That was not a conception of life from which a genuine literature might be expected to issue. The idea of the beautiful is wanting, and what is a literature without that? The natural expression of the heart's emotions is proscribed, and what is a literature without that? They abolished as impious the free stage and the rich poesy which the Renaissance had brought them. They rejected as profane the ornate style and copious eloquence which had been established around them by the imitation of antiquity and of Italy. They, mistrusted reason, and were incapable of philosophy. They ignored the divine languor of the "Imitatio Christi" and the touching tenderness of the Gospel. Their character exhibits only manliness, their conduct austerity, their mind preciseness. We find amongst them only excited theologians, minute controversialists, energetic men of action, narrow and patient minds, engrossed in positive proofs and practical labors, void of general ideas and refined tastes, dulled by texts, dry and obstinate reasoners, who twisted the Scripture in order to extract from it a form of government or a table of dogma. What could be narrower or more repulsive than these pursuits and wrangles? A pamphlet of the time petitions for liberty of conscience, and draws its arguments (1) from the parable of the wheat and the tares which grow together till the harvest; (2) from this maxim of the Apostles, Let every man be thoroughly persuaded in his own mind; (3) from this text, Whatsoever is not of faith is sin; (4) from this divine rule of our Saviour, Do to others what you would they should do unto you. Later, when the angry Commons desired to pass judgment on James Nayler, the trial became entangled in an endless juridical and theological discussion, some declaring that the crime committed was idolatry, others seduction, all emptying out before the House their armory of commentaries and texts.[84] Seldom has a generation been found more mutilated in all the faculties which produce contemplation and ornament, more reduced to the faculties which nourish discussion and morality. Like a beautiful insect which has become transformed and has lost its wings, so we see the poetic generation of Elizabeth disappear, leaving in its place but a sluggish caterpillar, a stubborn and useful spinner, armed with industrious feet and formidable jaws, spending its existence in eating into old leaves and devouring its enemies. They are without style; they speak like business men; at most, here and there, a pamphlet of Prynne possesses a little vigor. Their histories, like May's for instance, are flat and heavy. Their memoirs, even those of Ludlow and Mrs. Hutchinson, are long, wearisome, mere statements, destitute of personal feelings, void of enthusiasm or entertaining matter; "they seem to ignore themselves, and are engrossed by the general prospects of their cause."[85] Good works of piety, solid and convincing sermons; sincere, edifying, exact, methodical books, like those of Baxter, Barclay, Calamy, John Owen; personal narratives, like that of Baxter, like Fox's journal, Bunyan's life, a large collection of documents and arguments, conscientiously arranged—this is all they offer; the Puritan destroys the artist, stiffens the man, fetters the writer; and leaves of artist, man, writer, only a sort of abstract being, the slave of a watchword. If a Milton springs up amongst them, it is because by his great curiosity, his travels, his comprehensive education, above all by his youth saturated in the grand poetry of the preceding age, and by his independence of spirit, haughtily defended even against the sectarians, Milton passes beyond sectarianism. Strictly speaking, the Puritans could but have one poet, an involuntary poet, a madman, a martyr, a hero, and a victim of grace; a genuine preacher, who attains the beautiful by chance, whilst pursuing the useful on principle; a poor tinker, who, employing images so as to be understood by mechanics, sailors, servant-girls, attained, without pretending to it, eloquence and high art.

Section VI.—John Bunyan

Next to the Bible, the book most widely read in England is the "Pilgrim's Progress," by John Bunyan. The reason is, that the basis of Protestantism is the doctrine of salvation by grace, and that no writer has equalled Bunyan in making this doctrine understood.

To treat well of supernatural impressions, a man must have been subject to them. Bunyan had that kind of imagination which produces them. Powerful as that of an artist, but more vehement, this imagination worked in the man without his cooperation, and besieged him with visions which he had neither willed nor foreseen. From that moment there was in him as it were a second self, ruling the first, grand and terrible, whose apparitions were sudden, its motions unknown, which redoubled or crushed his faculties, prostrated or transported him, bathed him in the sweat of agony, ravished him with trances of joy, and which by its force, strangeness, independence, impressed upon him the presence and the action of a foreign and superior master. Bunyan, like Saint Theresa, was from infancy "greatly troubled with the thoughts of the fearful torments of hell-fire," sad in the midst of pleasures, believing himself damned, and so despairing, that he wished he was a devil, "supposing they were only tormentors; that if it must needs be that I went thither, I might be rather a tormentor, than be tormented myself."[86] There already was the assault of exact and bodily images. Under their influence reflection ceased, and the man was suddenly spurred into action. The first movement carried him with closed eyes, as down a steep slope, into mad resolutions. One day, "being in the field, with my companions, it chanced that an adder passed over the highway; so I, having a stick, struck her over the back; and having stunned her, I forced open her mouth with my stick, and plucked her sting out with my fingers, by which act, had not God been merciful to me, I might, by my desperateness, have brought myself to my end."[87] In his first approaches to conversion he was extreme in his emotions, and penetrated to the heart by the sight of physical objects, "adoring" priests, service, altar, vestment. "This conceit grew so strong upon my spirit, that had I but seen a priest (though never so sordid and debauched in his life), I should find my spirit fall under him, reverence him, and knit unto him; yea, I thought, for the love I did bear unto them (supposing they were the ministers of God), I could have laid down at their feet, and have been trampled upon by them; their name, their garb, and work did so intoxicate and bewitch me."[88] Already his ideas clung to him with that irresistible hold which constitutes monomania; no matter how absurd they were, they ruled him, not by their truth, but by their presence. The thought of an impossible danger terrified him just as much as the sight of an imminent peril. As a man hung over an abyss by a sound rope, he forgot that the rope was sound, and he became giddy. After the fashion of English villagers, he loved bell-ringing; when he became a Puritan, he considered the amusement profane, and gave it up; yet, impelled by his desire, he would go into the belfry and watch the ringers. "But quickly after, I began to think, 'How if one of the bells should fall?' Then I chose to stand under a main beam, that lay overthwart the steeple, from side to side, thinking here I might stand sure; but then I thought again, should the bell fall with a swing, it might first hit the wall, and then rebounding upon me, might kill me for all this beam. This made me stand in the steeple-door; and now, thought I, I am safe enough, for if a bell should then fall, I can slip out behind these thick walls, and so be preserved notwithstanding. So after this I would yet go to see them ring, but would not go any farther than the steeple-door; but then it came into my head, 'How if the steeple itself should fall? And this thought (it may, for aught I know, when I stood and looked on) did continually so shake my mind, that I durst not stand at the steeple-door any longer, but was forced to flee, for fear the steeple should fall upon my head.'"[89] Frequently the mere conception of a sin became for him a temptation so involuntary and so strong, that he felt upon him the sharp claw of the devil. The fixed idea swelled in his head like a painful abscess, full of all sensitiveness and of all his life's blood. "Now no sin would serve but that; if it were to be committed by speaking of such a word, then I have been as if my mouth would have spoken that word whether I would or no; and in so strong a measure was the temptation upon me, that often I have been ready to clap my hands under my chin, to hold my mouth from opening; at other times, to leap with my head downward into some muckhill hole, to keep my mouth from speaking."[90] Later, in the middle of a sermon which he was preaching, he was assailed by blasphemous thoughts; the word came to his lips, and all his power of resistance was barely able to restrain the muscle excited by the tyrannous brain.

Once the minister of the parish was preaching against the sin of dancing, oaths, and games, when he was struck with the idea that the sermon was for him, and returned home full of trouble. But he ate; his stomach being charged, discharged his brain, and his remorse was dispersed. Like a true child, entirely absorbed by the emotion of the moment, he was transported, jumped out, and ran to the sports. He had thrown his ball, and was about to begin again, when a voice from heaven suddenly pierced his soul. "'Wilt thou leave thy sins and go to heaven, or have thy sins and go to hell?' At this I was put to an exceeding maze; wherefore, leaving my cat upon the ground, I looked up to heaven, and was as if I had with the eyes of my understanding, seen the Lord Jesus look down upon me, as being very hotly displeased with me, and as if He did severely threaten me with some grievous punishment for these and other ungodly practices."[91] Suddenly reflecting that his sins were very great, and that he would certainly be damned whatever he did, he resolved to enjoy himself in the mean time, and to sin as much as he could in this life. He took up his ball again, recommenced the game with ardor, and swore louder and oftener than ever. A month afterwards, being reproved by a woman, "I was silenced, and put to secret shame, and that too, as I thought, before the God of heaven: wherefore, while I stood there, hanging down my head, I wished that I might be a little child again, and that my father might learn me to speak without this wicked way of swearing; for, thought I, I am so accustomed to it, that it is in vain to think of a reformation, for that could never be. But how it came to pass I know not, I did from this time forward so leave my swearing, that it was a great wonder to myself to observe it; and whereas before I knew not how to speak unless I put an oath before, and another behind, to make my words have authority, now I could without it speak better, and with more pleasantness, than ever I could before."[92] These sudden alternations, these vehement resolutions, this unlooked-for renewal of heart, are the products of an involuntary and impassioned imagination, which by its hallucinations, its mastery, its fixed ideas, its mad ideas, prepares the way for a poet, and announces an inspired man.

In him circumstances develop character; his kind of life develops his kind of mind. He was born in the lowest and most despised rank, a tinker's son, himself a wandering tinker, with a wife as poor as himself, so that they had not a spoon or a dish between them. He had been taught in childhood to read and write, but he had since "almost wholly lost what he had learned." Education diverts and disciplines a man; fills him with varied and rational ideas; prevents him from sinking into monomania or being excited by transport; gives him determinate thoughts instead of eccentric fancies, pliable opinions for fixed convictions; replaces impetuous images by calm reasonings, sudden resolves by carefully weighed decisions; furnishes us with the wisdom and ideas of others; gives us conscience and self-command. Suppress this reason and this discipline, and consider the poor ignorant working-man at his toil; his head works while his hands work, not ably, with methods acquired from any logic he might have mustered, but with dark emotions, beneath a disorderly flow of confused images. Morning and evening, the hammer which he uses in his trade, drives in with its deafening sounds the same thought perpetually returning and self-communing. A troubled, obstinate vision floats before him in the brightness of the hammered and quivering metal. In the red furnace where the iron is glowing, in the clang of the hammered brass, in the black corners where the damp shadow creeps, he sees the flame and darkness of hell, and the rattling of eternal chains. Next day he sees the same image, the day after, the whole week, month, year. His brow wrinkles, his eyes grow sad, and his wife hears him groan in the night-time. She remembers that she has two volumes in an old bag. "The Plain Man's Pathway to Heaven" and "The Practice of Piety"; he spells them out to console himself; and the printed thoughts, already sublime in themselves, made more so by the slowness with which they are read, sink like an oracle into his subdued faith. The braziers of the devils—the golden harps of heaven—the bleeding Christ on the cross—each of these deep-rooted ideas sprouts poisonously or wholesomely in his diseased brain, spreads, pushes out and springs higher with a ramification of fresh visions, so crowded, that in his encumbered mind he has no further place nor air for more conceptions. Will he rest when he sets forth in the winter on his tramp? During his long solitary wanderings, over wild heaths, in cursed and haunted bogs, always abandoned to his own thoughts, the inevitable idea pursues him. These neglected roads where he sticks in the mud, these sluggish dirty rivers which he crosses on the cranky ferry-boat, these threatening whispers of the woods at night, when in perilous places the livid moon shadows out ambushed forms—all that he sees and hears falls into an involuntary poem around the one absorbing idea; thus it changes into a vast body of visible legends, and multiplies its power as it multiplies its details. Having become a dissenter, Bunyan is shut up for twelve years, having no other amusement but the "Book of Martyrs" and the Bible, in one of those pestiferous prisons where the Puritans rotted under the Restoration. There he is, still alone, thrown back upon himself by the monotony of his dungeon, besieged by the terrors of the Old Testament, by the vengeful out-pourings of the prophets, by the thunder-striking words of Paul, by the spectacle of trances and of martyrs, face to face with God, now in despair, now consoled, troubled with involuntary images and unlooked-for emotions, seeing alternately devil and angels, the actor and the witness of an internal drama whose vicissitudes he is able to relate. He writes them: it is his book. You see now the condition of this inflamed brain. Poor in ideas, full of images, given up to a fixed and single thought, plunged into this thought by his mechanical pursuit, by his prison and his readings, by his knowledge and his ignorance, circumstances, like nature, make him a visionary and an artist, furnish him with supernatural impressions and visible images, teaching him the history of grace and the means of expressing it.

The "Pilgrim's Progress" is a manual of devotion for the use of simple folk, whilst it is an allegorical poem of grace. In it we hear a man of the people speaking to the people, who would render intelligible to all the terrible doctrine of damnation and salvation.[93] According to Bunyan, we are "children of wrath," condemned from our birth, guilty by nature, justly predestined to destruction. Beneath this formidable thought the heart gives way. The unhappy man relates how he trembled in all his limbs, and in his fits it seemed to him as though the bones of his chest would break. "One day," he tells us, "I walked to a neighboring town, and sat down upon a settle in the street, and fell into a very deep pause about the most fearful state my sin had brought me to; and after long musing, I lifted up my head, but methought I saw, as if the sun that shineth in the heavens did grudge to give light; and as if the very stones in the street, and tiles upon the houses, did band themselves against me. O how happy now was every creature over I was! For they stood fast, and kept their station, but I was gone and lost."[94] The devils gathered together against the repentant sinner; they choked his sight, besieged him with phantoms, yelled at his side to drag him down their precipices; and the black valley into which the pilgrim plunges, almost matches by the horror of its symbols the agony of the terrors by which he is assailed:

"I saw then in my Dream, so far as this Valley reached, there was on the right hand a very deep Ditch; that Ditch is it into which the blind have led the blind in all ages, and have both there miserably perished. Again, behold on the left hand, there was a very dangerous Quag, into which, if even a good man falls, he can find no bottom for his foot to stand on....

"The path-way was here also exceeding narrow, and therefore good Christian was the more put to it; for when he sought in the dark to shun the ditch on the one hand, he was ready to tip over into the mire on the other; also when he sought to escape the mire, without great carefulness he would be ready to fall into the ditch. Thus he went on, and I heard him here sigh bitterly; for, besides the dangers mentioned above, the pathway was here so dark, that ofttimes, when he lift up his foot to set forward he knew not where, or upon what he should set it next.

"About the midst of this Valley, I perceived the mouth of Hell to be, and it stood also hard by the wayside. Now, thought Christian, what shall I do? And ever and anon the flame and smoke would come out in such abundance, with sparks and hideous noises,... that he was forced to put up his Sword, and betake himself to another weapon, called All-prayer. So he cried in my hearing: 'O Lord, I beseech thee deliver my soul.' Thus he went on a great while, yet still the flames would be reaching toward him: Also he heard doleful voices, and rushings to and fro, so that sometimes he thought he should be torn in pieces, or trodden down like mire in the Streets."[95]

Against this agony, neither his good deeds, nor his prayers, nor his justice, nor all the justice and all the prayers of all other men, could defend him. Grace alone justifies. God must impute to him the purity of Christ, and save him by a free choice. What can be more full of passion than the scene in which, under the name of his poor pilgrim, he relates his own doubts, his conversion, his joy, and the sudden change of his heart?

"Then the water stood in mine eyes, and I asked further, But, Lord, may such a great sinner as I am be indeed accepted of thee, and be saved by thee? And I heard him say, And him that cometh to me I will in no wise cast out.... And now was my heart full of joy, mine eyes full of tears, and mine affections running over with love to the Name, People, and Ways of Jesus Christ....

"It made me see that all the World, notwithstanding all the righteousness thereof, is in a state of condemnation. It made me see that God the Father, though he be just, can justly justify the coming sinner. It made me greatly ashamed of the vileness of my former life, and confounded me with the sense of mine own ignorance; for there never came thought into my heart before now, that shewed me so the beauty of Jesus Christ. It made me love a holy life, and long to do something for the Honour and Glory of the Name of the Lord Jesus; yea, I thought that had I now a thousand gallons of blood in my body, I could spill it all for the sake of the Lord Jesus."[96]

Such an emotion does not weigh literary calculations. Allegory, the most artificial kind, is natural to Bunyan. If he employs it here, it is because he does so throughout; if he employs it throughout, it is from necessity, not choice. As children, countrymen, and all uncultivated minds, he transforms arguments into parables; he only grasps truth when it is clothed in images; abstract terms elude him; he must touch forms and contemplate colors. Dry general truths are a sort of algebra, acquired by the mind slowly and after much trouble, against our primitive inclination, which is to observe detailed events and visible objects; man being incapable of contemplating pure formulas until he is transformed by ten years' reading and reflection. We understand at once the term purification of heart; Bunyan understands it fully only, after translating it by this fable:

"Then the Interpreter took Christian by the hand, and led him into a very large Parlour that was full of dust, because never swept; the which after he had reviewed a little while, the Interpreter called for a man to sweep. Now when he began to sweep, the dust began so abundantly to fly about, that Christian had almost therewith been choaked. Then said the Interpreter to a Damsel that stood by, Bring hither the Water, and sprinkle the Room; the which when she had done, it was swept and cleansed with pleasure.

"Then said Christian, What means this?

"The Interpreter answered, This Parlour is the heart of a man that was never sanctified by the sweet Grace of the Gospel: the dust is his Original Sin, and inward Corruptions, that have defiled the whole man. He that began to sweep at first, is the Law; but she that brought water, and did sprinkle it, is the Gospel. Now, whereas thou sawest that so soon as the first began to sweep, the dust did so fly about that the Room by him could not be cleansed, but that thou wast almost choaked there with; this to shew thee, that the Law, instead of cleansing the heart (by its working) from sin, doth revive, put strength into and increase it in the soul, even as it doth discover and forbid it for it doth not give power to subdue.

"Again, as thou sawest the Damsel sprinkle the room with Water, upon which it was cleansed with pleasure; this is to shew thee that when the Gospel comes in the sweet and precious influences thereof to the heart, then I say, even as thou sawest the Damsel lay the dust by sprinkling the floor with Water, so is sin vanquished and subdued, and the soul made clean, through the faith of it, and consequently fit for the King of Glory to inhabit."[97]

These repetitions, embarrassed phrases, familiar comparisons, this artless style, whose awkwardness recalls the childish periods of Herodotus, and whose simplicity recalls tales for children, prove that if his work is allegorical, it is so in order that it may be intelligible, and that Bunyan is a poet because he is a child.[98]

If you study him well, however, you will find power under his simplicity, and in his puerility the vision. These allegories are hallucinations as clear, complete, and sound as ordinary perceptions. No one but Spenser is so lucid. Imaginary objects rise of themselves before him. He has no trouble in calling them up or forming them. They agree in all their details with all the details of the precept which they represent, as a pliant veil fits the body which it covers. He distinguishes and arranges all the parts of the landscape—here the river, on the right the castle, a flag on its left turret, the setting sun three feet lower, an oval cloud in the front part of the sky—with the preciseness of a land-surveyor. We fancy in reading him that we are looking at the old maps of the time, in which the striking features of the angular cities are marked on a copperplate by a tool as certain as a pair of compasses.[99] Dialogues flow from his pen as in a dream. He does not seem to be thinking; we should even say that he was not himself there. Events and speeches seem to grow and dispose themselves with him, independently of his will. Nothing, as a rule, is colder than the characters in an allegory; his are living. Looking upon these details, so small and familiar, illusion gains upon us. Giant Despair, a simple abstraction, becomes as real in his hands as an English jailer or farmer. He is heard talking by night in bed with his wife Diffidence, who gives him good advice, because here, as in other households, the strong and brutal animal is the least cunning of the two:

"Then she counselled him that when he arose in the morning he should (take the two prisoners and) beat them without mercy. So when he arose, he getteth him a grievous Crab-tree Cudgel, and goes down into the Dungeon to them, and there first falls to rating of them as if they were dogs, although they gave him never a word of distaste. Then he falls upon them, and beats them fearfully, in such sort, that they were not able to help themselves, or to turn them upon the floor." [100]

This stick, chosen with a forester's experience, this instinct of rating first and storming to get one's self into trim for knocking down, are traits which attest the sincerity of the narrator, and succeed in persuading the reader. Bunyan has the copiousness, the tone, the ease, and the clearness of Homer; he is as close to Homer as an Anabaptist tinker could be to a heroic singer, a creator of gods.

I err; he is nearer. Before the sentiment of the sublime, inequalities are levelled. The depth of emotion raises peasant and poet to the same eminence; and here, also, allegory stands the peasant in stead. It alone, in the absence of ecstasy, can paint heaven; for it does not pretend to paint it: expressing it by a figure, it declares it invisible, as a glowing sun at which we cannot look straight, and whose image we observe in a mirror or a stream. The ineffable world thus retains all its mystery; warned by the allegory, we imagine splendors beyond all which it presents to us; we feel behind the beauties which are opened to us, the infinite which is concealed; and the ideal city, vanishing as soon as it appears, ceases to resemble the material Whitehall imagined for Jehovah by Milton. Read the arrival of the pilgrims in the celestial land. Saint Theresa has nothing more beautiful:

"Yea, here they heard continually the singing of Birds, and saw every day the Flowers appear in the earth, and heard the voice of the Turtle in the land. In this Country the Sun shineth night and day. ... Here they were within sight of the City they were going to, also here met them some of the inhabitants thereof; for in this land the Shining Ones commonly walked, because it was upon the borders of Heaven.... Here they heard voices from out of the City, loud voices, saying, 'Say ye to the daughter of Zion, Behold thy salvation cometh, behold his reward is with him!' Here all the inhabitants of the Country called them 'The holy People, The redeemed of the Lord, Sought out, etc.'

"Now as they walked in this land, they had more rejoicing than in parts more remote from the Kingdom to which they were bound; and drawing near to the City, they had yet a more perfect view thereof. It was builded of Pearls and Precious Stones, also the Street, thereof was paved with gold; so that by reason of the natural glory of the City, and the reflection of the Sun-beams upon it, Christian with desire fell sick; Hopeful also had a fit or two of the same disease. Wherefore here they lay by it awhile, crying out because of their pangs, 'If you see my Beloved, tell him that I am sick of love.'[101]...

"They therefore went up here with much agility and speed, though the foundation upon which the City was framed was higher than the Clouds. They therefore went up through the Regions of the Air, sweetly talking as they went, being comforted, because they safely got over the River, and had such glorious companions to attend them.

"The talk that they had with the Shining Ones was about the glory of the place, who told them that the beauty and glory of it was inexpressible. There, said they, is the Mount Sion, the heavenly Jerusalem, the innumerable company of Angels, and the Spirits of just men made perfect. You are going now, said they, to the Paradise of God, wherein you shall see the Tree of Life, and eat of the never-fading fruits thereof; and when you come there, you shall have white Robes given you, and your walk and talk shall be every day with the King, even all the days of Eternity."[102]

"There came out also at this time to meet them, several of the King's Trumpeters, cloathed in white and shining Raiment, who with melodious noises and loud, made even the Heavens to echo with their sound. These Trumpeters saluted Christian and his fellow with ten thousand welcomes from the World, and this they did with shouting and sound of Trumpet.

"This done, they compassed them round on every side; some went before, some behind, and some on the right hand, some on the left (as 't were to guard them through the upper Regions), continually sounding as they went with melodious noise, in notes on high; so that the very sight was to them that could behold it, as if Heaven itself was come down to meet them....

"And now were these two men as 't were in Heaven before they came at it, being swallowed up with the sight of Angels, and with hearing of their melodious notes. Here also they had the City itself in view, and they thought they heard all the Bells therein ring to welcome them thereto. But above all the warm and joyful thoughts that they had about their own dwelling there, with such company, and that for ever and ever. Oh, by what tongue or pen can their glorious joy be expressed!..."[103]

"Now I saw in my Dream that these two men went in at the Gate; and lo, as they entered, they were transfigured, and they had Raiment put on that shone like Gold. There was also that met them with Harps and Crowns, and gave them to them, the Harps to praise withal, and the Crowns in token of honour. Then I heard in my Dream that all the Bells in the City rang again for joy, and that it was said unto them, 'Enter ye into the joy of your Lord.' I also heard the men themselves, that they sang with a loud voice, saying, 'Blessing, Honour, Glory, and Power, be to him that sitteth upon the Throne, and to the Lamb for ever and ever.'

"Now, just as the Gates were opened to let in the men, I looked in after them, and behold, the City shone like the Sun; the Streets also were paved with Gold, and in them walked many men, with Crowns on their heads, Palms in their hands, and golden Harps to sing praises withal.

"There were also of them that had wings, and they answered one another without intermission, saying, 'Holy, holy, holy, is the Lord.' And after that they shut up the Gates. Which when I had seen, I wished myself among them."[104]

He was imprisoned for twelve years and a half; in his dungeon he made wire-snares to support himself and his family; he died at the age of sixty in 1688. At the same time Milton lingered obscure and blind. The last two poets of the Reformation thus survived, amid the classical coldness which then dried up English literature, and the social excess which then corrupted English morals. "Shorn hypocrites, psalm-singers, gloomy bigots," such were the names by which men who reformed the manners and renewed the constitution of England were insulted. But oppressed and insulted as they were, their work continued of itself and without noise underground; for the ideal which they had raised was, after all, that which the clime suggested and the race demanded. Gradually Puritanism began to approach the world, and the world to approach Puritanism. The Restoration was to fall into evil odor, the Revolution was to come, and beneath the gradual progress of national sympathy, as well as under the incessant effort of public reflection, parties and doctrines were to rally around a free and moral Protestantism.