CHAPTER SIXTH

Milton

On the borders of the licentious Renaissance which was drawing to a close, and of the exact school of poetry which was springing up, between the monotonous conceits of Cowley and the correct gallantries of Waller, appeared a mighty and superb mind, prepared by logic and enthusiasm for eloquence and the epic style; liberal, Protestant, a moralist and a poet, adorning the cause of Algernon Sidney and Locke with the inspiration of Spenser and Shakespeare; the heir of a poetical age, the precursor of an austere age, holding his place between the epoch of unselfish dreaming and the epoch of practical action; like his own Adam, who, taking his way to an unfriendly land, heard behind him, in the closed Eden, the dying strains of heaven.

John Milton was not one of those fevered souls void of self-command, whose rapture takes them by fits, whom a sickly sensibility drives forever to the extreme of sorrow or joy, whose pliability prepares them to produce a variety of characters, whose inquietude condemns them to paint the madness and contradictions of passion. Vast knowledge, close logic, and grand passion; these were his marks. His mind was lucid, his imagination limited. He was incapable of "bating one jot of heart or hope," or of being transformed. He conceived the loftiest of ideal beauties, but he conceived only one. He was not born for the drama, but for the ode. He does not create souls, but constructs arguments, and experiences emotions. Emotions and arguments, all the forces and actions of his soul, assemble and are arranged beneath a unique sentiment, that of the sublime; and the broad river of lyric poetry streams from him impetuous, with even flow, splendid as a cloth of gold.

Section I.—Milton's Family and Education

This dominant sense constituted the greatness and the firmness of his character. Against external fluctuations he found a refuge in himself; and the ideal city which he had built in his soul, endured impregnable to all assaults. It is too beautiful, this inner city, for him to wish to leave it; it was too solid to be destroyed. He believed in the sublime with the whole force of his nature, and the whole authority of his logic; and with him, cultivated reason strengthened by its tests the suggestions of primitive instinct. With this double armor, man can advance firmly through life. He who is always feeding himself with demonstrations is capable of believing, willing, persevering in belief and will; he does not change with every event and every passion, as that fickle and pliable being whom we call a poet; he remains at rest in fixed principles. He is capable of embracing a cause, and of continuing attached to it, whatever may happen, spite of all, to the end. No seduction, no emotion, no accident, no change alters the stability of his conviction or the lucidity of his knowledge. On the first day, on the last day, during the whole time, he preserves intact the entire system of his clear ideas, and the logical vigor of his brain sustains the manly vigor of his heart. When at length, as here, this close logic is employed in the service of noble ideas, enthusiasm is added to constancy. The man holds his opinions not only as true, but as sacred. He fights for them, not only as a soldier, but as a priest. He is impassioned, devoted, religious, heroic. Rarely is such a mixture seen; but it was fully seen in Milton.

He was of a family in which courage, moral nobility, the love of art, were present to whisper the most beautiful and eloquent words around his cradle. His mother was a most exemplary woman, well known through all the neighborhood for her benevolence.[105] His father, a student of Christ Church, and disinherited as a Protestant, had made his fortune by his own energies, and, amidst his occupations as a scrivener or writer, had preserved the taste for letters, being unwilling to give up "his liberal and intelligent tastes to the extent of becoming altogether a slave to the world"; he wrote verses, was an excellent musician, one of the best composers of his time; he chose Cornelius Jansen to paint his son's portrait when in his tenth year, and gave his child the widest and fullest literary education.[106] Let the reader try to picture this child, in the street (Bread Street) inhabited by merchants, in this citizen-like and scholarly, religious and poetical family, whose manners were regular and their aspirations lofty, where they set the Psalms to music, and wrote madrigals in honor of Oriana the queen,[107] where vocal music, letters, painting, all the adornments of the beautiful Renaissance, decked the sustained gravity, the hardworking honesty, the deep Christianity of the Reformation. All Milton's genius springs from this; he carried the splendor of the Renaissance into the earnestness of the Reformation, the magnificence of Spenser into the severity of Calvin, and, with his family, found himself at the confluence of the two civilizations which he combined. Before he was ten years old he had a learned tutor, "a Puritan, who cut his hair short"; after that he went to Saint Paul's school, then to the University of Cambridge, that he might be instructed in "polite literature"; and at the age of twelve he worked, in spite of his weak eyes and headaches, until midnight and even later. His John the Baptist, a character resembling himself, says:

"When I was yet a child, no childish play
To me was pleasing; all my mind was set
Serious to learn and know, and thence to do,
What might be public good; myself I thought
Born to that end, born to promote all truth,
All righteous things."[108]

At school, afterwards at Cambridge, then with his father, he was strengthening and preparing himself with all his power, free from all blame, and loved by all good men; traversing the vast fields of Greek and Latin literature, not only the great writers, but all the writers, down to the half of the Middle Ages; and studying simultaneously ancient Hebrew, Syriac, and rabbinical Hebrew, French and Spanish, old English literature, all the Italian literature, with such zeal and profit that he wrote Italian and Latin verse and prose like an Italian or a Roman; in addition to this, music, mathematics, theology, and much besides. A serious thought regulated this great toil. "The church, to whose service, by the intentions of my parents and friends, I was destined of a child, and in mine own resolutions: till coming to some maturity of years, and perceiving what tyranny had invaded the church, that he who would take orders must subscribe slave and take an oath withal, which unless he took with a conscience that would retch, he must either straight perjure, or split his faith; I thought it better to prefer a blameless silence before the sacred office of speaking bought, and begun with servitude and forswearing."[109]

He refused to be a clergyman from the same feelings that he had wished it; the desire and the renunciation all sprang from the same source—a fixed resolve to act nobly. Falling back into the life of a layman, he continued to cultivate and perfect himself, studying passionately and with method, but without pedantry or rigor: nay, rather, after his master Spenser, in "L'Allegro, Il Penseroso, Cornus," he set forth in sparkling and variegated dress the wealth of mythology, nature, and fancy; then, sailing for the land of science and beauty, he visited Italy, made the acquaintance of Grotius and Galileo, sought the society of the learned, the men of letters, the men of the world, listened to the musicians, steeped himself in all the beauties stored up by the Renaissance at Florence and Rome. Everywhere his learning, his fine Italian and Latin style, secured him the friendship and attentions of scholars, so that, on his return to Florence, he "was as well received as if he had returned to his native country." He collected books and music, which he sent to England, and thought of traversing Sicily and Greece, those two Hornes of ancient letters and arts. Of all the flowers that opened to the Southern sun under the influence of the two great paganisms, he gathered freely the balmiest and the most exquisite, but without staining himself with the mud which surrounded them. "I call the Deity to witness," he wrote later, "that in all those places in which vice meets with so little discouragement, and is practised with so little shame, I never once deviated from the paths of integrity and virtue, and perpetually reflected that, though my conduct might escape the notice of men, it could not elude the inspection of God."[110]

Amid the licentious gallantries and inane sonnets like those which the Cicisbei and Academicians lavished forth, he retained his sublime idea of poetry: he thought to choose a heroic subject from ancient English history; and as he says, "I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem; that is, a composition and pattern of the best and honorablest things; not presuming to sing high praises of heroic men, or famous cities, unless he have in himself the experience and the practice of all that which is praiseworthy."[111] Above all, he loved Dante and Petrarch for their purity, telling himself that "if unchastity in a woman, whom St. Paul terms the glory of man, be such a scandal and dishonor, then certainly in a man, who is both the image and glory of God, it must, though commonly not so thought, be much more deflouring and dishonorable."[112] He thought "that every free and gentle spirit, without that oath, ought to be born a knight," for the practice and defence of chastity, and he kept himself virgin till his marriage. Whatever the temptation might be, whatever the attraction or fear, it found him equally opposed and equally firm. From a sense of gravity and propriety he avoided all religious disputes; but if his own creed were attacked, he defended it "without any reserve or fear," even in Rome, before the Jesuits who plotted against him, within a few paces of the Inquisition and the Vatican. Perilous duty, instead of driving him away, attracted him. When the Revolution began to threaten, he returned, drawn by conscience, as a soldier who hastens to danger when he hears the clash of arms, convinced, as he himself tells us, that it was a shame to him leisurely to spend his life abroad, and for his own pleasure, whilst his fellow-countrymen were striving for their liberty. In battle he appeared in the front ranks as a volunteer, courting danger everywhere. Throughout his education and throughout his youth, in his profane readings and his sacred studies, in his acts and his maxims, already a ruling and permanent thought grew manifest—the resolution to develop and unfold within him the ideal man.

Section II.—Milton's Unhappy Domestic Life

Two powers chiefly lead mankind—impulse and idea: the one influencing sensitive, unfettered, poetical souls, capable of transformations, like Shakespeare; the other governing active, combative, heroic souls, capable of immutability, like Milton. The first are sympathetic and effusive; the second are concentrative and reserved.[113] The first give themselves up, the others withhold themselves. These, by reliance and sociability, with an artistic instinct and a sudden imitative comprehension, involuntarily take the tone and disposition of the men and things which surround them, and an immediate counterpoise is effected between the inner and the outer man. Those, by mistrust and rigidity, with a combative instinct and a quick reference to rule, become naturally thrown back upon themselves, and in their narrow limits no longer feel the solicitations and contradictions of their surroundings. They have formed a model, and thenceforth this model like a watchword restrains or urges them on. Like all powers destined to have sway, the inner idea grows and absorbs to its use the rest of their being. They bury it in themselves by meditation, they nourish it with reasoning, they put it in communication with the chain of all their doctrines and all their experiences; so that when a temptation assails them, it is not an isolated principle which it attacks, but it encounters the whole combination of their belief, an infinitely ramified combination, too strong for a sensuous seduction to tear asunder. At the same time a man by habit is upon his guard; the combative attitude is natural to him, and he stands erect, firm in the pride of his courage and the inveteracy of his determination.

A soul thus fortified is like a diver in his bell;[114] it passes through life as he passes through the sea, unstained but isolated. On his return to England, Milton fell back among his books, and received a few pupils, upon whom he imposed, as upon himself, continuous toil, serious reading, a frugal diet, a strict behavior; the life of a recluse, almost of a monk. Suddenly in a month, after a country visit, he married.[115] A few weeks afterwards, his wife returned to her father's house, would not come back to him, took no notice of his letters, and sent back his messenger with scorn. The two characters had come into collision. Nothing displeases women more than an austere and self-contained character. They see that they have no hold upon it; its dignity awes them, its pride repels, its preoccupations keep them aloof; they feel themselves of less value, neglected for general interests or speculative curiosities; judged, moreover, and that after an inflexible rule; at most regarded with condescension, as a sort of less reasonable and inferior beings, debarred from the equality which they demand, and the love which alone can reward them for the loss of equality. The "priest" character is made for solitude; the tact, ease, charm, pleasantness, and gentleness necessary to all companionship, are wanting to it; we admire him, but we go no further, especially if, like Milton's wife, we are somewhat dull and common-place,[116] adding mediocrity of intellect to the repugnance of our hearts. He had, so his biographers say, a certain gravity of nature, or severity of mind which would not condescend to petty things, but kept him in the clouds, in a region which is not that of the household. He was accused of being harsh, choleric; and certainly he stood upon his manly dignity, his authority as a husband, and was not so greatly esteemed, respected, studied, as he thought he deserved to be. In short, he passed the day amongst his books, and the rest of the time his heart lived in an abstracted and sublime world of which few wives catch a glimpse, his wife least of all. He had, in fact, chosen like a student, so much the more at random because his former life had been of "a well-governed and wise appetite." Equally like a man of the closet, he resented her flight, being the more irritated because the world's ways were unknown to him. Without dread of ridicule, and with the sternness of a speculative man suddenly brought into collision with actual life, he wrote treatises on divorce, signed them with his name, dedicated them to Parliament, held himself divorced de facto because his wife refused to return, de jure because he had four texts of Scripture for it; whereupon he paid court to another young lady, and suddenly, seeing his wife on her knees and weeping, forgave her, took her back, renewed the dry and sad marriage-tie, not profiting by experience, but on the other hand fated to contract two other unions, the last with a wife thirty years younger than himself. Other parts of his domestic life were neither better managed nor happier. He had taken his daughters for secretaries, and made them read languages which they did not understand—a repelling task, of which they bitterly complained. In return, he accused them of being "undutiful and unkind," of neglecting him, not caring whether they left him alone, of conspiring with the servants to rob him in their purchases, of stealing his books, so that they would have disposed of the whole of them. Mary, the second, hearing one day that he was going to be married, said that his marriage was no news; the best news would be his death. An incredible speech, and one which throws a strange light on the miseries of this family. Neither circumstances nor nature had created him for happiness.

Section III.—Milton's Combative Energy

They had created him for strife, and after his return to England he had thrown himself heartily into it, armed with logic, anger, and learning, protected by conviction and conscience. When "the liberty of speech was no longer subject to control, all mouths began to be opened against the bishops.... I saw that a way was opening for the establishment of real liberty; that the foundation was laying for the deliverance of man from the yoke of slavery and superstition;... and as I had from my youth studied the distinction between religious and civil rights,... I determined to relinquish the other pursuits in which I was engaged, and to transfer the whole force of my talents and my industry to this one important object."[117] And thereupon he wrote his "Reformation in England," jeering at and attacking with haughtiness and scorn the prelacy of its defenders. Refuted and attacked in turn, he became still more bitter, and crushed those whom he had beaten.[118] Transported to the limits of his creed, and like a knight making a rush, and who pierces with a dash the whole line of battle, he hurled himself upon the prince, wrote that the abolition of royalty as well as the overthrow of Episcopacy were necessary; and one month after the death of Charles I, justified his execution, replied to the "Eikon Basilike," then to Salmasius's "Defence of the King," with incomparable breadth of style and scorn, like a soldier, like an apostle, like a man who everywhere feels the superiority of his science and logic, who wishes to make it felt, who proudly tramples upon and crushes his adversaries as ignoramuses, inferior minds, base hearts.[119] "Kings most commonly," he says, at the beginning of the "Eikonoklastes, though strong in legions, are but weak at arguments; as they who ever have accustomed from their cradle to use their will only as their right hand, their reason always as their left. Whence unexpectedly constrained to that kind of combat, they prove but weak and puny adversaries."[120] Yet, for love of those who suffer themselves to be overcome by this dazzling name of royalty, he consents to "take up King Charles's gauntlet"; and bangs him with it in a style calculated to make the imprudent men who had thrown it down repent. Far from recoiling at the accusation of murder, he accepts and boasts of it. He vaunts the regicide, sets it on a triumphal car, decks it in all the light of heaven. He relates with the tone of a judge, "how a most potent king, after he had trampled upon the laws of the nation, and given a shock to its religion, and began to rule at his own will and pleasure, was at last subdued in the field by his own subjects, who had undergone a long slavery under him; how afterwards he was cast into prison, and when he gave no ground, either by words or actions, to hope better things of him, was finally by the supreme council of the kingdom condemned to die, and beheaded before the very gates of the royal palace.... For what king's majesty sitting upon an exalted throne, ever shone so brightly, as that of the people of England then did, when, shaking off that old superstition, which had prevailed a long time, they gave judgment upon the king himself, or rather upon an enemy who had been their king, caught as it were in a net by his own laws (who alone of all mortals challenged to himself impunity by a divine right), and scrupled not to inflict the same punishment upon him, being guilty, which he would have inflicted upon any other?"[121] After having justified the execution, he sanctified it; consecrated it by decrees of heaven after he had authorized it by the laws of the world; from the support of Law he transferred it to the support of God. This is the God who "uses to throw down proud and unruly kings,... and utterly to extirpate them and all their family. By his manifest impulse being set on work to recover our almost lost liberty, following him as our guide, and adoring the impresses of his divine power manifested upon all occasions, we went on in no obscure but an illustrious passage, pointed out and made plain to us by God himself."[122] Here the reasoning ends with a song of triumph, and enthusiasm breaks out through the mail of the warrior. Such he displayed himself in all his actions and in all his doctrines. The solid files of bristling and well-ordered arguments which he disposed in battle-array were changed in his heart in the moment of triumph into glorious processions of crowned and resplendent hymns. He was transported by them, he deluded himself, and lived thus alone with the sublime, like a warrior-pontiff, who in his stiff armor, or his glittering stole, stands face to face with truth. Thus absorbed in strife and in his priesthood, he lived out of the world, as blind to palpable facts as he was protected against the seductions of the senses, placed above the stains and the lessons of experience, as incapable of leading men as of yielding to them. There was nothing in him akin to the devices and delays of the statesman, the crafty schemer, who pauses on his way, experimentalizes, with eyes fixed on what may turn up, who gauges what is possible, and employs logic for practical purposes. Milton was speculative and chimerical. Locked up in his own ideas, he sees but them, is attracted but by them. Is he pleading against the bishops? He would extirpate them at once, without hesitation; he demands that the Presbyterian worship shall be at once established, without forethought, contrivance, hesitation. It is the command of God, it is the duty of the faithful; beware how you trifle with God or temporize with faith. Concord, gentleness, liberty, piety, he sees a whole swarm of virtues issue from this new worship. Let the king fear nothing from it, his power will be all the stronger. Twenty thousand democratic assemblies will take care that his rights be not infringed. These ideas make us smile. We recognize the party-man, who, on the verge of the Restoration, when "the whole multitude was mad with desire for a king," published "A Ready and Easy Way to Establish a Free Commonwealth," and described his method at length. We recognize the theorist who, to obtain a law of divorce, only appealed to Scripture, and aimed at transforming the civil constitution of a people by changing the accepted sense of a verse. With closed eyes, sacred text in hand, he advances from consequence to consequence, trampling upon the prejudices inclinations, habits, wants of men, as if a reasoning or religious spirit were the whole man, as if evidence always created belief, as if belief always resulted in practice, as if, in the struggle of doctrines, truth or justice gave doctrines the victory and sovereignty. To cap all, he sketched out a treatise on education, in which he proposed to teach each pupil every science, every art, and, what is more, every virtue. "He who had the art and proper eloquence... might in a short space gain them to an incredible diligence and courage,... infusing into their young breasts such an ingenuous and noble ardour as would not fail to make many of them renowned and matchless men."[123] Milton had taught for many years and at various times. A man must be insensible to experience or doomed to illusions who retains such deceptions after such experiences.

But his obstinacy constituted his power, and the inner constitution, which closed his mind to instruction, armed his heart against weaknesses. With men generally, the source of devotion dries up when in contact with life. Gradually, by dint of frequenting the world, we acquire its tone. We do not choose to be dupes, and to abstain from the license which others allow themselves; we relax our youthful strictness; we even smile, attributing it to our heated blood; we know our own motives, and cease to find ourselves sublime. We end by taking it calmly, and we see the world wag, only trying to avoid shocks, picking up here and there a few little comfortable pleasures. Not so Milton. He lived complete and pure to the end, without loss of heart or weakness; experience could not instruct nor misfortune depress him; he endured all, and repented of nothing. He lost his sight, by his own fault, by writing, though ill, and against the prohibition of his doctors, to justify the English people against the invectives of Salmasius. He saw the funeral of the Republic, the proscription of his doctrines, the defamation of his honor. Around him ran riot, a distaste for liberty, an enthusiasm for slavery. A whole people threw itself at the feet of a young, incapable, and treacherous libertine. The glorious leaders of the Puritan faith were condemned, executed, cut down alive from the gallows, quartered amidst insults; others, whom death had saved from the hangman, were dug up and exposed on the gibbet; others, exiles in foreign lands, lived, threatened and attacked by royalist bullies; others again, more unfortunate, had sold their cause for money and titles, and sat amid the executioners of their former friends. The most pious and austere citizens of England filled the prisons, or wandered about in poverty and shame; and gross vice, impudently seated on the throne, rallied around it a herd of unbridled lusts and sensualities. Milton himself had been constrained to hide; his books had been burned by the hand of the hangman; even after the general act of indemnity he was imprisoned; when set at liberty, he lived in the expectation of being assassinated, for private fanaticism might seize the weapon relinquished by public revenge. Other smaller misfortunes came to aggravate by their stings the great wounds which afflicted him. Confiscations, a bankruptcy, finally, the great fire of London, had robbed him of three-fourths of his fortune;[124] his daughters neither esteemed nor respected him; he sold his books, knowing that his family could not profit by them after his death; and amidst so many private and public miseries, he continued calm. Instead of repudiating what he had done, he gloried in it: instead of being cast down, he increased in firmness. He says, in his twenty-second sonnet:

"Cyriack, this three years day these eyes, though clear,
To outward view, of blemish or of spot,
Bereft of sight, their seeing have forgot;
Nor to their idle orbs doth day appear
Of sun, or moon, or star, throughout the year,
Or man, or woman. Yet I argue not
Against Heaven's hand or will, nor bate one jot
Of heart or hope; but still bear up and steer
Right onward. What supports me, doth thou ask?
The conscience, friend, to have lost them overplied
In liberty's defence, my noble task;
Of which all Europe rings from side to side.
This thought might lead me through the world's vain mask
Content though blind, had I no other guide."[125]

That thought was indeed his guide; he was "armed in himself," and that "breastplate of diamond"[126] which had protected him in his prime against the wounds in battle, protected him in his old age against the temptations and doubts of defeat and adversity.

Section IV.—Milton's Personal Appearance

Milton lived in a small house in London, or in the country, at Horton, in Buckinghamshire, published his "History of Britain," his "Logic," a "Treatise on True Religion and Heresy," meditated his great "Treatise on Christian Doctrine." Of all consolations, work is the most fortifying and the most healthy, because it solaces a man not by bringing him ease, but by requiring him to exert himself. Every morning he had a chapter of the Bible read to him in Hebrew, and remained for some time in silence, grave, in order to meditate on what he had heard. He never went to a place of worship. Independent in religion as in all else, he was sufficient to himself; finding in no sect the marks of the true church, he prayed to God alone, without needing others' help. He studied till mid-day; then, after an hour's exercise, he played the organ or the bass-violin. Then he resumed his studies till six, and in the evening enjoyed the society of his friends. When anyone came to visit him, he was usually found in a room hung with old green hangings, seated in an arm-chair, and dressed neatly in black; his complexion was pale, says one of his visitors, but not sallow; his hands and feet were gouty; his hair, of a light brown, was parted in the midst and fell in long curls; his eyes, gray and clear, showed no sign of blindness. He had been very beautiful in his youth, and his English cheeks, once delicate as a young girl's, retained their color almost to the end. His face, we are told, was pleasing; his straight and manly gait bore witness to intrepidity and courage. Something great and proud breathes out yet from all his portraits; and certainly few men have done so much honor to their kind. Thus went out this noble life, like a setting sun, bright and calm. Amid so many trials, a pure and lofty joy, altogether worthy of him, had been granted to him: the poet, buried under the Puritan, had reappeared, more sublime than ever, to give to Christianity its second Homer. The dazzling dreams of his youth and the reminiscences of his ripe age were found in him, side by side with Calvinistic dogmas and the visions of St. John, to create the Protestant epic of damnation and grace; and the vastness of primitive horizons, the flames of the infernal dungeon, the splendors of the celestial court, opened to the inner eye of the soul unknown regions beyond the sights which the eyes of the flesh had lost.

Section V.—Milton as a Prose Writer