[259] See Chapter V, p 88.
[260] "The Prairie," Ornithological Biography, vol. i, p. 81.
[261] John Burroughs, John James Audubon (Bibl. No. 87), p. 37.
[262] "See History of Sutton, New Hampshire, compiled by Augustus Harvey Worthen, pt. I (Concord, 1890).
[263] "The Eccentric Naturalist," Ornithological Biography (Bibl. No. 2), vol. i, p. 455.
[264] For the characterization of Rafinesque given in the present chapter I am chiefly indebted, aside from his own writings, to his two most sympathetic biographers, Richard Ellsworth Call and T. J. Fitzpatrick, as well as to David Starr Jordan; see Bibliography, Nos. 198, 228, and 183. Fitzpatrick gives photographic reproductions from Rafinesque's exceedingly diversiform and scattered works; his bibliographic titles extend to 939, and "Rafinesquiana" to 134.
[265] "At Palermo," said Swainson, "I had the pleasure of meeting ... Rafinesque Schmaltz, whose first name is familiar to most zoölogists. In the society of such congenial minds, I passed many happy hours, and made many delightful excursions ... by the inducement of the latter, I was led to investigate the ichthyology of the western coast." (See Bibliography, No. 170.)
[266] See Vol. I, pp. 171 and 336.
[267] See David Starr Jordon (Bibl. No. 183), Popular Science Monthly, vol. xxix (1886). "The true story of this practical joke was told me by the venerable Dr. Kirtland, who in turn received it from Dr. Bachman;" the latter, I might add, was the friend and correspondent of the "Sage of Rockport" after a visit at his home near Cleveland in the summer of 1852. In the private notebooks of Rafinesque copies of Audubon's drawings are still to be seen, and "a glance at these," said Dr. Jordon, "is sufficient to show the extent to which science through him has been victimized."
Audubon was also responsible for a number of extraordinary "new species" of birds, the most notorious of which was the Scarlet-headed Swallow, of which Rafinesque published the following account in 1820: "Hirundo phenicephala. Head scarlet, back gray, belly white, bill and feet black. A fine and rare swallow seen only once by Mr. Audubon near Henderson, Kentucky...." See Samuel N. Rhoads, "Constantine S. Rafinesque as an Ornithologist," Cassinia, No. XV (Philadelphia, 1911).
[268] The Western Review and Miscellaneous Magazine, Lexington, 1819-20.
[269] Ichthyologia Ohiensis, or Natural History of the Fishes inhabiting the River Ohio and its tributary Streams, preceded by a physical description of the Ohio and its branches. By C. S. Rafinesque, Professor of Botany and Natural History in Transylvania University, Author of the Analysis of Nature, &c. &c. Member of the Literary and Philosophical Society of New-York, the Historical Society of New-York, the Lyceum of Natural History of New-York, the Academy of Natural Sciences of Philadelphia, the American Antiquarian Society, the Royal Institute of Natural Sciences of Naples, the Italian Society of Arts and Sciences, the Medical Societies of Lexington and Cincinnati, &c. &c.
"The art of seeing well, or of noticing and distinguishing with accuracy the objects which we perceive, is a high faculty of the mind, unfolded in few individuals, and despised by those who can neither acquire it, nor appreciate its results."
Lexington, Kentucky: printed for the author by W. G. Hunt. (Price one dollar.) (Pp. 1-90. Lexington, 1820.)
Fitzpatrick (see Bibliography, No. 228) gives a list of 14 copies of this work, the whereabouts of which are known; we can add another from the library of Dr. Jared P. Kirtland, now in the collections of Western Reserve University; it is bound up with Dr. Kirtland's notebook on birds and fishes, and labeled "Scraps of Natural History. My Note Book;" a written notice on the inside of the cover, imploring the finder to return the volume to its owner if lost, is signed by Dr. Kirtland and dated "Cleveland, O., Oct. 16th, 1839." Probably fewer than 20 original copies of the work now exist. It was reproduced in a limited edition, with a sketch of Rafinesque's life and works by Richard Ellsworth Call, published by the Burrows Brothers' Company of Cleveland in 1899.
[270] Probably not before October of that year, when Audubon first met John Bachman, at Charleston, South Carolina.
[271] Reply to a criticism of G. W. Featherstonhaugh (The Monthly American Journal of Geological Science), in Rafinesque's Atlantic Journal and Friend of Knowledge, No. 3, p. 113 (Philadelphia, 1832). Rafinesque occasionally spoke of meeting "my friend Audubon," who, he declared, had invited him to join his expedition to Florida in 1831-32.
[272] Isaac Lea, in A Synopsis of the Family of Naiades, pp. 8-9 (Philadelphia, 1836).
[273] See Bibliography, No. 204.
[274] The landlord, to whom Rafinesque had been in arrears for rent, had locked his body in the room and refused permission for its burial, thinking to find a market for it in one of the medical schools of the city. Rafinesque was buried in a little churchyard, then outside of the limits of the city, known as Ronaldson's cemetery, now at Ninth and Catharine Streets. See Call and Fitzpatrick, Bibliography, Nos. 198 and 228.
[275] Maria R. Audubon, Audubon and his Journals (Bibl. No. 86), vol. i, p. 36.
[276] Ibid., vol. i, p. 49.
[277] Dr. Daniel Drake (1785-1852) was one of the most versatile and prolific writers on medicine which the West has ever produced, and Cincinnati owed to him much, for he was instrumental in organizing in that city a church, a literary society, a museum, a hospital, a college, and a school of medicine, while he enjoyed a large medical practice, lectured on botany, and was a partner in two mercantile establishments. We might also add that his "Notice concerning Cincinnati" (pp. 1-28, i-iv. Printed for the author at Cincinnati, 1810), of which only three copies are known to exist, is the earliest and rarest published record of that city. This little pamphlet included a "Flora" of the city for 1809, and from it we transcribe this interesting extract (p. 27):
"May 10. Black locust in full flower.
"It is highly probable that the flowering of this beautiful tree, the Robinia pseudocacia of Linnæus, indicates the proper time for planting the important vegetable the Indian corn. For several successive years I have observed our farmers generally to plant corn during some stage of its flowering. This from the 10th to the 20th of May."
For the privilege of examining one of the original copies of this paper, I am indebted to Mr. Wallace H. Cathcart of the Western Reserve Historical Society of Cleveland.
[278] See Audubon's letter to Thomas Sully, reproduced in Vol. II, p. 68. In his Ohio and Mississippi Rivers Journal Audubon wrote on April 5, 1821: "Cap. Cumming left us on the 10 for Phila; the poor man had not one cent with him."
[279] This early journal fills a large unruled book, measuring about 13 by 8 inches, of 201 pages, beginning with Oct. 12, 1820, and closing with December 31, 1821; it forms a part of the John E. Thayer collection of Audubon and Wilson manuscripts and drawings in possession of Harvard University, having been once included in the estate of Joseph M. Wade. The collection embraces four early drawings by Audubon, presumably at one time in the hands of Edward Harris (see Note, Vol. I, p. 180); 73 of Audubon's original letters, comprising largely his correspondence with Dr. John Bachman; 60 letters by Victor G. Audubon; and a few by other members of the naturalist's family. See the Annual Report of the Curator of the Museum of Comparative Zoology for 1910-1911.
Through the courtesy of Professor E. L. Mark, and the Director of the Museum, Dr. Samuel Henshaw, I have been permitted to examine these numerous documents. In any direct or casual reference to this valuable material, I have endeavored not to overstep the bounds of propriety, in view of the fact that the University contemplates publishing copious extracts from it at an early day. It should be noticed that excerpts from this journal have already appeared in print. See following Note.
[280] See Ruthven Deane (Bibl. No. 41), The Auk, vol. xxi, pp. 334-338.
[281] "Natchez in 1820" and "The Lost Portfolio," Ornithological Biography (Bibl. No. 2), vol. iii, pp. 529 and 564.
[282] The original of this admirable drawing had been shot at New Madrid, on the Ohio, on November 23, and Audubon, who immediately began to work on it, recorded his conviction that the White-headed or Bald Eagle and the "Brown Eagle," which he later called "The Bird of Washington," were two different species; he thought that the young of the former, which was also brown, was much smaller in size. See Vol. I, p. 241.
[283] These drawings were as follows:
[284] Vanderlyn, like Audubon, had been a pupil of David at Paris; he produced historical paintings of merit, as well as panoramas, then coming into vogue; some of the latter were exhibited in the "Rotunda" which he erected for that purpose in City Hall Park, New York, but this enterprise failed, and his building was seized by the city for debt. Vanderlyn died in absolute want in 1852. See Samuel Isham, The History of American Painting (New York, 1915).
[285] "Bayou," in Louisiana, is a term commonly applied to any slow-running stream. According to the tradition gathered on the spot by Mr. Stanley C. Arthur, both stream and settlement were formerly called "New Valentia," while the present name was derived from an old woman called "Sara," who many years ago lived at the mouth of the Bayou, where she practiced some sort of spurious physic. St. Francisville, on the hill, received its name from the circumstance that the brothers of St. Francis, who had a mission at Pointe Coupée, on the opposite bank, were in the habit of ferrying their dead over the river, in order to bury them on the high ground; "Bayou Sara" and "St. Francisville" are used interchangeably by the inhabitants. See S. C. Arthur (Bibl. No. 230), Times-Picayune, New Orleans, August 6, 1916.
[286] On the original drawing of the Pine-creeping Warbler, The Birds of America (Plate cxl), the following legends appear in Audubon's autograph: "Drawn from Nature by John J. Audubon, James Pirrie's Plantation, Louisiana, July 10, 1821. Plant, J. R. Mason."
Sixteen of Audubon's originals, which still bear the designations of time and place, were produced during this interval, in the year 1821; they embrace the Mississippi Kite (Plate cxvii, see Vol. I, p. 228), June 28; Yellow-throated Vireo (Plate cxix), July 11; Red-cockaded Woodpecker (Plate ccclxxxix), July 29; American Redstart (Plate xl), August 13; Summer Red-bird (Plate xliv), August 27; Prairie Warbler (Plate xiv), Sept. 3; and the Tennessee Warbler (Plate cliv), Oct. 17.
[287] The Birds of America, Plate xxi.
[288] See Chapter XXVIII, p. 72.
[289] The vivacious Miss Pirrie did not marry the young doctor, but eloped to Natchez with the son of a neighboring planter, who died within a month in consequence of a cold, said to have been contracted when he waded a deep stream with his lady-love in his arms. Audubon's pupil was thrice married, and bore five children; she died April 20, 1851, and her ashes now rest by the side of her second husband, the Reverend William Robert Bowman, the parish minister at St. Francisville. See Arthur (Bibl. No. 230), loc. cit.
[290] Mistakenly written "Brand" by Audubon's biographers, according to Mr. Stanley C. Arthur, who writes that "Braud" is a very common name in New Orleans.
[291] Father Antonio de Sedella, popularly known as "Père Antoine," after 1791 pastor of St. Louis Cathedral; an idol of the people, but execrated by historians.
"This seditious priest is a Father Antoine; he is a great favorite of the Louisiana ladies; has married many of them, and christened all their children; he is by some citizens esteemed an accomplished hypocrite, has great influence with the people of color, and, report says, embraces every opportunity to render them discontented under the American Government." Executive Journal of Governor Claiborne. See Charles Gayarré, History of Louisiana, vol. iv, pp. 154-155 (New Orleans, 1903).
[292] This item occurs in Audubon's journal for October 25; "Rented a house in Dauphine street at seventeen dollars per month, and determined to bring my family to New Orleans."
[293] See Audubon's letter to Sully, Vol. II, p. 69.
[294] Now in the collection of Mr. John E. Thayer, Lancaster, Mass.
[295] Mr. Stanley C. Arthur, whose recent visit to this region has already been noticed, gathered there from the lips of old residents, some of whom were descendants of those who had known the Audubons, a store of reliable data by which the history of the naturalist at this important phase of his life is revealed in its true light; to him I am indebted for a series of excellent photographs of the region, its historic houses and people, as well as for much needed information. See Arthur (Bibl. No. 230), loc. cit.
[296] One of the early steamboats on the Ohio that had been built at Pittsburgh, in 1821, by Thomas W. Bakewell, his brother-in-law and former partner.
[297] See "A Tough Walk for a Youth," Ornithological Biography (Bibl. No. 2), vol. iii, p. 371; and "The Hospitality of the Woods," ibid., vol. i, p. 383.
[298] This lady had a remarkable history. She was the widow of the Marquis de Saint Pie, and was at one time a dame d'honneur of Queen Marie Antoinette; like many others of noble birth, she had fled from Paris during the Revolution, and emigrated to America, where with her husband she assumed the name of Berthoud. Her son, Nicholas Augustus, had married Mrs. Audubon's sister, Eliza Bakewell, in 1816.
[299] See Chapter XIV.
[300] This was the third edition of the American Ornithology, issued by Messrs. Collins & Company in New York and by Harrison Hall of Philadelphia, in three octavo volumes, with an atlas of 76 plates colored by hand, in 1828-9. Mr. Hall, who appears to have been the person most interested financially in this edition, was a brother of James Hall, author of a notorious review in which this work was praised at the expense of Audubon, who was viciously attacked (see Bibliography, No. 123). Friends of Audubon repeatedly asserted that as soon as his popularity and success began to check the sales of Wilson's work, Ord and a few others, aided by interested publishers, began a systematic series of attacks, some notice of which is taken in Chapter XXVIII.
[301] See Chapter XIV.
[302] Charles Lucien Jules Laurent Bonaparte, Prince of Canino and Musignano, the eldest son of Lucien, and nephew of Napoleon, Bonaparte, was born at Paris in 1803, and died there in 1857. At this time he was settled with his uncle and father-in-law, Joseph Bonaparte, former King of Spain, at Philadelphia, and there and at Bordentown, New Jersey, where Joseph had an estate, he undertook the study of American birds. His best known scientific works are: American Ornithology, or the Natural History of the Birds of the United States, not Given by Wilson, 4 volumes, quarto, with 27 colored plates, Philadelphia, 1825-1833; and Iconographica della Fauna Italica, Rome, 1833-1841. In 1828 he retired to Italy, where he was devoted to literary and scientific pursuits. He was an early subscriber to Audubon's Birds of America, but their relations were somewhat strained on the publication of the Ornithological Biography in 1831 (see Chapter XXIX). Bonaparte later entered politics in Italy, and was leader of the republican party at Rome in 1848 and 1849; after having been expelled from France by the order of Louis Napoleon, he was permitted to return in 1850, and became director of the Jardin des Plantes in Paris.
He was a closet naturalist rather than a field student, but did much for the reform of nomenclature. In his Ornithology the number of American birds was raised to 366, nearly one hundred having been added since the work of Wilson was revised by Ord, but he added only two that were new, Cooper's Hawk, (Accipiter cooperi), named after William Cooper of New York, and Say's Phœbe (Sayornis saya), dedicated to Thomas Say, and first procured by Titian R. Peale in the Rocky Mountain districts of the Far West. Perhaps his most important technical work, the Conspectus Generum Avium, begun in 1850, was incomplete at the time of his death.
[303] William Dunlap, History of the Rise and Progress of the Arts of Design in the United States (Bibl. No. 59), vol. ii, p. 402 (New York, 1834).
[304] The Boat-tailed Grackle, vol. i, plate iv.
[305] He seems, however, to have supplied Bonaparte liberally with notes, for after devoting fifteen pages to the biography of the Wild Turkey, Audubon said: "A long account of this remarkable bird has already been given in Bonaparte's American Ornithology, volume I. As that account was in a great measure derived from notes furnished by myself, you need not be surprised, good reader, to find it often in accordance with the above." Ornithological Biography (Bibl. No. 2), vol. i, p. 16.
[306] Edward Harris was born at Morristown, New Jersey, in 1799, where he died in 1863. Without the incentive to earn money or the ambition to acquire fame, he lived the life of a gentleman of leisure, devoted to natural history, to sport and to the cultivation of his paternal acres. He had the gift of friendship, was widely traveled, wrote charming letters, and kept careful records of his observations, but rarely published anything. The breeding of fine stock was one of his hobbies, and as a result of a journey to Europe in 1839, when he visited a horse fair in Normandy, he is credited with having first introduced the Norman breed into America. "The beneficent results of his quiet, unobtrusive life," says an appreciative biographer, "reach down to our time, and, after half a century, we are glad that Edward Harris lived." See biographical sketch by George Spencer Morris, in Cassinia, vol. vi (Philadelphia, 1902).
[307] See Chapter XII, p. 179.
[308] Written by Dr. Edmund Porter of Frenchtown, New Jersey, to Dr. Thomas Miner of Haddam, Connecticut, on October 25, 1825. See Witmer Stone, "Some Philadelphia Ornithological Collections and Collectors, 1784-1850," The Auk, vol. xvi (New York, 1899).
[309] Thomas Sully (1783-1872), Englishman by birth, who had come to America at an early age, and like Audubon had waged a bitter struggle before success was achieved, became one of the first portrait painters of the early American School.
In 1831 Sully wrote to Audubon that his success in England and France had charmed all of his friends in America, that it was like a personal triumph to them, and that it would soon silence his few remaining enemies; "Be true to yourself, Audubon," he added, "and never doubt of success." It has been said that when Audubon first came to Philadelphia in 1824 he applied to Sully for instruction, saying that he wished to become a portrait painter (see Dunlap, op. cit.); again that he was ready to sell his drawings to the highest bidder; but the records of his journals from 1820 onward are sufficiently consistent to show what his purpose really was.
[310] For the favor of examining a collection of interesting autograph letters written to Audubon in Europe and America, some of which are here reproduced, I am indebted to the kindness of Mr. Henry R. Howland, secretary of the Buffalo Society of Natural Sciences. This note was written on a narrow strip of manila-colored drawing paper.
[311] See Chapter XI.
[312] See Bibliography, Nos. 15 and 16.
[313] See Lucy Audubon, ed., Life of John James Audubon, the Naturalist (Bibl. No. 73), p. 107.
[314] See Vol. I, p. 219.
[315] Probably first published in a newspaper, and reprinted in pamphlet form, dated "April 9, 1846"; see Bibliography, No. 42.
[316] Miss Jennett Benedict in 1836 became Mrs. Butts; the crayon portrait which Audubon made at this time was carefully treasured by her daughter, the late Mrs. Frederick A. Sterling, of Cleveland, Ohio, to whose kindness I am indebted for the privilege of reproducing it. This original drawing, which is presumably a fair specimen of Audubon's itinerant portraiture, was made on a sheet of buff, water-marked paper, 14½ by 10½ inches in dimensions; it was outlined in pencil, and carefully finished in crayon-point; its legend "J. J. Audubon-1824," was inserted in pencil, in a very fine hand at the lower margin of the sketch. The Colson store was at the corner of Water Street and south of Cherry Alley. For an account of this incident I am indebted to Mrs. Sterling, and to an article in the Tribune Republican, of Meadville, for February 7, 1907.
[317] Ornithological Biography, vol. i, p. xi.
[318] The Jeanes MSS.; see Note, Vol. I, p. 180.
[319] "Shipping Port," as the village below the rapids or falls of the Ohio was then called, was joined to Louisville by the Louisville and Portland Canal, a channel two and one-half miles long, in 1830, two years after the city received its charter. The "Louisville" or "Portland" cement, a name now applied to the product of a considerable district, was first manufactured at Shipping Port, in 1829, for the construction of this canal.
[320] Audubon's 1826 manuscript journal, which I examined through the courtesy of Miss Maria R. Audubon in 1914, was written, mostly in pencil, in a ruled blank book, of similar size and quality to that used on the Ohio River in 1820-21 (see Note, p. 307), and was illustrated with a number of pencil sketches, chiefly of fishes. On page 2 was a rough outline sketch of first mate Sam L. Bragdon, of Wells, Maine, reading in the booby hatch; to his kindness Audubon paid a written tribute; there was also a drawing of a "Balacuda [Barracouta] Fish, June 17, 1826;" of a "Shark, 7 ft. long; off Cuba, Jn. 18" (see reproduction); and of a "Dolphin; Gulph of Florida, May 28;" other sketches were of a line or "thread-winder," a Flying Fish, and outlines of the Cuban coast.
Audubon presented a sketch of the "Dolphin" to Captain Hatch, whose vessel, the Delos, went down on the Grand Banks of Newfoundland in the summer of 1831, but not until her crew and valuables had been transferred to another boat that stood by. (For this note I am indebted to Miss Maria R. Audubon.)
[321] Addressed "General Lafayette,
Paris ou Lagrange."
Translated from the French original, kindly sent to me by Mr. Ruthven Deane.
[322] For an account of Audubon's meeting with Nolte see Chapter XVIII.
[323] Dr. Thomas Stuart Traill, after whom one of our common flycatchers was named, was a founder of the Royal Institution at Liverpool, and later a professor of medical jurisprudence at Edinburgh. When the keepership of the Department of Natural History in the British Museum became vacant through the resignation of Dr. Leech in 1822, Dr. Traill supported William Swainson for the position; when George J. Children received the appointment, he was disinclined to accept defeat, and entered upon a crusade against the Museum's trustees in a series of anonymous articles contributed to the Edinburgh and Westminster Reviews. Traill's exposure of the neglect which the natural-history collections had suffered in the custody of the British Museum paved the way to a separate Department of Zoology, which in the able hands of John E. Gray, and later in those of Sir Richard Owen, led to the present great Museum of Natural History at South Kensington.
[324] In dedicating the Sylvia rathbonia Audubon said: "Were I at liberty here to express the gratitude which swells my heart, when the remembrance of all the unmerited kindness and unlooked-for friendship which I have received from the Rathbones of Liverpool comes to my mind, I might produce a volume of thanks. But I must content myself with informing you, that the small tribute of gratitude which it is alone in my power to pay, I now joyfully accord, by naming after them one of those birds, to the study of which all my efforts have been directed. I trust that future naturalists, regardful of the feelings which have guided me in naming this species, will continue to it the name of the Rathbone Warbler."
[325] Named after John Stevens Henslow, Professor of Botany in the University of Cambridge, whom Audubon had met in 1828, when Charles Darwin was still his pupil.
[326] This seal, the design of which has since been adapted for a bookplate, was long in use, and though at one time lost, is still in possession of the family. A copy of the large original, which was to serve as his first plate, was presented to the Royal Institution of Liverpool as an acknowledgment of its hospitality, for it had refused remuneration in any other form.
[327] See Note, Vol. I, p. 375.
[328] The plates as issued, untrimmed, measured 39½ by 29½ inches; see Bibliography, No. 1.
[329] See Note, Vol. II, p. 197. Incidentally it may be noticed that the "tiger swallowtail" in this plate was possibly added for effect, for few of our birds, which habitually hunt moths, ever prey upon butterflies. I have seen the cabbage butterfly and a few of the smaller kinds brought to the nests of the Chebec and Wood Pewee but never a "monarch" or "papilio"; yet some affirm that the Kingbird will attack the "monarch."
[330] Translated from Études sur la Littérature et les Mœurs des Anglo-Americains au XIXe siècle, "Audubon," pp. 66-106 (Paris, 1851). Philarète-Chasles, who wrote chiefly on American, English and European authors and books, has seventy volumes credited to him in the National Library at Paris.
[331] P. A. Cap, in L'Illustration for 1851. Cap's hint was taken by Eugène Bazin, who translated copious selections from the Ornithological Biography, which were published in two volumes in Paris in 1857 (see Bibliography, No. 38).
[332] See Maria R. Audubon, Audubon and his Journals (Bibl. No. 86).
[333] Audubon's copy of this oil painting remained in the possession of his family until a few years ago, when it was sold for a much greater amount. It now adorns the beautiful ornithological museum of Mr. John E. Thayer, at South Lancaster, Massachusetts; it represents a cock and hen turkey in life size, adapted from the subjects of his two most famous plates, and is in an admirable state of preservation. Mr. Thayer's collection also embraces Audubon's large canvas of the Black Cocks, from the Edward Harris estate, a charming study of the Hen Turkey, with landscape setting, and, also in oils, several smaller panels of Flickers and Passenger Pigeons, which, if not the work of the naturalist, are copies after his originals, and possibly made by Joseph B. Kidd. (See Vol. I, p. 446; and for a notice of Mr. Thayer's other Audubonian drawings, Vol. II, p. 227, and Appendix II.)
[334] Basil Hall (1788-1844), noted for his travels in China, Korea, and on the coasts of Chili, Peru and Mexico, visited the United States in 1827-28; his Travels in North America appeared in 1829.
[335] See Chapter XXVIII.
[336] Maria R. Audubon, op. cit., vol. i, p. 204.
[337] Which I owe to the kindness of his granddaughter, Miss Maria R. Audubon; it is superscribed "Mrs. Audubon, St. Francisville, Bayou Sarah, Louisville, p Wm Penn;" it reached New Orleans on June 13, and is endorsed as answered on June 23.
[338] John Woodhouse Audubon at this time was in his fifteenth year, and this injunction regarding the internal anatomy of birds, to which ornithologists had hitherto paid but little attention, was given three years before his father made the acquaintance of MacGillivray. (See Chapter XXX.)
[339] See Chapter XXV.
[340] The work, as originally announced, was to appear in parts of 5 plates each, at 2 guineas a part, and in order to distribute the expense to purchasers it was expected to issue but 5 parts a year. The plates, to be engraved on copper, were of double elephant folio size, and printed on paper of the finest quality, all the birds and flowers to be life-size, and to be carefully colored by hand, after the originals; any subscriber was at liberty to take a part or the whole. It was stated in the prospectus of 1829, when 10 parts had been published: "There are 400 Drawings, and it is proposed that they shall comprise Three Volumes, each containing 133 Plates, to which an Index will be given at the end of each, to be bound up with the volume.... It would be advisable for the subscriber to procure a Portfolio, to keep the Numbers till a volume is completed." To avoid the expense entailed by copyright regulations in England, indices and all other letterpress were eventually omitted; the number of parts was extended to 87, or 435 plates, and the number of volumes to 4, a necessity imposed by the discovery of many new birds, even after the omission of the figures of the eggs, which Audubon had reserved for the close, and the undue crowding of many of his final plates. The "Prospectus" issued with the first volume of the text in 1831 contained a list of the first 100 plates, together with extracts of reviews by Cuvier and Swainson, and a list of subscribers to the number of 180. For further details, see Bibliography, No. 1, and Appendix III, No. 2.
[341] Illustrations of British Ornithology, by Prideaux John Selby. The British Museum copy of this work is in two large folio volumes (measuring about 25½ by 20½ inches), and was issued originally in numbers which appeared at irregular intervals. Vol. I, plates i-iv (of bills, heads, and feet), i-c (of land birds); most of the plates are by Selby, and many were etched by him and autographed, 1819-1821; plates xiv, xvi, and xx are by Captain R. Mitford, whose home, "Mitford Castle," near Morpeth, Northumberland, was visited by Audubon in April, 1827; published at Edinburgh by Archibald Constable & Co., and by Hurst, Robinson & Co., London, 1825(?)-1827. Volume II, plates i-ciii; printed for the Proprietor & published by W. H. Lizars, Longman, Rees, Orme, Brown, Green & Longman, London; and W. Curry, Junr. & Co., Dublin, MDCCCXXXIV. Quaritch, in offering a copy in 1887, at £55, stated that there were 383 figures, in 221 colored plates, and that the published price was £105. Newton (Dictionary of Birds, p. 27) says that the first series of these "Illustrations" was published in coöperation with Sir William Jardine, in 3 volumes of 150 plates, in 1827-1835, after which a second series was started by them, and completed in a single volume of 53 plates, issued in 1843. This was the "job book" mentioned earlier in this chapter (see p. 358), but neither Jardine's nor Jameson's name is mentioned in the volumes which I have examined.
In a letter to Audubon, dated "Sept. 13h 1830 Twizel [l?] House," and postmarked "Belford," Selby said: "I expect to bring my own work to a conclusion during the course of this winter having only the plates of another Number to finish. I am happy to add that the Work is doing well & is more than paying itself. The second Vol: of letter press will appear with the last No."
Two volumes of text were published in 1825 and 1833 respectively; the first, after readjustment to fit the "quinarian doctrine," to which Selby was a temporary convert (see Vol. II, p. 94), was issued in a second edition at London, in 1841; the second volume bore the imprint of Lizars, who soon after began to work for Audubon.
Selby's plates were for the most part rather crudely drawn, etched and colored, and could be commended only as the work of amateurs who strove for accuracy.
[342] Among the sixty or more persons to whom Audubon carried written credentials at this time were the following: the Duke of Northumberland, Robert Peel, Sir Humphry Davy, Sir J. D. Aukland, Albert Gallatin, the American Minister, Sir Thomas Lawrence, David Wilkie, Dr. Buckland, Dr. Holland, Dr. Roget, Dr. Wollaston, William Swainson, Sir William Herschel, and his son, afterwards Sir John Herschel, John George Children, R. W. Hay, N. A. Vigors, Captain Cook, John Murray and Robert Bakewell (see Vol. II, p. 134).
[343] Probably the same that is referred to in his journals as "Mr. Hays, the antiquarian."
[344] J. G. Children (1777-1852) was early interested in chemistry, and at Tunbridge built a good laboratory, in which Humphry Davy conducted many of his early experiments, and while there was seriously injured in October, 1812. In 1824 Children discovered a method of extracting silver without the use of mercury. When Mr. Children, Senior, became insolvent through the failure of his bank, his son obtained a position at the British Museum; in 1816 he was librarian in the Department of Antiquities, but in 1823 he was transferred to a post in zoölogy which was eagerly sought by William Swainson; he was secretary of the Royal Society in 1826-27, and again in 1835-37. He resigned his position at the Museum in 1840, when Swainson was again an unsuccessful candidate, and was succeeded by J. E. Gray (see Note, Vol. I, p. 353). Children was not a productive zoölogist, but has been described as a lovable soul, who was never soured by illness or other misfortunes, and who was as zealous in his friendships as in science. See "A. A." (Anna Atkins), Memoir of J. G. Children, Esq. (Bibl. No. 175).
[345] In the account which follows, as well as in numerous instances in Chapter XXXII, I am most indebted to George Alfred Williams, who in "Robert Havell, Junior, Engraver of Audubon's The Birds of America," (Bibl. No. 232) (Print-Collectors Quarterly, vol. vi, no. 3, pp. 225-259, Boston, 1916), has given the only satisfactory account of the Havell family and the best analysis of the work of the great engraver.
[346] Mr. Charles E. Goodspeed, who recently sent me two of the original plates of the Prothonotary Warbler, one bearing the legend "Engraved by W. H. Lizars Edinr," and the other, "Engraved, Printed & Coloured, by R. Havell Junr," called attention to the identity of the two engravings. That these two impressions are absolutely identical in aquatint and line is proved by applying a magnifying glass to any part of their surfaces, and by counting and comparing the lines or dots within any selected area whatsoever; in short, they differ only in their legends, and in the coloring which was applied by different hands. That such methods should have been adopted for excluding Lizars' name is certainly surprising. In the first or Edinburgh impression of Lizars' original plate, the artist's legend reads: "Drawn by J. J. Audubon M. W. S.," and names of bird and plant appear at the bottom of the plate in three lines: "PROTHONOTARY WARBLER. Dacnis protonotarius. Plant Vulgo Cane Vine." In the London edition the corresponding designations are: "Drawn from nature by J. J. Audubon F, R, S. F, L, S.," and PROTHONOTARY WARBLER. Sylvia Protonotarius. Lath, Male. 1. Female, 2. Cane Vine.," in four lines.
[347] See Chapter XXXII.
[348] See ibid.
[349] See Sir Walter Besant, London in the Nineteenth Century (London, 1909).
[350] See Maria R. Audubon, Audubon and his Journals (Bibl. No. 86), vol. i, p. 342, where the "Eagle and the Lamb" is reproduced.
[351] See Vol. I, p. 436.
[352] See Chapter XXVIII.
[353] The seventh which he had contributed to the scientific press of Europe, entitled "Notes on the Bird of Washington (Falco Washingtoniana), or Great Sea Eagle," now believed to have been mistaken by him for an immature stage of the true "bird of freedom," the White-headed Eagle. It was dated "London, April, 1828," and was published in Loudon's Magazine for July of that year. See Bibliography, No. 23.
[354] From the originals in possession of the Linnæan Society of London. Swainson's scientific correspondence was taken with him to New Zealand, where it remained fifty years, until returned by his daughter, who sent it to Sir Joseph Hooker; it was finally purchased by a number of Fellows of the Society, and presented to its historical collections. It consists of 934 letters written by 236 correspondents, from 1806 to 1840. Of the 24 letters written by Audubon, and dated 9 April, 1829, to 11 January, 1838, none has been previously published. Dr. Albert Günther, who has given a summary of their contents (Proceedings of the Linnæan Society, 112th Session, 1900; Bibliography, No. 204) found them rather disappointing, since they dealt mainly with personal and domestic matters, and were written in a style characterized as "fantastic and unnatural." Through the kindness of my esteemed friend, George E. Bullen, Esq., of the Hertfordshire County Museum, St. Albans, and through the courtesy of the Council of the Linnæan Society and its secretary, Dr. Daydon Jackson, I am able to reproduce transcripts of the most interesting of these letters, which readers in America will, I believe, find interesting because of their personal details. I am indebted also for their good offices to John Hopkinson, F.L.S., and to William Rowan, Esq.
From the context of the nine letters which are here reproduced without change, it is evident that Audubon paid little attention to grammar, syntax, or orthography, but if the reader will compare the letters written before and after 1830, or before and after his first serious discipline in English composition (see Chapters XXIII and XXIX), he will find marked improvement in all these respects.
[355] Swainson's house has been kindly identified by my friend, Mr. George E. Bullen, to whom I am indebted also for an interesting photograph, taken from an old print. Mrs. Swainson, who died February 12, 1835, was buried in the parish church, with which she was closely identified, at London Colney, and a tablet to her memory is still to be seen there. Swainson probably preferred the historic associations of Tyttenhanger, a name originally applied to the manor and manor house of the Abbot of St. Albans, a famous abbey property acquired before the Conquest, with a history extending over six hundred years, but he did not live there. The oldest resident now on the spot, a man over ninety, told Mr. Bullen that as a boy he often collected butterflies, moths and other specimens of natural history which he took to "Highfield Hall," and was always paid by one of the Swainson children. Since Swainson's time the original house, which was approached by a long walk, has become almost unrecognizable, having received an addition to one side; the grass land which then surrounded it has been converted into beautiful lawns.
[356] See Bibliography, No. 95.
[357] See Chapter XXIX.
[358] See Vol. II, p. 130.
[359] See Note, Vol. I, p. 364.
[360] Fauna Boreali-Americana; or the Zoology of the northern parts of British America; Part Second, "The Birds;" by William Swainson and John Richardson (London, 1831).
[361] Maria R. Audubon, op. cit., vol. i, p. 306.
[362] See Vol. I, p. 3.
[363] Maria R. Audubon, op. cit., vol. i, p. 323.
[364] See Bibliography, No. 93a.
[365] The three volumes of this series bear date of 1832-33, but the preface is inscribed "Tittenhanger Green St. Albans, 24th July, 1829."
[366] Mary F. Bradford, Audubon (Bibl. No. 85).
[367] Published originally by Ruthven Deane (Bibl. No. 218), The Auk, vol. xxii, 1905.
[368] See "The Great Pine Swamp," and "Great Egg Harbour," Ornithological Biography (Bibl. No. 2), vol. i, p. 52, and vol. iii, p. 606.
[369] Though the year is not usually indicated on the originals, the following drawings probably belong to this period:
[370] Though Audubon said that he spent only six weeks in the forest, the indications upon his drawings imply a longer period.
[371] At this time Audubon intended to figure, in full size and natural colors, the eggs of the "Birds of America," for which the concluding numbers of his plates had been reserved, but when the time came, these numbers had to be given over to new acquisitions, so the eggs were eventually crowded out.
[372] At one time in possession of Dr. R. W. Shufeldt, who received it from Mrs. Audubon; given verbatim by Elliott Coues (Bibl. No. 43), Bulletin of the Nuttall Ornithological Club, vol. v, 1880.
[373] Harlan's Hawk, or the Black Warrior, is now regarded as a southern variety of the Red-tailed Hawk, and is designated under the trinomen, Buteo borealis harlani.
[374] Published by Ruthven Deane (Bibl. No. 217), The Auk, vol. xxii, 1905.
[375] Thomas B. Thorpe (Bibl. No. 64), Godey's Lady's Book, vol. xlii, 1851.
[376] While in Paris in 1828, Audubon wrote on October 26 that he had received a call from "a M. Pitois, who came to look at my book, with a view to becoming my agent here; Baron Cuvier recommended him strongly, and I have concluded a bargain with him. He thinks he can procure a good number of subscribers. His manners are plain, and I hope he will prove an honest man." See Maria R. Audubon, Audubon and his Journals (Bibl. No. 86), vol. i, p. 339.
[377] Henry Augustus Havell, a younger brother of Robert Havell, Junior; see Vol. II, p. 191.
[378] See Lucy B. Audubon, ed., Life of John James Audubon, the Naturalist (Bibl. No. 73), p. 203. Since black slaves were the only domestics available in the South at that time, it is probable that the "servants" referred to were employed by Mrs. Audubon at her "Beechgrove" school.
[379] See Vol. I, p. 396.
[380] See Vol. II, p. 38.