[407] Iras: "Call reason to assist you."
Cleopatra: "I have none,
And none would have: My love's a noble madness
Which shews the cause deserved it: Modest sorrow
Fits vulgar love, and for a vulgar man;
But I have loved with such transcendent passion,
I soared, at first, quite out of reason's view,
And now am lost above it."—"All for Love," V. 2, 1.

[408] Cleop.: "Come to me, come, my soldier, to my arms!
You've been too long away from my embraces;
But, when I have you fast, and all my own,
With broken murmurs, and with amorous sighs,
I'll say, you were unkind, and punish you,
And mark you red with many an eager kiss."—Ibid. V. 3, 1.

[409]Ibid. 4, 1.

[410]Dryden's Miranda says, in the "Tempest" (2, 2): "And if I can but escape with life, I had rather be in pain nine months, as my father threatened, than lose my longing." Miranda has a sister; they quarrel, are jealous of each other, and so on. See also in "The State of Innocence," 3, 1, the description which Eve gives of her happiness, and the ideas which her confidences suggest to Satan.

[411]This impotence reminds one of Casimir Delavigne.

[412]See the introductory notice, by Sir Walter Scott, of "All for Love," V. 290.

[413]Ibid. V. 307.

[414]Ibid. V. 319.

[415]"All for Love," V. 3, 1.

[416]"All for Love," V. 3, 1.

[417]Ibid. 4, 1.

[418]"All for Love," I, 1.

[419]Ibid.

[420]"All for Love," V., 1.

[421]Ibid.

[422]"All for Love," I., 1.

[423]Ibid. II., 1, end.

[424]"All for Love," V., 1.

[425]Monimia says, in the "Orphan" (5, end), when dying, "How my head swims! 'Tis very dark; good night."

[426]See the death of Pierre and Jaffier in "Venice Preserved" (5, last scene). Pierre, stabbed once, bursts into a laugh.

[427] Jaffier: "Oh, that my arms were rivetted
Thus round thee ever! But my friends,
my oath!
This, and no more." (Kisses her.)
Belvidera: "Another, sure another
For that poor little one you've ta'en
such care of;
I'll giv't him truly."

—"Venice Preserved," 5, 1.

There is jealousy in this last word.

[428] "Oh, thou art tender all,
Gentle and kind, as sympathizing
nature,
Dove-like, soft and kind....
I'll ever live your most obedient
wife,
Nor ever any privilege pretend
Beyond your will."—"Orphan," 4, 1.

[429]"Venice Preserved," III, 1. Antonio is meant as a copy of the "celebrated Earl of Shaftesbury, the lewdness of whose latter years," says Mr. Thornton in his edition of Otway's Works, 3 vols. 1815, "was a subject of general notoriety."—Tr.

[430]"The Soldier's Fortune," I, 1.

[431]"The Soldier's Fortune," I, 1.

[432] "Who'd be that sordid foolish thing called man,
To cringe thus, fawn, and flatter for a pleasure,
Which beasts enjoy so very much above him?
The lusty bull ranges thro' all the field,
And from the herd singling his female out,
Enjoys her, and abandons her at will.
It shall be so, I'll yet possess my love,
Wait on, and watch her loose unguarded hours:
Then, when her roving thoughts have been abroad,
And brought in wanton wishes to her heart;
I' th' very minute when her virtue nods,
I'll rush upon her in a storm of love,
Beat down her guard of honour all before me,
Surfeit on joys, till ev'n desire grew sick;
Then by long absence liberty regain.
And quite forget the pleasure and the pain."—"The Orphan," I, 1.

It is impossible to see together more moral roguery and literary correctness.

[433] Page (to Monimia): "In the morning when you call me to you,
And by your bed I stand and tell you stories,
I am ashamed to see your swelling breasts;
It makes me blush, they are so very white."
Monimia: "Oh men, for flatt'ry and deceit renown'd!"—Ibid.

[434]Burns said, after his arrival in Edinburgh, "Between the man of rustic life and the polite world, I observed little difference.... But a refined and accomplished woman was a being altogether new to me, and of which I had formed but a very inadequate idea."—(Burns's Works, ed. Cunningham, 1832, 8 vols. I. 207.)

[435]Dryden says, in his "Essay on Satire," XIII. 30, "the staple to which my genius never much inclined me."

[436]"Essay on Satire," dedicated to the Earl of Dorset, XIII. 16.

[437]"Essay on Satire," XIII. 16.

[438]Ibid. 84.

[439]Dedication of the "Æneïs," XIV. 204.

[440]See Book III, chapter first, section IV.

[441]Ibid.

[442]Dedication of "The Indian Emperor," II. 261.

[443]Dedication of "Tyrannic Love," III. 347.

[444]He also says in the same epistle dedicatory: "All men will join me in the adoration which I pay you." To the Earl of Rochester he writes in a letter (XVIII. 90): "I find it is not for me to contend any way with your Lordship, who can write better on the meanest subject than I can on the best.... You are above any incense I can give you." In his dedication of the Fables (XI. 195) he compares the Duke of Ormond to Joseph, Ulysses, Lucullus, etc. In his fourth poetical epistle (XI. 20) he compares Lady Castlemaine to Cato.

[445]Dedication of the "Essay of Dramatic Poesy," XV. 286.

[446]See Andrew Marvell's Works, I. 210.

[447]"Marriage à la Mode," IV. 245.

[448]Scott's "Life of Dryden," I. 447.

[449]Letter 2, "to Mr. John Dennis," XVIII. 114.

[450]Letter 29, "to Mrs. Steward," XVIII. 144.

[451]"Essay of Dramatic Poesy," XV. 302.

[452]Preface to "An Evening's Love," III. 225.

[453]Letter 23, "to his sons at Rome," XVIII. 133.

[454]Scott's "Life of Dryden," I. 449.

[455]"Essay on Satire," XIII. 80.

[456]Preface to the Fables, VI. 238.

[457]Ibid.

[458]Ibid. XI. 209.

[459]Charles II.

[460]The Duke of Monmouth.

[461]The Earl of Shaftesbury:
"Of these the false Achitophel was first,
A name to all succeeding ages curst:
For close designs and crooked counsels fit,
Sagacious, bold and turbulent of wit—
Restless, unfixed in principles and place,
In power unpleased, impatient of disgrace;
A fiery soul, which working out its way,
Fretted the pigmy body to decay
And o'er-informed the tenement of clay.
A daring pilot in extremity,
Pleased with the danger, when the waves went high,
He sought the storm; but, for a calm unfit,
Would steer too nigh the sands to boast his wit.
Great wits are sure to madness near allied
And thin partitions do their bounds divide;
Else, why should he, with wealth and honour blest,
Refuse his age the needful hours of rest?
Punish a body which he could not please,
Bankrupt of life, yet prodigal of ease?
And all to leave what with his toil he won,
To that unfeathered two-legged thing, a son,
Got, while his soul did huddled notions try,
And born a shapeless lump, like anarchy,
In friendship false, implacable in hate,
Resolved to ruin or to rule the state."

[462]The Duke of Buckingham.

[463]Slingsby Bethel.

[464]Mac Flecknoe.

[465]Mac Flecknoe.

[466] "Strong were our sires, and as they fought they writ,
Conquering with force of arms and dint of wit:
Theirs was the giant race before the flood,
And thus, when Charles return'd, our empire stood.
Like Janus, he the stubborn soil manured,
With rules of husbandry the rankness cured;
Tamed us to manners, when the stage was rude,
And boisterous English wit with art endured....
But what we gain'd in skill we lost in strength,
Our builders were with want of genius curst;
The second temple was not like the first."
—"Epistle 12 to Congreve," XI. 59.

[467] "Held up the buckler of the people's cause
Against the crown, and skulk'd against the laws....
Desire of power, on earth a vicious weed,
Yet, sprung from high, is of celestial seed!"
—"Absalom and Achitophel," Part I.

[468] "Why then should I, encouraging the bad,
Turn rebel, and run popularly mad?"
—Ibid.

[469] "Though Huguenots contemn our
ordination.
Succession, ministerial vocation,"
etc.

("The Hind and the Panther," Part. II. 10. 166). Such are the harsh words we often find in his books.

[470]Preface to the "Religio Laid," X. 32.

[471]What Augustus says about Horace is charming, but cannot be quoted, even in Latin.

[472]Epistle 15, XI. 75.

[473]Beginning of "Religio Laici," X. 37.

[474]"The Hind and the Panther," Part I. lines 64-75, X. 121.

[475]"Theodore and Honoria," XI. 435.

[476]"The Hind and the Panther," Part III. lines 553-560, X. 214.

[477] "For her the weeping heavens become
serene,
For her the ground is clad in cheerful
green,
For her the nightingales are taught
to sing,
And nature for her has delayed the
Spring."

These charming verses on the Duchess York remind one of those of La Fontaine in "Le Songe," addressed to the Princess of Conti.

[478]For instance, in the "Chant du Cirque."

[479]"Alexander's Feast," XI. 183-188.

[480]"Alexander's Feast" was written in 1697, soon after the publication of the Vergil. In 1699 appeared Dryden's translated tales and original poems, generally known as "The Fables," in which the portrait of the English country gentleman is to be found.—Tr.

[481]He was paid two hundred and fifty guineas for ten thousand lines.

[482]Postscript of Vergil's Works, as translated by Dryden, XV. p. 187.


CHAPTER THIRD

The Revolution

Section I.—The Moral Revolution

With the constitution of 1688 a new spirit appears in England. Slowly, gradually, the moral revolution accompanies the social: man changes with the state, in the same sense and for the same causes; character moulds itself to the situation; and little by little, in manners and in literature, we see spring up a serious, reflective, moral spirit, capable of discipline and independence, which can alone maintain and give effect to a constitution.


Section II.—Brutality of the People.—Private Morals.—Chesterfield and Gay

This was not achieved without difficulty, and at first sight it seems as though England had gained nothing by this revolution of which she is so proud. The aspect of things under William, Anne, and the first two Georges, is repulsive. We are tempted to agree with Swift in his judgment, to say that if he has depicted a Yahoo, it is because he has seen him; naked or drawn in his carriage, the Yahoo is not beautiful. We see but corruption in high places, brutality in low, a band of intriguers leading a mob of brutes. The human beast, inflamed by political passions, gives vent to cries and violence, burns Admiral Byng in effigy, demands his death, would destroy his house and park, sways in turns from party to party, seems with its blind force ready to annihilate civil society. When Dr. Sachevevell was tried, the butcher boys, crossing-sweepers, chimney-sweepers, costermongers, drabs, the entire scum, conceiving the Church to be in danger, follow him with yells of rage and enthusiasm, and in the evening set to work to burn and pillage the dissenters' chapels. When Lord Bute, in defiance of public opinion, was set up in Pitt's place, he was assailed with stones, and was obliged to surround his carriage with a strong guard. At every political crisis was heard a riotous growl, were seen disorder, blows, broken heads. It was worse when the people's own interests were at stake. Gin had been discovered in 1684, and about half a century later England consumed seven millions of gallons.[483] The tavernkeepers on their signboards invited people to come in and get drunk for a penny; for twopence they might get dead drunk; no charge for straw; the landlord dragged those who succumbed into a cellar, where they slept off their carouse. A man could not walk London streets without meeting wretches, incapable of motion or thought, lying in the kennel, whom the care of the passers-by alone could prevent from being smothered in mud, or run over by carriage wheels. A tax was imposed to stop this madness: it was in vain; the judges dared not condemn, the informers were assassinated. The House gave way, and Walpole, finding himself threatened with a riot, withdrew his law.[484] All these bewigged and ermined lawyers, these bishops in lace, these embroidered and gold-bedizened lords, this fine government so cleverly balanced, was carried on the back of a huge and formidable brute, which as a rule would tramp peacefully though growlingly on, but which on a sudden, for a mere whim, could shake and crush it. This was clearly seen in 1780, during the riots of Lord George Gordon. Without reason or guidance at the cry of No Popery the excited mob demolished the prisons, let loose the criminals, abused the Peers, and was for three days master of London, burning, pillaging, and glutting itself. Barrels of gin were staved in and made rivers in the streets. Children and women on their knees drank themselves to death. Some became mad, others fell down besotted, and the burning and falling houses killed them, and buried them under their ruins. Eleven years later, at Birmingham, the people sacked and gutted the houses of the Liberals and Dissenters, and were found next day in heaps, dead drunk, in the roads and ditches. When instinct rebels in this over-strong and well-fed race it becomes perilous. John Bull dashed headlong at the first red rag which he thought he saw.

The higher ranks were even less estimable than the lower. If there has been no more beneficial revolution than that of 1688, there has been none that was launched or supported by dirtier means. Treachery was everywhere, not simple, but double and triple. Under William and Anne, admirals, ministers, members of the Privy Council, favorites of the antechamber, corresponded and conspired with the same Stuarts whom they had sold, only to sell them again, with a complication of bargains, each destroying the last, and a complication of perjuries, each surpassing the last, until in the end no one knew who had bought him, or to what party he belonged. The greatest general of the age, the Duke of Marlborough, is one of the basest rogues in history, supported by his mistresses, a niggard user of the pay which he received from them, systematically plundering his soldiers, trafficking on political secrets, a traitor to James II, to William, to England, betraying to James the intended plan of attacking Brest, and even, when old and infirm, walking from the public rooms in Bath to his lodgings, on a cold and dark night, to save sixpence in chair-hire. Next to him we may place Bolingbroke, a sceptic and cynic, minister in turn to Queen and Pretender, disloyal alike to both, a trafficker in consciences, marriages, and promises, who had squandered his talents in debauch and intrigue, to end in disgrace, impotence, and scorn.[485] Walpole, who used to boast that "every man had his price,"[486] was compelled to resign, after having been prime minister for twenty years. Montesquieu wrote in 1729:[487] "There are Scotch members who have only two hundred pounds for their vote, and sell it at this price. Englishmen are no longer worthy of their liberty. They sell it to the king; and if the king should sell it back to them, they would sell it him again." We read in Bubb Doddington's Diary the candid fashion and pretty contrivances of this great traffic. So Dr. King states: "He (Walpole) wanted to carry a question in the House of Commons, to which he knew there would be great opposition.... As he was passing through the Court of Requests, he met a member of the contrary party, whose avarice, he imagined, would not reject a large bribe. He took him aside and said, 'Such a question comes on this day; give me your vote, and here is a bank-bill of two thousand pounds,' which he put into his hands. The member made him this answer: 'Sir Robert, you have lately served some of my particular friends; and when my wife was last at court, the King was very gracious to her, which must have happened at your instance. I should therefore think myself very ungrateful (putting the bank-bill into his pocket) if I were to refuse the favor you are now pleased to ask me.'"[488] This is how a man of the world did business. Corruption was so firmly established in public manners and in politics, that after the fall of Walpole, Lord Bute, who had denounced him, was obliged to practise and increase it. His colleague Henry Fox, the first Lord Holland, changed the pay-office into a market, haggled about their price with hundreds of members, distributed in one morning twenty-five thousand pounds. Votes were only to be had for cash down, and yet at an important crisis these mercenaries threatened to go over to the enemy, struck for wages, and demanded more. Nor did the leaders miss their own share. They sold themselves for, or paid themselves with, titles, dignities, sinecures. In order to get a place vacant, they gave the holder a pension of two, three, five, and even seven thousand a year. Pitt, the most upright of politicians, the leader of those who were called patriots, gave and broke his word, attacked or defended Walpole, proposed war or peace, all to become or to continue a minister. Fox, his rival, was a sort of shameless sink. The Duke of Newcastle, "whose name was perfidy, a living, moving, talking caricature," the most clumsy, ignorant, ridiculed and despised of the aristocracy, was in the Cabinet for thirty years and premier for ten years, by virtue of his connections, his wealth, of the elections which he managed, and the places in his gift. The fall of the Stuarts put the government into the hands of a few great families which, by means of rotten boroughs, bought members and high-sounding speeches, oppressed the king, moulded the passions of the mob, intrigued, lied, wrangled, and tried to swindle each other out of power.

Private manners were as lovely as public. As a rule, the reigning king detested his son; this son got into debt, asked Parliament for an increased allowance, allied himself with his father's enemies. George I kept his wife in prison thirty-two years, and got drunk every night with his two ugly mistresses. George II, who loved his wife, took mistresses to keep up appearances, rejoiced at his son's death, upset his father's will. His eldest son cheated at cards,[489] and one day at Kensington, having borrowed five thousand pounds from Bubb Doddington, said, when he saw him from the window: "That man is reckoned one of the most sensible men in England, yet with all his parts I have just nicked him out of five thousand pounds."[490] George IV was a sort of coachman, gamester, scandalous roisterer, unprincipled betting-man, whose proceedings all but got him excluded from the Jockey Club. The only upright man was George III, a poor half-witted dullard, who went mad, and whom his mother had kept locked up in his youth as though in a cloister. She gave as her reason the universal corruption of men of quality. "The young men," she said, "were all rakes; the young women made love, instead of waiting till it was made to them." In fact, vice was in fashion, not delicate vice as in France. "Money," wrote Montesquieu, "is here esteemed above everything, honor and virtue not much. An Englishman must have a good dinner, a woman, and money. As he does not go much into society, and limits himself to this, so, as soon as his fortune is gone, and he can no longer have these things, he commits suicide or turns robber." The young men had a superabundance of coarse energy, which made them mistake brutality for pleasure. The most celebrated called themselves Mohocks, and tyrannized over London by night. They stopped people, and made them dance by pricking their legs with their swords; sometimes they would put a woman in a tub, and set her rolling down a hill; others would place her on her head, with her feet in the air; some would flatten the nose of the wretch whom they had caught, and press his eyes out of their sockets. Swift, the comic writers, the novelists, have painted the baseness of this gross debauchery, craving for riot, living in drunkenness, revelling in obscenity, issuing in cruelty, ending by irreligion and atheism.[491] This violent and excessive mood requires to occupy itself proudly and daringly in the destruction of what men respect, and what institutions protect. These men attack the clergy by the same instinct which leads them to beat the watch. Collins, Tindal, Bolingbroke, are their teachers; the corruption of manners, the frequent practice of treason, the warring amongst sects, the freedom of speech, the progress of science, and the fermentation of ideas, seemed as if they would dissolve Christianity. "There is no religion in England," said Montesquieu. "Four or five in the House of Commons go to prayers or to the parliamentary sermon.... If anyone speaks of religion, everybody begins to laugh. A man happening to say, 'I believe this like an article of faith,' everybody burst out laughing." In fact, the phrase was provincial, and smacked of antiquity. The main thing was to be fashionable, and it is amusing to see from Lord Chesterfield in what this fashion consisted. Of justice and honor he only speaks transiently, and for form's sake. Before all, he says to his son, "have manners, good breeding, and the graces." He insists upon it in every letter, with a fulness and force of illustration which form an odd contrast: "Mon cher ami, comment vont les graces, les manières, les agréments, et tous ces petits riens si nécessaires pour rendre un homme aimable? Les prenez-vous? y faites-vous des progrès?... A propos, on m'assure que Madame de Blot sans avoir des traits, est jolie comme un cœur, et que nonobstant cela, elle s'en est tenue jusqu'ici scrupuleusement à son mari, quoiqu'il y ait déjà plus d'un an qu'elle est mariée. Elle n'y pense pas."[492]... "It seems ridiculous to tell you, but it is most certainly true, that your dancing-master is at this time the man in all Europe of the greatest importance to you."[493]... "In your person you must be accurately clean; and your teeth, hands, and nails' should be superlatively so.... Upon no account whatever put your fingers in your nose or ears.[494] What says Madame Dupin to you? For an attachment I should prefer her to la petite Blot.[495]... Pleasing women may in time be of service to you. They often please and govern others."[496] And he quotes to him as examples, Bolingbroke and Marlborough, the two worst roués of the age. Thus speaks a serious man, once Lord-Lieutenant of Ireland, and ambassador and plenipotentiary, and finally a Secretary of State, an authority in matters of education and taste.[497] He wishes to polish his son, to give to him a French air, to add to solid diplomatic knowledge and large views of ambition an engaging, lively, and frivolous manner. This outward polish, which at Paris is of the true color, is here but a shocking veneer. This transplanted politeness is a lie, this vivacity is want of sense, this worldly education seems fitted only to make actors and rogues.

So thought Gay in his "Beggars' Opera," and the polished society applauded with furore the portrait which he drew of it. Sixty-three consecutive nights the piece ran amidst a tempest oft laughter; the ladies had the songs written on their fans, and the principal actress married a duke. What a satire! Thieves infested London, so that in 1728 the queen herself was almost robbed; they formed bands, with officers, a treasury, a commander-in-chief, and multiplied, though every six weeks they were sent by the cartload to the gallows. Such was the society which Gay put on the stage. In his opinion, it was as good as the higher society; it was hard to discriminate between them; the manners, wit, conduct, morality in both were alike. "Through the whole piece you may observe such a similitude of manners in high and low life, that it is difficult to determine whether (in the fashionable vices) the fine gentlemen imitate the gentlemen of the road, or the gentlemen of the road the fine gentlemen."[498]

Wherein, for example, is Peachum different from a great minister? Like him, he is a leader of a gang of thieves; like him, he has a register for thefts; like him, he receives money with both hands; like him, he contrives to have his friends caught and hanged when they trouble him; he uses, like him, parliamentary language and classical comparisons; he has, like him, gravity, steadiness, and is eloquently indignant when his honor is suspected. It is true that Peachum quarrels with a comrade about the plunder, and takes him by the throat. But lately, Sir Robert Walpole and Lord Townsend had fought with each other on a similar question. Listen to what Mrs. Peachum says of her daughter: "Love him! (Macheath), worse and worse! I thought the girl had been better bred."[499] The daughter observes: "A woman knows how to be mercenary though she has never been in a court or at an assembly."[500] And the father remarks: "My daughter to me should be, like a court lady to a minister of stale, a key to the whole gang."[501] As to Macheath, he is a fit son-in-law for such a politician. If less brilliant in council than in action, that only suits his age. Point out a young and noble officer who has a better address, or performs finer actions. He is a highwayman, that is his bravery; he shares his booty with his friends, that is his generosity: "You see, gentlemen, I am not a mere court-friend, who professes everything and will do nothing.... But we, gentlemen, have still honour enough to break through the corruptions of the world."[502] For the rest he is gallant; he has half à dozen wives, a dozen children; he frequents stews, he is amiable towards the beauties whom he meets, he is easy in manners, he makes elegant bows to everyone, he pays compliments to all: "Mistress Slemmekin! as careless and genteel as ever! all you fine ladies, who know your own beauty affect undress.... If any of the ladies chuse gin, I hope they will be so free as to call for it. Indeed, sir, I never drink strong waters, but when I have the colic.—Just the excuse of the fine ladies! why, a lady of quality is never without the colic."[503] Is this not the genuine tone of good society? And does anyone doubt that Macheath is a man of quality when we learn that he has deserved to be hanged, and is not? Everything yields to such a proof. If, however, we wish for another, he would add that, "As to conscience and musty morals, I have as few drawbacks upon my pleasures as any man of quality in England; in those I am not at least vulgar."[504] After such a speech a man must give in. Do not bring up the foulness of these manners; we see that there is nothing repulsive in them, because fashionable society likes them. These interiors of prisons and stews, these gambling-houses, this whiff of gin, this pander-traffic, and these pickpockets' calculations, by no means disgust the ladies, who applaud from the boxes. They sing the songs of Polly; their nerves shrink from no details; they have already inhaled the filthy odors from the highly polished pastorals of the amiable poet.[505] They laugh to see Lucy show her pregnancy to Machoath, and give Polly "rat-bane." They are familiar with all the refinements of the gallows, and all the niceties of medicine. Mistress Trapes expounds her trade before them, and complains of having "eleven fine customers now down under the surgeon's hands." Mr. Filch, a prison-prop, uses words which cannot even be quoted. A cruel keenness, sharpened by a stinging irony, flows through the work, like one of those London streams whose corrosive smells Swift and Gay have described; more than a hundred years later it still proclaims the dishonour of the society which is bespattered and befouled with its mire.


Section III.—Principles of Civilization in France and England

These were but the externals; and close observers, like Voltaire, did not misinterpret them. Betwixt the slime at the bottom and the scum on the surface rolled the great national river, which, purified by its own motion, already at intervals gave signs of its true color, soon to display the powerful regularity of its course and the wholesome limpidity of its waters. It advanced in its native bed; every nation has one of its own, which flows down its proper slope. It is this slope which gives to each civilization its degree and form, and it is this which we must endeavor to describe and measure.

To this end we have only to follow the travellers from the two countries who at this time crossed the channel. Never did England regard and imitate France more, nor France England. To see the distinct current in which each nation flowed, we have but to open our eyes. Lord Chesterfield writes to his son:

"It must be owned, that the polite conversation of the men and Women at Paris, though not always very deep, is much less futile and frivolous than ours here. It turns at least upon some subject, something of taste, some point of history, criticism, and even philosophy, which, though probably not quite so solid as Mr. Locke's, is however better, and more becoming rational beings, than our frivolous dissertations upon the weather or upon whist."[506]

In fact, the French became civilized by conversation; not so the English. As soon as the Frenchman quits mechanical labor and coarse material life, even before he quits it, he converses: this is his goal and his pleasure.[507] Barely has he escaped from religious wars and feudal isolation, when he makes his bow and has his way. With the Hôtel de Rambouillet we get the fine drawing-room talk, which is to last two centuries: Germans, English, all Europe, either novices or dullards, listen to France open-mouthed, and from time to time clumsily attempt an imitation. How amiable are French talkers! What discrimination! What innate tact! With what grace and dexterity they can persuade, interest, amuse, stroke down sickly vanity, rivet the diverted attention, insinuate dangerous truth, ever soaring a hundred feet above the tedium-point where their rivals are floundering with all their native heaviness. But, above all, how sharp they soon have become! Instinctively and without effort they light upon easy gesture, fluent speech, sustained elegance, a characteristic piquancy, a perfect clearness. Their phrases, still formal under Guez de Balzac, are looser, lighter, launch out, move speedily, and under Voltaire find their wings. Did any man ever see such a desire, such an art of pleasing? Pedantic sciences, political economy, theology, the sullen denizens of the Academy and the Sorbonne, speak but in epigrams. Montesquieu's "Esprit des Lois" is also "Esprit sur les lois." Rousseau's periods, which begat a revolution, were balanced, turned, polished for eighteen hours in his head. Voltaire's philosophy breaks out into a million sparks. Every idea must blossom into a witticism; people only have flashes of thought; all truth, the most intricate and the most sacred, becomes a pleasant drawing-room conceit, thrown backward and forward, like a gilded shuttlecock, by delicate women's hands, without sullying the lace sleeves from which their slim arms emerge, or the garlands which the rosy Cupids unfold on the wainscoting. Everything must glitter, sparkle, or smile. The passions are deadened, love is rendered insipid, the proprieties are multiplied, good manners are exaggerated. The fine man becomes "sensitive." From his wadded taffeta dressing-gown he keeps plucking his worked handkerchief to whisk away the moist omen of a tear; he lays his hand on his heart, he grows tender; he has become so delicate and correct, that an Englishman knows not whether to take him for a hysterical young woman or a dancing-master.[508] Take a near view of this beribboned puppy, in his light-green dress, lisping out the songs of Florian. The genius of society which has led him to these fooleries has also led him elsewhere; for conversation, in France at least, is a chase after ideas. To this day, in spite of modern distrust and sadness, it is at table, after dinner, over the coffee especially, that deep politics and the loftiest philosophy crop up. To think, above all to think rapidly, is a recreation. The mind finds in it a sort of ball; think how eagerly it hastens thither. This is the source of all French culture. At the dawn of the century, the ladies, between a couple of bows, produced studied portraits and subtle dissertations; they understand Descartes, appreciate Nicole, approve Bossuet. Presently little suppers are introduced, and during the dessert they discuss the existence of God. Are not theology, morality, set forth in a noble or piquant style, pleasures for the drawing-room and adornments of luxury? Fancy finds place amongst them, floats about and sparkles like a light flame over all the subjects on which it feeds. How lofty a flight did intelligence take during this eighteenth century! Was society ever more anxious for sublime truths, more bold in their search, more quick to discover, more ardent in embracing them? These perfumed marquises, these laced coxcombs, all these pretty, well-dressed, gallant, frivolous people, crowd to hear philosophy discussed, as they go to hear an opera. The origin of animated beings, the eels of Needham,[509] the adventures of Jacques the Fatalist,[510] and the question of free-will, the principles of political economy, and the calculations of the "Man with Forty Crowns"[511]—all is to them a matter for paradoxes and discoveries. All the heavy rocks, which the men who have made it their business, were hewing and undermining laboriously in solitude, being carried along and polished in the public torrent, roll in myriads, mingled together with a joyous clatter, hurried onwards with an ever-increasing rapidity. There was no bar, no collision; they were not checked by the practicability of their plans: they thought for thinking's sake; theories could be expanded at ease. In fact, this is how in France men have always conversed. They play with general truths; they glean one nimbly from the heap of facts in which it lay concealed, and develop it, they hover above observation in reason and rhetoric; they find themselves uncomfortable and commonplace when they are not in the region of pure ideas. And in this respect the eighteenth century continues the seventeenth. The philosophers had described good breeding, flattery, misanthropy, avarice; they now instituted inquiries into liberty, tyranny, religion; they had studied man in himself; they now study him in the abstract. Religious and monarchical writers are of the same school as impious and revolutionary writers; Boileau leads up to Rousseau, Racine to Robespierre. Oratorical reasoning formed the regular theatre and classical preaching; it also produced the Declaration of Rights and the "Contrat Social." They form for themselves a certain idea of man, of his inclinations, faculties, duties; a mutilated idea, but the more clear as it was the more reduced. From being aristocratic it becomes popular; instead of being an amusement, it is a laith; from delicate and sceptical hands it passes to coarse and enthusiastic hands. From the lustre of the drawing-room they make a brand and a torch. Such is the current on which the French mind floated for two centuries, caressed by the refinements of an exquisite politeness, amused by a swarm of brilliant ideas, charmed by the promises of golden theories, until, thinking that it touched the cloud-palace, made bright by the future, it suddenly lost its footing and fell in the storm of the Revolution.

Altogether different is the path which English civilization has taken. It is not the spirit of society which has made it, but moral sense; and the reason is that in England man is not as he is in France. The Frenchmen who became acquainted with England at this period were struck by it. "In France," says Montesquieu, "I become friendly with everybody; in England with nobody. You must do here as the English do, live for yourself, care for no one, love no one, rely on no one." Englishmen were of a singular genius, yet "solitary and sad. They are reserved, live much in themselves, and think alone. Most of them having wit, are tormented by their very wit. Scorning or disgusted with all things, they are unhappy amid so many reasons why they should not be so." And Voltaire, like Montesquieu, continually alludes to the sombre energy of the English character. He says that in London there are days when the wind is in the east, when it is customary for people to hang themselves; he relates shudderingly how a young girl cut her throat, and how her lover without a word redeemed the knife. He is surprised to see "so many Timons, so many splenetic, misanthropes." Whither will they go? There was one path which grew daily wider. The Englishman, naturally serious, meditative, and sad, did not regard life as a game or a pleasure; his eyes were habitually turned, not outward to smiling nature, but inward to the life of the soul; he examines himself, ever descends within himself, confines himself to the moral world, and at last sees no other beauty but that which shines there; he enthrones justice as the sole and absolute queen of humanity, and conceives the plan of disposing all his actions according to a rigid code. He has no lack of force in this; for his pride comes to assist his conscience. Having chosen himself and by himself the route, he would blush to quit it; he rejects temptations as his enemies; he feels that he is fighting and conquering,[512] that he is doing a difficult thing, that he is worthy of admiration, that he is a man. Moreover, he rescues himself from his capital foe, tedium, and satisfies his craving for action; understanding his duties, he employs his faculties and he has a purpose in life, and this gives rise to associations, endowments, preachings; and finding more steadfast souls, and nerves more tightly strung, it sends them forth, without causing them too much suffering, too long strife, through ridicule and danger. The reflective character of the man has given a moral rule; the militant character now gives moral force. The mind, thus directed, is more apt than any other to comprehend duty; the will, thus armed, is more capable than any other of performing its duty. This is the fundamental faculty which is found in all parts of public life, concealed but present, like one of those deep primeval rocks, which, lying far inland, give to all undulations of the soil a basis and a support.


Section IV.—Religion

This faculty gives first a basis and a support to Protestantism, and it is from this structure of mind that the Englishman is religious. Let us find our way through the knotty and uninviting bark. Voltaire laughs at it, and jests about the ranting of the preachers and the austerity of the faithful. "There is no opera, no comedy, no concert on a Sunday in London; cards even are expressly forbidden, so that only persons of quality, and those who are called respectable people, play on that day." He amuses himself at the expense of the Anglicans, "so scrupulous in collecting their tithes"; the Presbyterians, "who look as if they were angry, and preach with a strong nasal accent"; the Quakers, "who go to church and wait for inspiration with their hats on their heads." But is there nothing to be observed but these externals? And do we suppose that we are acquainted with a religion because we know the details of formulary and vestment? There is a common faith beneath all these sectarian differences: whatever be the form of Protestantism, its object and result are the culture of the moral sense; that is why it is popular in England: principles and dogmas all make it suitable to the instincts of the nation. The sentiment which in the Protestant is the source of everything, is qualms of conscience; he pictures perfect justice, and feels that his uprightness, however great, cannot stand before that. He thinks of the Day of Judgment, and tells himself that he will be damned. He is troubled, and prostrates himself; he prays God to pardon his sins and renew his heart. He sees that neither by his desires, nor his deeds, nor by any ceremony or institution, nor by himself, nor by any creature, can he deserve the one or obtain the other. He betakes himself to Christ, the one Mediator; he prays to him, he feels his presence, he finds himself justified by his grace, elect, healed, transformed, predestinated. Thus understood, religion is a moral revolution; thus simplified, religion is only a moral revolution. Before this deep emotion, metaphysics and theology, ceremonies and discipline, all is blotted out or subordinate, and Christianity is simply the purification of the heart. Look now at these men, dressed in sombre colors, speaking through the nose on Sundays, in a box of dark wood, whilst a man in bands, "with the air of a Cato," reads a psalm. Is there nothing in their heart but theological "trash" or mechanical phrases? There is a deep sentiment—veneration. This bare Dissenters' meeting-house, this simple service and church of the Anglicans, leave them open to the impression of what they read and hear. For they do hear, and they do read; prayer in the vulgar tongue, psalms translated into the vulgar tongue, can penetrate through their senses to their souls. They do penetrate; and this is why they have such a collected mien. For the race is by its very nature capable of deep emotions, disposed by the vehemence of its imagination to comprehend the grand and tragic; and the Bible, which is to them the very word of eternal God, provides it. I know that to Voltaire it is only emphatic, unconnected, ridiculous; the sentiments with which it is filled are out of harmony with French sentiments. In England the hearers are on the level of its energy and harshness. The cries of anguish or admiration of the solitary Hebrew, the transports, the sudden outbursts of sublime passion, the desire for justice, the growling of the thunder and the judgments of God, shake, across thirty centuries, these Biblical souls. Their other books assist it. The Prayer Book, which is handed down as an heirloom with the old family Bible, speaks to all, to the dullest peasant, or the miner, the solemn accent of true prayer. The new-born poetry, the reviving religion of the sixteenth century, have impressed their magnificent gravity upon it; and we feel in it, as in Milton himself, the pulse of the twofold inspiration which then lifted a man out of himself and raised him to heaven. Their knees bend when they listen to it. That Confession of Faith, these collects for the sick, for the dying, in case of public misfortune or private grief, these lofty sentences of impassioned and sustained eloquence, transport a man to some unknown and august world. Let the fine gentlemen yawn, mock, and succeed in not understanding: I am sure that, of the others, many are moved. The idea of dark death and of the limitless ocean, to which the poor weak soul must descend, the thought of this, invisible justice, everywhere present, ever foreseeing, on which the changing show of visible things depends, enlighten them with unexpected flashes. The physical world and its laws seem to them but a phantom, and a figure; they see nothing more real than justice; it is the sum of humanity, as of nature. This is the deep sentiment which on Sunday closes the theatre, discourages pleasures, fills the churches; this it is which pierces the breastplate of the positive spirit and of corporeal dulness. This shopkeeper, who all the week has been counting his bales or drawing up columns of figures; this cattle-breeding squire, who can only bawl, drink, jump a fence; these yeomen, these cottagers, who in order to amuse themselves draw blood whilst boxing, or vie with each other in grinning through a horse-collar—all these uncultivated souls, immersed in material life, receive thus from their religion a moral life. They love it; we hear it in the yells of a mob, rising like a thunderstorm, when a rash hand touches or seems to touch the Church. We see it in the sale of Protestant devotional books; the "Pilgrim's Progress" and "The Whole Duty of Man" are alone able to force their way to the window-ledge of the yeoman and squire, where four volumes, their whole library, rest amid the fishing-tackle. We can only move the men of this race by moral reflections and religious emotions. The cooled Puritan spirit still broods underground, and is drawn in the only direction where fuel, air, fire, and action are to be found.

We obtain a glimpse of it when we look at the sects. In France, Jansenists and Jesuits seem to be puppets of another century, fighting for the amusement of this age. Here Quakers, Independents, Baptists exist, serious, honored, recognized by the State, distinguished by their able writers, their deep scholars, their men of worth, their founders of nations.[513] Their piety causes their disputes; it is because they will believe that they differ in belief: the only men without religion are those who do not care for religion. A motionless faith is soon a dead faith; and when a man becomes a sectarian, it is because he is fervent. This Christianity lives because it is developed; we see the sap, always flowing from the Protestant inquiry and faith, re-enter the old dogmas, dried up for fifteen hundred years. Voltaire, when he came to England, was surprised to find Arians, and amongst them the first thinkers in England—Clarke, Newton himself. Not only dogma, but feeling, is renewed; beyond the speculative Arians were the practical Methodists; behind Newton and Clarke came Whitefield and Wesley.

No history more deeply illustrates the English character than that of these two men. In spite of Hume and Voltaire, they founded a monastical and convulsionary sect, and triumph through austerity, and exaggeration, which would have ruined them in France. Wesley was a scholar, an Oxford student, and he believed in the devil; he attributes to him sickness, nightmare, storms, earthquakes. His family heard supernatural noises; his father had been thrice pushed by a ghost; he himself saw the hand of God in the commonest events of life. One day at Birmingham, overtaken by a hailstorm, he felt that he received this warning, because at table he had not sufficiently exhorted the people who dined with him; when he had to determine on anything, he opened the Bible at random for a text, in order to decide. At Oxford he fasted and wearied himself until he spat blood and almost died; at sea, when he departed for America, he only ate bread, and slept on deck; he lived the life of an apostle, giving away all that he earned, travelling and preaching all the year, and every year, till the age of eighty-eight;[514] it has been reckoned that he gave away thirty thousand pounds, travelled about a hundred thousand miles, and preached forty thousand sermons. What could such a man have done in France in the eighteenth century? Here he was listened to and followed, at his death he had eighty thousand disciples; now he has a million. The qualms of conscience, which forced him in this direction, compelled others to follow in his footsteps. Nothing is more striking than the confessions of his preachers, mostly low-born and laymen. George Story had the spleen, dreamed and mused gloomily; took to slandering himself and the occupations of men. Mark Bond thought himself damned, because when a boy he had once uttered a blasphemy; he read and prayed unceasingly and in vain, and at last in despair he enlisted, with the hope of being killed. John Haime had visions, howled, and thought he saw the devil. Another, a baker, had scruples because his master continued to bake on Sunday, wasted away with anxiety, and soon was nothing but a skeleton. Such are the timorous and impassioned souls which become religious and enthusiastic. They are numerous in this land, and on them doctrine took hold. Wesley declares that "A string of opinions is no more Christian faith than a string of beads is Christian holiness. It is not an assent to any opinion, or any number of opinions. This justifying faith implies not only the personal revelation, the inward evidence of Christianity, but likewise a sure and firm confidence in the individual believer that Christ died for his sin, loved him, and gave his life for him."[515] "By a Christian, I mean one who so believes in Christ, as that sin hath no more dominion over him."[516]

The faithful feels in himself the touch of a superior hand, and the birth of an unknown being. The old man has disappeared, the new man has taken his place, pardoned, purified, transfigured, steeped in joy and confidence, inclined to good as strongly as he was once drawn to evil. A miracle has been wrought, and it can be wrought at any moment, suddenly, under any circumstances, without warning. Some sinner, the oldest and most hardened, without wishing it, without having dreamed of it, falls down weeping, his heart melted by grace. The hidden thoughts, which fermented long in these gloomy imaginations, break out suddenly into storms, and the dull brutal mood is shaken by nervous fits which it had not known before. Wesley, Whitefield, and their preachers went all over England preaching to the poor, the peasants, the workmen in the open air, sometimes to a congregation of twenty thousand people. "The fire is kindled in the country." There was sobbing and crying. At Kingswood, Whitefield, having collected the miners, a savage race, "saw the white gutters made by the tears which plentifully fell down from their black cheeks, black as they came out from their coal-pits."[517] Some trembled and fell; others had transports of joy, ecstasies. Southey writes thus of Thomas Olivers: "His heart was broken, nor could he express the strong desires which he felt for righteousness.... He describes his feelings during a Te Deum at the cathedral, as if he had done with earth, and was praising God before His throne."[518] The god and the brute, which each man carries in himself, were let loose; the physical machine was upset; emotion was turned into madness, and the madness became contagious. An eye-witness says: