[31]

The tomb at length opens, the inside of which appears on fire, and a reply is sung within:

Angantýr—“Daughter Hervor, full of spells to raise the dead, why dost thou call so? I was not buried either by father or friends; two who lived after me got Tyrfing, one of whom is now in possession thereof [593].”

Hervor—“The dead shall never enjoy rest unless Angantýr deliver me Tyrfing, that cleaveth shields, and killed Hjalmr.”[32]

Angantýr—“Young maid, thou art of manlike courage, who dost rove by night to tombs, with spear engraven with magic spells,[33] with helm and coat of mail, before the door of our hall.”

Hervor—“It is not good for thee to hide it.”

Angantýr—“The death of Hjalmr[34] lies under my shoulders; it is all wrapt up in fire: I know no maid that dares to take this sword in hand.”

Hervor—“I shall take in hand the sharp sword, if I may obtain it. I do not think that fire will burn which plays about the site of deceased men.”[35]

Angantýr—“Take and keep Hjalmr’s bane: touch but the edges of it, there is poison in them both;[36] it is a most cruel devourer of men.”[37]

The Magic Sword of Mewār.

—Tradition has hallowed the two-edged sword (khanda) of Mewar, by investing it with an origin as mysterious as “the bane of Hjalmr.” It is supposed to be the enchanted weapon fabricated by Viswakarma,[38] with which the Hindu Proserpine girded the founder of the race, and led him forth to the conquest of Chitor.[39] It remained the great heirloom of her princes till the sack of Chitor by the Tatar Ala, when Rana Arsi and eleven of his brave sons devoted themselves at the command of the guardian goddess of their race, and their capital falling into the hands of the invader, the last scion of Bappa became a fugitive amidst the mountains of the west. It was then the Tatar inducted the Sonigira Maldeo [594], as his lieutenant, into the capital of the Guhilots. The most celebrated of the poetic chronicles of Mewar gives an elaborate description of the subterranean palace in Chitor, in one of whose entrances the dreadful sacrifice was perpetuated to save the honour of Padmini and the fair of Chitor from the brutalized Tatars.[40] The curiosity of Maldeo was more powerful than his superstition, and he determined to explore these hidden abodes, though reputed to be guarded by the serpent genii attendant on Nagnaicha, the ancient divinity of its Takshak founders.[41] Whether it was through the identical caverned passage, and over the ashes of those martyred Kaminis,[42] that he made good his way into those rock-bound abodes, the legend says not; but though
In darkness, and with dangers compassed round,
And solitude,

the intrepid Maldeo paused not until he had penetrated to the very bounds of the abyss, where in a recess he beheld the snaky sorceress and her sister crew seated round a cauldron, in which the materials of their incantation were solving before a fire that served to illume this abode of horror. As he paused, the reverberation of his footsteps caused the infernal crew to look athwart the palpable obscure of their abode, and beholding the audacious mortal, they demanded his intent. The valiant Sonigira replied that he did not come as a spy,

With purpose to explore or to disturb
The secrets of their realm,

but in search of the enchanted brand of the founder of the Guhilots. Soon they made proof of Maldeo’s hardihood. Uncovering the cauldron, he beheld a sight most appalling: amidst divers fragments of animals was the arm of an infant. A dish of this horrid repast was placed before him, and a silent signal made for him to eat. He obeyed, and returned the empty platter: it was proof sufficient of his worth to wear the enchanted blade, which, drawn forth from its secret abode, was put into the hand of Maldeo, who bowing, retired with the trophy [595].

Rana Hamira recovered this heirloom of his house, and with it the throne of Chitor, by his marriage with the daughter of the Sonigira, as related in the annals.[43] Another version says it was Hamira himself who obtained the enchanted sword, by his incantations to Charani Devi, or the goddess of the bards, whom he worshipped.

The Birth of Kumāra.

—We shall conclude this account of the military festival of Mewar with the birth of Kumara, the god of war, taken from the most celebrated of their mythological poems, the Ramayana, probably the most ancient book in the world.[44] “Mena, daughter of Meru, became the spouse of Himavat, from whose union sprung the beauteous Ganga, and her sister Uma. Ganga was sought in marriage by all the celestials; while Uma, after a long life of austerity, was espoused by Rudra.”[45] But neither sister was fortunate enough to have offspring, until Ganga became pregnant by Hutasana (regent of fire), and “Kumara, resplendent as the sun, illustrious as the moon, was produced from the side of Ganga.” The gods, with Indra at their head, carried him to the Krittikas[46] to be nursed, and he became their joint care. “As he resembled the fire in brightness, he received the name of Skanda, when the immortals, with Agni (fire) at their head, anointed him as general of the armies of the gods.”[47]—“Thus (the bard Valmiki speaks), oh! Rama, have I related the story of the production of Kumar.”

This is a very curious relic of ancient mythology, in which we may trace the most material circumstances of the birth of the Roman divinity of war. Kumara (Mars) was the son of Jahnavi (Juno), and born, like the Romans, without sexual intercourse, but by the agency of Vulcan (regent of fire). Kumara has the peacock (sacred to Juno likewise) as his companion; and as the Grecian goddess is feigned to have her car drawn by peacocks, so Kumara (the evil-striker)[48] has a peacock for his steed [596]. Ganga, ‘the river goddess,’ has some of the attributes of Pallas, being like the Athenian maid (Ganga never married) born from the head of Jove. The bard of the silver age makes her fall from a glacier of Kailasa (Olympus) on the head of the father of the gods, and remain many years within the folds of his tiara (jata), until at length being liberated, she was precipitated into the plains of Aryavarta. It was in this escape that she burst her rocky barrier (the Himalaya), and on the birth of Kumara exposed those veins of gold called jambunadi, in colour like the jambu fruit, probably alluding to the veins of gold discovered in the rocks of the Ganges in those distant ages.