[4] The poetry of this book is more sublime than any part of Virgil, if I have any taste. And if ever I have copied his majestic style, it is here. The compliment he makes Augustus, almost in the beginning, is ill imitated by his successors, Lucan and Statius. They dedicated to tyrants; and their flatteries are gross and fulsome. Virgil's address is both more lofty and more just. In the three last lines of this Georgic, I think I have discovered a secret compliment to the emperor, which none of the commentators have observed. Virgil had just before described the miseries which Rome had undergone betwixt the triumvirs and the commonwealth party: in the close of all, he seems to excuse the crimes committed by his patron Cæsar, as if he were constrained, against his own temper, to those violent proceedings, by the necessity of the times in general, but more particularly by his two partners, Antony and Lepidus,
They were the head-strong horses, who hurried Octavius, the trembling charioteer, along, and were deaf to his reclaiming them. I observe, farther, that the present wars, in which all Europe, and part of Asia, are engaged at present, are waged in the same places here described:
as if Virgil had prophesied of this age.
[5] Dr Carey reads ear. I have not disturbed the text, though his conjecture is ingenious.
[6] Restored by Dr Carey. The first and second editions have other.
[7] First edit. Argos; restored by Dr Carey.
[8] Southern, according to the earlier editions; but, as Dr Carey observes, this must be a mistake of the pen or press.
[9] Dr Carey places a comma after skies, and thus makes come the preterite participle, instead of the verb in the present tense. But I have followed Dryden's punctuation, which gives a plain meaning.
[10] Dr Carey reads serenely, but there is no occasion to disturb the text. The word securely, though bold, is poetical, and implies the reliance which the husbandman places upon the steady and serene radiance of the sun.
ARGUMENT.
The subject of the following book is planting: in handling of which argument, the poet shews all the different methods of raising trees describes their variety, and gives rules for the management of each in particular. He then points out the soils in which the several plants thrive best, and thence takes occasion to run out into the praises of Italy: after which, he gives some directions for discovering the nature of every soil, prescribes rules for dressing of vines, olives, &c. and concludes the Georgic with a panegyric on a country life.[11]